The Library of Congress >  Researchers >  Search Finding Aids  >  Mary Virginia Foreman Le Garrec collection on Artur Schnabel, 1893-1996
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Music Scores, 1893-1986, undated (continued)
BOX 1-3, 8 Published and Photoreproduced Scores of Works by Schnabel, 1904-1986, undated
BOX-FOLDER 1/10 [Sketch, unidentified.] Varies between one and four staves; in pencil and red pencil; undated; 2 pages (one leaf). Labeled at top of page, in ink, in the hand of MVFLG, “Work sheet of Artur Schnabel / Paul Zukofsky found interesting - M.V.F.”
BOX-FOLDER 1/11 Abendlandschaft, op. 14, no. 4, for voice and piano; German lyrics by Joseph von Eichendorff. Berlin: Verlag Dreililien, 1904
Photoreproduction of score; 2 p.
Contains annotations (photocopied from original) in the hand of MVFLG for English and French translations of the song’s original lyrics.
BOX-FOLDER 8/1 Dance and secret; Joy and peace, for chorus and orchestra, undated
Full score, reproduced from copyist’s manuscript, plastic spiral bound; 45 p.
Contains performance indications throughout, in blue pencil.
BOX-FOLDER 1/12 Dann, op. 11, no. 2 [from Zehn Lieder], for voice and piano; German lyrics by Richard Dehmel, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink, in the hand of MVFLG for an English translation of the song’s original lyrics.
BOX-FOLDER 1/13 Dieses ist ein rechter Morgen, op. 11, no. 5 [from Zehn Lieder], for voice and piano; German lyrics by Stefan George. Berlin: Verlag Dreililien, undated
Score; 1, 4 p.
The score carries annotations throughout, including an English language version of the song’s lyrics, in black and blue ink, in the hand of MVFLG.
BOX-FOLDER 1/14 Duodecimet, for chamber orchestra; arranged by René Liebowitz. New York: Boosey & Hawkes, Inc., 1963
Full score; 1, 46, 2 p.
Verso of cover page and verso of end page carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 1/15 Ein ferner Frauensang, op. 11, no. 3 [from Zehn Lieder], for voice and piano; German lyrics by Werner Wolffheim, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink, in the hand of MVFLG for an English translation of the song’s original lyrics.
BOX-FOLDER 1/16 Heisst es viel dich bitten?, op. 14, no. 6, for voice and piano; German lyrics by Stefan George, undated
Photoreproduction of unidentified published score; 2 p.
Contains annotations (photocopied from original) in the hand of MVFLG for an English translation of the song’s original lyrics, as well as two instances (in blue and black ink) of annotations in MVFLG’s hand.
BOX-FOLDER 1/17 Klavierstück in fünf Teilen [“Sonata for piano”], for piano solo, undated
Photoreproduction of copyist’s manuscript score; 33 p./leaves
BOX-FOLDER 1/18 Marienlied, op. 11, no. 4 [from Zehn Lieder], for voice and piano; German lyrics by Novalis. Berlin: Verlag Dreililien, undated
Score; 1, 4 p.
Annotations appear throughout, in blue and black ink, in the hand of MVFLG.
BOX-FOLDER 1/19 Notturno, for voice and piano; German lyrics (lyricist not identified). Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from copyist’s manuscript; plastic spiral bound; 2, 26 p.
BOX-FOLDER 2/1 Piano pieces [Seven piano pieces], for piano solo. New York: Independent Music Publishers, undated
Score, reproduced from copyist’s manuscript; 17, 1 p.
Cover page contains Schnabel's signature, in blue ink, and an indication, in black ink, that this score was presented to MVFLG by Schnabel. Final page (labelled page “18” by MVFLG) carries annotations regarding this work, in blue ink, in the hand of MVFLG.
BOX-FOLDER 2/2 Piece in seven movements, for piano solo. New York: Edward B. Marks Music Corporation, 1947
Score; 44 p.
Verso of cover page, verso of end page, and page one carry annotations regarding this work, in black ink, in the hand of MVFLG. Performance indications, in pencil and in black ink, appear throughout.
BOX-FOLDER 2/3 Quartet no. 1, for strings. Vienna: Universal-Edition, 1927
Miniature score; 84 p.
BOX-FOLDER 2/4 Quartet no. 3, for strings. New York: Boosey & Hawkes, Inc., 1951
Miniature score; 1, 50 p.
Sparse annotations and performance indications appear throughout, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 2/5 Quartet no. 4, for strings. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from copyist’s manuscript; plastic spiral bound; 1, 37 p.
BOX-FOLDER 2/6 Quartet no. 5, for strings. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from holograph manuscript; 2, 53, 1 p.
The final page (labelled page “54” by MVFLG) carries annotations regarding this work, in blue ink, in the hand of MVFLG.
BOX-FOLDER 2/7 Quartet no. 5, for strings, undated
Score, reproduced from holograph manuscript; wire spiral bound; 2, 53, 1 p.
Lacks publication information.
Page one preceding the score and the final page (labelled page “54” by MVFLG) carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 8/2 Rhapsody, for orchestra. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Full score, unbound photoreproduction of copyist’s manuscript, 39 leaves (74 numbered pages)
BOX-FOLDER 2/8 Sieh mein Kind ich gehe, op. 11, no. 7 [from Zehn Lieder], for voice and piano; German lyrics by Stefan George, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink and pencil, in the hand of MVFLG for English and French translations of the song’s original lyrics.
BOX-FOLDER 2/9 Sonata for solo violin. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from holograph manuscript; plastic spiral bound; 2, 48 p.
Sparse performance indications (page one of score only), in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 2/10 Sonata for violin and piano. New York: Boosey & Hawkes, Inc., 1961
Score (1, 57 p.) and part (1, 17 p.)
A single performance indication, in blue ink, in the hand of MVFLG, appears on page one of the piano score.
BOX-FOLDER 2/11 Sonata for piano and violin, undated
Score, photoreproduced from copyist’s manuscript; wire spiral bound; 1, 42, 1 p.
Pages preceding and following the score carry performance indications, in black ink, in the hand of MVFLG.
BOX-FOLDER 3/1 Sonata for solo cello. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), undated
Score; 2, 16 p.
Reprint of score originally published by Boosey & Hawkes, Inc., New York, 1961.
Contains extensive performance indications in pencil and in black ink.
Annotation on title page, in black ink and in the hand of MVFLG, reads: “Written for Gregor Piatigorsky / at his request — in 1931 - ”.
BOX-FOLDER 3/2 Symphony no. 1, for orchestra. New York: Edition Adler, 1945
Full score; 6, 172, 3 p.
The two pages preceding and the three pages following the score carry annotations regarding this work, in blue and black ink, in the hand of MVFLG. Unnumbered page four preceding the score carries Schnabel's signature and his dedication of this [printed] score (“copy no. 6”) to MVFLG.
BOX-FOLDER 8/3 Symphony no. 2, for orchestra. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Full score, reproduced from copyist’s manuscript; plastic spiral bound; 2, 295 p.
The two pages preceding the score and the verso of the end page carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 8/4 Symphony no. 3, for orchestra. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Full score, reproduced from copyist’s manuscript; plastic spiral bound; 126, 1 p.
The one page following the score and the verso of the end page carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 3/3 Tanzlied, op. 11, no. 10 [from Zehn Lieder], for voice and piano; German lyrics by Otto Julius Bierbaum. Leipzig: C.G. Röder, undated
Photoreproduction of score; 2 p.
BOX-FOLDER 3/4 Trio, for violin, violoncello, and piano. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from copyist’s manuscript; plastic spiral bound; 2, 56 p.
Page two preceding the score carries annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 3/5 Trio, for violin, violoncello, and piano, undated
Photoreproduction, unbound, of copyist’s manuscript score; 56 p./leaves
BOX-FOLDER 3/6 Trio, for violin, viola, and violoncello. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), undated
Score; plastic spiral bound; 2, 30 p.
Reprint of score originally published by Boosey & Hawkes, Inc., New York, 1960.
BOX-FOLDER 3/7 Das Veilchen an den spanisches Flieder, op. 11, no. 9 [from Zehn Lieder], for voice and piano; German lyrics by Hanns Sachs. Berlin: Verlag Dreililien, undated
Score; 1, 4 p.
The score carries annotations throughout, including an English language version of the song’s lyrics, in pencil and in black ink, in the hand of MVFLG.
BOX-FOLDER 3/8 Wunder, op. 11, no. 1 [from Zehn Lieder], for voice and piano; German lyrics by Werner Wolffheim, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink and pencil, in the hand of MVFLG for an English translation of the song’s original lyrics.
BOX 3-5 Published and Photoreproduced Scores of Works by Other Composers, 1893-1932, undated
BOX-FOLDER 3/9 Bach, Johann Sebastian. Klavierwerke: Toccata, BWV 912; Fantasie, BWV 906; Chromatische Fantasie und Fuge, BWV 903, for piano solo. [Leipzig:] Steingräber Verlag, undated
Score (incomplete: pages 82-93 [includes pages 81 and 94 as well], 107-109, and 110-120 [incomplete], respectively)
These pages carry an identical plate number: “149.”
Contains extensive performance indications throughout, in pencil and in black ink, in the hands of Schnabel and of MVFLG.
In extremely fragile condition.
BOX-FOLDER 3/10 Bach, Johann Sebastian. Partitas, v. 1, for piano solo. Edited by Czerny, Griepenkel, and Roitzsch (Schirmer’s Library of Musical Classics, v. 20). New York: G. Schirmer, Inc., 1908
Score; 6, 51 p. (lacking p. 1-2)
Contains performance indications, in pencil, in Schnabel’s hand.
BOX-FOLDER 3/11 Bach, Johann Sebastian. Das Wohltemperierte Klavier, v. 1 [Klavierwerke, Band V; BWV 846-869], for piano solo. Edited by Hans Bischoff. Leipzig: Steingräber Verlag, undated
Score; 115 p. (incomplete at end)
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
In fragile condition.
BOX-FOLDER 3/12 Beethoven, Ludwig van. Sonatas, op. 5 (nos. 1, 2), 69, 102 (nos. 1, 2). Sonatas for pianoforte and violoncello, for violoncello and piano. Edited by Leo Schulz. New York: G. Schirmer, Inc., 1905; reprint 1932
Score; 144 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand (according to annotations on the score’s cover page and page two, in black ink, in the hand of MVFLG).
In extremely fragile condition.
BOX-FOLDER 3/13 Beethoven, Ludwig van. Sonata, op. 10, no. 3 [Klaviersonate, nr. 7, D-dur], for piano solo. Edited by Artur Schnabel. Berlin: Verlag Ullstein, 1924
Score; 27 p.
Contains performance indications throughout, in pencil, in the hand of MVFLG.
In fragile condition.
BOX-FOLDER 3/14 Beethoven, Ludwig van. Sonata, op. 28 [Klaviersonate, nr. 15, D-dur], for piano solo. Edited by Artur Schnabel. Berlin: Verlag Ullstein, 1926
Score; 28 p.
Contains performance indications throughout, in pencil (in the hand of MVFLG?).
In extremely fragile condition.
BOX-FOLDER 4/1 Brahms, Johannes. Intermezzi [Drei Intermezzi], op. 117, for piano solo. Edited by Emil von Sauer. Leipzig: C.F. Peters, undated
Score; 13 p.
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
BOX-FOLDER 4/2 Brahms, Johannes. Klavierstücke, op. 118, for piano solo. Edited by M. Mayer-Mahr. Berlin/Leipzig: N. Simrock, 1925 and New York: Associated Music Publishers, Inc., 1928
Score; 28 p.
Contains performance indications, in pencil.
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