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Music, 1931-2000 (continued) | |||||||||||||
Original Compositions, 1931-2000 (continued) | |||||||||||||
BOX-FOLDER 163/21-164/6, 209/1 | Two barcarolles for piano (1993) | ||||||||||||
Score | |||||||||||||
Contents: No. 1 For Carole Rosenberger; No. 2 For Amelia Haygood | |||||||||||||
BOX-FOLDER 209/2 | Two choruses for male a capella voices (1950) | ||||||||||||
Draft | |||||||||||||
Text: Herman Melville | |||||||||||||
BOX-FOLDER 209/3-4 | Two elegies for voice and string quartet (1935) | ||||||||||||
Scores | |||||||||||||
Text: Christina Rossetti | |||||||||||||
Dedication: Minna Hager | |||||||||||||
Contents: Remember; When I am dead | |||||||||||||
BOX-FOLDER 209/5 | Two Hebrew preludes: op. 68, for piano (1934) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 209/6 | Two pieces for violin and piano (1946) | ||||||||||||
Score | |||||||||||||
Dedication: Tossy Spivakovsky | |||||||||||||
Contents: Canticle; Perpetual motion | |||||||||||||
BOX-FOLDER 209/7 | Two songs for voice and piano (1969) | ||||||||||||
Draft | |||||||||||||
Text: Malcolm Cowley | |||||||||||||
Contents: The Mother; The first born | |||||||||||||
BOX-FOLDER 209/8-14 | Two songs for voice and piano (1964) | ||||||||||||
Scores | |||||||||||||
Text: Theodore Roethke | |||||||||||||
Dedication: Dr. Harry Segal and Dr. Max Wiener | |||||||||||||
Contents: Prayer; My Papa's waltz | |||||||||||||
BOX-FOLDER 209/15, 257/2-3 | Variations for small orchestra (1937) | ||||||||||||
Draft and scores | |||||||||||||
Dedication: Igor Stravinsky | |||||||||||||
BOX-FOLDER 209/16, 257/4 | Variations on a theme by Erik Satie: for orchestra (1935-1936) | ||||||||||||
Sketch and score | |||||||||||||
Dedication: Roger Sessions/Virgil Thomson | |||||||||||||
BOX-FOLDER 209/17-19 | Violin and piano chamber music for young people to play (1935) | ||||||||||||
Sketch, draft, and score | |||||||||||||
Dedication: Zunie | |||||||||||||
BOX-FOLDER 209/20-210/4, 229/4-230/1 | Violin concerto no. 1 (1936) | ||||||||||||
Sketches, scores, and parts | |||||||||||||
Dedication: Nicolai Berezowsky | |||||||||||||
BOX-FOLDER 210/5-7, 230/2 | Violin concerto no. 2 (1947) | ||||||||||||
Scores | |||||||||||||
Dedication: Dorotha Powers | |||||||||||||
BOX-FOLDER 211/1-2, 261/2-262/1 | Violin concerto no. 3 (1967-1969) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 211/3 | Violin concerto no. 4 (1997) | ||||||||||||
Sketch | |||||||||||||
Dedication: Tricia Park | |||||||||||||
BOX-FOLDER 211/4 | Vista: for a capella chorus (1935) | ||||||||||||
Score | |||||||||||||
Text: Alfred Kreymborg | |||||||||||||
BOX-FOLDER 211/5-8 | Vocalises for soprano and viola (1935, 1956) | ||||||||||||
Draft and scores | |||||||||||||
Dedication: Virgil Thomson | |||||||||||||
BOX-FOLDER 211/9 | Warning: for SATB chorus and tubular chimes (1970) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 211/10-11 | We two: a song cycle for voice and piano (1964) | ||||||||||||
Scores | |||||||||||||
Text: William Shakespeare | |||||||||||||
Dedication: Carolyn Reyer | |||||||||||||
BOX-FOLDER 211/12-13 | Weeping women: a lake song for four-part women's a capella voices (1935) | ||||||||||||
Sketch and score | |||||||||||||
Text: Jean Starr Untermeyer | |||||||||||||
BOX-FOLDER 211/14 | When we were lost: for voice and piano (1953) | ||||||||||||
Score | |||||||||||||
Text: Carson McCullers | |||||||||||||
BOX-FOLDER 211/15 | While Adam slept: for voice and piano (1945) | ||||||||||||
Score | |||||||||||||
