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Project Files, circa 1950-1999 (continued) | |||||||||||||
BOX-FOLDER 1/8 | British Council: "Science in Chungking" | ||||||||||||
BOX-FOLDER 1/9-11 | Bugaku | ||||||||||||
BOX-FOLDER 1/12-13 | Burmese music | ||||||||||||
BOX-FOLDER 9/5-6 | Burmese music - draft papers and correspondence with Muriel Williamson | ||||||||||||
BOX-FOLDER 1/14 | Catalogue of documents of music from the collection of the Fushimi-no-miya family | ||||||||||||
BOX-FOLDER 10/1 | Champa | ||||||||||||
BOX-FOLDER 10/2 | Ch'ao-chou requiem | ||||||||||||
BOX-FOLDER 10/3 | Ch'ên | ||||||||||||
BOX-FOLDER 1/15 | Ch'in schools | ||||||||||||
BOX-FOLDER 1/16-20 | Chiang K'uei | ||||||||||||
BOX-FOLDER 1/21 | Children's sound producing toys | ||||||||||||
BOX-FOLDER 1/22 | China | ||||||||||||
BOX-FOLDER 1/23 | Chinese Buddist music | ||||||||||||
BOX-FOLDER 1/24 | Chinese friction chordophones | ||||||||||||
BOX-FOLDER 1/25-26 | Chinese folksongs | ||||||||||||
BOX-FOLDER 1/27-29 | Chinese music | ||||||||||||
BOX-FOLDER 1/30 | Chinese texts relative to Toroden | ||||||||||||
BOX-FOLDER 1/31 | Chū Ōga Ryūteki Yōroku-fu | ||||||||||||
BOX-FOLDER 10/4 | Chuang-chên | ||||||||||||
BOX-FOLDER 1/32 | Concert programs | ||||||||||||
BOX-FOLDER 1/33 | Conflation and analysis | ||||||||||||
BOX-FOLDER 2/1-2 | Correspondence and translations by Ishibashi/Fukushima | ||||||||||||
BOX-FOLDER 2/3 | Dai Nihon shi | ||||||||||||
BOX-FOLDER 2/4 | Daoist white-stone [i.e. White Stone Daoist]: Jiang Kui - collected songs and pieces | ||||||||||||
BOX-FOLDER 2/5 | Double-sided printing of Sadachō items | ||||||||||||
BOX-FOLDER 2/6 | Dunhuang lute music (Rockwell) | ||||||||||||
BOX-FOLDER 10/5 | Dunhuang piba-pu | ||||||||||||
BOX-FOLDER 2/7 | Encyclopedia Britannica | ||||||||||||
BOX-FOLDER 2/8 | Ethiopic liturgical music | ||||||||||||
BOX-FOLDER 2/9 | "The fate of Tang music in Japan" | ||||||||||||
BOX-FOLDER 2/10-12 | Fengshen Zhuan | ||||||||||||
BOX-FOLDER 2/13, 10/6 | "Finger techniques for the zithers sô-no-koto and kin in Heian times" (Mitani/Picken) | ||||||||||||
BOX-FOLDER 10/7 | First transcriptions of Meiji and Shōwa printed shō tablatures | ||||||||||||
BOX-FOLDER 3/14 | Fragments of Fengxue | ||||||||||||
BOX-FOLDER 3/15 | "Frequency doubling chordophones" (Adkins/Williams/Flowers/Picken) | ||||||||||||
BOX-FOLDER 3/16 | Fujiwara genealogies | ||||||||||||
BOX-FOLDER 3/17-18 | "The functional names of notes in Modai note-sets" | ||||||||||||
BOX-FOLDER 11/1 | Gagaku | ||||||||||||
BOX-FOLDER 11/2 | Gagaku (Harich-Schneider) | ||||||||||||
BOX-FOLDER 2/19 | Gakka-roku (excerpts) | ||||||||||||
BOX-FOLDER 2/20 | Gidayu | ||||||||||||
BOX-FOLDER 2/21 | Gogenfu (copy of F.R.W.'s transcripts) | ||||||||||||
