Some or all content stored offsite.
Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Music, 1940-1990s (continued) | |||||||||||||
Arrangements and Transcriptions (continued) | |||||||||||||
BOX-FOLDER 32/4 | Tout gai! / harmonized by Maurice Ravel | ||||||||||||
Score for voice and guitar | |||||||||||||
BOX-FOLDER 32/5 | Träumerei / Robert Schumann | ||||||||||||
Holograph score for guitar | |||||||||||||
BOX-FOLDER 32/6 | Tres pontos de Santo / Jayme Ovalle | ||||||||||||
Score for guitar and voice | |||||||||||||
BOX-FOLDER 32/7 | Tu lo sai / Giuseppe Torelli | ||||||||||||
Score for voice and guitar | |||||||||||||
BOX-FOLDER 32/8 | Turbilhão de beijos (turbulent kisses) / Ernesto Nazareth | ||||||||||||
Holograph score for 2 guitars | |||||||||||||
BOX-FOLDER 32/9 | Turuna / Ernesto Nazareth | ||||||||||||
Holograph score for guitar, bass, and drums | |||||||||||||
BOX-FOLDER 32/9 | Turuna / Ernesto Nazareth | ||||||||||||
Holograph score for 2 guitars | |||||||||||||
BOX-FOLDER 32/10 | Tutú marambá / Antônio Guerreiro | ||||||||||||
Holograph lead sheet | |||||||||||||
Holograph score of "Charrô" for voice and guitar on verso | |||||||||||||
BOX-FOLDER 32/11 | Two Spanish folk songs | ||||||||||||
Scores for guitar | |||||||||||||
Contents: A dormir ahora mesmo (Spanish lullaby); A la puerta del cielo (at the gate of heaven) | |||||||||||||
BOX-FOLDER 27/9 | Un moto di gioja (my bosom in rapture) / W. A. Mozart | ||||||||||||
Scores (includes holograph) for soprano and guitar | |||||||||||||
BOX-FOLDER 32/12 | Unaccustomed Bach (from Suite no. 1 / J. S. Bach | ||||||||||||
Holograph bass part | |||||||||||||
BOX-FOLDER 17/33 | Urubú malandro / Alfredo Vianna ("Pixinguinha") see also The jolly crow |
||||||||||||
Holograph lead sheet. | |||||||||||||
BOX-FOLDER 32/13 | Vals de concierto / Agustín Barrios | ||||||||||||
Holograph score for guitar | |||||||||||||
BOX-FOLDER 32/14 | Valsa de Nonô | ||||||||||||
Holograph score for 2 guitars | |||||||||||||
BOX-FOLDER 54/13 | Valsa do porto das caixas / Antonio Carlos Jobim | ||||||||||||
Holograph score | |||||||||||||
Melody and chord symbols only | |||||||||||||
BOX-FOLDER 32/15 | Valsa no. 4 / M. Camargo Guarnieri | ||||||||||||
Holograph score for viola and guitar | |||||||||||||
BOX-FOLDER 32/16 | Valse, op. 69, no. 1 / F. Chopin | ||||||||||||
Holograph score for guitar | |||||||||||||
BOX-FOLDER 32/16 | Valse, op. 69, no. 1 / F. Chopin | ||||||||||||
Holograph score for 2 guitars | |||||||||||||
BOX-FOLDER 32/17 | Valse, op. 69, no. 2 / F. Chopin | ||||||||||||
Holograph scores for guitar | |||||||||||||
BOX-FOLDER 18/9 | Variations on a theme by John Birks Gillespie (manteca) / J. B. Gillespie and Walter Fuller | ||||||||||||
Holograph score for flute, guitar, bass, and percussion | |||||||||||||
In caption: By the LA4 | |||||||||||||
BOX-FOLDER 32/18 | Variations on Artistry in rhythm / Stan Kenton | ||||||||||||
Guitar part/conductor's guide; bass and drum parts | |||||||||||||
BOX-FOLDER 32/19 | Vater unser im Himmelreich (our Father who art in heaven) / J. S. Bach | ||||||||||||
Scores (includes holograph) for 2 guitars | |||||||||||||
BOX-FOLDER 32/20 | Vendaval / Djalma Ferreira | ||||||||||||
Lead sheet | |||||||||||||
BOX-FOLDER 32/21 | Vidit suum (from Stabat Mater) / Francis Poulenc | ||||||||||||
