Container | Contents | ||||||||||||
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Music, 1879-1961 (continued) | |||||||||||||
BOX-FOLDER 42/5 |
White, Clarence Cameron. Five songs, opus 39; songs for voice and piano. New York: Sam Fox Publishing Company, 1949. |
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Printed score; 15 p. | |||||||||||||
Music by Clarence Cameron White; texts various authors. | |||||||||||||
Autographed by the composer. | |||||||||||||
BOX-FOLDER 42/5 | White, Clarence Cameron. Ouanga; a Haitian opera in three acts. New York: Sam Fox Publishing Company, 1939. |
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Printed piano-vocal score; 164 p. | |||||||||||||
Music by Clarence Cameron White; libretto by John Frederick Matheus. | |||||||||||||
The complete copy is autographed by the composer (title page). | |||||||||||||
Two copies (one copy fragmentary). | |||||||||||||
BOX-FOLDER 42/5 | Wooler, Alfred. Consider and hear me; sacred song for voice and piano. Philadelphia: Oliver Ditson Company, 1907. |
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Printed score; 7 p. | |||||||||||||
Music by Alfred Wooler; text taken from Psalm XIII. | |||||||||||||
BOX-FOLDER 42/6 | [Unidentified compiler] [Unidentifed collection of classical songs]; sacred and secular, for voice and piano. New York: G. Schirmer, Inc., [194-] |
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Printed score; 198 p. | |||||||||||||
Fragmentary; title pages missing. | |||||||||||||
BOX-FOLDER 43/1 | Dett, R. Nathaniel. The Ordering of Moses; Biblical folk scene for soli, chorus and orchestra. |
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Manuscript scripts and synopses. | |||||||||||||
Text based on Scripture and folk lore, compiled and set to music by R. Nathaniel Nett. | |||||||||||||
Typed and handwritten pages | |||||||||||||
BOX-FOLDER 43/2 | [Various]. Miscellaneous scripts, synopses, vocal texts and radio scripts. |
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Manuscript scripts and synopses. | |||||||||||||
Typed and handwritten pages. | |||||||||||||
BOX 43 | Books, 1889-1955 | ||||||||||||
(8 folders) | |||||||||||||
Includes books, a serial and a yearbook. | |||||||||||||
Arranged alphabetically by author. | |||||||||||||
BOX-FOLDER 43/3 | Alabama State College. Department of Music. Tones and overtones, vol. 2, number 3, Spring 1955. Montgomery, Ala.: Alabama State College, 1955. | ||||||||||||
BOX-FOLDER 43/4 | Bartholomew, E. F. Relation of Psychology to Music, second edition, revised. Rock Island, Ill.: New Era Publishing Company, 1902. | ||||||||||||
Inscribed by Mary L. Cardwell; annotated. | |||||||||||||
BOX-FOLDER 43/5 | Cole, Samuel W. New England Conservatory Course in Sight-Singing (Solfeggio). Boston: New England Conservatory of Music, 1903. | ||||||||||||
Inscribed by Mary L. Cardwell; annotated. | |||||||||||||
BOX-FOLDER 43/6 | Cutter, Benjamin. Exercises in Harmony. Boston: New England Conservatory of Music, 1899. | ||||||||||||
Inscribed by Mary Lucinda Cardwell. | |||||||||||||
BOX-FOLDER 43/7 | Elson, Louis C. Students' Note-Book and Syllabus of the Annual Course of Lectures in Musical History, 14th edition. Boston: New England Conservatory of Music, 1896. | ||||||||||||
Inscribed by Mary L. Cardwell. | |||||||||||||
Includes 30 handwritten lectures written (by Mary L. Cardwell?) between 1919-1920. | |||||||||||||
BOX-FOLDER 43/8 | Lenom, Clément. Thirty Lessons in Solfeggio. Boston: New England Conservatory of Music, 1925. | ||||||||||||
