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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1950s-1990s (continued) | |||||||||||||
| Winter warm (continued) | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/11 | Wish you well | ||||||||||||
| By Numa Wood | |||||||||||||
| Score, lead sheets, parts (violin 1, cello), lyric sheet | |||||||||||||
| Laid in: notes | |||||||||||||
| Includes strings arrangement by Bobby Watson | |||||||||||||
| BOX-FOLDER 19/13 | With you in mind | ||||||||||||
| By Margo Goryan | |||||||||||||
| Lead sheet | |||||||||||||
| Lead sheet for "The morning after" on verso | |||||||||||||
| BOX-FOLDER 31/12 | Wives and lovers | ||||||||||||
| Lyric sheet | |||||||||||||
| Includes notes and sketch for "Variation on midnite" | |||||||||||||
| BOX-FOLDER 31/13 | Wjinia | ||||||||||||
| By George Cables | |||||||||||||
| Trumpet part | |||||||||||||
| BOX-FOLDER 31/14 | Wow | ||||||||||||
| By Lennie Tristano | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/15 | The wrong blues | ||||||||||||
| Music by Alec Wilder; lyrics by William Engvick | |||||||||||||
| Piano-vocal score | |||||||||||||
| BOX-FOLDER 31/16 | X | ||||||||||||
| Sketches | |||||||||||||
| BOX-FOLDER 31/17 | The X string quartet | ||||||||||||
| By Daniel Bernard Roumain | |||||||||||||
| Score, parts | |||||||||||||
| Laid in: note from Roumain to USQ | |||||||||||||
| For the Uptown String Quartet (not performed) | |||||||||||||
| BOX-FOLDER 31/18 | Yes dear | ||||||||||||
| By Greg Lewis | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/19 | Yesterday's promises | ||||||||||||
| By Al Abreu | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/20 | You | ||||||||||||
| By Frank McCoy | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/21 | You | ||||||||||||
| By Howlett Smith; lyrics by Lennoy Ruffin | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/22 | You and me | ||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 25/15 | You and me | ||||||||||||
| Lead sheet (chords only) | |||||||||||||
| Sketches for "Sis" on verso | |||||||||||||
| BOX-FOLDER 31/23 | You had better listen | ||||||||||||
| By Jimmy Owens | |||||||||||||
| Drum part | |||||||||||||
| Lead sheet (chords only) for "Complicity" on verso | |||||||||||||
| BOX-FOLDER 31/24 | You lied | ||||||||||||
| By Chèrié Ashcroft | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/25 | You must believe in spring | ||||||||||||
| Music by Michel Legrand; lyrics by Marilyn and Alan Bergman | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/26 | Your ballad | ||||||||||||
| By Cecil Bridgewater | |||||||||||||
| Parts (violin 1-2, viola) | |||||||||||||
| For the Uptown String Quartet | |||||||||||||
| BOX-FOLDER 31/27 | Your Continental touch | ||||||||||||
| By Irving Fields | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/28 | You're my thrill | ||||||||||||
| By Jay Gorney; lyrics by Sindey Clare | |||||||||||||
| Published piano-vocal score with annotations, lead sheets (chords only) | |||||||||||||
| BOX-FOLDER 31/29 | You're so beautiful, Bermuda | ||||||||||||
| By Gordon Thomas | |||||||||||||
| Lead sheet | |||||||||||||
| BOX-FOLDER 31/30 | Unidentified | ||||||||||||
| By Harold Blanchard | |||||||||||||
| Lead sheet | |||||||||||||
| In caption: March 12, 1969 | |||||||||||||
| BOX-FOLDER 31/31 | Unidentified | ||||||||||||
| By David Gage | |||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 31/32 | Unidentified | ||||||||||||
| By David Gage | |||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 31/33, 47/9 | Unidentified | ||||||||||||
| Scores, lead sheets, exercises, sketches, fragments, and parts, chiefly in hands other than MR | |||||||||||||
