The Library of Congress >  Researchers >  Search Finding Aids  >  Mary Virginia Foreman Le Garrec collection on Artur Schnabel, 1893-1996
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Music Scores, 1893-1986, undated (continued)
Published and Photoreproduced Scores of Works by Schnabel, 1904-1986, undated (continued)
Quartet no. 4, for strings. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986 (continued)
Score, reproduced from copyist’s manuscript; plastic spiral bound; 1, 37 p.
BOX-FOLDER 2/6 Quartet no. 5, for strings. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from holograph manuscript; 2, 53, 1 p.
The final page (labelled page “54” by MVFLG) carries annotations regarding this work, in blue ink, in the hand of MVFLG.
BOX-FOLDER 2/7 Quartet no. 5, for strings, undated
Score, reproduced from holograph manuscript; wire spiral bound; 2, 53, 1 p.
Lacks publication information.
Page one preceding the score and the final page (labelled page “54” by MVFLG) carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 8/2 Rhapsody, for orchestra. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Full score, unbound photoreproduction of copyist’s manuscript, 39 leaves (74 numbered pages)
BOX-FOLDER 2/8 Sieh mein Kind ich gehe, op. 11, no. 7 [from Zehn Lieder], for voice and piano; German lyrics by Stefan George, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink and pencil, in the hand of MVFLG for English and French translations of the song’s original lyrics.
BOX-FOLDER 2/9 Sonata for solo violin. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from holograph manuscript; plastic spiral bound; 2, 48 p.
Sparse performance indications (page one of score only), in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 2/10 Sonata for violin and piano. New York: Boosey & Hawkes, Inc., 1961
Score (1, 57 p.) and part (1, 17 p.)
A single performance indication, in blue ink, in the hand of MVFLG, appears on page one of the piano score.
BOX-FOLDER 2/11 Sonata for piano and violin, undated
Score, photoreproduced from copyist’s manuscript; wire spiral bound; 1, 42, 1 p.
Pages preceding and following the score carry performance indications, in black ink, in the hand of MVFLG.
BOX-FOLDER 3/1 Sonata for solo cello. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), undated
Score; 2, 16 p.
Reprint of score originally published by Boosey & Hawkes, Inc., New York, 1961.
Contains extensive performance indications in pencil and in black ink.
Annotation on title page, in black ink and in the hand of MVFLG, reads: “Written for Gregor Piatigorsky / at his request — in 1931 - ”.
BOX-FOLDER 3/2 Symphony no. 1, for orchestra. New York: Edition Adler, 1945
Full score; 6, 172, 3 p.
The two pages preceding and the three pages following the score carry annotations regarding this work, in blue and black ink, in the hand of MVFLG. Unnumbered page four preceding the score carries Schnabel's signature and his dedication of this [printed] score (“copy no. 6”) to MVFLG.
BOX-FOLDER 8/3 Symphony no. 2, for orchestra. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Full score, reproduced from copyist’s manuscript; plastic spiral bound; 2, 295 p.
The two pages preceding the score and the verso of the end page carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 8/4 Symphony no. 3, for orchestra. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Full score, reproduced from copyist’s manuscript; plastic spiral bound; 126, 1 p.
The one page following the score and the verso of the end page carry annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 3/3 Tanzlied, op. 11, no. 10 [from Zehn Lieder], for voice and piano; German lyrics by Otto Julius Bierbaum. Leipzig: C.G. Röder, undated
Photoreproduction of score; 2 p.
BOX-FOLDER 3/4 Trio, for violin, violoncello, and piano. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), 1986
Score, reproduced from copyist’s manuscript; plastic spiral bound; 2, 56 p.
Page two preceding the score carries annotations regarding this work, in black and blue inks, in the hand of MVFLG.
BOX-FOLDER 3/5 Trio, for violin, violoncello, and piano, undated
Photoreproduction, unbound, of copyist’s manuscript score; 56 p./leaves
BOX-FOLDER 3/6 Trio, for violin, viola, and violoncello. Ship Bottom, New Jersey: APNM (Association for the Promotion of New Music), undated
Score; plastic spiral bound; 2, 30 p.
Reprint of score originally published by Boosey & Hawkes, Inc., New York, 1960.
BOX-FOLDER 3/7 Das Veilchen an den spanisches Flieder, op. 11, no. 9 [from Zehn Lieder], for voice and piano; German lyrics by Hanns Sachs. Berlin: Verlag Dreililien, undated
Score; 1, 4 p.
The score carries annotations throughout, including an English language version of the song’s lyrics, in pencil and in black ink, in the hand of MVFLG.
BOX-FOLDER 3/8 Wunder, op. 11, no. 1 [from Zehn Lieder], for voice and piano; German lyrics by Werner Wolffheim, undated
Photoreproduction of unidentified published score; 2 p.
Contains original annotations, in ink and pencil, in the hand of MVFLG for an English translation of the song’s original lyrics.
BOX 3-5 Published and Photoreproduced Scores of Works by Other Composers, 1893-1932, undated
BOX-FOLDER 3/9 Bach, Johann Sebastian. Klavierwerke: Toccata, BWV 912; Fantasie, BWV 906; Chromatische Fantasie und Fuge, BWV 903, for piano solo. [Leipzig:] Steingräber Verlag, undated
Score (incomplete: pages 82-93 [includes pages 81 and 94 as well], 107-109, and 110-120 [incomplete], respectively)
These pages carry an identical plate number: “149.”
Contains extensive performance indications throughout, in pencil and in black ink, in the hands of Schnabel and of MVFLG.
In extremely fragile condition.
BOX-FOLDER 3/10 Bach, Johann Sebastian. Partitas, v. 1, for piano solo. Edited by Czerny, Griepenkel, and Roitzsch (Schirmer’s Library of Musical Classics, v. 20). New York: G. Schirmer, Inc., 1908
Score; 6, 51 p. (lacking p. 1-2)
Contains performance indications, in pencil, in Schnabel’s hand.
BOX-FOLDER 3/11 Bach, Johann Sebastian. Das Wohltemperierte Klavier, v. 1 [Klavierwerke, Band V; BWV 846-869], for piano solo. Edited by Hans Bischoff. Leipzig: Steingräber Verlag, undated
Score; 115 p. (incomplete at end)
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
In fragile condition.
BOX-FOLDER 3/12 Beethoven, Ludwig van. Sonatas, op. 5 (nos. 1, 2), 69, 102 (nos. 1, 2). Sonatas for pianoforte and violoncello, for violoncello and piano. Edited by Leo Schulz. New York: G. Schirmer, Inc., 1905; reprint 1932
Score; 144 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand (according to annotations on the score’s cover page and page two, in black ink, in the hand of MVFLG).
In extremely fragile condition.
BOX-FOLDER 3/13 Beethoven, Ludwig van. Sonata, op. 10, no. 3 [Klaviersonate, nr. 7, D-dur], for piano solo. Edited by Artur Schnabel. Berlin: Verlag Ullstein, 1924
Score; 27 p.
Contains performance indications throughout, in pencil, in the hand of MVFLG.
In fragile condition.
BOX-FOLDER 3/14 Beethoven, Ludwig van. Sonata, op. 28 [Klaviersonate, nr. 15, D-dur], for piano solo. Edited by Artur Schnabel. Berlin: Verlag Ullstein, 1926
Score; 28 p.
Contains performance indications throughout, in pencil (in the hand of MVFLG?).
In extremely fragile condition.
BOX-FOLDER 4/1 Brahms, Johannes. Intermezzi [Drei Intermezzi], op. 117, for piano solo. Edited by Emil von Sauer. Leipzig: C.F. Peters, undated
Score; 13 p.
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
BOX-FOLDER 4/2 Brahms, Johannes. Klavierstücke, op. 118, for piano solo. Edited by M. Mayer-Mahr. Berlin/Leipzig: N. Simrock, 1925 and New York: Associated Music Publishers, Inc., 1928
Score; 28 p.
Contains performance indications, in pencil.
BOX-FOLDER 4/3 Brahms, Johannes. Klavierstücke [Vier Klavierstücke], op. 119, for piano solo. Edited by M. Mayer-Mahr. Leipzig: N. Simrock, 1925
Score; 23 p.
Contains performance indications, in pencil.
In fragile condition.
BOX-FOLDER 4/4 Brahms, Johannes. Phantasien, op. 116, for piano solo. Edited by Emil von Sauer. Leipzig: C.F. Peters, undated
Score; 25 p.
Contains performance indications, in pencil, in Schnabel’s hand.
BOX-FOLDER 4/5 Brahms, Johannes. Rhapsodies [Two Rhapsodies], op. 79, for piano solo. Boston: B.F. Wood Music Co., undated
Score; 23 p.
Contains performance indications throughout, in pencil, in Schnabel’s hand.
Cover page carries an inscription, in black ink, in the hand of MVFLG: “Markings in all Brahms by Schnabel / During his recordings of Brahms, he used this music. M.V.F. 1993.”
BOX-FOLDER 4/6 Mozart, Wolfgang Amadeus. Concerto, K. 466 [Concert, D moll], for piano and orchestra. Arranged and edited by Franz Kullak for two pianos. Leipzig: Steingräber Verlag, 1900
Score; 50 p.
Contains extensive performance indications throughout, in pencil, in Schnabel’s hand.
Cover page carries annotations, in black and blue inks, in the hand of MVFLG: Schnabel’s Berlin address (“Charlottenberg, Wielandstrasse 14”); and “His [Schnabel’s] personal copy from 1890's - The first he played - M.V.F.”
In extremely fragile condition.
BOX-FOLDER 4/7 Mozart, Wolfgang Amadeus. Rondo, K. 511, for piano solo. [Leipzig:] C.F. Peters, undated
Score (incomplete: pages 35-46 only: extracted from larger edition)
Contains performance indications, in pencil, in Schnabel’s hand (according to annotation on page 35 – the de facto cover page – in blue and black ink, in the hand of MVFLG: “All marks by A. Schnabel.”).
In fragile condition.
BOX-FOLDER 4/8 Mozart, Wolfgang Amadeus. Sonatas, K. 279, 280, 281, 282, 283, 284, 309, 310, 311, 330 [Sonaten und Phantasien für Klavier, Erster Band], for piano solo. Preface by Ernst Rudorff. Leipzig: Breitkopf & Härtel, undated
Score (Urtext edition); 2, 119 p.
Contains extensive performance indications throughout, in pencil and blue inks, in the hands of Schnabel and MVFLG.
In fragile condition.
BOX-FOLDER 4/9 Mozart, Wolfgang Amadeus. Sonatas, K. 331, 332, 333, 457, 545, 570, 576; Phantasies, K. 394 (no. 1 “mit Fuge”), 396 (no. 2), 397 (no. 3), 475 (no. 4) [Sonaten und Phantasien für Klavier, Zweiter Band], for piano solo. Preface by Ernst Rudorff. Leipzig: Breitkopf & Härtel, undated
Score (Urtext edition); 2, 113 p.
Contains extensive performance indications throughout, in pencil and blue inks, in the hands of Schnabel and MVFLG.
In extremely fragile condition.
BOX-FOLDER 4/10 Mozart, Wolfgang Amadeus. Sonatas, K. 381, 358, 497, 521; Fantasias, K. 594, 608; Variationen, K. 501; Fuge, K. 401. [Original-Kompositionen. Klavier zu 4 Händen], for piano four hands. Edited by Adolf Ruthardt. Leipzig: C.F. Peters, undated
Score; 112 p.
Contains performance indications throughout, in pencil, in Schnabel's hand (according to an annotation on the score’s cover, in black ink, in the hand of MVFLG: “Markings by Artur Schnabel.”).
In fragile condition.
BOX-FOLDER 4/11 Schubert, Franz. Fantaisie, op. 103; Grand Rondeau, op. 107; Deux Marches caractéristiques, op. 121; Rondeau, op. 138; Grand duo, op. 140; Allegro, op. 144; Fugue, op. 152 [Original-Kompositionen. Klavier zu 4 Händen. Band III], for piano four hands. Leipzig: C.F. Peters, undated
Score; 136 p.
Contains performance indications throughout in the hands of Schnabel (in pencil) and of MVFLG (in pencil and in black ink).
In fragile condition.
BOX-FOLDER 4/12 Schubert, Franz. Fantaisie, op. 159, for violin and piano. Braunschweig: Henry Litolff, undated
Score (31 p.) and part (11 p.)
Contains performance indications, in pencil, in the hands of Schnabel and of MVFLG.
BOX-FOLDER 5/1 Schubert, Franz. Impromptus, op. 90 [D. 899], 142 [D. 935]; Moments musicaux, op. 94 [D. 780], for piano solo. Boston: B.F. Wood Music Corp., undated
Score; 99 p. (incomplete at end)
Indication on cover, in black ink, in the hand of MVFLG: “All markings by hand by Artur Schnabel...,” although markings that appear throughout the score, in pencil, appear to be in the hands of both Schnabel and MVFLG.
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