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Music Scores,
1893-1986, undated
(continued) |
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Published and Photoreproduced Scores of Works by Other Composers, 1893-1932, undated
(continued) |
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Mozart, Wolfgang Amadeus. Rondo, K. 511, for piano solo. [Leipzig:] C.F. Peters,
undated
(continued) |
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Contains performance indications, in pencil, in Schnabel’s hand (according to annotation on page 35 – the de facto cover page – in blue and black ink, in the hand of MVFLG: “All marks by A. Schnabel.”). |
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In fragile condition. |
BOX-FOLDER 4/8 |
Mozart, Wolfgang Amadeus. Sonatas, K. 279, 280, 281, 282, 283, 284, 309, 310, 311, 330 [Sonaten und Phantasien für Klavier, Erster Band], for piano solo. Preface by Ernst Rudorff. Leipzig: Breitkopf & Härtel,
undated
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Score (Urtext edition); 2, 119 p. |
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Contains extensive performance indications throughout, in pencil and blue inks, in the hands of Schnabel and MVFLG. |
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In fragile condition. |
BOX-FOLDER 4/9 |
Mozart, Wolfgang Amadeus. Sonatas, K. 331, 332, 333, 457, 545, 570, 576; Phantasies, K. 394 (no. 1 “mit Fuge”), 396 (no. 2), 397 (no. 3), 475 (no. 4) [Sonaten und Phantasien für Klavier, Zweiter Band], for piano solo. Preface by Ernst Rudorff. Leipzig: Breitkopf & Härtel,
undated
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Score (Urtext edition); 2, 113 p. |
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Contains extensive performance indications throughout, in pencil and blue inks, in the hands of Schnabel and MVFLG. |
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In extremely fragile condition. |
BOX-FOLDER 4/10 |
Mozart, Wolfgang Amadeus. Sonatas, K. 381, 358, 497, 521; Fantasias, K. 594, 608; Variationen, K. 501; Fuge, K. 401. [Original-Kompositionen. Klavier zu 4 Händen], for piano four hands. Edited by Adolf Ruthardt. Leipzig: C.F. Peters,
undated
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Score; 112 p. |
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Contains performance indications throughout, in pencil, in Schnabel's hand (according to an annotation on the score’s cover, in black ink, in the hand of MVFLG: “Markings by Artur Schnabel.”). |
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In fragile condition. |
BOX-FOLDER 4/11 |
Schubert, Franz. Fantaisie, op. 103; Grand Rondeau, op. 107; Deux Marches caractéristiques, op. 121; Rondeau, op. 138; Grand duo, op. 140; Allegro, op. 144; Fugue, op. 152 [Original-Kompositionen. Klavier zu 4 Händen. Band III], for piano four hands. Leipzig: C.F. Peters,
undated
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Score; 136 p. |
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Contains performance indications throughout in the hands of Schnabel (in pencil) and of MVFLG (in pencil and in black ink). |
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In fragile condition. |
BOX-FOLDER 4/12 |
Schubert, Franz. Fantaisie, op. 159, for violin and piano. Braunschweig: Henry Litolff,
undated
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Score (31 p.) and part (11 p.) |
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Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG. |
BOX-FOLDER 5/1 |
Schubert, Franz. Impromptus, op. 90 [D. 899], 142 [D. 935]; Moments musicaux, op. 94 [D. 780], for piano solo. Boston: B.F. Wood Music Corp.,
undated
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Score; 99 p. (incomplete at end) |
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Indication on cover, in black ink, in the hand of MVFLG: “All markings by hand by Artur Schnabel...,” although markings that appear throughout the score, in pencil, appear to be in the hands of both Schnabel and MVFLG. |
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In extremely fragile condition. |
BOX-FOLDER 5/2 |
Schubert, Franz. Sonatas, op. 78 [D. 894], 164 [D. 537], and three posthumous opuses [D. 958, 959, 960] [Sonatas for Piano, Part II], for piano solo. New York: Edwin F. Kalmus,
undated
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Score; 3, 131 p. (numbered pages 140-271) |
