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Writings, 1952-2003 (continued) | |||||||||||||
BOX-FOLDER 4/10 |
In memoriam, Roger Sessions,
1896-1985, 1985
see also Studying with Roger Sessions |
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Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 4/11 |
Interesting cases of the interval
function between pitch-class sets X and Y see also Special cases of the interval function between pitch-class sets X and Y |
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Includes typewritten lecture with examples (IFUNC), and a partial copy containing handwritten notes. | |||||||||||||
BOX-FOLDER 4/12 | An interesting global rule for species counterpoint | ||||||||||||
Various copies with different annotations. | |||||||||||||
BOX-FOLDER 4/13 | The intervallic content of a collection of notes, intervallic relations between a collection of notes and its complement: an application to Schoenberg’s hexachordal pieces, 1960 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 4/14 | Intervallic relations between two collections of notes, 1959 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 4/15 | Inversional balance as an organizing force in Schoenberg's music and thought, 1968 | ||||||||||||
Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 4/16 | A label-free development for 12-pitch-class systems, 1977 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 4/17 | Letter to the editor, 1965 | ||||||||||||
From "Communications" column in Perspectives of New Music. | |||||||||||||
BOX-FOLDER 4/18 | Lewin sketch for imaginary theory exam, 1986 | ||||||||||||
BOX-FOLDER 5/1 | Lewin’s own student notes for Harvard math class 107a (combinatorics) | ||||||||||||
BOX-FOLDER 5/2 | Lewin’s own student notes for Harvard math class 212a (real analysis), 1952 | ||||||||||||
BOX-FOLDER 5/3 | Lewin’s own student notes for Harvard math class 231 (algebraic topology) | ||||||||||||
BOX-FOLDER 5/4 | Lewin’s own student notes for Harvard math class 237, 1953 | ||||||||||||
BOX-FOLDER 5/5 | Lewin’s own student notes on music history and theory | ||||||||||||
BOX-FOLDER 5/6 | Lewin’s own student notes on Wagner and other topics | ||||||||||||
Includes notebooks and accompanying notes. | |||||||||||||
BOX-FOLDER 5/7 | Mathematical structure (excerpts) | ||||||||||||
BOX-FOLDER 5/8 | A metrical problem in Webern's opus 27, 1962 | ||||||||||||
Reprinted from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 5/9 |
A metrical problem in Webern’s opus
27, 1992-1993
see also Mosaics in Webern, Webern analyses , and Webern's contextual period |
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Includes reprint of article published in Music Analysis, and typescript copy of the article with accompanying correspondence. | |||||||||||||
BOX-FOLDER 5/10 | Milton Babbitt as theorist, 1983 | ||||||||||||
Lecture for Wisconsin symposium, includes note to Steve Soderberg. | |||||||||||||
BOX-FOLDER 5/11-12 | Morgengruss | ||||||||||||
(2 copies) | |||||||||||||
Typewritten document. | |||||||||||||
BOX-FOLDER 6/1 | Morgengruss, 2008 | ||||||||||||
(2 volumes) | |||||||||||||
BOX-FOLDER 6/2 |
Mosaics in Webern, opus 24 see also A metrical problem in Webern's opus 27, Webern analyses , and Webern's contextual period |
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Incomplete materials possibly for a 2003 in-progress manuscript. Includes Lewin's reference to 12-tone areas, handwritten notes, diagrams, copy of Lewin's article "A study of hexachord levels in Schoenberg's violin fantasy," and music examples dealing with trichordal Tonnetz. | |||||||||||||
BOX-FOLDER 6/3 | Moses and Aron (Italian translation) | ||||||||||||
BOX-FOLDER 6/4 | Moses and Aron: some general remarks and analytic notes for Act 1, Scene 1, 1967 | ||||||||||||
Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 6/5 | Mozart lecture on Don Giovanni and Marriage of Figaro, circa 1965 | ||||||||||||
