The Library of Congress >  Researchers >  Search Finding Aids  >  Mary Virginia Foreman Le Garrec collection on Artur Schnabel, 1893-1996
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Music Scores, 1893-1986, undated (continued)
Published and Photoreproduced Scores of Works by Schnabel, 1904-1986, undated (continued)
Tanzlied, op. 11, no. 10 [from Zehn Lieder], for voice and piano; German lyrics by Otto Julius Bierbaum. Leipzig: C.G. Röder, undated (continued)
Photoreproduction of score; 2 p.
BOX-FOLDER 3/4 Trio, for violin, violoncello, and piano. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from copyist’s manuscript; plastic spiral bound; 2, 56 p.
Page two preceding the score carries annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 3/5 Trio, for violin, violoncello, and piano, undated
Photoreproduction, unbound, of copyist’s manuscript score; 56 p./leaves
BOX-FOLDER 3/6 Trio, for violin, viola, and violoncello. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), undated
Score; plastic spiral bound; 2, 30 p.
Reprint of score originally published by Boosey & Hawkes, Inc., New York, 1960.
BOX-FOLDER 3/7 Das Veilchen an den spanisches Flieder, op. 11, no. 9 [from Zehn Lieder], for voice and piano; German lyrics by Hanns Sachs. Berlin: Verlag Dreililien, undated
Score; 1, 4 p.
The score carries annotations throughout, including an English language version of the song’s lyrics, in pencil and in black ink, in the hand of MVFLG.
BOX-FOLDER 3/8 Wunder, op. 11, no. 1 [from Zehn Lieder], for voice and piano; German lyrics by Werner Wolffheim, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink and pencil, in the hand of MVFLG for an English translation of the song’s original lyrics.
BOX 3-5 Published and Photoreproduced Scores of Works by Other Composers, 1893-1932, undated
BOX-FOLDER 3/9 Bach, Johann Sebastian. Klavierwerke: Toccata, BWV 912; Fantasie, BWV 906; Chromatische Fantasie und Fuge, BWV 903, for piano solo. [Leipzig:] Steingräber Verlag, undated
Score (incomplete: pages 82-93 [includes pages 81 and 94 as well], 107-109, and 110-120 [incomplete], respectively)
These pages carry an identical plate number: “149.”
Contains extensive performance indications throughout, in pencil and in black ink, in the hands of Schnabel and of MVFLG.
In extremely fragile condition.
BOX-FOLDER 3/10 Bach, Johann Sebastian. Partitas, v. 1, for piano solo. Edited by Czerny, Griepenkel, and Roitzsch (Schirmer’s Library of Musical Classics, v. 20). New York: G. Schirmer, Inc., 1908
Score; 6, 51 p. (lacking p. 1-2)
Contains performance indications, in pencil, in Schnabel’s hand.
BOX-FOLDER 3/11 Bach, Johann Sebastian. Das Wohltemperierte Klavier, v. 1 [Klavierwerke, Band V; BWV 846-869], for piano solo. Edited by Hans Bischoff. Leipzig: Steingräber Verlag, undated
Score; 115 p. (incomplete at end)
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
In fragile condition.
BOX-FOLDER 3/12 Beethoven, Ludwig van. Sonatas, op. 5 (nos. 1, 2), 69, 102 (nos. 1, 2). Sonatas for pianoforte and violoncello, for violoncello and piano. Edited by Leo Schulz. New York: G. Schirmer, Inc., 1905; reprint 1932
Score; 144 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand (according to annotations on the score’s cover page and page two, in black ink, in the hand of MVFLG).
In extremely fragile condition.
BOX-FOLDER 3/13 Beethoven, Ludwig van. Sonata, op. 10, no. 3 [Klaviersonate, nr. 7, D-dur], for piano solo. Edited by Artur Schnabel. Berlin: Verlag Ullstein, 1924
Score; 27 p.
Contains performance indications throughout, in pencil, in the hand of MVFLG.
In fragile condition.
BOX-FOLDER 3/14 Beethoven, Ludwig van. Sonata, op. 28 [Klaviersonate, nr. 15, D-dur], for piano solo. Edited by Artur Schnabel. Berlin: Verlag Ullstein, 1926
Score; 28 p.
Contains performance indications throughout, in pencil (in the hand of MVFLG?).
In extremely fragile condition.
BOX-FOLDER 4/1 Brahms, Johannes. Intermezzi [Drei Intermezzi], op. 117, for piano solo. Edited by Emil von Sauer. Leipzig: C.F. Peters, undated
Score; 13 p.
