| | | | | | | | | | | | | |
|
Show and Project Files, 1917-1995
(continued) |
|
Screenplay, 1946
(continued) |
|
Includes portions of the screenplay with annotations and notes. |
|
BOX-FOLDER 57/4-58/1 |
Scripts
|
|
(8 copies) |
|
All entitled
New Orleans
. Annotated. |
|
BOX-FOLDER 58/2 |
Sheet music |
|
Sunrise on the Sea
(not produced) |
|
BOX-FOLDER 58/3 |
Synopses by Oscar Hammerstein II
|
|
(5 copies) |
|
Sweet Adeline
(musical, 1929) |
|
Music by Jerome Kern; book and lyrics by Oscar Hammerstein II |
|
BOX-FOLDER 58/4 |
Clippings, 1929
|
|
BOX-FOLDER 58/4 |
Lyric sheets
|
|
BOX-FOLDER 58/5 |
Screenplay, 1934
|
|
BOX-FOLDER 58/6 |
Sheet music |
|
Templeton
(not produced) |
|
BOX-FOLDER 58/7-8 |
Correspondence and notes, 1935-1938
|
|
Includes synopses and letters to Kern. |
|
This is London
(not produced) |
|
BOX-FOLDER 58/9 |
Correspondence, 1941
|
|
BOX-FOLDER 58/10 |
Lyrics and music
|
|
Includes a 4-page holograph music score for the song "This is London." |
|
BOX-FOLDER 58/11 |
Synopsis, 1941
|
|
Three Buddies
(not produced) |
|
BOX-FOLDER 58/12 |
Synopsis
|
|
(2 copies) |
|
Three Sisters
(musical, 1934) |
|
Music by Jerome Kern; book and lyrics by Oscar Hammerstein II |
|
BOX-FOLDER 58/13 |
Clippings, 1934
|
|
BOX-FOLDER 58/14 |
Correspondence, 1933-1934
|
|
Includes notes on the show. |
|
BOX-FOLDER 58/15 |
Lyric sheets and lyric sketches
|
|
BOX-FOLDER 58/16 |
Notes and research notes
|
|
BOX-FOLDER 59/1-2 |
Photographs, 1917-1930
|
|
Used for research. Photographs and postcards of Epsom Downs and environs, and concert parties by troops. |
|
BOX-FOLDER 59/3-9 |
Scripts, 1934
|
|
Includes complete scripts and partial scripts. |
|
Tiptoes
(not produced)
see also
The Night is Young
|
|
BOX-FOLDER 60/1 |
Continuity, 1934, July 11
|
|
BOX-FOLDER 60/2 |
Treatment, 1934, June 22
|
|
Also called Evelyn Laye - Ramon Novarro Story. |
|
Very Warm for May
(musical, 1939) |
|
Music by Jerome Kern; book and lyrics by Oscar Hammerstein II |
|
BOX-FOLDER 60/3 |
Correspondence, 1939
|
|
Also includes a financial statement from 1951, and a review of the original musical. |
|
BOX-FOLDER 60/4-6 |
Screenplays, 1941, July 2
|
|
(3 copies) |
|
BOX-FOLDER 60/7 |
Screenplay, 1941, July 22
|
|
BOX-FOLDER 60/8 |
Script
|
|
Annotated, with revisions. |
|
BOX-FOLDER 61/1 |
Script, 1939, Nov. 25
|
|
Contains revisions. |
|
BOX-FOLDER 61/2 |
Script, 1940, Jan. 15
|
|
BOX-FOLDER 61/3-5 |
Scripts
|
|
Pencil revisions in OH2's hand. One may be final version. |
|
BOX-FOLDER 61/6 |
Script, 1994
|
|
John McGlinn's revised script for concert version. |
|
BOX-FOLDER 61/7 |
Sheet music |
|
Viennese Nights
(film operetta, 1930) |
|
Music by Sigmund Romberg; libretto by Oscar Hammerstein II |
|
BOX-FOLDER 61/8 |
Portion of the screenplay and a program
|
|
Where Do We Go from Here?
