Container | Contents | ||||||||||||
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Writings, 1942-1996, undated (continued) | |||||||||||||
BOX 9 | Writings of Artur Schnabel, 1942, 1949, undated | ||||||||||||
BOX-FOLDER 9/17 | The cadenza - the improvisation, 7 August 1942 | ||||||||||||
In blue ink; 5 leaves | |||||||||||||
Holograph correspondence to Elinor Nef. | |||||||||||||
BOX-FOLDER 9/18 | Harvard Lectures, introductory material, in the hand of MVFLG, 1949 | ||||||||||||
In blue and black inks; 1 p. | |||||||||||||
BOX-FOLDER 9/18 | Harvard Lectures, 1949 | ||||||||||||
Original typescript, in black ink; 11 p. | |||||||||||||
Contains holograph annotations (“Part One”). | |||||||||||||
BOX-FOLDER 9/18 | Harvard Lectures, 1949 | ||||||||||||
Typescript (original and carbon copies), in black ink; 12 p. | |||||||||||||
Contains holograph annotations (“Part Two”). | |||||||||||||
BOX-FOLDER 9/18 | Harvard Lectures, 1949 | ||||||||||||
Holograph drafts, in pencil; 36 leaves | |||||||||||||
BOX-FOLDER 9/19 | “Impressions of the Edinburgh Festival,” undated | ||||||||||||
In 2 leaves | |||||||||||||
Published article from unidentified publication (Edinburgh Festival program?). | |||||||||||||
BOX-FOLDER 9/20 | “Recollections of our time” | ||||||||||||
Typescript (carbon copies), 11, 7, 8 p.; original typescript, 12, 8, 8 p. | |||||||||||||
Emendations appear throughout in the hand of MVFLG; a small note in her hand is also included. | |||||||||||||
BOX-FOLDER 9/21 | “Schubert Sonatas: a Musician Discusses Reasons for Relative Neglect of Piano Works,” 1942 | ||||||||||||
Published article (newspaper clipping) from the New York Times. | |||||||||||||
BOX-FOLDER 9/22 | “What’s wrong with music critics,” 10 January 1942 | ||||||||||||
3 leaves | |||||||||||||
Published article from the Saturday Review of Literature. | |||||||||||||
BOX-FOLDER 9/23 | Miscellaneous text and music material in Schnabel’s hand | ||||||||||||
11 leaves | |||||||||||||
BOX-FOLDER 9/24 | Autographs of Schnabel (collected by MVFLG from correspondence fragments); calling cards | ||||||||||||
15 items | |||||||||||||
BOX 9-10 | Writings of Mary Virginia Foreman Le Garrec, 1961, 1996 | ||||||||||||
BOX-FOLDER 9/25 | Artur Schnabel remembered, 1961, 1996 | ||||||||||||
Original typescript (first section); i, 47 p. | |||||||||||||
Contains emendations in blue and black inks in the hand of MVFLG. The original typescript is dated 1961; a handwritten note (in black ink, in the hand of MVFLG) dated 1996, was subsequently added to the typescript. | |||||||||||||
BOX-FOLDER 9/26 | Artur Schnabel remembered, 1961/1996 | ||||||||||||
Original typescript (second section), pages 47bis-239 | |||||||||||||
BOX-FOLDER 9/27 | Artur Schnabel remembered, 1961/1996 | ||||||||||||
Original typescript (second section); pages 240-430 | |||||||||||||
BOX-FOLDER 9/28 | Artur Schnabel remembered, French translation (Artur Schnabel: souvenirs et lettres) of first section by Yves Le Garrec, 1961/1996 | ||||||||||||
Original typescript, 69 p. | |||||||||||||
BOX-FOLDER 10/1 | History of a Love Affair, May 1993, Biarritz, France | ||||||||||||
Bound notebook in 68 numbered pages; in black ink | |||||||||||||
Entirely in MVFLG’s hand. | |||||||||||||
