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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Writings, 1952-2003 (continued) | |||||||||||||
| BOX-FOLDER 6/7-8 | Music theory, phenomenology, and modes of perception, 1986 | ||||||||||||
| (2 folders) | |||||||||||||
| Published in Music Perception. Includes two typewritten copies of the article with errata sheets, letter to the editor, galley copies, and a published copy with Lewin’s notes in the margins. | |||||||||||||
| BOX-FOLDER 6/9 | Musical analysis as stage direction, 1988 and 1992 | ||||||||||||
| Draft of lecture given at Dartmouth College; and published version from Music and Text: Critical Inquiries. | |||||||||||||
| BOX-FOLDER 7/1-3 | Musical Form and Transformation: 4 Analytic Essays, and accompanying materials, 1992-1995 | ||||||||||||
| (3 folders) | |||||||||||||
| Includes proofs for the book, correspondence, including items from Milton Babbitt, and reviews. | |||||||||||||
| Musical palindromes: loops of loops see Boucles de palindromes musicaux |
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| BOX-FOLDER 7/4 | Notes on Apres une Lecture du Dante (Liszt) | ||||||||||||
| Handwritten notes and score | |||||||||||||
| BOX-FOLDER 7/5 | Notes on Bamberger experiments | ||||||||||||
| Includes handwritten notes, diagrams, and copy of "Development of Musically Gifted Children," by Jeanne Bamberger. | |||||||||||||
| BOX-FOLDER 7/6 | Notes on the opening of the F# minor fugue from WTC1, 1999 | ||||||||||||
| Includes printed copy, typewritten version of his draft, and handwritten notes. | |||||||||||||
| BOX-FOLDER 7/7 | Notes on the sample tape of computer music | ||||||||||||
| BOX-FOLDER 7/8 | O hobbirul hashedy O hairypuss O konk | ||||||||||||
| BOX-FOLDER 7/9 | On certain techniques of re-ordering in serial music, 1966 | ||||||||||||
| Reprint from the Journal of Music Theory. | |||||||||||||
| BOX-FOLDER 7/10 | On extended Z-Triples, 1982 | ||||||||||||
| From Theory and Practice: Journal of the Music Theory Society of New York State. | |||||||||||||
| BOX-FOLDER 7/11 | On formal intervals between time-spans, 1984 | ||||||||||||
| Published in Music Perception. | |||||||||||||
| BOX-FOLDER 7/12 | On generalized intervals and transformations | ||||||||||||
| BOX-FOLDER 7/13 | On harmony and meter in Brahms’s op. 76, no. 8 | ||||||||||||
| Published in 19th Century Music. | |||||||||||||
| BOX-FOLDER 7/14 | On partial ordering, 1976 | ||||||||||||
| Lecture on Babbitt given in Chicago. | |||||||||||||
| BOX-FOLDER 7/15 | On the interval content of invertible hexachords | ||||||||||||
| BOX-FOLDER 7/16 | On the “ninth-chord in fourth inversion” from Verklärte Nacht, 1987 | ||||||||||||
| Includes typewritten copy and errata sheet. Published in the Journal of the Arnold Schoenberg Institute.. | |||||||||||||
| BOX-FOLDER 7/17 | Parsifal lecture to Junior League of San Francisco, circa 1962-1963 | ||||||||||||
| In relation to the San Francisco Opera production. | |||||||||||||
| BOX-FOLDER 7/18 | Perspectives of New Music report, 1964 | ||||||||||||
| Reprint | |||||||||||||
| Lewin's report from Berkeley. | |||||||||||||
| Probability and communication theory textbook see Course materials. Math and Music. Probability and communication theory textbook |
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| BOX-FOLDER 7/19 | R. Schumann’s Anfangs wollt’ich; A study in Phrygian and modern minor | ||||||||||||
| Includes two pages of handwritten draft notes. | |||||||||||||
| BOX-FOLDER 7/20 | A response to Joe’s letter | ||||||||||||
| BOX-FOLDER 7/21 | Review of Berkeley concert, 1964 | ||||||||||||
| BOX-FOLDER 7/22 | Ring theory | ||||||||||||
| BOX-FOLDER 8/1 | Schoenberg analyses, circa 1967 | ||||||||||||
| Includes scores, music examples, handwritten and typed notes, draft of Schoenberg GA table of contents (Lewin’s or student's?), notes on Moses und Aron, computer printout for Moses und Aron, a student paper (for Music 202) on Moses und Aron. | |||||||||||||
| BOX-FOLDER 8/2-3 | Die Schwestern(lecture copy) | ||||||||||||
| Includes various versions of the lecture, score, figures, examples, quotations, writings referred to, assignment, and notes. | |||||||||||||
| BOX-FOLDER 8/4 | A set-theoretic approach to serialism and partial ordering | ||||||||||||
| BOX-FOLDER 8/5 | Some applications of communication theory to the study of twelve-tone music, 1968 | ||||||||||||