(play, 1938) |
|
Written by William Bowers; produced by Oscar Hammerstein II and Dwight Taylor |
|
BOX-FOLDER 61/9-10 |
Sides
|
|
White Cliffs
(not produced) |
|
BOX-FOLDER 61/11 |
Typewritten copy of the verse novel by Alice Duer Miller, with annotations
|
|
Handwritten on original folder: "idea for show." |
|
Unidentified
|
|
BOX-FOLDER 62/1-2 |
Handwritten notes for unidentified shows |
|
BOX-FOLDER 62/3 |
Typewritten drafts, possibly of musical film, with annotations and revisions
|
|
Includes Amy Asch's notes. |
|
BOX-FOLDER 62/4 |
Outline for unidentified play
|
|
Includes Amy Asch's notes. |
|
BOX-FOLDER 62/5 |
Synopsis for unnamed musical comedy film on college life, by Gerald Savory and Oscar Hammerstein II
|
|
Includes correspondence, notes, and a clipping. |
|
BOX-FOLDER 62/6 |
Financial estimates for unidentified production
|
|
BOX-FOLDER 62/7 |
Miscellaneous script fragments
|
|
BOX 63-94 |
General Correspondence and Business Papers, 1917-1998
|
|
Primarily business correspondence, to and from Hammerstein, with collaborators, colleagues, friends, and associates. Relates to various Hammerstein and non-Hammerstein shows and projects; his involvement on behalf of theatrical concerns, such as unions, writers and producers, actors and performers, and rights and publishing; and personal activities in support of such causes as world peace and racial equality; and charitable organizations such as Welcome House. Includes letters and requests from the public, and some personal correspondence. Materials may also include programs, promotional materials, photographs, clippings, royalty statements, and financial papers. |
|
Arranged chronologically. |
|
BOX-FOLDER 63/1 |
1917-1926
|
|
BOX-FOLDER 63/2 |
1930-1932 |
|
Correspondents include: Jerome Kern and Florenz Ziegfeld. |
|
BOX-FOLDER 63/3 |
1933
|
|
Correspondents include: Jerome Kern. |
|
BOX-FOLDER 63/4 |
1934
|
|
Correspondents include: Otto Harbach, Jerome Kern, and Sigmund Romberg. |
|
BOX-FOLDER 63/5 |
1935
|
|
Topics include the James Whale film version of Show Boat. |
|
BOX-FOLDER 63/6-9 |
1936
|
|
Topics include the James Whale film version of Show Boat. |
|
BOX-FOLDER 63/10 |
1937
|
|
Topics include: Show Boat, Gentlemen Unafraid, and Rose Marie; and Jerome Kern's health in letters from Max Dreyfus. |
|
BOX-FOLDER 63/11-64/2 |
1938
|
|
(4 folders) |
|
Topics include: Gentlemen Unafraid, the Templeton story project, Knights of Song, and Glorious Morning. |
|
BOX-FOLDER 64/3-6 |
1939
|
|
Correspondents include: Jerome Kern and Sigmund Romberg. Topics include: Very Warm for May. |
|
BOX-FOLDER 64/7 |
1930s (undated materials)
|
|
BOX-FOLDER 64/8-11 |
1940-1941 |
|
Correspondents include: Edna Ferber, Otto Harbach, Richard Rodgers, and Sigmund Romberg. |
|
BOX-FOLDER 65/1-66/3 |
1942
|
|
(9 folders) |
|
Correspondents include: Irving Caesar, Edna Ferber, Ira Gershwin, Richard Halliday, Jerome Kern, Dorothy Parker, Sigmund Romberg, and Harry Ruby. Topics include: Show Boat, Carmen Jones, Oklahoma!, National Urban League, and Writers War Board. |
|
BOX-FOLDER 66/4-67/4 |
1943
|
|
(10 folders) |
|
Correspondents include: Irene Castle, Todd Duncan, Edna Ferber, Arthur Freed, Jerome Kern, Jeanette MacDonald, Richard Rodgers, and Rex Stout. Topics include: Carmen Jones, Oklahoma!, Music in the Air. |
|
BOX-FOLDER 67/5-69/4 |
1944
|
|
(14 folders) |
|
Correspondents include: Howard Deitz, John Erskine, Arthur Freed, Jerome Kern, Jeanette MacDonald, Sigmund Romberg, Billy Rose, Stephen Sondheim, Deems Taylor, The Revuers (Adolph Green, Betty Comden, and Judy Tuvim (Holliday)). Topics include: I Remember Mama, American Theatre Wing Music War Committee, Carmen Jones, tribute to Lorenz Hart, Alice Hammerstein-Mathias story reports, and Writers' War Board. Also includes a folder of sheet music recommendations from the American Theatre Wing Music War Committee. |
|
BOX-FOLDER 69/5-70/3 |
1945 |
|
(8 folders) |
|
Correspondents include: Jan Clayton, Dorothy Fields, Kathryn Forbes, Arthur Freed, Helen Hayes, Theresa Helburn, Judy Holliday, Anita Loos, Ferenc Molnár, Otto Preminger, Samuel A. Taylor, and Darryl Zanuck. Topics include: Carousel, State Fair, Oklahoma!, Jerome Kern's death, and racial segregation in professional baseball. |
|
BOX-FOLDER 70/4 |
1946-1947
|
|
BOX-FOLDER 70/5-71/1 |
1948
|
|
(6 folders) |
|
Correspondents include: Yvonne DeCarlo, Agnes de Mille, Richard Halliday, Eva Kern, Joshua Logan, Billy Rose, Lars Schmidt, and Stephen Sondheim. Topics include: South Pacific, Show Boat, and Allegro. |
|
BOX-FOLDER 71/2-74/10 |
1949
|
|
(31 folders) |
|
Correspondents include: Irving Berlin, Leonard Bernstein, Pearl Buck, Agnes de Mille, Dwight D. Eisenhower, Hall Johnson, Sidney Kingsley, Mary Martin, Richard Rodgers, Harry Ruby, Lars Schmidt, Arthur Schwartz, Stephen Sondheim, and P.G. Wodehouse. Topics include: South Pacific, Show Boat, Oklahoma! tours, Annie Get Your Gun, and Carmen Jones. |
|
BOX-FOLDER 74/11-77/12 |
1950
|
|
(40 folders) |
|
Correspondents include: Maxwell Anderson, Russel Crouse, Agnes de Mille, Vernon Duke, Max Gordon, Leland Hayward, Joshua Logan, Mary Martin, Jo Mielziner, Richard Rodgers, Sigmund Romberg, William Warfield, and P.G. Wodehouse. Topics include: Oklahoma!, American Theatre Wing, the song "All the Things You Are," and Oscar Hammerstein I biography. |
|
BOX-FOLDER 77/13-81/3 |
1951
|
|
(43 folders) |
|
Correspondents include: Pearl Buck, Gertrude Lawrence, Joshua Logan, Mary Martin, Mary Margaret McBride, Johnny Mercer, Richard Rodgers, John Steinbeck, and Walter White from NAACP. Topics include: London production of South Pacific, The King and I, Carmen Jones, film biography of Oscar Hammerstein I, Oklahoma! tours, Show Boat, and Pygmalion. |
| Next Page » |