BOX-FOLDER 10/2 | Miscellaneous notes regarding Schnabel’s compositions | ||||||||||||
7 (holograph), 1 (photoreproduction) leaves | |||||||||||||
BOX 10 | Concert Programs and Tours, 1933-1951, undated | ||||||||||||
BOX-FOLDER 10/3 | Concert programs, featuring Schnabel as performer, 1933-1939 | ||||||||||||
(65 items) | |||||||||||||
BOX-FOLDER 10/4 | Concert programs, featuring Schnabel as performer, 1940-1951 | ||||||||||||
(53 items) | |||||||||||||
BOX-FOLDER 10/5 | Concert programs, featuring Schnabel’s compositions | ||||||||||||
(25 items) | |||||||||||||
BOX-FOLDER 10/6 | Concert tours of Schnabel: itineraries, material in Schnabel’s hand | ||||||||||||
27 leaves | |||||||||||||
BOX 10 | Biographical Materials | ||||||||||||
BOX-FOLDER 10/7 | Schnabel's pupils: lists, concert programs, publicity information, clippings | ||||||||||||
(19 items) | |||||||||||||
BOX-FOLDER 10/8 | Memorials to Schnabel | ||||||||||||
(13 items) | |||||||||||||
BOX-FOLDER 10/9 | Miscellaneous biographical material in the hand of Mary Virginia Foreman LeGarrec | ||||||||||||
(16 items) | |||||||||||||
BOX 10-11 | Press Clippings, Published Articles, and Monographs, circa 1920-circa 1990, undated | ||||||||||||
BOX-FOLDER 10/10 | Press clippings: Schnabel as performer, 1920s-1930s | ||||||||||||
(73 pages/items) | |||||||||||||
BOX-FOLDER 10/11 | Press clippings: Schnabel as performer, 1940s-1990s | ||||||||||||
(85 pages/items) | |||||||||||||
BOX-FOLDER 10/12 | Press clippings: Schnabel as performer, undated | ||||||||||||
(51 pages/items) | |||||||||||||
BOX-FOLDER 10/13 | Press clippings: Schnabel as composer, author, and teacher, dated and undated | ||||||||||||
(67 pages/items) | |||||||||||||
BOX-FOLDER 11/1 | Press clippings: Schnabel’s recordings, dated and undated | ||||||||||||
(45 pages/items) | |||||||||||||
BOX-FOLDER 11/2 | Press clippings: obituaries of Schnabel | ||||||||||||
(12 pages/items) | |||||||||||||
BOX-FOLDER 11/3 | Press clippings regarding friends, acquaintances of Schnabel | ||||||||||||
(39 pages/items) | |||||||||||||
BOX-FOLDER 11/4 | Monographs, article reprints by Schnabel's friends: Edward Crankshaw, John Ulric Nef, and Hanns Sachs | ||||||||||||
(4 items) | |||||||||||||
BOX 6 | Books and Libretti, 1934-1972, undated | ||||||||||||
BOX 6 | Da Ponte, Lorenzo. Music by Wolfgang Amadeus Mozart. Don Giovanni (Don Juan). A Grand opera in two acts. New York: Fred Rullman, Inc., n.d. | ||||||||||||
47 p. | |||||||||||||
Libretto in Italian and English. | |||||||||||||
BOX 6 | Dent, Edward J., Eric Blom, and Clemence Dane. Mozart’s “Così fan tutte.” London: The Governors of Sadler’s Wells Foundation/John Lane the Bodley Head, 1946 | ||||||||||||
48 p. | |||||||||||||
BOX 6 | Saerchinger, César. Introduction by Clifford Curzon. Artur Schnabel: a biography. London: Cassell & Company Ltd., 1957 | ||||||||||||
xviii, 354 p. | |||||||||||||
Contains annotations throughout, in pencil and in blue, black, and green inks, in the hand of MVFLG. | |||||||||||||
BOX 6 | Schnabel, Artur. Music and the line of most resistance. Princeton, NJ: Princeton University Press, 1942 | ||||||||||||
91 p. | |||||||||||||