BOX-FOLDER 11/3 | GoGen Kin-Fu | ||||||||||||
BOX-FOLDER 2/22 | Notes on gougche-pu derived from Yang YenLin and Zhang Shipeng | ||||||||||||
BOX-FOLDER 2/23 | Guan's comments on Tōgaku titles in Hakuga nofue-fu | ||||||||||||
BOX-FOLDER 2/24 | Haloun: notes for the burning of the books | ||||||||||||
BOX-FOLDER 11/4 | Hayashi Kenzō | ||||||||||||
BOX-FOLDER 2/25 | Hirade | ||||||||||||
BOX-FOLDER 2/26-27 | Honorary doctorate, 1988 | ||||||||||||
BOX-FOLDER 3/1 | Hosho-fu | ||||||||||||
BOX-FOLDER 3/2 | Hōshō ritsu-kan | ||||||||||||
BOX-FOLDER 11/5 | Hyōjō | ||||||||||||
BOX-FOLDER 12/1 | Ichikotsuchō | ||||||||||||
BOX-FOLDER 3/3 | Instrument collection | ||||||||||||
BOX-FOLDER 12/2 | "The instrumentarium of a village in Northeast Thailand" | ||||||||||||
BOX-FOLDER 3/4 | Jao Tsung-I preface, 1990 | ||||||||||||
BOX-FOLDER 3/5 | Japanese historical linguistics | ||||||||||||
BOX-FOLDER 12/3 | JCYR | ||||||||||||
BOX-FOLDER 3/6 | "Jew's harps and mouth organs" | ||||||||||||
BOX-FOLDER 3/7 | Jiang Kui | ||||||||||||
BOX-FOLDER 3/8 | Jiaofang-ji | ||||||||||||
BOX-FOLDER 3/9 | Jiegulu | ||||||||||||
BOX-FOLDER 64/1 | Jinchi-yoroku | ||||||||||||
BOX-FOLDER 3/10 | Junior sinologues | ||||||||||||
BOX-FOLDER 3/11-12 | Kaichū-fu | ||||||||||||
BOX-FOLDER 3/13-14 | "A keyboard fugue by Bach" | ||||||||||||
BOX-FOLDER 3/15 | Kikutei: "Pieces for biwa, notated in calendrically correct tunings, from the Kikutei-ke Monjo of the Heian Hakubutsukan" | ||||||||||||
BOX-FOLDER 3/16 | Ko-fu ritsu | ||||||||||||
BOX-FOLDER 13/1-2 | Korean court dance under Sejong and Sejo | ||||||||||||
BOX-FOLDER 3/17 | Kucha music influence | ||||||||||||
BOX-FOLDER 3/18 | Kunaichō shoryōbu | ||||||||||||
BOX-FOLDER 3/19 | Kyōkun shō | ||||||||||||
BOX-FOLDER 13/3 | Libo songs in Gi-shi Gakufu | ||||||||||||
BOX-FOLDER 3/20-22, 13/4 | Library of Congress exhibition, 1999 | ||||||||||||
BOX-FOLDER 3/23 | "A lion dance of the Song Dynasty" | ||||||||||||
BOX-FOLDER 3/24 | Mabuchi Usaburō | ||||||||||||
BOX-FOLDER 3/25 | "The magic of children's sound-producing toys" | ||||||||||||
BOX-FOLDER 3/26 | Mahmut Ragip Gazimihal | ||||||||||||
BOX-FOLDER 3/27 | "Making a Khaein" (Adkins/Page/Picken) | ||||||||||||
BOX-FOLDER 3/28 | Marett transcription of Chōkōraku | ||||||||||||
BOX-FOLDER 3/29 | Material from "Ancient echos of China" | ||||||||||||
BOX-FOLDER 3/30 | "Midnight music" (Yebanyue) | ||||||||||||
BOX-FOLDER 4/1 | Miscellaneous articles | ||||||||||||
BOX-FOLDER 4/2 | Miscellaneous materials in Chinese | ||||||||||||
BOX-FOLDER 14/1, 64/2 | Miscellaneous music in Chinese | ||||||||||||
BOX-FOLDER 4/3-24, 14/2-4, 64/3 | Miscellaneous research materials | ||||||||||||
Includes appendices, bibliographies, examples, figures, and various documents in Chinese | |||||||||||||