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Contains performance indications, in pencil and in blue ink, in the hands of both Schnabel and MVFLG. |
BOX-FOLDER 5/3 |
Schumann, Robert. Arabeske, op. 18, for piano solo. Edited by Max Vogrich. New York: G. Schirmer, Inc.,
1893; reprint 1924
|
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Score; 9 p. |
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Contains performance indications throughout, in pencil, in Schnabel’s hand. |
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End cover page carries an inscription, in pencil, in the hand of MVFLG: “Eusebius Mandyczewski - A.S.’s composition teacher.” |
BOX-FOLDER 5/4 |
Schumann, Robert. Davidsbündler, op. 6, for piano solo. Leipzig: Breitkopf & Härtel,
undated (“First edition”)
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Score; 27 p. |
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Contains performance indications throughout, in pencil and in black ink. |
BOX-FOLDER 5/5 |
Schumann, Robert. Kinderscenen, op. 15, for piano solo. Boston: B.F. Wood Music Co.,
undated
|
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Score; incomplete: pages 60-72 only |
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According to notes on the cover and title pages, in black ink, in the hand of MVFLG, performance indications in this score were made by Schnabel and by Clyde Stephens, MVFLG’s teacher while attending the University of Minnesota. |
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The score also contains performance indications, in pencil, in the hand of MVFLG. |
BOX-FOLDER 5/6 |
Schumann, Robert. Phantasie, op. 17, for piano solo. Leipzig: Breitkopf & Härtel,
undated
|
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Score; 31 p. |
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Contains performance indications, in pencil, that were made (according to an annotation on the score’s cover page, in black ink, in the hand of MVFLG) by “Leonard Shure [,] assistant of A. Schnabel.” |
BOX-FOLDER 5/7 |
Schumann, Robert. Variations on the name “Abegg,” op. 1; Papillons, op. 2, for piano solo. Edited by Max Vogrich (Schirmer’s Library of Musical Classics, v. 23). New York: G. Schirmer, Inc.,
1914
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Score; 32 p. |
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Contains performance indications throughout, in pencil, in Schnabel’s hand. |
BOX 5 |
Facsimile Editions, 1921-1923, undated
|
BOX-FOLDER 5/8 |
Beethoven, Ludwig van. Sonata, op. 57, “Appassionata,” for piano solo. Paris: Editions d’Art H. Piazza,
undated
|
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Facsimile edition of holograph manuscript; 45 p. (numbered copy 475 of 500 printed editions) |
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Notation on verso of cover indicates that Schnabel gave this score to MVFLG. |
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Includes a concert program affixed to the verso of the cover from the Philharmonic-Symphony Society of New York, program of 20 and 21 February 1936, carries annotations, in pencil and in ink, in the hand of MVFLG, indicating that this particular concert marked “[Rudolf] Serkin’s début in U.S.A.” |
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Photoreproduced letter of “Baillot fils,” in French, affixed to verso of cover. |
BOX-FOLDER 5/9 |
Beethoven, Ludwig van. Sonata, op. 78 [Klaviersonate, Fis-dur], for piano solo. München: Drei Masken Verlag,
1923
|
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Facsimile edition of holograph manuscript; 17 p. |
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Notation on verso of cover indicates that Schnabel gave this score to MVFLG. |
BOX-FOLDER 5/10 |
Beethoven, Ludwig van. Sonata, op. 111 [Klaviersonate, C-moll], for piano solo. München: Drei Masken Verlag,
1922
|
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Facsimile edition of holograph manuscript; 41 p. |
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Notation on verso of cover indicates that Schnabel gave this score to MVFLG. |
BOX-FOLDER 5/11 |
Mozart, Wolfgang Amadeus. Trio, K. 542 [Klavier-Trios, E-dur], for violin, violoncello, and piano. München: Drei Masken Verlag,
1921
|
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Facsimile edition of holograph manuscript; 27 p. |
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Notation on verso of cover indicates that this score was given by Schnabel to MVFLG. |
BOX 9 |
Correspondence