Annotated. | |||||||||||||
BOX-FOLDER 43/9 | National Council of Negro Women. Women United - Souvenir Year Book. Washington, D.C.: National Council of Negro Women, 1951. | ||||||||||||
Inscriptions by Vivian Carter Mason and N. W. Maise. | |||||||||||||
Programs and announcements from the 19th annual convention (1954) laid in. | |||||||||||||
BOX-FOLDER 43/10 | Wade, L. T. The Quincy Course of Study in Music. Boston: Silver, Burdett & Co., Publishers, 1889. | ||||||||||||
Business card pasted in: Compliments of L.T. Wade. | |||||||||||||
Inscribed by Flora M. Smith, Deposit, NY. | |||||||||||||
Several pages of notes and musical manuscripts laid in. | |||||||||||||
BOX 44-62 | Realia, circa 1928-1961 | ||||||||||||
(16 folders) | |||||||||||||
275 metal print plates and blocks. The metal printing plates are arranged into two subseries: the first contains 19 plates that lack backing and the second contains 256 plates with wood blocks attached as backing. The majority of the plates contain reverse photographic images of vocalists, ensembles, and operatic choruses, and were used for newspaper articles, reviews, concert programs, brochures, printed publications, and other publicity purposes. The rest of the plates contain reverse images used for box advertisments from sponsors that were published in National Negro Opera Company concert programs and brochures. | |||||||||||||
BOX 44 | Metal Printing Plates (without wood mounts), circa 1928-1941 | ||||||||||||
BOX-FOLDER 44/1 | Metal Printing Plate (Mary Cardwell Dawson), circa 1928-1938 | ||||||||||||
BOX-FOLDER 44/2 | Metal Printing Plate (Mary Cardwell Dawson), circa 1939 | ||||||||||||
BOX-FOLDER 44/3 | Metal Printing Plate (Si Lita Haley), circa 1941 | ||||||||||||
BOX-FOLDER 44/4 | Metal Printing Plate (Cardwell Dawson Choir), Late 1930s | ||||||||||||
BOX-FOLDER 44/5 | Metal Printing Plate (Unidentified Chorus), undated | ||||||||||||
BOX-FOLDER 44/6 | Metal Printing Plate (Rebecca Anderson), undated | ||||||||||||
BOX-FOLDER 44/7 | Metal Printing Plate (New York Chapter, NNOC), undated | ||||||||||||
BOX-FOLDER 44/8 | Metal Printing Plates, undated | ||||||||||||
Two unidentified plates. | |||||||||||||
BOX-FOLDER 44/9 | Metal Printing Plates, undated | ||||||||||||
Two unidentified plates. | |||||||||||||
BOX-FOLDER 44/10 | Metal Printing Plate, undated | ||||||||||||
Unidentified. | |||||||||||||
BOX-FOLDER 44/11 | Metal Printing Plates (William Starks; unidentified second plate), undated | ||||||||||||
Two plates. | |||||||||||||
BOX-FOLDER 44/12 | Metal Printing Plate (Bernice Austin), undated | ||||||||||||
BOX-FOLDER 44/12 | Paper Printing Plate (Seymour Brown), undated | ||||||||||||
BOX-FOLDER 44/13 | Metal Printing Plate (Gertrude Johnson), undated | ||||||||||||
BOX-FOLDER 44/14 | Metal Printing Plate (Unidentified Chorus), undated | ||||||||||||
BOX-FOLDER 44/15 | Metal Printing Plate (NNOC Advertising montage), undated | ||||||||||||
BOX-FOLDER 44/16 | Metal Printing Plate (Cardwell Dawson Choir, Forbes Field, Pittsburgh) late 1930s | ||||||||||||
BOX 44-62 | Metal Printing Plates (with wood block mounts), circa 1928-1961 | ||||||||||||
Contains 256 wood-backed metal printing plates. | |||||||||||||
BOX 63, 67 | La Julia Rhea Gift, 1930s-1989 | ||||||||||||
(15 folders) | |||||||||||||
Includes autobiographical and biographical material, a large clippings page, scrapbooks containing clippings documenting Rhea's vocal career, and a 1943 Town Hall concert program. | |||||||||||||