| Published in the Journal of Music Theory. | |||||||||||||
| BOX-FOLDER 8/6-7 | Some compositional uses of projective geometry, 1993 | ||||||||||||
| Two slightly different copies, with additional draft pages and notes. | |||||||||||||
| BOX-FOLDER 8/8--9/2 | Some ideas about voice-leading between pcsets, 1997-1998 | ||||||||||||
| (3 folders) | |||||||||||||
| Includes copy published in the Journal of Music Theory, incomplete drafts, correspondence, and notes. | |||||||||||||
| BOX-FOLDER 9/3 | Some instances of parallel voice-leading in Debussy, 1987 | ||||||||||||
| Includes copy published in 19th Century Music, and letter of acceptance from the publisher. | |||||||||||||
| BOX-FOLDER 9/4 | Some investigations into foreground rhythmic and metric patterning, 1981 | ||||||||||||
| Includes typewritten text with revisions and the final published version from Music Theory: Special Topics. | |||||||||||||
| BOX-FOLDER 9/5 | Some musical jokes in Mozart's Le Nozze di Figaro, 1968 | ||||||||||||
| BOX-FOLDER 9/6 | Some new constructs involving abstract pcsets, and probabilistic applications, 1979 | ||||||||||||
| Reprinted from Perspectives of New Music. | |||||||||||||
| BOX-FOLDER 9/7 | Some notes on analyzing Wagner: The Ring and Parsifal, 1992 | ||||||||||||
| Includes reprint of the article that appeared in 19th Century Music and Lewin's notes. | |||||||||||||
| BOX-FOLDER 9/8 | Some notes on Pierrot Lunaire | ||||||||||||
| BOX-FOLDER 9/9 | Some notes on Schoenberg's opus 11, 1977 | ||||||||||||
| Published in In Theory Only. | |||||||||||||
| BOX-FOLDER 9/10 | Some problems and resources of music theory, 1991 | ||||||||||||
| Includes a copy published in the Journal of Music Theory Pedagogy, portions of the article, and a typewritten text. | |||||||||||||
| BOX-FOLDER 9/11--10/1 | Some theoretical thoughts about aspects of harmony in Mahler’s symphonies, 2000-2002 | ||||||||||||
| (2 folders) | |||||||||||||
| Includes various versions (given at the 2001 conference Music and the Aesthetics of Modernity and at the “Brinkfest”), correspondence, notes, examples, figures, and possibly draft pages. | |||||||||||||
| BOX-FOLDER 10/2-3 | Some thoughts on Pierrot Lunaire (lecture and article), 1995-1997 | ||||||||||||
| (2 folders) | |||||||||||||
| Includes three copies with examples, diagrams, score, figures, handouts, correspondence, and notes; in English, Italian and French; given at University of California at Santa Barbara in 1996; and at Strasbourg University and Cremona University, in May 1997. Article published in Music Theory in Concept and Practice, University of Rochester Press, 1997. | |||||||||||||
| BOX-FOLDER 10/4 |
Special cases of the interval
function between pitch-class sets X and Y see also Interesting cases of the interval function between pitch-class sets X and Y |
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| Includes reprints of article, copies of article proofs, a letter from Drott, draft, and examples. | |||||||||||||
| BOX-FOLDER 10/5 | Stravinsky/Vishio, 1990 | ||||||||||||
| A letter to Anton Vishio with typewritten notes regarding his Stravinsky analysis (“a fantasia on Anton’s spiel”). | |||||||||||||
| BOX-FOLDER 10/6--13/2 | Studies in Music with Text, and accompanying materials, 1999-2005 | ||||||||||||
| (20 folders) | |||||||||||||
| Includes Lewin’s typewritten essays that formed the basis for the book; draft table of contents and notes by Lewin; various drafts; master pages from Sept. 2005; correspondence, and Lewin's narrative statement. | |||||||||||||
| BOX-FOLDER 13/3 | A study of hexachord levels in Schoenberg's violin fantasy, 1967 | ||||||||||||
| Reprinted from Perspectives of New Music. | |||||||||||||
| BOX-FOLDER 13/4 |
Studying with Roger Sessions,
1985 and 1991
see also In memoriam, Roger Sessions, 1896-1985 |
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| BOX-FOLDER 13/5 | A theory of segmental association in twelve-tone music, 1962 | ||||||||||||
| Reprinted from Perspectives of New Music. | |||||||||||||
| BOX-FOLDER 13/6-8 | Thoughts on Klumpenhouwer networks and Perle-Lansky cycles, 2001-2002 | ||||||||||||
| (3 folders) | |||||||||||||
| Includes typewritten copies, an abstract, copies from Music Theory Spectrum, correspondence, examples, several emails to the publisher with corrections, and draft version with corrections. | |||||||||||||
| BOX-FOLDER 13/9 | Toward the analysis of a Schoenberg song (op. 15, no. XI), 1973-1974 | ||||||||||||