Holograph score for voice and guitar | |||||||||||||
Unfinished | |||||||||||||
BOX-FOLDER 32/22 | Viola quebrada / harmonized by Heitor Villa-Lobos | ||||||||||||
Score for guitar | |||||||||||||
BOX-FOLDER 32/23 | Vocalise / Wilbur Chenoweth | ||||||||||||
Holograph score for voice and guitar | |||||||||||||
BOX-FOLDER 32/24 | Vocalise / S. Rachmaninoff | ||||||||||||
Scores (includes holograph) for voice and guitar. | |||||||||||||
BOX-FOLDER 32/25 | Você e eu (you and I) / Carlos Lyra and Vinícius de Moraes | ||||||||||||
Arranged by LA, Ray Brown, and Jeff Hamilton | |||||||||||||
Parts (includes holograph) for guitar and flute | |||||||||||||
BOX-FOLDER 32/26 | Voice of Spring / Johann Strauss | ||||||||||||
Manuscript score for 2 guitars | |||||||||||||
BOX-FOLDER 32/27 | Waltz, op. 39, no. 15 / Johannes Brahms | ||||||||||||
Scores for 2 guitars | |||||||||||||
BOX-FOLDER 32/28 | Walzer, op. 12, no. 2 / Edvard Grieg | ||||||||||||
Holograph score for guitar | |||||||||||||
BOX-FOLDER 32/29 | Watching the world go by / Segall and Holt | ||||||||||||
Holograph score for voice, guitar, flute, strings, harp, bass, vibraphone, and drums | |||||||||||||
For Softly, the Brazilian sound | |||||||||||||
BOX-FOLDER 32/30 | Wave / Antonio Carlos Jobim see also Part books: No. 7 |
||||||||||||
Holograph score for guitar and bass | |||||||||||||
BOX-FOLDER 32/31 | Wedding march / Felix Mendelssohn | ||||||||||||
Holograph score for guitar | |||||||||||||
Transcription of "Bridal chorus" (R. Wagner) on verso | |||||||||||||
BOX-FOLDER 32/32 | Weiss's allemande in bossa style / Sylvius Weiss see also Part books: No. 7 |
||||||||||||
Holograph lead sheet | |||||||||||||
BOX-FOLDER 32/33 | Wichita lineman / Jim Webb | ||||||||||||
Holograph score for guitar and bass | |||||||||||||
BOX-FOLDER 32/34 | Yesterday / John Lennon and Paul McCartney | ||||||||||||
Holograph drums part | |||||||||||||
Begins with two measures of "Michelle" | |||||||||||||
BOX-FOLDER 32/35 |
You can't go home again / Djalma Ferreira see also Foi a saudade |
||||||||||||
Holograph scores for voice, strings, flute, guitar, bass, vibraphone, and drums | |||||||||||||
D♭ and E♭ versions | |||||||||||||
For Softly, the Brazilian sound | |||||||||||||
BOX-FOLDER 32/36 | Yours (quiéreme mucho) / Gonzalo Roig | ||||||||||||
Holograph score for voice and guitar | |||||||||||||
BOX-FOLDER 32/37 | Zambra granadina / Isaac Albéniz | ||||||||||||
Score for guitar | |||||||||||||
BOX-FOLDER 32/38 | Zing went the strings of my heart / James F. Hanley | ||||||||||||
Holograph sketch | |||||||||||||
Sketch of "Oomph fah fah" on verso | |||||||||||||
Music Writing Books | |||||||||||||
Notebooks of holograph lead sheets, sketches, and notes, chiefly for original compositions and arrangements by Almeida. Several of the larger notebooks contain indices. Each notebook has been assigned a number for purposes of identification only. | |||||||||||||
Arranged numerically. | |||||||||||||
BOX-FOLDER 33/1 | No. 1 | ||||||||||||
Holograph lead sheets | |||||||||||||
On cover: Pops | |||||||||||||
Contents: C'est si bon; La chanson des rues; Cielito Lindo; Gipsy song; Happy feet; I wanna be loved; I wish I could shimmy like my sister Kate; Luna rossa (blushing moon); La mer (beyond the sea); M-i-s-s-i-s-s-i-p-p-i; Nevertheless; No, no, no; Santa Lucia; Tzena, tzena, tzena; Vanessa; Vous qui passes sans me voir | |||||||||||||
BOX-FOLDER 33/2 | No. 2: Book 1 | ||||||||||||
Holograph lead sheets | |||||||||||||
Two notebooks, bound together, with indices | |||||||||||||
Contents: After you're gone; Alice blue gown; All or nothing at all; Always; Am I blue; Anniversary song; Anything but love; April in Paris; The best things in life are free; Black and blue; Blue prelude; Blues in the night; Can't get started; Cheek to cheek; The Christmas song; Coquette; Dancing in the dark; Dardanella; Dearly beloved; Do I worry; Don't blame me; Dream of love; Embraceable you; Everything I love; Flamingo; Georgia on my mind; Gone with the wind; Happy in love; Hark! the herald angels sing; How about you; How deep is the ocean; The huckle buck; I don't want to walk without you; I got it bad; If I loved you; I'll be home for Christmas; I understand; Idaho; I'll be seeing you; I'll get by; I'll remember April; I'll see you again; I'm always chasing rainbows; I'm nobody's baby; I'm your's; Indiana; Into each life some rain must fall; I've had my moments; I've told every little star; Jersey bounce; Josephine; June in January; Let it snow; Limehouse blues; Long ago; Look for the silver lining; Love for sale; Love walked in; Lullaby in rhythm; Mean to me; Melancholy baby; Melody; Miss you; Moon-love; Moon song; More and more; My Bill; My blue heaven; My devotion; O come all ye faithful; O little town of Bethlehem; Our waltz; Over the rainbow; Paper moon; Pent-house serenade; A pretty girl; Room full of roses; Say it isn't so; Shadows waltz; Silent night; So in love; Some enchanted evening; Stella by starlight; Sweet Lorraine; That old black magic; That's my desire; Theme from the "Swedish rhapsody"; Time on my hands; The very thought of you; When your lover has gone; Where am I; Winter wonderland; White Christmas | |||||||||||||
BOX-FOLDER 33/2 | No. 2: Book 2 | ||||||||||||
Holograph lead sheets | |||||||||||||
Two notebooks, bound together, with indices | |||||||||||||
Contents: All the things you are; At sundown; Bali ha'i; Birth of the blues; Blue is the night; Blue room; Blue's serenade; Can't help lovin' dat man; Can't we be friends; Caravan; Chamaine; Chloe; Cocktails for two; Crazy rhythm; Dancing in the dark; Danny boy; Diane; Does your heart beat for me; Dream a little dream; East of the sun; Easy come easy go; Easy street; Easy to love; Ghost of a chance; Gypsy; Hatikvoh (Jewish National Anthem); Hebrew melody; Home; How high the moon; I ain't got nobody; I can dream, can't I?; I concentrate on you; I cover the waterfront; I get a kick out of you; I love you so much it hurts; I surrender Dear; Ida; If I had you; If I loved you; If you are but a dream; I'll always be in love; I'll never be the same; I'll see you in my dreams; I'm in the mood for love; In a sentimental mood; Indian summer; Intermezzo; It had to be you; It might as well be Spring; It must be true; It's wonderful; I've told every little star; Japanese sandman; Just friends; Laura; Lies; Linger awhile; Liza; Love in bloom; Lover; Lullaby of the leaves; Make believe; Man I love; Man with a horn; Marie; The marine hymn; Margy; Memories of you; Mood indigo; Moon over Miami; Moonglow; Moonlight Madonna; My blue heaven; My old flame; My silent love; Nagasaki; Nightingale; On the Alamo; Out of nowhere; Painted rhythm; Pennies from heaven; The