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Music (continued) | |||||||||||||
BOX 83-101 | Non-Show Music | ||||||||||||
Chiefly manuscript unbound full scores, piano-vocal scores, short scores, sketches, and parts. Instrumental and vocal music that is not part of any of Herbert’s stage or screen shows. The orchestral music includes scores for most of Herbert’s large-scale works, among them, his Concerto for Cello and Orchestra, No. 1 and No. 2 , his dramatic cantata The Captive, Op. 5 , and both the jazz band and symphonic orchestra versions of the Suite of Serenades . Many of these works are represented by their holograph scores; others by arrangements by Harold Sanford and Otto Langey. Includes works for string orchestra, violin and piano, cello and piano, piano solo, and organ, as well as many songs (for voice and piano) and several choral pieces. | |||||||||||||
Arranged alphabetically by title. | |||||||||||||
A la valse see Two pieces for violin |
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Air de ballet | |||||||||||||
No. 1 of Three compositions for string orchestra | |||||||||||||
BOX-FOLDER 83/1 | Holograph score for string orchestra, harp and toy triangle | ||||||||||||
BOX-FOLDER 83/2 | Holograph piano score | ||||||||||||
BOX-FOLDER 83/3 | Holograph toy triangle part | ||||||||||||
BOX-FOLDER 83/4 | Printed score and parts | ||||||||||||
BOX-FOLDER 83/5 | Printed toy triangle and cornet I parts | ||||||||||||
Arranged by Otto Langey | |||||||||||||
Album | |||||||||||||
Music by Victor Herbert for piano solo | |||||||||||||
BOX-FOLDER 83/6 | Braille score | ||||||||||||
Allotria | |||||||||||||
BOX-FOLDER 83/7 | Harold Sanford full score | ||||||||||||
BOX-FOLDER 83/8-9 | Copyist's manuscript parts | ||||||||||||
Alma mater song of The Catholic University of America | |||||||||||||
BOX-FOLDER 83/10 | Negative photocopy of printed piano-vocal score | ||||||||||||
The American rose | |||||||||||||
BOX-FOLDER 83/11 | Holograph piano score | ||||||||||||
BOX-FOLDER 83/12 | Sheet music for piano with holograph indications for orchestra | ||||||||||||
BOX-FOLDER 83/13 | Manuscript parts | ||||||||||||
Orchestral version most similar to piano score | |||||||||||||
BOX-FOLDER 83/14 | Holograph/manuscript parts; orchestral version | ||||||||||||
Army and navy; The nations | |||||||||||||
BOX-FOLDER 83/15 | Holograph full score | ||||||||||||
Aschenbrödel march | |||||||||||||
BOX-FOLDER 83/16 | Manuscript full score | ||||||||||||
BOX-FOLDER 83/17 | Manuscript piano score | ||||||||||||
Incomplete, [1] p. | |||||||||||||
Badinage | |||||||||||||
BOX-FOLDER 83/18 | Copyist's manuscript violin I part | ||||||||||||
BOX-FOLDER 83/20 | Printed string parts | ||||||||||||
Arranged by Otto Langey | |||||||||||||
Barr's divertissement | |||||||||||||
BOX-FOLDER 84/1 | Manuscript score | ||||||||||||
Incomplete, p. 5-10 only | |||||||||||||
Benamela: Finale. Grand march | |||||||||||||
BOX-FOLDER 84/2 | Holograph piano-vocal score | ||||||||||||
Berceuse | |||||||||||||
BOX-FOLDER 84/3 | Copyist's manuscript for cello and piano | ||||||||||||
The bubble (picture) | |||||||||||||
BOX-FOLDER 84/4 | Manuscript full score | ||||||||||||
BOX-FOLDER 84/5 | Holograph piano score | ||||||||||||
BOX-FOLDER 84/6 | Manuscript parts | ||||||||||||
Incomplete | |||||||||||||
The call | |||||||||||||
BOX-FOLDER 84/7 | Holograph sketch, melody line only | ||||||||||||
On verso of leaf 2: sketch for a mazurka | |||||||||||||
The call to freedom | |||||||||||||
BOX-FOLDER 84/8 | Printed piano-vocal score | ||||||||||||
Cannibal dance | |||||||||||||
Does not seem to be related to Cannibal music in Little Nemo | |||||||||||||
BOX-FOLDER 84/9 | Copyist's manuscript parts: violin and cello | ||||||||||||
BOX-FOLDER 84/10 | Printed piano-conductor score and parts | ||||||||||||
Arranged by Harold Sanford | |||||||||||||
Canzonetta | |||||||||||||
