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Container | Contents | ||||||||||||
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Music, 1942-2000 (continued) | |||||||||||||
Music by Other Composers (continued) | |||||||||||||
BOX-FOLDER 119/15 | What's going on? | ||||||||||||
Chord charts | |||||||||||||
BOX-FOLDER 350/4 | What's wrong? | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 119/16 | Whenever I'm not with you | ||||||||||||
Chord chart, bass part | |||||||||||||
BOX-FOLDER 119/17 | Where would I be? | ||||||||||||
Saxophone parts | |||||||||||||
BOX-FOLDER 119/18 | Wilkommen | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 119/19 | You are too beautiful | ||||||||||||
Organ part | |||||||||||||
BOX-FOLDER 119/20 | You ban the bomb | ||||||||||||
Score, parts | |||||||||||||
BOX-FOLDER 119/21-22 | Unidentified | ||||||||||||
Score, lead sheet, and part fragments | |||||||||||||
BOX 122-125, 127-128, 132-155 | Writings, 1945-2001 | ||||||||||||
Speeches, articles, lectures and public statements by Taylor; Taylor's dissertation; articles, clippings, reviews, and publicity materials about Taylor; projects, programs, and proposals; reports, studies, surveys; research papers; stage and screen materials. | |||||||||||||
BOX 122-124, 128, 132-137, 141, 148 | Writings by Billy Taylor, 1956-2000 | ||||||||||||
BOX 132 | Addresses and Speeches | ||||||||||||
BOX-FOLDER 132/1a | Addresses to graduating classes, undated | ||||||||||||
Holograph in pencil and typewritten manuscripts | |||||||||||||
Graduating classes not identified. | |||||||||||||
BOX-FOLDER 132/2 | Address to young musicians, undated | ||||||||||||
BOX-FOLDER 132/3 | Arts & Business Council, undated | ||||||||||||
BOX-FOLDER 132/4 | Baltimore Alumni Chapter, Kappa Alpha Psi, undated | ||||||||||||
BOX-FOLDER 132/5 | Berklee graduating class, undated | ||||||||||||
BOX-FOLDER 132/6 | “Summer is a special time for music ...” undated | ||||||||||||
(2 copies) | |||||||||||||
BOX-FOLDER 132/7 | Testimony before the Sub-Committee on Select Education, undated | ||||||||||||
BOX 132, 141, 148 | Articles | ||||||||||||
BOX-FOLDER 132/9 | "The arts: for whom and from whom?" undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/10 | "Back in the sixties ..." undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/11 | "Billy Taylor jazz improvisation," undated | ||||||||||||
Photocopy | |||||||||||||
A series of eighteen articles published in Contemporary Keyboard magazine. | |||||||||||||
BOX-FOLDER 132/12 | "Billy Taylor talks piano," Jan. 1981 | ||||||||||||
(3 copies) | |||||||||||||
Reprint from Up Beat. | |||||||||||||
BOX-FOLDER 132/13 | "Black radio ... public management and responsibility," June 1973 | ||||||||||||
From Muses. | |||||||||||||
BOX-FOLDER 141/2 | "Blues piano," Contemporary Keyboard (Sept. 1979): p. 72 | ||||||||||||
BOX-FOLDER 132/14 | "The business of jazz," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/15 | "Chromatics," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/16 | "Count Basie - an appreciation," undated | ||||||||||||
Holograph in pencil | |||||||||||||
BOX-FOLDER 132/17 | "Count Basie - an appreciation," undated | ||||||||||||
Typewritten manuscript (2 copies) | |||||||||||||
BOX-FOLDER 132/18 | "Count Basie: the gentleman from Redbank," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/19 | "Critical issue in art," undated | ||||||||||||
Holograph in pencil | |||||||||||||
BOX-FOLDER 148/1 | “Dear jazz lover...” Jan. 2000 | ||||||||||||
From Kennedy Center Jazz. | |||||||||||||
BOX-FOLDER 141/3 | "Focus on jazz," Harper's Bazaar (June 1973): p. 57 | ||||||||||||
BOX-FOLDER 141/4 | "Is jazz America's classical music?" Ovation (July 1982): p.11 | ||||||||||||
BOX-FOLDER 132/20 | "Is jazz America's classical music?, 1982 | ||||||||||||