Arranged by type of item. | |||||||||||||
BOX-FOLDER 63/1 | Autobiographical article, circa 1950
see also Correspondence: Rhea, La Julia see also Photographs: Rhea, La Julia |
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BOX-FOLDER 63/2 | Biographical publication, circa 1970 | ||||||||||||
Inscribed to Wayne Shirley (Library of Congress Music Division music specialist) by Rhea. | |||||||||||||
BOX 67 | Clippings, February 26, 1986 | ||||||||||||
Chicago Tribune article that details Rhea's career. | |||||||||||||
BOX-FOLDER 63/3 | Program, November 9, 1943 | ||||||||||||
BOX-FOLDER 63/4-7 | Scrapbooks, 1930s-1980s | ||||||||||||
BOX-FOLDER 63/8 | Miscellaneous papers, 1988-1989 | ||||||||||||
BOX 64, 66 | Walter M. Dawson Papers, 1925-1970 | ||||||||||||
(15 folders) | |||||||||||||
Walter M. Dawson was Mary Cardwell Dawson's husband. These materials primarily relate to his career as a master electrician from around 1930 to 1968. Walter Dawson was the NNOC's publicity chairman, and later served as the organization's comptroller. Items include address books, diplomas, awards, certificates, clippings, correspondence, contract forms, his obituary, publications related to the electrical trade, including a copy of the proposed 1963 Washington, D.C. Electrical Code, realia such as 1950s-1960s metal buttons and name badges, and a 1941-1943 Timeshift record book. | |||||||||||||
Arranged by type of item or subject. | |||||||||||||
BOX-FOLDER 64/1-2 | Address books, circa 1952-1963 | ||||||||||||
Two books. | |||||||||||||
BOX-FOLDER 64/3 | Association of Electricians, Metropolitan Washington, D.C. Various materials, 1957-1964 | ||||||||||||
BOX-FOLDER 64/4 | Business cards, work cards, 1939, undated | ||||||||||||
BOX-FOLDER 64/5 | Calendar, 1926 | ||||||||||||
BOX-FOLDER 64/6, 66/7 | Certificates, Awards, Diploma, 1925, 1930, 1963-1968 | ||||||||||||
Box 66 contains Mr. Dawson's college diploma, dated 1925. | |||||||||||||
BOX-FOLDER 64/7 | Clippings, 1940, 1955-1962 | ||||||||||||
BOX-FOLDER 64/8 | Correspondence, 1940-1942, 1962-1966
see also Correspondence: Dawson, Walter M. |
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Includes a letter (dated January 23, 1940) signed by Senator Joseph F. Guffey, Pennsylvania, a member of the U.S. Senate Finance Committee. | |||||||||||||
BOX-FOLDER 64/9 | Dawson Electric Contracting Company. Contracts, 1962, undated | ||||||||||||
Most are blank forms while there is one example of a contract for specified work. | |||||||||||||
BOX-FOLDER 64/10 | Electrician Trade Publications, 1970 | ||||||||||||
BOX-FOLDER 64/11 | Obituary, 1970 | ||||||||||||
Photographs, 1925, 1927, 1934, 1941-1964, undated
see Photographs: Dawson, Walter M. see Photographs: Dawson, Mary Cardwell - with others see Photographs: Pigskin Club of Washington, D.C. see Photographs: Interdenominational Ushers Union (church ushers organization) see Photographs: Handy, W. C. |
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Other images of Walter M. Dawson can be found throughout the various group photographs of the various NNOC/NNOF Guilds and committees. | |||||||||||||
BOX-FOLDER 64/12 | Realia, 1950s-1960s | ||||||||||||
Consists of a large linen 1962 wall calendar that has six metal buttons and four name badges attached. | |||||||||||||
BOX-FOLDER 64/13 | Timebook. Nightshift, 1941-1943 | ||||||||||||
BOX-FOLDER 64/14 | Washington, D.C. Electrical Code. Draft, 1963 | ||||||||||||
BOX-FOLDER 64/15 | Miscellany, undated |