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Scripts, 1930-1996 (continued) | |||||||||||||
Submitted Scripts (non-Berle), 1930-1996 | |||||||||||||
Scripts, correspondence, financial materials, outlines, prospectuses, synopses, and treatments for radio, television, film, and stage projects submitted to Berle offices for review. | |||||||||||||
Arranged alphabetically by show title. | |||||||||||||
BOX-FOLDER 106/1 | Aka the Dillons, undated | ||||||||||||
By Gary Kaskel and Pat Baily | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 106/2-3 | Agent Orange, 1980 | ||||||||||||
By Gabriel Grunfeld | |||||||||||||
Includes a production plan | |||||||||||||
BOX-FOLDER 106/4 | America's # 1 Sex Symbol, undated | ||||||||||||
By Stan Dreben | |||||||||||||
Includes transmittal letter | |||||||||||||
BOX-FOLDER 106/5 | America's Comics, 1992 | ||||||||||||
By Michael A. Callie and Arthur J. Epstein | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 106/6 | Angel, undated | ||||||||||||
By Robert Vincent O'Neil and Joseph Cala | |||||||||||||
BOX-FOLDER 106/7 | Angel in the Dust, undated | ||||||||||||
Meeting notes | |||||||||||||
BOX-FOLDER 106/8 | Angelica, 1953 | ||||||||||||
By Ronald Alexander | |||||||||||||
BOX-FOLDER 106/9 | Angels Kiss Me, 1950 | ||||||||||||
By Scott and Trudi Michel | |||||||||||||
BOX-FOLDER 106/10 | The Animal Within, undated | ||||||||||||
By Nicholas Andreola | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 106/11 | Anyone Can Play, undated | ||||||||||||
By Jay Burton and Gene Wood | |||||||||||||
BOX-FOLDER 106/12 | Are You With It?, undated | ||||||||||||
By Sam Perrin and George Balzer | |||||||||||||
BOX-FOLDER 106/13 | Artificial Insemination: Pros and Cons, undated | ||||||||||||
By Mark Desmond | |||||||||||||
BOX-FOLDER 107/1 | As Long As You're Healthy, undated | ||||||||||||
By Guy Bolton, Les White, and Bud Pearson; music and lyrics by Sam Stept and Dan Shapiro | |||||||||||||
BOX-FOLDER 107/2 | The Aussie Comedy Film, 1985 | ||||||||||||
By Geoff Lipton | |||||||||||||
BOX-FOLDER 107/3 | The Bandersnatch, 1944 | ||||||||||||
By George M. Lynn | |||||||||||||
BOX-FOLDER 107/4 | Barbarians At the Gate, 1992 | ||||||||||||
By Larry Gelbart | |||||||||||||
Signed by Gelbart | |||||||||||||
BOX-FOLDER 107/5 | The Beach House, 1953 | ||||||||||||
By Stephen Longstreet | |||||||||||||
Includes production prospectus | |||||||||||||
BOX-FOLDER 107/6 | The Belle Aires, 1983 | ||||||||||||
By Maria Elena Cellino | |||||||||||||
BOX-FOLDER 107/7 | Below the Belt, undated | ||||||||||||
By Doug Kaback, Buddy Arnold, and Allan Rich | |||||||||||||
BOX-FOLDER 107/9 | Berle's Comedy Club, undated | ||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 107/10 | Berle's World, undated | ||||||||||||
By Howard Albrecht and Sol Weinstein | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 108/1 | The Best, 1989 | ||||||||||||
By Joe Hailey | |||||||||||||
BOX-FOLDER 108/2 | The Best of Everybody, 1975 | ||||||||||||
By Bernard Kahn | |||||||||||||
Annotated | |||||||||||||
BOX-FOLDER 108/3 | Bet Your Life, undated | ||||||||||||
By Harry Crane | |||||||||||||
Story | |||||||||||||
BOX-FOLDER 108/4 | Between Two Rivers, undated | ||||||||||||
By Harry Ruby | |||||||||||||
BOX-FOLDER 108/5 | Bicoastal Deli, 1983 | ||||||||||||
By Gerry Dubin and Jeff Berlatsky | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 108/6 | Big Ben and Little Ben, undated | ||||||||||||
By Sherwood Schwartz | |||||||||||||
BOX-FOLDER 108/7 | The Big Bye-Bye, undated | ||||||||||||
By Joe Warik | |||||||||||||
see Box 111/6 for correspondence | |||||||||||||
BOX-FOLDER 108/8 | The Body Beautiful, 1958 | ||||||||||||
By Joseph Stein and Will Glickman; music by Jerry Bock; lyrics by Sheldon Harnick | |||||||||||||
BOX-FOLDER 108/9 | Bolt From the Blue, undated | ||||||||||||
By J. W. Russell | |||||||||||||
BOX-FOLDER 108/10 | The Bond, undated | ||||||||||||
By James Hawthorne | |||||||||||||
BOX-FOLDER 108/11 | Bonnie Boz, undated | ||||||||||||
By Mervyn Nelson | |||||||||||||
BOX-FOLDER 109/1 | Born on a Blue Note, undated | ||||||||||||
By Deane Romano | |||||||||||||
BOX-FOLDER 109/2 | Boys' Night Out, 1961 | ||||||||||||
By Marion Hargrove | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 109/3 | The Brass Ring, undated | ||||||||||||
By Irving Elman | |||||||||||||
Includes transmittal note | |||||||||||||
BOX-FOLDER 109/4 | Breakfast For Millions, 1949 | ||||||||||||
By Alexander Krikland | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 109/5 | Broadway Knights, undated | ||||||||||||
By Damon Runyon | |||||||||||||
Story | |||||||||||||
BOX-FOLDER 109/6 | Brrump Bump!!, 1978 | ||||||||||||
By Marc Richards | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 109/7 | Bugged, undated | ||||||||||||
By D. F. Sweedler and Gary Kaskel | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 109/8 | The Burgundy Blonde, undated | ||||||||||||
By Dick Irving Hyland | |||||||||||||
Story | |||||||||||||
BOX-FOLDER 109/9 | Buttons and Bones, undated | ||||||||||||
By James Komack | |||||||||||||
Annotated | |||||||||||||
BOX-FOLDER 109/10 | By Appointment Only, 1944 | ||||||||||||
By Bene Russell | |||||||||||||
BOX-FOLDER 109/11 | Call Me a Dcotor, 1950 | ||||||||||||
By Gustave Field | |||||||||||||
BOX-FOLDER 109/12 | Can't Find a Ballet, 1951 | ||||||||||||
By Lew Lipton | |||||||||||||
Finale format | |||||||||||||
BOX-FOLDER 109/13 | Celebration of Eddie Cantor, 1987 | ||||||||||||
By Steven Moos and Henry Tobias | |||||||||||||
Proposal and script | |||||||||||||
BOX-FOLDER 109/14 | A Celebration of Legends, 1987 | ||||||||||||
By Paul Werth | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 109/15 | A Century of Comedy, 1992 | ||||||||||||
By Paul Werth | |||||||||||||
Treatment | |||||||||||||
BOX-FOLDER 109/16 | Chameleon: A Musical, 1980 | ||||||||||||
By Peter Jordan | |||||||||||||
BOX-FOLDER 109/17 | Charley, My Boy, undated | ||||||||||||
By Benny Baker and Edward De Blasio | |||||||||||||
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