| Reprint from Perspectives of New Music. | |||||||||||||
| BOX-FOLDER 13/10 | Transformational considerations in Schoenberg’s opus 23, number 3, circa 2002 | ||||||||||||
| Includes copies of typewritten essay (different pagination), two examples, handwritten message, letter from Milton Babbitt to Lewin possibly in regard to this essay, and additional copy with handwritten notes. | |||||||||||||
| BOX-FOLDER 13/11 | Transformational techniques in atonal and other music theories, 1982-1983 | ||||||||||||
| Reprint from Perspectives of New Music. | |||||||||||||
| BOX-FOLDER 14/1 | Tristan—well-made-play and theater of passion; the teleology of functional tonality and the self-propagation of transformational atonality | ||||||||||||
| BOX-FOLDER 14/2 | A tutorial on Klumpenhouwer networks, using the chorale in Schoenberg’s opus 11, no. 2 | ||||||||||||
| BOX-FOLDER 14/3 | Two interesting passages in Rameau’sTraite de l’harmonie, 1979 | ||||||||||||
| Published in In Theory Only, journal of the Michigan Music Theory Society. | |||||||||||||
| BOX-FOLDER 14/4 | Two tangential ideas, regarding Beethoven, opus 18, no. 6 | ||||||||||||
| BOX-FOLDER 14/5 | Vercoe project, circa 1987 | ||||||||||||
| BOX-FOLDER 14/6 | Vocal meter in Schoenberg’s atonal music, with a note on a serial Haupstimme, 1982 | ||||||||||||
| Published in In Theory Only. | |||||||||||||
| BOX-FOLDER 14/7 | A way into Schoenberg’s opus 15, number 7, 1981 | ||||||||||||
| Published in In Theory Only. | |||||||||||||
| BOX-FOLDER 14/8 |
Webern analyses see also A metrical problem in Webern's opus 27, Mosaics in Webern , and Webern's contextual period |
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| Includes various handwritten notes, examples, diagrams and scores for various Webern pieces. | |||||||||||||
| BOX-FOLDER 14/9 |
Webern’s contextual period: opus 5,
number 2, from Five Pieces for String Quartet
see also A metrical problem in Webern's opus 27, Mosaics in Webern , and Webern analyses |
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| Possibly part of a larger work. | |||||||||||||
| BOX-FOLDER 14/10 | Whole-tone hexachord paper | ||||||||||||
| An untitled lecture, possibly a conference presentation from 2000. | |||||||||||||
| BOX-FOLDER 14/11 | Women’s voices and the fundamental bass, 1992 | ||||||||||||
| Published in the Journal of Musicology. | |||||||||||||
| BOX-FOLDER 15/1-19 | Miscellaneous fragments, notes, sketches, scores, handouts, and manuscript pages -- discrete groupings arranged alphabetically by supplied titles | ||||||||||||
| (19 folders) | |||||||||||||
| BOX-FOLDER 15/20--16/7 | Miscellaneous fragments, notes, sketches, scores, handouts, and manuscript pages -- not arranged in any particular order | ||||||||||||
| (13 folders) | |||||||||||||
| BOX-FOLDER 16/8-11 | Notes and other printed materials that Lewin placed in books | ||||||||||||
| (4 folders) | |||||||||||||
| Notes, course materials, sketches, scores, correspondence, diagrams, examples, and handouts that Lewin placed in his books. Title pages from the respective books have been copied and placed with the items. | |||||||||||||
| BOX 66 | Books containing annotations by Lewin | ||||||||||||
| Music and math books that have been annotated by Lewin. Some books are accompanied by additional loose notes and printed materials. | |||||||||||||
| BOX 17-26 | Course Materials, 1966-2002 | ||||||||||||
| Lewin's teaching materials from his courses at State University of New York at Stony Brook, Yale University, Harvard University, and other educational venues, such as conferences and seminars. Since Lewin reused his materials over the years and it wasn't always clear to which university a given set of items belonged, most of the materials are arranged under the four main topics that Lewin taught: counterpoint, history of tonal theory, application of math to music, and text and musical structure. The materials include lecture notes, handouts, assignments, scores, syllabi, bibliographies, exams, student work and presentations, copies of articles and chapters from books, including Lewin's own work, correspondence, administrative materials, and notes and writings in which Lewin is working out an issue, problem or example for class. | |||||||||||||
| Arranged alphabetically by course name. | |||||||||||||
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