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Robert Craft collection on Igor Stravinsky, 1912-1966

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Music, 1912-1966 (continued)
Variations, orchestra (continued)
Robert Craft's copy
BOX-FOLDER 12/10 Vesna svi︠a︡shchennai︠a︡, (La Sacre du Printemps, Danse Sacral)
Full score, negative photocopy, 35 leaves
At end: IStr XII-1-1943
Holograph annotations in white
Laid in: Note from Stravinsky to Leonard Stein, pupil of Schoenberg at UCLA
Laid in: Envelope
BOX-FOLDER 13/1 Agon
Full score, ozalid, 98 p.
At end: IStr April 27/57
Holographs corrections, annotations, and conducting markings
BOX-FOLDER 13/2 Agon
Full score, ozalid, 98 p.
At end: IStr April 27/57
Holograph corrections in red ink, green pencil annotations by Robert Craft and unknown
BOX-FOLDER 13/3 Canticum sacrum ad honorem Sancti Marci nominis
Full score, publisher's proof, 37 p.
Plate number: B. & H. 18168
Holograph corrections, most in movements 2 and 3, conducting markings
Stravinsky's note on back of flyleaf "21 May 1956 "
BOX-FOLDER 13/4 Canticum sacrum ad honorem Sancti Marci nominis
Full score, first publisher's proof, 37 p.
Plate number: B. & H. 18168
Corrections and annotations by Stravinsky and others
Note from Stravinsky to publisher
BOX-FOLDER 13/5 Canticum sacrum ad honorem Sancti Marci nominis
Full score, ozalid, 55 p.
Holograph corrections
Stravinsky signed "Nov. 24, 1955"
BOX-FOLDER 13/6 Choral und Variationen uber das Weihnachtslied vom Himmel hoch da kommich her von J.S. Bach, arrangement
Full score arrangement with added vocal parts, ozalid, 54 p.
Holograph note, first page, "This is Igor Stravinsky’s property"
BOX-FOLDER 14/1 Concertos, orchestra, E-flat "Dumbarton Oaks"
Parts
Plate number: B.S.S. 35384
Annotated by performers, holograph correction to cello part
Laid in: Envelope
BOX-FOLDER 14/2 Concertos, piano, instrumental ensemble
2 piano arrangement, photocopy, 62 p.
At end: BIARRITZ Avril 1924
BOX-FOLDER 14/3 Duo concertant
Score, violin and piano, publisher's proof, 7 leaves
Plate number: B.S.S. 33683
Blue ink negative
Holograph corrections
Stamped 28 Jan 1953 Russe de Musique
BOX-FOLDER 14/4 Ebony concerto
Full score, ozalid copy of manuscript, 45 p.
At end: IStr Dec. 1, 1945
Holograph corrections
On first page: My own copy with some corrections. Igor Stravinksy, Feb 1946
BOX-FOLDER 14/5 Ebony concerto
Full score, ozalid copy of manuscript, 45 p.
At end: IStr Dec. 1, 1945
Holograph corrections
BOX-FOLDER 14/6 Flood
Full score, ozalid copy of manuscript, 80 p.
At end: IStr March 14/62 Hollywood
On cover: Spare copy full score. IStr
Few holograph annotations
BOX-FOLDER 15/1 Histoire du soldat
Full score, second publisher's proof, 60 leaves
Plate number: J.W.C. 44
Holograph corrections
Signed and dated Paris 1924
Laid in: Typewritten page of instrumentation, performance instructions, seating schemata
BOX-FOLDER 15/2 In memoriam Dylan Thomas
Piano-vocal score, ozalid copy of manuscript, 8 p.
Holograph corrections and rehearsal numbers
BOX-FOLDER 15/3 In memoriam Dylan Thomas
Piano-vocal score, publisher's proof, 8 p.
Stravinsky notated instrumentation for orchestra version throughout
BOX-FOLDER 15/4 Instrumental miniatures
Full score, ozalid copy of manuscript, 18 p.
At end: IStr April 10/62
Holograph annotations
Laid in: Envelope
BOX-FOLDER 15/5 Monumentum pro Gesualdo di Venosa ad CD annum
Full score, ozalid copy of manuscript, 35 p.
At end: Hollywood, March 1960
Stravinsky wrote on first page, "Corrected copy. Recorded with Columbia June 9, 1960" and length of each movement
Laid in: Typewritten note from Glenn E. Watkins about Kinkeldey, excerpt of Kinkeldey's 1910 article "Orgel und Klavier in der Musik des 16," page signed by Stravinsky
BOX-FOLDER 15/6 Movements, piano, orchestra
Full score, ozalid copy of manuscript, 27 p.
At end: IStr July 30/59
Conducting markings and corrections
BOX-FOLDER 15/7 Octet, flute, clarinet, bassoons (2), trumpets (2), trombones (2)
Parts, incomplete
Holograph corrections, annotations by performers
Clarinet part missing last page, Bassoon I missing 10 pages, Bassoon II part missing
Laid in: Envelope
BOX-FOLDER 15/8 Oedipus Rex
Full score, photocopy, 190 p.
At end: Achevé l'orchestration-a Paris le 11 mai 1927
Holograph annotations and conducting markings
According to Craft this was the only score published before the revised edition
BOX-FOLDER 16/1 Oedipus Rex
Full score, photocopy, 190 p.
Holograph corrections and conducting markings
Stravinsky signed front cover
Speaker’s text, two pieces of tissue paper with notes on duration glued to back of front cover
Laid in: Two loose leaf papers in Russian and French by Stravinsky
BOX-FOLDER 16/2 Orpheus
Full score, ozalid copy of manuscript, 96 p.
At end: Igor Stravinsky Hollywood Sept 23/1947
Holograph corrections
BOX-FOLDER 16/3 Petrushka. Russkiĭ tanet︠s︡; arranged
Score, violin and piano, publisher's proof, 27 leaves
Plate number: B.M.V. 564
Blue ink negative
Stamped "28 Jan 1933 Russe de Musique"
Holograph corrections on every page
Laid in: Envelope
BOX-FOLDER 16/4 Pieces, violins (2), viola, cello
Manuscript parts
At end: Cop. Templeton Strong Genéve Jan: 1915
Holograph corrections, annotations by performers
According to Craft the parts were used for a private performance
Laid in: Envelope
BOX-FOLDER 16/5 Pieces, violins (2), viola, cello
Parts, 1922 revised edition
Plate number: R.M.V. 402
Unannotated
BOX-FOLDER 17/1 Podbli︠u︡dnyi︠a︡
Unaccompanied vocal scores, 8 copies
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