Given to the Arts Club at University of California, Berkeley. | |||||||||||||
BOX-FOLDER 6/6 | Music and drama in Mozart’s ‘Crudel! Perche finora’ (Marriage of Figaro, Act 3), 1998 | ||||||||||||
Part of CUNY's Perspectives in Musical Scholarship series of public lectures. Includes typewritten copies of the lecture, handouts, correspondence, emails, and brochure. | |||||||||||||
BOX-FOLDER 6/7-8 | Music theory, phenomenology, and modes of perception, 1986 | ||||||||||||
(2 folders) | |||||||||||||
Published in Music Perception. Includes two typewritten copies of the article with errata sheets, letter to the editor, galley copies, and a published copy with Lewin’s notes in the margins. | |||||||||||||
BOX-FOLDER 6/9 | Musical analysis as stage direction, 1988 and 1992 | ||||||||||||
Draft of lecture given at Dartmouth College; and published version from Music and Text: Critical Inquiries. | |||||||||||||
BOX-FOLDER 7/1-3 | Musical Form and Transformation: 4 Analytic Essays, and accompanying materials, 1992-1995 | ||||||||||||
(3 folders) | |||||||||||||
Includes proofs for the book, correspondence, including items from Milton Babbitt, and reviews. | |||||||||||||
Musical palindromes: loops of loops see Boucles de palindromes musicaux |
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BOX-FOLDER 7/4 | Notes on Apres une Lecture du Dante (Liszt) | ||||||||||||
Handwritten notes and score | |||||||||||||
BOX-FOLDER 7/5 | Notes on Bamberger experiments | ||||||||||||
Includes handwritten notes, diagrams, and copy of "Development of Musically Gifted Children," by Jeanne Bamberger. | |||||||||||||
BOX-FOLDER 7/6 | Notes on the opening of the F# minor fugue from WTC1, 1999 | ||||||||||||
Includes printed copy, typewritten version of his draft, and handwritten notes. | |||||||||||||
BOX-FOLDER 7/7 | Notes on the sample tape of computer music | ||||||||||||
BOX-FOLDER 7/8 | O hobbirul hashedy O hairypuss O konk | ||||||||||||
BOX-FOLDER 7/9 | On certain techniques of re-ordering in serial music, 1966 | ||||||||||||
Reprint from the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 7/10 | On extended Z-Triples, 1982 | ||||||||||||
From Theory and Practice: Journal of the Music Theory Society of New York State. | |||||||||||||
BOX-FOLDER 7/11 | On formal intervals between time-spans, 1984 | ||||||||||||
Published in Music Perception. | |||||||||||||
BOX-FOLDER 7/12 | On generalized intervals and transformations | ||||||||||||
BOX-FOLDER 7/13 | On harmony and meter in Brahms’s op. 76, no. 8 | ||||||||||||
Published in 19th Century Music. | |||||||||||||
BOX-FOLDER 7/14 | On partial ordering, 1976 | ||||||||||||
Lecture on Babbitt given in Chicago. | |||||||||||||
BOX-FOLDER 7/15 | On the interval content of invertible hexachords | ||||||||||||
BOX-FOLDER 7/16 | On the “ninth-chord in fourth inversion” from Verklärte Nacht, 1987 | ||||||||||||
Includes typewritten copy and errata sheet. Published in the Journal of the Arnold Schoenberg Institute.. | |||||||||||||
BOX-FOLDER 7/17 | Parsifal lecture to Junior League of San Francisco, circa 1962-1963 | ||||||||||||
In relation to the San Francisco Opera production. | |||||||||||||
BOX-FOLDER 7/18 | Perspectives of New Music report, 1964 | ||||||||||||
Reprint | |||||||||||||
Lewin's report from Berkeley. | |||||||||||||
Probability and communication theory textbook see Course materials. Math and Music. Probability and communication theory textbook |
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BOX-FOLDER 7/19 | R. Schumann’s Anfangs wollt’ich; A study in Phrygian and modern minor | ||||||||||||
Includes two pages of handwritten draft notes. | |||||||||||||
BOX-FOLDER 7/20 | A response to Joe’s letter | ||||||||||||
BOX-FOLDER 7/21 | Review of Berkeley concert, 1964 | ||||||||||||
BOX-FOLDER 7/22 | Ring theory | ||||||||||||
BOX-FOLDER 8/1 | Schoenberg analyses, circa 1967 | ||||||||||||
