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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music (continued) | |||||||||||||
| Show Music (continued) | |||||||||||||
| Angela knows best (continued) | |||||||||||||
| Includes lead sheet, lyrics by Walker and music by Goland | |||||||||||||
| BOX-FOLDER 29/9 | Angela knows best-parts | ||||||||||||
| BOX-FOLDER 29/10 | Curtain Act I | ||||||||||||
| BOX-FOLDER 29/11 | Curtain Act II | ||||||||||||
| BOX-FOLDER 29/12 | Final curtain | ||||||||||||
| BOX-FOLDER 29/13 | Reading letter | ||||||||||||
| BOX-FOLDER 29/14 | The ring | ||||||||||||
| BOX-FOLDER 29/15 | Why shouldn't I help myself | ||||||||||||
| BOX-FOLDER 29/16 | Editing/recording notes | ||||||||||||
| Anyone can whistle, 1964 | |||||||||||||
| Music and lyrics by Stephen Sondheim | |||||||||||||
| M1500.S693 A59 1964 | Full score see Catalog Record |
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| Full scores: individual songs | |||||||||||||
| BOX-FOLDER 109/8 | Bluebird march | ||||||||||||
| BOX-FOLDER 109/9 | Bluebird opening | ||||||||||||
| BOX-FOLDER 109/10 | Bluebird reprise | ||||||||||||
| BOX-FOLDER 109/11 | Cora's playoff | ||||||||||||
| BOX-FOLDER 109/12 | Exit music/Overture part II | ||||||||||||
| BOX-FOLDER 109/13 | Fay's monologue | ||||||||||||
| BOX-FOLDER 109/14 | Hapgood's entrance fanfare | ||||||||||||
| BOX-FOLDER 109/15 | Interrogation lead in | ||||||||||||
| BOX-FOLDER 109/16 | Interrogations (parts 1-8) | ||||||||||||
| BOX-FOLDER 109/17 | Me and my town | ||||||||||||
| BOX-FOLDER 109/17 | Me and my town (new) | ||||||||||||
| BOX-FOLDER 109/18 | Miracle song | ||||||||||||
| Includes pages from a variant version | |||||||||||||
| BOX-FOLDER 109/19 | Opening Act I | ||||||||||||
| BOX-FOLDER 109/20 | Prelude Act I | ||||||||||||
| BOX-FOLDER 109/21 | Pumping music | ||||||||||||
| Simple see Interrogations |
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| BOX-FOLDER 109/22 | Stamping music | ||||||||||||
| BOX-FOLDER 109/23 | There won't be trumpets | ||||||||||||
| BOX-FOLDER 109/24 | There's always a woman | ||||||||||||
| Piano-vocal scores | |||||||||||||
| BOX-FOLDER 29/17 | Me and my town | ||||||||||||
| BOX-FOLDER 29/18 | Miscellaneous scores and parts | ||||||||||||
| The appointment, 1969 | |||||||||||||
| Film directed by Sidney Lumet, music by John Barry and Don Walker | |||||||||||||
| BOX-FOLDER 109/25-40 | Full scores | ||||||||||||
| 1m-1; 2m-2; 2m-3; 3m-2; 4m-1; 4m-2; 6m-2; 6m-4; 6m-5; 7m-1; 7m-2; 12m-1; 12m-2; 13m-2; 13m-3 (part I); 14m-4 (end title) | |||||||||||||
| BOX-FOLDER 29/19 | Buon giorno (wild #1) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 29/19 | Wild theme #1 | ||||||||||||
| Reduced score/sketch | |||||||||||||
| Wild theme #2 crossed out on verso | |||||||||||||
| BOX-FOLDER 29/20 | Do we (false exit) | ||||||||||||
| Piano-vocal score/sketch | |||||||||||||
| BOX-FOLDER 29/21 | L’amour e la civetta (wild #2) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 29/21 | Wild #2 | ||||||||||||
| Reduced score/sketch | |||||||||||||
| BOX-FOLDER 29/22 | Main theme | ||||||||||||
| Reduced score/lead sheet | |||||||||||||
| Appears to be in John Barry's hand | |||||||||||||
| BOX-FOLDER 29/22 | Untitled | ||||||||||||
| Sketch | |||||||||||||
| BOX-FOLDER 29/23 | Sempre n`el cor (wild #3) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 29/24 | Wild #4 | ||||||||||||
| Reduced score | |||||||||||||
| BOX-FOLDER 29/25 | Miscellaneous and unidentified music | ||||||||||||
| BOX-FOLDER 29/26 | Music cues | ||||||||||||
| BOX-FOLDER 29/27 | Notes | ||||||||||||
