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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1931-2000 (continued) | |||||||||||||
| Original Compositions, 1931-2000 (continued) | |||||||||||||
| BOX-FOLDER 171/1-3, 229/2-3, 260/3-261/1, 271 | Concerto for four stringed instruments (1936, 1961) | ||||||||||||
| Scores and parts | |||||||||||||
| Dedication: Albert Roussel | |||||||||||||
| Note: Submitted for the Elizabeth Sprague Coolidge Award, 1937; revised and published as Concerto for string quartet | |||||||||||||
| BOX-FOLDER 171/4-6, 228/5-229/1 | Concerto for piano and orchestra (1949-1950) | ||||||||||||
| Draft and scores | |||||||||||||
| Dedication: Hortense Monath | |||||||||||||
| BOX-FOLDER 161/7 | Concerto for small orchestra (1939) | ||||||||||||
| Sketch | |||||||||||||
| Concerto for string quartet and orchestra
(1936, 1961)
see Concerto for four stringed instruments |
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| BOX-FOLDER 171/8-9 | Concerto for two solo pianos (1942) | ||||||||||||
| Draft and score | |||||||||||||
| Dedication: Livingston Gearhart and Virginia Morley | |||||||||||||
| Concerto for violin and orchestra no. 1
(1936)
see Violin concerto no. 1 |
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| BOX-FOLDER 172/8-9 | