Some or all content stored offsite.
Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Writings, 1952-2003 (continued) | |||||||||||||
BOX-FOLDER 2/4 | Boucles de palindromes musicaux, 1989-1990 | ||||||||||||
Includes letter, abstract of article, typewritten article, and printed article for reference. | |||||||||||||
BOX-FOLDER 2/5 | Brahms, his past, and modes of music theory, from Brahms Studies: Analytical and Historical Perspectives, 1983 | ||||||||||||
Offprint copy | |||||||||||||
Paper delivered at the International Brahms Conference, in Washington, D.C. Includes typewritten copy of the paper which Lewin read at the conference, notes, and examples. | |||||||||||||
BOX-FOLDER 2/6 | Cage, John, introduction for the Norton Lecture, 1988 | ||||||||||||
BOX-FOLDER 2/7 | Chain conditions in topological groups and rings, 1954 | ||||||||||||
Submitted towards a Bachelor’s degree with honors in Mathematics, Harvard University. | |||||||||||||
BOX-FOLDER 2/8 | Clara Schumann’s setting of Ich Stand | ||||||||||||
Includes typewritten copies, music example, and score. | |||||||||||||
BOX-FOLDER 2/9 | Clough and Cohn sequences | ||||||||||||
BOX-FOLDER 2/10 | Cohn functions, 1993 | ||||||||||||
Includes printed article, typewritten copy, handwritten notes, and exercises. Indicates that this builds on work done by Richard Cohn. | |||||||||||||
BOX-FOLDER 2/11 | Comment on Joel Lester and Marion Guck articles, 1981 | ||||||||||||
Published in In Theory Only. | |||||||||||||
BOX-FOLDER 2/12 | A communication on some combinatorial problems | ||||||||||||
Typewritten paper with accompanying figures | |||||||||||||
BOX-FOLDER 2/13 |
A commutative GIS cannot have
Z-related trichords, but a non-commutative GIS can see also Conditions under which, in a commutative GIS, two 3-element sets can span the same assortment of GIS-intervals |
||||||||||||
Includes copies of original version and one copy with cover letter of the revised version. | |||||||||||||
BOX-FOLDER 2/14-15 | Concerning the inspired revelation of F.-J. Fetis, 1987 | ||||||||||||
(2 folders) | |||||||||||||
Includes typewritten copies with annotations and revisions; and copies of published article in Theoria: Historical Aspects of Music Theory. | |||||||||||||
BOX-FOLDER 2/16 |
Conditions under which, in a
commutative GIS, two 3-element sets can span the same assortment of
GIS-intervals; notes on the non-commutative GIS in this connection,
1997
see also A commutative GIS cannot have Z-related trichords, but a non-commutative GIS can |
||||||||||||
Article from Intégral. | |||||||||||||
BOX-FOLDER 2/17 | Congruence-invariant measures in uniform spaces, 1966 | ||||||||||||
Reprinted from the Transactions of the American Mathematical Society. | |||||||||||||
BOX-FOLDER 2/18 | The D major fugue subject from WTCII: spatial saturation? 1998 | ||||||||||||
Includes emails. | |||||||||||||
BOX-FOLDER 2/19 | David Lewin: A bibliography, circa 1994 | ||||||||||||
An example of serial technique in early Webern,
1982
see On extended Z-Triples |
|||||||||||||
From Theory and Practice: Journal of the Music Theory Society of New York State. | |||||||||||||
BOX-FOLDER 2/20 | Figaro’s mistakes, 1992 and 1995 | ||||||||||||
A lecture with accompanying figures and examples; and includes final published version. | |||||||||||||
BOX-FOLDER 3/1-2 | The form of rhythm, the rhythm of form, 2000 | ||||||||||||
(2 folders) | |||||||||||||
A lecture for a seminar in Italy. Includes correspondence, notes, and accompanying materials. | |||||||||||||
BOX-FOLDER 3/3 | A formal theory of generalized tonal functions | ||||||||||||
BOX-FOLDER 3/4 | Forte’s interval vector, my interval function, and Regener’s common-note function | ||||||||||||
BOX-FOLDER 3/5 | The four (two) all-trichord rows | ||||||||||||
BOX-FOLDER 3/6 | Generalized interval systems for Babbitt’s lists, and for Schoenberg’s string trio, 1995 | ||||||||||||
Published in Music Theory Spectrum. | |||||||||||||
BOX-FOLDER 3/7--4/5 | Generalized musical intervals and transformations, and accompanying materials, 1985-1987 | ||||||||||||
(12 folders) | |||||||||||||
Includes typescript draft of the book and index, submission correspondence and publishing agreement, correspondence and notes on preparation and revision of the manuscript, permissions notes and letters, notes on updating the book, and congratulatory correspondence and reviews. | |||||||||||||
BOX-FOLDER 4/6 | The graduate program in theory, 1990 | ||||||||||||
Lewin's typewritten talk on the Harvard graduate program, accompanied by printed programmatic material. | |||||||||||||
BOX-FOLDER 4/7 | Harvard Ph.D program in music theory, circa 1996 | ||||||||||||
BOX-FOLDER 4/8 | Ihr Bild, for Morgengruss book | ||||||||||||
Handwritten manuscript | |||||||||||||
BOX-FOLDER 4/9 | Ihr Bild lecture | ||||||||||||
Accompanied by examples and score. | |||||||||||||
BOX-FOLDER 4/10 |
In memoriam, Roger Sessions,
1896-1985, 1985
see also Studying with Roger Sessions |
||||||||||||
Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 4/11 |
Interesting cases of the interval
function between pitch-class sets X and Y see also Special cases of the interval function between pitch-class sets X and Y |
||||||||||||
Includes typewritten lecture with examples (IFUNC), and a partial copy containing handwritten notes. | |||||||||||||
BOX-FOLDER 4/12 | An interesting global rule for species counterpoint | ||||||||||||
Various copies with different annotations. | |||||||||||||
BOX-FOLDER 4/13 | The intervallic content of a collection of notes, intervallic relations between a collection of notes and its complement: an application to Schoenberg’s hexachordal pieces, 1960 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 4/14 | Intervallic relations between two collections of notes, 1959 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 4/15 | Inversional balance as an organizing force in Schoenberg's music and thought, 1968 | ||||||||||||
Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 4/16 | A label-free development for 12-pitch-class systems, 1977 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 4/17 | Letter to the editor, 1965 | ||||||||||||
From "Communications" column in Perspectives of New Music. | |||||||||||||
BOX-FOLDER 4/18 | Lewin sketch for imaginary theory exam, 1986 | ||||||||||||
BOX-FOLDER 5/1 | Lewin’s own student notes for Harvard math class 107a (combinatorics) | ||||||||||||
BOX-FOLDER 5/2 | Lewin’s own student notes for Harvard math class 212a (real analysis), 1952 | ||||||||||||
BOX-FOLDER 5/3 | Lewin’s own student notes for Harvard math class 231 (algebraic topology) | ||||||||||||
BOX-FOLDER 5/4 | Lewin’s own student notes for Harvard math class 237, 1953 | ||||||||||||
BOX-FOLDER 5/5 | Lewin’s own student notes on music history and theory | ||||||||||||
BOX-FOLDER 5/6 | Lewin’s own student notes on Wagner and other topics | ||||||||||||
Includes notebooks and accompanying notes. | |||||||||||||
BOX-FOLDER 5/7 | Mathematical structure (excerpts) | ||||||||||||
BOX-FOLDER 5/8 | A metrical problem in Webern's opus 27, 1962 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 5/9 |
A metrical problem in Webern’s opus
27, 1992-1993
see also Mosaics in Webern, Webern analyses , and Webern's contextual period |
||||||||||||
Includes reprint of article published in Music Analysis, and typescript copy of the article with accompanying correspondence. | |||||||||||||
BOX-FOLDER 5/10 | Milton Babbitt as theorist, 1983 | ||||||||||||