From Ovation magazine. | |||||||||||||
BOX-FOLDER 132/21 | "The jam session," undated | ||||||||||||
Holograph in pencil | |||||||||||||
BOX-FOLDER 132/21 | "The jam session," undated | ||||||||||||
Manuscript in ink | |||||||||||||
BOX-FOLDER 132/22 | "Jazz," April 1982 | ||||||||||||
(2 bound copies) | |||||||||||||
From The Musical Quarterly. | |||||||||||||
BOX-FOLDER 132/23-24 | "Jazz, America's classical music," undated | ||||||||||||
Typewritten manuscripts (5 copies) | |||||||||||||
BOX-FOLDER 132/25 | "Jazz: America's classical music," 1983 | ||||||||||||
(2 copies) | |||||||||||||
Reprint from Billy Taylor's Jazz piano: a jazz history. | |||||||||||||
BOX-FOLDER 132/26 | "Jazz: America's classical music," undated | ||||||||||||
From The Black Perspective in Music. | |||||||||||||
BOX-FOLDER 132/27 | "Jazz as a metaphor for American culture," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 141/5 | "Jazz improvisation: Count Basie - an appreciation," Contemporary Keyboard (Nov. 1979): p. 77 | ||||||||||||
BOX-FOLDER 141/6 | "Jazz improvisation: voicings for large hands," Contemporary Keyboard (Oct. 1979): p. 91 | ||||||||||||
(2 copies) | |||||||||||||
BOX-FOLDER 132/28 | "Jazz is America's classical music," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/29 | "Jazz is America's classical music," undated | ||||||||||||
Photocopy | |||||||||||||
BOX-FOLDER 132/30 | "Jazz is hard to beat this year," June 4, 1974 | ||||||||||||
Photocopy of news clipping | |||||||||||||
BOX-FOLDER 141/7 | "Jazz piano today and tomorrow," Saturday Review Magazine (March 17, 1956): p. 36 | ||||||||||||
(2 copies) | |||||||||||||
BOX-FOLDER 132/31 | "Jazzmobile," undated | ||||||||||||
Holograph in pencil | |||||||||||||
BOX-FOLDER 141/8 | "Jazzmobile: twenty years of progress," Harlem Week Magazine (Aug. 1989): p. 36 | ||||||||||||
BOX-FOLDER 132/32 | "Music in our schools," undated | ||||||||||||
Photocopy | |||||||||||||
Issued by the Government Printing Office. | |||||||||||||
BOX-FOLDER 132/33 | "My first 50 years in jazz," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/34 | "My first 50 years in jazz," undated | ||||||||||||
Published by GRP Records, Inc. | |||||||||||||
BOX-FOLDER 132/35 | "Negroes don't know anything about jazz," undated | ||||||||||||
Photocopy | |||||||||||||
BOX-FOLDER 132/36 | "On the bandstand with Bird," July 1996 | ||||||||||||
Photocopy | |||||||||||||
From Live magazine. | |||||||||||||
BOX-FOLDER 132/8 | "A participant recounts the 1940's revolution in American classical music," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 141/9 | "Piano panorama: insights into the ivories," Downbeat Magazine (March 10, 1977): p. 19 | ||||||||||||
BOX-FOLDER 141/10 | "Progressive jazz," Downbeat Magazine (March 7, 1956): p. 11 | ||||||||||||
BOX-FOLDER 132/37 | "Ragtime," undated | ||||||||||||
Typewritten manuscript (3 copies) | |||||||||||||
BOX-FOLDER 132/38 | "The subject is jazz," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/30 | "Summer is special for music," undated | ||||||||||||
Photocopy of news clipping | |||||||||||||
BOX-FOLDER 132/39 | "This is progressive jazz," undated | ||||||||||||
Printed (7 copies) | |||||||||||||
BOX-FOLDER 141/1 | "A tribute to Art Tatum," Toledo Magazine (June 30, 1985): p. 7 | ||||||||||||
(2 copies) | |||||||||||||
BOX-FOLDER 141/11 | "We're wasting a national resource," Billboard Magazine (Feb. 1, 1986): p. 10 | ||||||||||||
BOX-FOLDER 132/40 | "What a year!" undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/41 | "Women in jazz," undated | ||||||||||||
Typewritten manuscript | |||||||||||||
BOX-FOLDER 132/42 | "Women in jazz," undated | ||||||||||||
Photocopy of printed article | |||||||||||||
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