Dedication: Hildegarde Watson | |||||||||||||
BOX-FOLDER 258/6 | White nocturne: for harp and string quartet (1933) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 211/16-212/5, 257/5 | Why?: a cantata for men's chorus, string orchestra, piano, and percussion (1991-1992) | ||||||||||||
Draft and scores | |||||||||||||
Text: William Blake | |||||||||||||
Dedication: Dennis Coleman | |||||||||||||
BOX-FOLDER 212/6-7 | The wings of the dove: music drama in four acts (1953) | ||||||||||||
Sketch and score | |||||||||||||
Note: Based on a novel by Henry James | |||||||||||||
BOX-FOLDER 257/7-8 | The world of Paul Klee: for orchestra (1956-1959) | ||||||||||||
Scores | |||||||||||||
Commission: The Rockefeller Foundation | |||||||||||||
BOX-FOLDER 212/8-10 | Young Joseph: for women's chorus, piano, organ, or string orchestra (1944) | ||||||||||||
Sketch and scores | |||||||||||||
Text: Thomas Mann | |||||||||||||
Dedication: Sabina | |||||||||||||
BOX-FOLDER 213/1 | Unidentified work for harpsichord and orchestra (undated) | ||||||||||||
Short score | |||||||||||||
BOX-FOLDER 213/2-3 | Unidentified fragments and sketches | ||||||||||||
Arrangements, 1934-1993 | |||||||||||||
This subseries contains scores for Diamond's arrangements of works by Eric Satie, Maurice Ravel, and other composers. | |||||||||||||
Arranged alphabetically by title or last name of composer. | |||||||||||||
BOX-FOLDER 216/9 | Beethoven, Ludwig van. Cavatina from String quartet, op. 130 (1955) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 216/10-13 | Debussy, Claude. Hommage à Haydn (1975, 1992) | ||||||||||||
Scores and parts | |||||||||||||
BOX-FOLDER 216/14 | Fauré, Gabriel. Pénélope: Les cailloux ont abîme tes pieds (1989) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 217/11 | Old English folk songs of the 15th and 16th centuries (1936) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 217/12-13 | Prose de lâne (undated) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 216/15-16 | Ravel, Maurice. Fugue from Le tombeau de Couperin (1993) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 216/17-20 | Ravel, Maurice. Menuet sur le nom de Haydn (1992) | ||||||||||||
Scores and parts | |||||||||||||
BOX-FOLDER 216/21 | Satie, Erik. Chorale hypocrite (undated) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 216/22-217/1 | Satie, Erik. Messe des pauvres (1949) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 217/2-4 | Satie, Erik. Passacaille (1949) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 217/5-7 | Satie, Erik. 2 ème gymnopédie (1949) | ||||||||||||
Scores | |||||||||||||
BOX-FOLDER 217/8 | Schoenberg, Arnold. Three small pieces from Sechs kleine Klavierstücke (1934) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 217/9 | Scriabin, Alexander. Album leaf; Désir (1934) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 217/10 | Sessions, Roger. Scherzino (1935) | ||||||||||||
Score | |||||||||||||
BOX-FOLDER 217/14 | Wilder, Diamond. Concerto for oboe, string orchestra, and percussion (1957) | ||||||||||||
Score | |||||||||||||
Other Music, 1934-1937 | |||||||||||||
This subseries contains harmony exercises and analytical studies, scores from notable composers inscribed to Diamond, and a holograph manuscript sketch by Marc Blitzstein. | |||||||||||||
Arranged by subject. | |||||||||||||
Exercises and Studies | |||||||||||||
BOX-FOLDER 217/15 | Analysis and harmony examples and exercises (1937) | ||||||||||||
BOX-FOLDER 217/16 | Cadence examples (1936) | ||||||||||||
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