perfect song; Play fiddle, play; Prisoner of love; Rocking chair; Rose room; Seventh heaven; She's funny that way; Sleep; Some one to watch over me; Somebody loves me; Someday; The song is you; Song of the islands; Sophisticated lady; Stars fell on Alabama; Strike up the band; Summer-time; Sunny side of the street; Sweet and lovely; Sweet Leilani; Talk of the town; Tenderly; There's no you; Ther'l never be another you; They didn't believe me; Three little words; Time was; To wach his own; Touch of your lips; Up a lazy river; Waltz you saved for me; Wang-wang; When day is done; Where or when; Why do I love you; You go to my head; You made me love you; You took advantage of me; Ziguener (bittersweet) | |||||||||||||
BOX-FOLDER 33/3 | No. 3 | ||||||||||||
Holograph lead sheets, sketches, and notes | |||||||||||||
Includes: Atabaque; Baa-too-kee; Baião; Cariñoso; Chôro in A; Don't get around much; Gershwin Prelude no. 2; Harry's theme; Hazardous; Herman's place; Laurindo's theme; Mosquito electrico; Nice work; Noctambulism; Nono; Si o no; Star eyes; Tenderly; Terra sêca; Theme of The bad and the beautiful; This time dream's; Tocata; Yoyo de yaya; Zing | |||||||||||||
BOX-FOLDER 33/4 | No. 4: Book A | ||||||||||||
Holograph lead sheets of rumbas and sambas | |||||||||||||
Includes indices | |||||||||||||
Contents: Acércate más (come closer to me); Acurrucadita; Adios, Mariquita Linda; Amapola (pretty little poppy); Amor; Aquellos ojos verdes (green eyes); Arioso (from Pagliacci); Babalú; Bacosó; Bahiana; Baia; Bésame mucho (kiss me much); La borrachita (I'll never love again); Brazil; Cachita; Cáe-cáe; Capullito de Aleli; Carinhoso; Cavaquinho; Chiu, chiu; Cuatro vidas (blue echoes); El cumbanchero (salvador, the toreador); Danse rituelle du feu (fire dance); Duda; Frenesí; A gay ranchero (las alteñitas); Gilda (amada mia); Granada; Guadalajara; Let me love you tonight (no te import saber); Linda mujer; Machito; Malagueña; Made for each other (tu felicidad); Mañana; Maria la-ò; Negra consentida (my pet brunette); Não tenno lagrimas; Noche de ronda (forever mine); Nochecita; O samba; Ombo (my shawl); Oye Negra; Poinciana; Prisionero del mar (where are you now); Quiereme mucho (yours); Say it over again (para que sufras); South America, take it away!; Tabú, Amelia; Te quiero; Tico-tico; Tres palavras (without you); La ultima noche; Volveré mi amor (I'll come back my love); What makes the sunset?; Zig-zag | |||||||||||||
BOX-FOLDER 33/4 | No. 4: Book B | ||||||||||||
Holograph lead sheets of rumbas and sambas | |||||||||||||
Contents: Adios; Alla en el rancho grande; Amorcito corazon; Baiaon (LA); Batuca nêgo (LA and N. Amaral); Cugat's theme; Esto es felicidad; Granada; Malagueñas (Mexicana); No digas adios (LA); Nossa amizade (LA and N. Amaral); Oracion caribe; Palauras de mujer; Perfidia; Quizás (perhaps); Romance en tus ojos (LA and N. Amaral); Sin ti; Sol tropical (tropical sun); Solamente una vez; Spellbound concerto (theme); Vereda tropical; Vine por ti; Voce promote (LA and N. Amaral) | |||||||||||||
BOX-FOLDER 33/5 | No. 5 | ||||||||||||
Chiefly holograph sketches of musical excerpts by various composers | |||||||||||||
On cover: Daily exercises | |||||||||||||
BOX-FOLDER 33/6 | No. 6 | ||||||||||||
Holograph sketches | |||||||||||||
On cover: Theme reference book | |||||||||||||
Next Page » |