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
BOX-FOLDER 4/2 Brahms, Johannes. Klavierstücke, op. 118, for piano solo. Edited by M. Mayer-Mahr. Berlin/Leipzig: N. Simrock, 1925 and New York: Associated Music Publishers, Inc., 1928
Score; 28 p.
Contains performance indications, in pencil.
BOX-FOLDER 4/3 Brahms, Johannes. Klavierstücke [Vier Klavierstücke], op. 119, for piano solo. Edited by M. Mayer-Mahr. Leipzig: N. Simrock, 1925
Score; 23 p.
Contains performance indications, in pencil.
In fragile condition.
BOX-FOLDER 4/4 Brahms, Johannes. Phantasien, op. 116, for piano solo. Edited by Emil von Sauer. Leipzig: C.F. Peters, undated
Score; 25 p.
Contains performance indications, in pencil, in Schnabel’s hand.
BOX-FOLDER 4/5 Brahms, Johannes. Rhapsodies [Two Rhapsodies], op. 79, for piano solo. Boston: B.F. Wood Music Co., undated
Score; 23 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand.
Cover page carries an inscription, in black ink, in the hand of MVFLG: “Markings in all Brahms by Schnabel / During his recordings of Brahms, he used this music. M.V.F. 1993.”
BOX-FOLDER 4/6 Mozart, Wolfgang Amadeus. Concerto, K. 466 [Concert, D moll], for piano and orchestra. Arranged and edited by Franz Kullak for two pianos. Leipzig: Steingräber Verlag, 1900
Score; 50 p.
Contains extensive performance indications throughout, in pencil, in Schnabel’s hand.
Cover page carries annotations, in black and blue inks, in the hand of MVFLG: Schnabel’s Berlin address (“Charlottenberg, Wielandstrasse 14”); and “His [Schnabel’s] personal copy from 1890's - The first he played - M.V.F.”
In extremely fragile condition.
BOX-FOLDER 4/7 Mozart, Wolfgang Amadeus. Rondo, K. 511, for piano solo. [Leipzig:] C.F. Peters, undated
Score (incomplete: pages 35-46 only: extracted from larger edition)
Contains performance indications, in pencil, in Schnabel’s hand (according to annotation on page 35 – the de facto cover page – in blue and black ink, in the hand of MVFLG: “All marks by A. Schnabel.”).
In fragile condition.
BOX-FOLDER 4/8 Mozart, Wolfgang Amadeus. Sonatas, K. 279, 280, 281, 282, 283, 284, 309, 310, 311, 330 [Sonaten und Phantasien für Klavier, Erster Band], for piano solo. Preface by Ernst Rudorff. Leipzig: Breitkopf & Härtel, undated
Score (Urtext edition); 2, 119 p.
Contains extensive performance indications throughout, in pencil and blue inks, in the hands of Schnabel and MVFLG.
In fragile condition.
BOX-FOLDER 4/9 Mozart, Wolfgang Amadeus. Sonatas, K. 331, 332, 333, 457, 545, 570, 576; Phantasies, K. 394 (no. 1 “mit Fuge”), 396 (no. 2), 397 (no. 3), 475 (no. 4) [Sonaten und Phantasien für Klavier, Zweiter Band], for piano solo. Preface by Ernst Rudorff. Leipzig: Breitkopf & Härtel, undated
Score (Urtext edition); 2, 113 p.
Contains extensive performance indications throughout, in pencil and blue inks, in the hands of Schnabel and MVFLG.
In extremely fragile condition.
BOX-FOLDER 4/10 Mozart, Wolfgang Amadeus. Sonatas, K. 381, 358, 497, 521; Fantasias, K. 594, 608; Variationen, K. 501; Fuge, K. 401. [Original-Kompositionen. Klavier zu 4 Händen], for piano four hands. Edited by Adolf Ruthardt. Leipzig: C.F. Peters, undated
Score; 112 p.
Contains performance indications throughout, in pencil, in Schnabel's hand (according to an annotation on the score’s cover, in black ink, in the hand of MVFLG: “Markings by Artur Schnabel.”).
In fragile condition.
BOX-FOLDER 4/11 Schubert, Franz. Fantaisie, op. 103; Grand Rondeau, op. 107; Deux Marches caractéristiques, op. 121; Rondeau, op. 138; Grand duo, op. 140; Allegro, op. 144; Fugue, op. 152 [Original-Kompositionen. Klavier zu 4 Händen. Band III], for piano four hands. Leipzig: C.F. Peters, undated
Score; 136 p.
Contains performance indications throughout in the hands of Schnabel (in pencil) and of MVFLG (in pencil and in black ink).
In fragile condition.