BOX-FOLDER 84/11 | Printed piano-conductor score and parts | ||||||||||||
From Serenade for string orchestra, op. 12, no. 4 ; arranged by Chas. J. Roberts | |||||||||||||
The captive (Der Gefangene), op. 25 | |||||||||||||
BOX-FOLDER 84/12-13 | Holograph/manuscript full score | ||||||||||||
BOX-FOLDER 85/1-4 | Copyist's manuscript parts: percussion and strings | ||||||||||||
BOX-FOLDER 85/5 | Printed piano-vocal score | ||||||||||||
With annotations | |||||||||||||
Chant d'amour | |||||||||||||
BOX-FOLDER 85/6 | Photocopied holograph score for organ | ||||||||||||
BOX-FOLDER 85/7 | Holograph score | ||||||||||||
Variant version | |||||||||||||
Christ is risen (an Easter anthem) | |||||||||||||
BOX-FOLDER 85/8 | Holograph full score | ||||||||||||
BOX-FOLDER 85/9 | Holograph piano-vocal score | ||||||||||||
BOX-FOLDER 85/10 | Copyist's manuscript/blue-line parts: soprano and alto | ||||||||||||
BOX-FOLDER 85/11 | Printed piano-vocal score (2 copies) | ||||||||||||
Columbia. Anthem (first anthem of the Lambs) | |||||||||||||
BOX-FOLDER 86/1 | Printed piano-vocal score | ||||||||||||
Columbus. Suite for orchestra, op. 35, no. 1 | |||||||||||||
BOX-FOLDER 86/2-5 | Holograph/manuscript scores | ||||||||||||
Columbus | |||||||||||||
BOX-FOLDER 86/6-9 | (No. 1) Sunrise on Granada | ||||||||||||
Copyist's manuscript parts | |||||||||||||
BOX-FOLDER 86/10-13 | (No. 2) At la Rabida | ||||||||||||
Copyist's manuscript parts | |||||||||||||
BOX-FOLDER 87/1-3 | (No. 3) Murmurs of the sea | ||||||||||||
Copyist's manuscript parts | |||||||||||||
BOX-FOLDER 87/4-7 |
(No. 4) Triumph see also The vision of Columbus |
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Copyist's manuscript parts | |||||||||||||
Concerto for cello and orchestra, op. 8, no. 1 | |||||||||||||
BOX-FOLDER 87/8 | Holograph full score | ||||||||||||
BOX-FOLDER 88/1-8 | Copyist's manuscript solo cello part | ||||||||||||
3: 1 complete, 1of movement 1 only, and 1 of p. 1 only | |||||||||||||
Concerto for cello and orchestra, op. 30, no. 2 see Suite, op. 3 |
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The crucible's toast | |||||||||||||
BOX-FOLDER 89/1 | Holograph piano-vocal score | ||||||||||||
Cuban serenade | |||||||||||||
BOX-FOLDER 89/2 | Copyist's manuscript score with text underlaid | ||||||||||||
Not related to "A suite of serenades," boxes 97-98 | |||||||||||||
On p. 2 verso: copyist's manuscript melody lines for "What must a fairy’s dream be!" and "Merry little birds are we" | |||||||||||||
Danse baroque | |||||||||||||
BOX-FOLDER 89/3 | Holograph full score | ||||||||||||
BOX-FOLDER 89/4 | Printed piano-conductor score and parts | ||||||||||||
Arranged by Harold Sanford | |||||||||||||
Devotion: a love sonnet for piano | |||||||||||||
BOX-FOLDER 89/5 | Printed piano-conductor score and parts | ||||||||||||
Arranged by Harold Sanford | |||||||||||||
Die rothen Rosen | |||||||||||||
BOX-FOLDER 89/6 | Holograph piano-vocal score | ||||||||||||
Dodge brothers march | |||||||||||||
BOX-FOLDER 89/7 | Holograph piano/piano-vocal score | ||||||||||||
No lyric | |||||||||||||
BOX-FOLDER 89/8 | Manuscript/photocopy parts | ||||||||||||
Arranged by M.L. Lake | |||||||||||||
BOX-FOLDER 89/9 | Printed parts | ||||||||||||
Arranged by Harold Sanford | |||||||||||||
An Easter dawn | |||||||||||||
BOX-FOLDER 89/10 | Holograph full score | ||||||||||||
BOX-FOLDER 89/11 | Copyist manuscript parts | ||||||||||||
L'encore | |||||||||||||
BOX-FOLDER 89/1 | Holograph full score | ||||||||||||
Entrance of the moth see Valse lente |
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Estellita. Valse pathétique see also Opening, Act II |
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BOX-FOLDER 89/13 | Holograph full score | ||||||||||||
BOX-FOLDER 89/14 | Copyist's manuscript string parts | ||||||||||||
Festival march | |||||||||||||
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