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Music, 1912-1966
(continued) |
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Podbli︠u︡dnyi︠a︡
(continued) |
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1 ozalid original, 7 photocopies |
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Russian text |
BOX-FOLDER 17/2 |
Prelude, jazz ensemble
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Full score, photocopy, 9 p.
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Includes new pages replacing original string-guitar and timpani on p. 8 |
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Holograph corrections |
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Stravinsky wrote on cover, "Columbia Records 4/27/65; My personal copy" |
BOX-FOLDER 17/3 |
Prelude, jazz ensemble
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Full score, negative photocopy, 9 p. |
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2 additional pages, replace original string guitar and timpani parts, p. 8 |
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Holograph annotations show orchestration change, banjo became guitar, 1st piano became celesta |
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Laid in: Envelope |
BOX-FOLDER 17/4 |
Pribaoutki
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Ensemble parts |
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Plate number: A. 98() H. |
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Holograph corrections and performers' annotations
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Laid in: Stravinsky’s note on cover, "Parts corrected by me on Oct 20/19[6?]4 with the full and vocal scores" |
BOX-FOLDER 17/5 |
Pulcinella. Suite
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Violin and piano parts, publisher's proof
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Plate number: R.M.V. 428 |
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At end: NICE 624 Août 1925 |
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Unannotated |
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Laid in: Card from Victor Poinceau of the French Music Printing Company |
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Laid in: Grey slipcover |
BOX-FOLDER 17/6 |
Ragtime
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Piano transcription, pubisher proof, 14 p. |
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Plate number: E.D. 4 L.S. |
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At end: Morges 1918 |
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Unannotated purple ink negative |
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Cover art by Picasso |
BOX-FOLDER 17/7 |
Scènes de ballet
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Full score, ozalid copy of manuscript, 54 p. |
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Holograph corrections, conducting markings, and rehearsal numbers |
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Pasted in: Note from Stravinsky detailing recording times on Hotel Drake stationary |
BOX-FOLDER 17/8 |
Songs, flute, harp, guitar accompaniment
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Score and parts, ozalid, 24 p. |
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Holograph corrections on score, annotations by Robert Craft and unknown |
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Pasted in: English translation of text taped on back cover, pronunciation guide on flyleaf |
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English translation written below Russian text by Robert Craft |
BOX-FOLDER 17/9 |
Spiashchaia krasavitsa, reorchestration of Tchaikovsky's Bluebird, Pas de deux
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Full score, photocopy, 26 p. |
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At end: IStr N-4 1941 |
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Unannotated |
BOX-FOLDER 17/10 |
Star-Spangled Banner, arrangement
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Full score, negative photocopy of manuscript, 3 leaves |
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Reharmonzied by Stravinsky |
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At end: Finished July 4 1941 Igor Stravinsky |
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One holograph correction on page 2 |
BOX-FOLDER 17/11 |
Stikhotvorenii︠a︡ K. Balʹmonta (Two poems of Kay Balmont)
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Full score, ozalids, 3 copies
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Unaccompanied vocal score, ozalid, 8 p. |
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Corrections by Stravinsky and others |
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Russian text, Stravinsky wrote Latin letters underneath
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BOX-FOLDER 18/1 |
Suites, orchestra, no. 2
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Full score, second publisher's proof, 31 leaves |
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Plate number: J.W.C. 51 |
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Blue ink negative |
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Holograph corrections |
BOX-FOLDER 18/2 |
Symphonies d'instruments à vent
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Full score, third publisher's proof, photocopy, 39 p. |
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Plate number: R.M.V. 459 |
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Holograph conducting markings |
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Stravinsky’s private copy |
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According to Craft, this is the first edition of the full score |
BOX-FOLDER 18/3 |
Symphonies d'instruments à vent, final chorale
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Full score, ozalid, 7 p. |
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Orchestration differs from 1920 and 1947 versions
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Holograph corrections and conducting markings |
BOX-FOLDER 18/4 |
Symphonies d'instruments à vent
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Full score, ozalid copy of manuscript, 35 p. |
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Title on cover: Woodwinds Symphony |
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Laid in: Errata sheet and recording durations taped to inside cover |
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According to Craft, Stravinsky conducted from this score in New York on April 11, 1948 |
BOX-FOLDER 18/5 |
Symphonies d'instruments à vent
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Full score, ozalid, 35 p. |
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Stravinsky wrote on first page: Corrected copy
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One holograph correction page 31 |
BOX-FOLDER 18/6 |
Threni
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Full score, first publisher's proof, 70 leaves |
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Plate number: B. & H. 18438 |
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At end: 21-III-58 |
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Numerous holograph corrections, pasteovers |
BOX-FOLDER 19/1 |
Threni
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Full score, ozalid, 90 p. |
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Corrections by Stravinsky and unknown, annotations include recording times |
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Holograph manuscript pasteover on page 11 |
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Stravinsky’s notes on errata written on inside cover
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BOX-FOLDER 19/2 |
Threni
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Full score, second publisher's proof, 70 leaves
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Plate number: B. & H. 18438 |
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At end: 21-III-58 |
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Numerous holograph corrections, pasteovers, many fixed from first proof |
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Questions from publisher with Stravinsky's answers
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Stamped 17 Jun 1958 |
BOX-FOLDER 19/3 |
Zhar-ptit︠s︡a. Igra t︠s︡arevenʹ zolotymi i︠a︡blochkami; arranged (Scherzo from The Firebird)
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Violin and piano score, publisher's proof, 8 leaves |
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Plate number: B.M.V 565 |
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Green ink negative, printed on back of other music
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Unannotated |
BOX-FOLDER 20/1 |
Rake's Progress, Act I
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Piano-vocal score, ozalid copy of manuscript, 165 p. |
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At end: IStr Jan 16/49 |
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Laid in: Boosey & Hawkes pamphlet dated July 1951 advertising first performance September 9, 1951 |
BOX-FOLDER 20/2 |
Rake's Progress, Act II
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Piano-vocal score, ozalid copy of manuscript, 180 p. |
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Holograph correction on page 10 |
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At end: IStr Feb 1 1950 |
BOX-FOLDER 20/3 |
Rake's Progress, Act III
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Piano-vocal score, ozalid copy of manuscript, 275 p. |
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Holograph corrections |
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Holograph manuscript, pages 170-171 |
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At end: IStr April 17/57 |
BOX-FOLDER 21/1 |
Symphonies, C
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Full score, ozalid, 209 p. |
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Annotated by Stravinsky and others |
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Recording durations, typewritten and corrected in red pencil on first flyleaf |
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Stravinsky inscribed dedication to the Chicago Symphony Orchestra on second flyleaf |
BOX-FOLDER 22/1 |
Symphonie de Psaumes
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Full score, photocopy, 34 p. |
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At end: Igor Stravinsky Nice 1930 |
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Holograph corrections and durations at end of each movement |
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Large blue pencil scribbles inside cover, page 3, part III |
BOX-FOLDER 23/1 |
Rake’s Progress
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Full score, ozalid, 417 p. |
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Holograph corrections to music and text |
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