Includes scores, music examples, handwritten and typed notes, draft of Schoenberg GA table of contents (Lewin’s or student's?), notes on Moses und Aron, computer printout for Moses und Aron, a student paper (for Music 202) on Moses und Aron. | |||||||||||||
BOX-FOLDER 8/2-3 | Die Schwestern(lecture copy) | ||||||||||||
Includes various versions of the lecture, score, figures, examples, quotations, writings referred to, assignment, and notes. | |||||||||||||
BOX-FOLDER 8/4 | A set-theoretic approach to serialism and partial ordering | ||||||||||||
BOX-FOLDER 8/5 | Some applications of communication theory to the study of twelve-tone music, 1968 | ||||||||||||
Published in the Journal of Music Theory. | |||||||||||||
BOX-FOLDER 8/6-7 | Some compositional uses of projective geometry, 1993 | ||||||||||||
Two slightly different copies, with additional draft pages and notes. | |||||||||||||
BOX-FOLDER 8/8--9/2 | Some ideas about voice-leading between pcsets, 1997-1998 | ||||||||||||
(3 folders) | |||||||||||||
Includes copy published in the Journal of Music Theory, incomplete drafts, correspondence, and notes. | |||||||||||||
BOX-FOLDER 9/3 | Some instances of parallel voice-leading in Debussy, 1987 | ||||||||||||
Includes copy published in 19th Century Music, and letter of acceptance from the publisher. | |||||||||||||
BOX-FOLDER 9/4 | Some investigations into foreground rhythmic and metric patterning, 1981 | ||||||||||||
Includes typewritten text with revisions and the final published version from Music Theory: Special Topics. | |||||||||||||
BOX-FOLDER 9/5 | Some musical jokes in Mozart's Le Nozze di Figaro, 1968 | ||||||||||||
BOX-FOLDER 9/6 | Some new constructs involving abstract pcsets, and probabilistic applications, 1979 | ||||||||||||
Reprinted from Perspectives of New Music. | |||||||||||||
BOX-FOLDER 9/7 | Some notes on analyzing Wagner: The Ring and Parsifal, 1992 | ||||||||||||
Includes reprint of the article that appeared in 19th Century Music and Lewin's notes. | |||||||||||||
BOX-FOLDER 9/8 | Some notes on Pierrot Lunaire | ||||||||||||
BOX-FOLDER 9/9 | Some notes on Schoenberg's opus 11, 1977 | ||||||||||||
Published in In Theory Only. | |||||||||||||
BOX-FOLDER 9/10 | Some problems and resources of music theory, 1991 | ||||||||||||
Includes a copy published in the Journal of Music Theory Pedagogy, portions of the article, and a typewritten text. | |||||||||||||
BOX-FOLDER 9/11--10/1 | Some theoretical thoughts about aspects of harmony in Mahler’s symphonies, 2000-2002 | ||||||||||||
(2 folders) | |||||||||||||
Includes various versions (given at the 2001 conference Music and the Aesthetics of Modernity and at the “Brinkfest”), correspondence, notes, examples, figures, and possibly draft pages. | |||||||||||||
BOX-FOLDER 10/2-3 | Some thoughts on Pierrot Lunaire (lecture and article), 1995-1997 | ||||||||||||
(2 folders) | |||||||||||||
Includes three copies with examples, diagrams, score, figures, handouts, correspondence, and notes; in English, Italian and French; given at University of California at Santa Barbara in 1996; and at Strasbourg University and Cremona University, in May 1997. Article published in Music Theory in Concept and Practice, University of Rochester Press, 1997. | |||||||||||||
BOX-FOLDER 10/4 |
Special cases of the interval
function between pitch-class sets X and Y see also Interesting cases of the interval function between pitch-class sets X and Y |
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Includes reprints of article, copies of article proofs, a letter from Drott, draft, and examples. | |||||||||||||
BOX-FOLDER 10/5 | Stravinsky/Vishio, 1990 | ||||||||||||
A letter to Anton Vishio with typewritten notes regarding his Stravinsky analysis (“a fantasia on Anton’s spiel”). | |||||||||||||
BOX-FOLDER 10/6--13/2 | Studies in Music with Text, and accompanying materials, 1999-2005 | ||||||||||||
(20 folders) | |||||||||||||
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