Lecture for Wisconsin symposium, includes note to Steve Soderberg. | |||||||||||||
BOX-FOLDER 5/11-12 | Morgengruss | ||||||||||||
(2 copies) | |||||||||||||
Typewritten document. | |||||||||||||
BOX-FOLDER 6/1 | Morgengruss, 2008 | ||||||||||||
(2 volumes) | |||||||||||||
BOX-FOLDER 6/2 |
Mosaics in Webern, opus 24 see also A metrical problem in Webern's opus 27, Webern analyses , and Webern's contextual period |
||||||||||||
Incomplete materials possibly for a 2003 in-progress manuscript. Includes Lewin's reference to 12-tone areas, handwritten notes, diagrams, copy of Lewin's article "A study of hexachord levels in Schoenberg's violin fantasy," and music examples dealing with trichordal Tonnetz. | |||||||||||||
BOX-FOLDER 6/3 | Moses and Aron (Italian translation) | ||||||||||||
BOX-FOLDER 6/4 | Moses and Aron: some general remarks and analytic notes for Act 1, Scene 1, 1967 | ||||||||||||
Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 6/5 | Mozart lecture on Don Giovanni and Marriage of Figaro, circa 1965 | ||||||||||||
Given to the Arts Club at University of California, Berkeley. | |||||||||||||
BOX-FOLDER 6/6 | Music and drama in Mozart’s ‘Crudel! Perche finora’ (Marriage of Figaro, Act 3), 1998 | ||||||||||||
Part of CUNY's Perspectives in Musical Scholarship series of public lectures. Includes typewritten copies of the lecture, handouts, correspondence, emails, and brochure. | |||||||||||||
BOX-FOLDER 6/7-8 | Music theory, phenomenology, and modes of perception, 1986 | ||||||||||||
(2 folders) | |||||||||||||
Published in Music Perception. Includes two typewritten copies of the article with errata sheets, letter to the editor, galley copies, and a published copy with Lewin’s notes in the margins. | |||||||||||||
BOX-FOLDER 6/9 | Musical analysis as stage direction, 1988 and 1992 | ||||||||||||
Draft of lecture given at Dartmouth College; and published version from Music and Text: Critical Inquiries. | |||||||||||||
BOX-FOLDER 7/1-3 | Musical Form and Transformation: 4 Analytic Essays, and accompanying materials, 1992-1995 | ||||||||||||
(3 folders) | |||||||||||||
Includes proofs for the book, correspondence, including items from Milton Babbitt, and reviews. | |||||||||||||
Musical palindromes: loops of loops see Boucles de palindromes musicaux |
|||||||||||||
BOX-FOLDER 7/4 | Notes on Apres une Lecture du Dante (Liszt) | ||||||||||||
Handwritten notes and score | |||||||||||||
BOX-FOLDER 7/5 | Notes on Bamberger experiments | ||||||||||||
Includes handwritten notes, diagrams, and copy of "Development of Musically Gifted Children," by Jeanne Bamberger. | |||||||||||||
BOX-FOLDER 7/6 | Notes on the opening of the F# minor fugue from WTC1, 1999 | ||||||||||||
Includes printed copy, typewritten version of his draft, and handwritten notes. | |||||||||||||
BOX-FOLDER 7/7 | Notes on the sample tape of computer music | ||||||||||||
BOX-FOLDER 7/8 | O hobbirul hashedy O hairypuss O konk | ||||||||||||
BOX-FOLDER 7/9 | On certain techniques of re-ordering in serial music, 1966 | ||||||||||||
Reprint from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 7/10 | On extended Z-Triples, 1982 | ||||||||||||
From Theory and Practice: Journal of the Music Theory Society of New York State. | |||||||||||||
BOX-FOLDER 7/11 | On formal intervals between time-spans, 1984 | ||||||||||||
Published in Music Perception. | |||||||||||||
BOX-FOLDER 7/12 | On generalized intervals and transformations | ||||||||||||
BOX-FOLDER 7/13 | On harmony and meter in Brahms’s op. 76, no. 8 | ||||||||||||
Published in 19th Century Music. | |||||||||||||
BOX-FOLDER 7/14 | On partial ordering, 1976 | ||||||||||||
Lecture on Babbitt given in Chicago. | |||||||||||||
BOX-FOLDER 7/15 | On the interval content of invertible hexachords | ||||||||||||
Next Page » |