BOX-FOLDER 4/12 Schubert, Franz. Fantaisie, op. 159, for violin and piano. Braunschweig: Henry Litolff, undated
Score (31 p.) and part (11 p.)
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
BOX-FOLDER 5/1 Schubert, Franz. Impromptus, op. 90 [D. 899], 142 [D. 935]; Moments musicaux, op. 94 [D. 780], for piano solo. Boston: B.F. Wood Music Corp., undated
Score; 99 p. (incomplete at end)
Indication on cover, in black ink, in the hand of MVFLG: “All markings by hand by Artur Schnabel...,” although markings that appear throughout the score, in pencil, appear to be in the hands of both Schnabel and MVFLG.
In extremely fragile condition.
BOX-FOLDER 5/2 Schubert, Franz. Sonatas, op. 78 [D. 894], 164 [D. 537], and three posthumous opuses [D. 958, 959, 960] [Sonatas for Piano, Part II], for piano solo. New York: Edwin F. Kalmus, undated
Score; 3, 131 p. (numbered pages 140-271)
Contains performance indications, in pencil and in blue ink, in the hands of both Schnabel and MVFLG.
BOX-FOLDER 5/3 Schumann, Robert. Arabeske, op. 18, for piano solo. Edited by Max Vogrich. New York: G. Schirmer, Inc., 1893; reprint 1924
Score; 9 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand.
End cover page carries an inscription, in pencil, in the hand of MVFLG: “Eusebius Mandyczewski - A.S.’s composition teacher.”
BOX-FOLDER 5/4 Schumann, Robert. Davidsbündler, op. 6, for piano solo. Leipzig: Breitkopf & Härtel, undated (“First edition”)
Score; 27 p.
Contains performance indications throughout, in pencil and in black ink.
BOX-FOLDER 5/5 Schumann, Robert. Kinderscenen, op. 15, for piano solo. Boston: B.F. Wood Music Co., undated
Score; incomplete: pages 60-72 only
According to notes on the cover and title pages, in black ink, in the hand of MVFLG, performance indications in this score were made by Schnabel and by Clyde Stephens, MVFLG’s teacher while attending the University of Minnesota.
The score also contains performance indications, in pencil, in the hand of MVFLG.
BOX-FOLDER 5/6 Schumann, Robert. Phantasie, op. 17, for piano solo. Leipzig: Breitkopf & Härtel, undated
Score; 31 p.
Contains performance indications, in pencil, that were made (according to an annotation on the score’s cover page, in black ink, in the hand of MVFLG) by “Leonard Shure [,] assistant of A. Schnabel.”
BOX-FOLDER 5/7 Schumann, Robert. Variations on the name “Abegg,” op. 1; Papillons, op. 2, for piano solo. Edited by Max Vogrich (Schirmer’s Library of Musical Classics, v. 23). New York: G. Schirmer, Inc., 1914
Score; 32 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand.
BOX 5 Facsimile Editions, 1921-1923, undated
BOX-FOLDER 5/8 Beethoven, Ludwig van. Sonata, op. 57, “Appassionata,” for piano solo. Paris: Editions d’Art H. Piazza, undated
Facsimile edition of holograph manuscript; 45 p. (numbered copy 475 of 500 printed editions)
Notation on verso of cover indicates that Schnabel gave this score to MVFLG.
Includes a concert program affixed to the verso of the cover from the Philharmonic-Symphony Society of New York, program of 20 and 21 February 1936, carries annotations, in pencil and in ink, in the hand of MVFLG, indicating that this particular concert marked “[Rudolf] Serkin’s début in U.S.A.”
Photoreproduced letter of “Baillot fils,” in French, affixed to verso of cover.
BOX-FOLDER 5/9 Beethoven, Ludwig van. Sonata, op. 78 [Klaviersonate, Fis-dur], for piano solo. München: Drei Masken Verlag, 1923
Facsimile edition of holograph manuscript; 17 p.
Notation on verso of cover indicates that Schnabel gave this score to MVFLG.
BOX-FOLDER 5/10 Beethoven, Ludwig van. Sonata, op. 111 [Klaviersonate, C-moll], for piano solo. München: Drei Masken Verlag, 1922
Facsimile edition of holograph manuscript; 41 p.
Notation on verso of cover indicates that Schnabel gave this score to MVFLG.
BOX-FOLDER 5/11 Mozart, Wolfgang Amadeus. Trio, K. 542 [Klavier-Trios, E-dur], for violin, violoncello, and piano. München: Drei Masken Verlag, 1921
Facsimile edition of holograph manuscript; 27 p.
Notation on verso of cover indicates that this score was given by Schnabel to MVFLG.
BOX 9 Correspondence
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