BOX-FOLDER 4/25 | Mongolian articles | ||||||||||||
BOX-FOLDER 4/26 | "Music for a lion-dance" of the Song Dynasty | ||||||||||||
BOX-FOLDER 5, 6/1-11, 15, 64/4-5 | Music of the Tang Court | ||||||||||||
BOX-FOLDER 4/27 | Music Research Institute of Chicago (Peking) | ||||||||||||
BOX-FOLDER 6/12-21 | Musica Asiatica articles | ||||||||||||
BOX-FOLDER 6/22, 14/5 | "Musical implications of Chinese songtext with unequal lines and the significance of nonsense syllables, with special reference to artsongs of Song Dynasty" | ||||||||||||
BOX-FOLDER 6/23 | "Musical inter-relationships between Tang Chinese compositions; Three items with titles in the names of imperial military leaders" | ||||||||||||
BOX-FOLDER 6/24 | Musikethnologische Jahresbibliographie Europas | ||||||||||||
BOX-FOLDER 16/1 | Namguan | ||||||||||||
BOX-FOLDER 6/25 | Namguan Patsy Choo | ||||||||||||
BOX-FOLDER 6/26 | Nawa contents | ||||||||||||
BOX-FOLDER 6/27 | Neopolitan cries | ||||||||||||
BOX-FOLDER 6/28-29 | Notes | ||||||||||||
BOX-FOLDER 6/30 | Notes on Hichiriki scores: Nakahara-roseishō and others | ||||||||||||
BOX-FOLDER 6/31 | Notes on mensural notation in Ō-dai | ||||||||||||
BOX-FOLDER 6/32 | Notes on mouth organ scoring | ||||||||||||
BOX-FOLDER 6/33 | Notes on music manuscripts purhcased by Elling Eide | ||||||||||||
BOX-FOLDER 16/2 | "Notes on some important Togaku manuscripts in Tenri University Library" | ||||||||||||
BOX-FOLDER 6/34 | Notes on tablature system of Kofu/Hōshōfu (Ritsu/Ryokan) | ||||||||||||
BOX-FOLDER 16/3 | Ojikichō | ||||||||||||
BOX-FOLDER 7/1 | Okugaki | ||||||||||||
BOX-FOLDER 7/2 | Personalia and CV | ||||||||||||
BOX-FOLDER 7/3 | Pipa techniques and terms | ||||||||||||
BOX-FOLDER 7/4 | Pipafu | ||||||||||||
BOX 66 | Picken Collection of Musical Instruments, Cambridge University Museum of Archaeology and Ethnology | ||||||||||||
Two-volume card index | |||||||||||||
BOX-FOLDER 7/5 | Picken donations | ||||||||||||
BOX-FOLDER 7/6 | Picken library | ||||||||||||
BOX-FOLDER 7/7 | Picken's criticism of Robert T. Mok's "Ancient musical instruments unearthed from the number one Han tomb at Ma Want Tui, Changsha" | ||||||||||||
BOX-FOLDER 7/8 | Plainsong notes | ||||||||||||
BOX-FOLDER 7/9 | The 'plucked drums' | ||||||||||||
BOX-FOLDER 7/10 | Porcelain | ||||||||||||
BOX-FOLDER 7/11 | Publication agreements | ||||||||||||
BOX-FOLDER 7/12 | R.H. van Gulik's bronze | ||||||||||||
BOX-FOLDER 17/1 | Qui Jingsun | ||||||||||||
BOX-FOLDER 7/13 | Radio talk / Chinese 7-string zither | ||||||||||||
BOX-FOLDER 7/14 | Rakusaidō Gagaku manuscripts (Kazuo Fukushima) | ||||||||||||
BOX-FOLDER 7/15 | Reviews and acknowledgements | ||||||||||||
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