| BOX 51-69 MAPCASE FOLDER 4 | Writings and Interviews, 1954-2003 | ||||||||||||
| Articles, essays, interviews, lectures, notes, and other writings chiefly by or about Roach and Abbey Lincoln. The centerpiece of these materials is Roach's unfinished autobiography with Amiri Baraka, Making a Way Out of No Way, and the series of extensive, unpublished interviews that comprise the core of the manuscript drafts. Also included are a variety of screenplays, essays, poems, and other literary works by colleagues or associates of Roach. | |||||||||||||
| Organized as four subseries. Arranged alphabetically within by author, title, or subject, as appropriate. | |||||||||||||
| Autobiography with Amiri Baraka, 1978-1997 | |||||||||||||
| Working title: Making a way out of no way | |||||||||||||
| BOX-FOLDER 51/1-7, 52/1-5 | MR interviews with A. Baraka, 1995 | ||||||||||||
| Complete set of originals and draft revisions for seven interviews conducted between November 7 and December 11, 1995 | |||||||||||||
| BOX-FOLDER 52/6-12, 53/1-11 | MR interviews with others, 1978-1995 and undated | ||||||||||||
| Includes interviews with Dizzy Gillespie | |||||||||||||
| BOX-FOLDER 53/12-13 | MR lectures, 1993 and undated | ||||||||||||
| Includes: "Jazz is a four letter word" | |||||||||||||
| BOX-FOLDER 53/14-15, 54/1-7, 55/1-9 | Draft materials and notebook, 1995-1997 | ||||||||||||
| Chiefly revised sections of A. Baraka's interviews with MR | |||||||||||||
| Includes outlines and miscellaneous research materials | |||||||||||||
| BOX-FOLDER 55/10-12, 56/1-2 | Research materials, 1995-1997 | ||||||||||||
| Articles, citations, and scholarly papers | |||||||||||||
| Topics: Dismal Swamp; Brooklyn; North Carolina, and others | |||||||||||||
| Writings by Max Roach and Abbey Lincoln, 1954-2001 | |||||||||||||
| BOX-FOLDER 57/1-4 | Articles and essays, 1963-1992 and undated | ||||||||||||
| Includes: The basket case; I hate jazz; Jazz is a four letter word; Tour [Japan] | |||||||||||||
| BOX-FOLDER 57/5-18 | Interviews, 1954-1987 | ||||||||||||
| BOX-FOLDER 58/1-30 | Interviews, 1988-1996 | ||||||||||||
| BOX-FOLDER 59/1-19 | Interviews, 1997-2001 and undated | ||||||||||||
| BOX-FOLDER 59/20-25 | Lectures, 1976-1983, 1993 | ||||||||||||
| Drafts and miscellaneous notes | |||||||||||||
| Includes: Jazz and drugs; Jazz is a four letter word; The political role of the African-American artist; The politics and economics of black music | |||||||||||||
| BOX-FOLDER 60/1 | Lyric sheets and poetry, undated | ||||||||||||
| BOX-FOLDER 60/2-4 | Miscellany, 1960s-1990s and undated | ||||||||||||
| Chiefly notes about African Americans, civil rights, and jazz | |||||||||||||
| BOX-FOLDER 60/5-8 | Miscellany, 1960s-1990s and undated | ||||||||||||
| BOX-FOLDER 60/9, 61/1-2 | Notebooks, 1976-1994 | ||||||||||||
| Writings by others about Max Roach and Abbey Lincoln, 1963-2003 | |||||||||||||
| BOX-FOLDER 62/1 | Crouch, Stanley, 1986 | ||||||||||||
| BOX-FOLDER 62/2 | Ferencz, George, 1986-1987 | ||||||||||||
| BOX-FOLDER 62/3 | Goldberg, Bill, 1981 | ||||||||||||
| MR discography | |||||||||||||
| BOX-FOLDER 62/4 | Holder, Laurence, 2000 | ||||||||||||
| BOX-FOLDER 62/5 | Kofsky, Frank, undated | ||||||||||||
| BOX-FOLDER 62/6 | Lynch, Acklyn, 1976 and undated | ||||||||||||
| BOX-FOLDER 62/7 | McHennon?, Brian J., undated | ||||||||||||
| BOX-FOLDER 62/8-10 | Miscellaneous authors, 1963-1999 | ||||||||||||
| Articles, poetry for/about MR, and student papers for MR seminars | |||||||||||||
| BOX-FOLDER 62/11 | Monson, Ingrid, circa 1995? | ||||||||||||
| BOX-FOLDER 62/13 | Roach, Ayo, 1995 | ||||||||||||
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