Verso of title page carries a dedication in Schnabel’s hand: “To M.V., / recommending the two lines: good / music and strong resistance – / for productive cooperation. / A.S. / N.Y.C. January 29, 1942”. Contains annotations throughout, in pencil, in the hand of MVFLG. | |||||||||||||
BOX 6 | Schnabel, Artur. Edited and with an introduction by Edward Crankshaw. My life and music. New York: St. Martin’s Press, 1961 | ||||||||||||
xv, 223 p. | |||||||||||||
Contains annotations throughout, in pencil and in black ink, and one inlaid note, in black ink, in the hand of MVFLG. | |||||||||||||
BOX 6 | Schnabel, Artur. >Reflections on music. New York: Simon and Schuster, 1934 | ||||||||||||
63 p. | |||||||||||||
Title page carries a dedication in Schnabel’s hand: “To Mary Virginia / A.S. / February 1935”. | |||||||||||||
BOX 6 | Shakespeare, William. Edited by W.J. Craig. The complete works of Shakespeare. New York: Oxford University Press, n.d. | ||||||||||||
viii, 1352 p. | |||||||||||||
Carries a dedication in Schnabel’s hand: “A.S. / 17.IV.1936 / Many happy returns!!!” Enclosed note, in blue ink, in the hand of MVFLG, reads: “This book was / given me by A.S. / on his birthday. / He was leaving / for Europe! / M.V.F.” | |||||||||||||
BOX 6 | Turner, W.J. Blow for balloons : being the first hemisphere of the history of Henry Airbubble. London: J.M. Dent & Sons Ltd., 1935 | ||||||||||||
298 p. | |||||||||||||
BOX 6 | Turner, W.J. Henry Airbubble: in search of a circumference to his breath; being the second hemisphere of the history of Henry Airbubble. London: J.M. Dent & Sons Ltd., 1936 | ||||||||||||
303, 8 p. | |||||||||||||
Contains annotations on inside cover page, in black ink, in the hand of MVFLG. | |||||||||||||
BOX 6 | Wolff, Konrad. The teaching of Artur Schnabel: a guide to interpretation. London: Faber and Faber, 1972 | ||||||||||||
189 p. | |||||||||||||
BOX 7, 11 | Iconography, circa 1934-1952, undated | ||||||||||||
BOX 11 | Original and Published Photographs, Caricatures, and Cartoons, circa 1934-1946, undated | ||||||||||||
BOX 11/5 | Artur Schnabel alone | ||||||||||||
(17 items) | |||||||||||||
BOX 11/6 | Artur Schnabel alone: photoreproduced photographs see also Box 7 |
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(6 items) | |||||||||||||
BOX 11/7 | Artur Schnabel with others: with MVFLG (New York), 1939 | ||||||||||||
(1 item) | |||||||||||||
BOX 11/8 | Artur Schnabel with others: with his mother (Vienna), circa 1936-1937 | ||||||||||||
(1 item) | |||||||||||||
BOX 11/9 | Artur Schnabel with others: with Carl Flesch | ||||||||||||
(1 item) | |||||||||||||
BOX 11/10 | Artur Schnabel with others: with Hugo Bekker and Carl Flesch | ||||||||||||
(1 item) | |||||||||||||
BOX 11/11 | Artur Schnabel with others: with Pablo Casals, Paul Hindemith and Bronislaw Huberman (Vienna), circa 1935 | ||||||||||||
(1 item) | |||||||||||||
BOX 11/12 | Artur Schnabel with others: with Willard MacGregor and an unidentified woman (Tremezzo), circa 1934-1935 | ||||||||||||
(1 item) | |||||||||||||
BOX 11/13 | Artur Schnabel with others: with pupils Peter Diamand, Helen Fogel, Betty Givin, Hertha Kroeling, and wife Therese Schnabel (Tremezzo), circa 1936 | ||||||||||||
(1 item) | |||||||||||||
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