| Are musicians people? | |||||||||||||
| Music, lyrics and book by Don Walker and Clay Warnick | |||||||||||||
| BOX-FOLDER 29/28 | Script | ||||||||||||
| BOX-FOLDER 29/29 | Script #2 | ||||||||||||
| At home abroad, 1935 | |||||||||||||
| Music by Arthur Schwartz, lyrics by Howard Dietz | |||||||||||||
| BOX-FOLDER 30/1 | Get away from it all | ||||||||||||
| Piano-vocal score | |||||||||||||
| Beat the band, 1942 | |||||||||||||
| Music by Johnny Green, lyrics by George Marion Jr. | |||||||||||||
| Piano-vocal scores | |||||||||||||
| BOX-FOLDER 30/2 | Afternoon of a phoney | ||||||||||||
| BOX-FOLDER 30/3 | America loves a band | ||||||||||||
| BOX-FOLDER 30/4 | Break it up | ||||||||||||
| BOX-FOLDER 30/5 | Curtain and melos Act I | ||||||||||||
| BOX-FOLDER 30/6 | Down thru the agents: opening Act I | ||||||||||||
| BOX-FOLDER 30/7 | Down thru the agents: Vincent insert | ||||||||||||
| BOX-FOLDER 30/8 | Ev'ry other heartbeat | ||||||||||||
| BOX-FOLDER 30/9 | The four freedoms | ||||||||||||
| BOX-FOLDER 30/10 | Free, cute, and size fourteen | ||||||||||||
| BOX-FOLDER 30/11 | I'm physical, you're cultured | ||||||||||||
| BOX-FOLDER 30/12 | Keep it casual | ||||||||||||
| BOX-FOLDER 30/13 | Let's comb beaches | ||||||||||||
| BOX-FOLDER 30/14 | Let's comb beaches incidental | ||||||||||||
| BOX-FOLDER 30/14 | Let's comb beaches incidental #2 | ||||||||||||
| BOX-FOLDER 30/15 | Men! | ||||||||||||
| BOX-FOLDER 30/15 | Men-agitato | ||||||||||||
| BOX-FOLDER 30/16 | Proud of you | ||||||||||||
| BOX-FOLDER 30/16 | Proud of you (new verse) | ||||||||||||
| BOX-FOLDER 30/17 | The steam is on the beam | ||||||||||||
| The beauty part, 1962 | |||||||||||||
| Play by S.J. Perelman, incidental music by Don Walker | |||||||||||||
| Piano scores | |||||||||||||
| BOX-FOLDER 30/18 | The beauty part | ||||||||||||
| Laid in: lyric sheets | |||||||||||||
| BOX-FOLDER 30/18 | Entracte | ||||||||||||
| BOX-FOLDER 30/19 | Relief theme (party) | ||||||||||||
| BOX-FOLDER 91/21 | Miscellaneous | ||||||||||||
| Bless you all, 1950 | |||||||||||||
| Music and lyrics by Harold Rome | |||||||||||||
| Piano-vocal scores, unless otherwise noted | |||||||||||||
| BOX-FOLDER 30/20 | Be a folk singer | ||||||||||||
| BOX-FOLDER 30/21 | Bless you all opening | ||||||||||||
| BOX-FOLDER 30/22 | The desert flame | ||||||||||||
| Piano/short score | |||||||||||||
| Composed by Don Walker | |||||||||||||
| BOX-FOLDER 30/23 | The desert flame | ||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 30/24 | I can hear it now-ballet | ||||||||||||
| Piano score | |||||||||||||
| Arranged by Mischa and Wesley Portnoff | |||||||||||||
| BOX-FOLDER 30/25 | Little things (meant so much to me) | ||||||||||||
| BOX-FOLDER 31/1 | Love letter to Manhattan | ||||||||||||
| BOX-FOLDER 31/2 | A rose is a rose | ||||||||||||
| BOX-FOLDER 31/3 | Summer dresses | ||||||||||||
| BOX-FOLDER 109/41 | Summer dress utility | ||||||||||||
| Full scores (2) | |||||||||||||
| Orchestration by Phil Lang | |||||||||||||
| BOX-FOLDER 31/4 | Take off the coat | ||||||||||||
| BOX-FOLDER 31/5 | You never know what hit you (when it's love) | ||||||||||||
| Brave new world | |||||||||||||
| The following items were in a folder marked “Brave New World Material” and appeared to have been for a radio program; while we have found no information to confirm that Walker was involved, there was a joint CBS and WPA radio show with that title from November of 1937 through May of 1938, a period when Walker was known to work on various radio programs–we posit that this may have been one of them | |||||||||||||
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