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Correspondence of Artur Schnabel
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BOX-FOLDER 9/1 |
Curzon, Clifford
|
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(2 items) |
BOX-FOLDER 9/2 |
Firkušný, Rudolf
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(1 item) |
BOX-FOLDER 9/3 |
Foreman Le Garrec, Mary Virginia
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(11 items) |
BOX-FOLDER 9/4 |
Schoenberg, Arnold (copy only)
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(1 item) |
BOX-FOLDER 9/5 |
Miscellaneous; unidentified
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(23 items) |
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Correspondence of Mary Virginia Foreman Le Garrec
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BOX-FOLDER 9/6 |
Eisner, Bruno
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(1 item) |
BOX-FOLDER 9/7 |
Fournier, Pierre
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(3 items) |
BOX-FOLDER 9/8 |
Liebowitz, René
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(1 item) |
BOX-FOLDER 9/9 |
Mannes, Leopold |
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(4 items) |
BOX-FOLDER 9/10 |
Miller, Arthur |
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(6 items) |
BOX-FOLDER 9/11 |
Mitropoulos, Dimitri |
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(2 items) |
BOX-FOLDER 9/12 |
Rostra-Hérold, Elizabeth [Ellie] |
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(31 items) |
BOX-FOLDER 9/13 |
Stiedry, Fritz
|
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(1 item) |
BOX-FOLDER 9/14 |
Turner, W.J. |
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(14 items) |
BOX-FOLDER 9/15 |
Wolff, Konrad |
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(3 items) |
BOX-FOLDER 9/16 |
Miscellaneous; unidentified
|
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(22 items) |
BOX 9-10 |
Writings, 1942-1996, undated
|
BOX 9 |
Writings of Artur Schnabel, 1942, 1949, undated
|
BOX-FOLDER 9/17 |
The cadenza - the improvisation, 7 August 1942
|
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In blue ink; 5 leaves |
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Holograph correspondence to Elinor Nef. |
BOX-FOLDER 9/18 |
Harvard Lectures, introductory material, in the hand of MVFLG, 1949
|
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In blue and black inks; 1 p. |
BOX-FOLDER 9/18 |
Harvard Lectures, 1949
|
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Original typescript, in black ink; 11 p. |
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Contains holograph annotations (“Part One”). |
BOX-FOLDER 9/18 |
Harvard Lectures, 1949
|
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Typescript (original and carbon copies), in black ink; 12 p. |
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Contains holograph annotations (“Part Two”). |
BOX-FOLDER 9/18 |
Harvard Lectures, 1949
|
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Holograph drafts, in pencil; 36 leaves |
BOX-FOLDER 9/19 |
“Impressions of the Edinburgh Festival,” undated
|
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In 2 leaves |
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Published article from unidentified publication (Edinburgh Festival program?). |
BOX-FOLDER 9/20 |
“Recollections of our time”
|
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Typescript (carbon copies), 11, 7, 8 p.; original typescript, 12, 8, 8 p. |
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Emendations appear throughout in the hand of MVFLG; a small note in her hand is also included. |
BOX-FOLDER 9/21 |
“Schubert Sonatas: a Musician Discusses Reasons for Relative Neglect of Piano Works,” 1942
|
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Published article (newspaper clipping) from the New York Times. |
BOX-FOLDER 9/22 |
“What’s wrong with music critics,” 10 January 1942
|
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3 leaves |
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Published article from the Saturday Review of Literature. |
BOX-FOLDER 9/23 |
Miscellaneous text and music material in Schnabel’s hand
|
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11 leaves |
BOX-FOLDER 9/24 |
Autographs of Schnabel (collected by MVFLG from correspondence fragments); calling cards
|
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15 items |
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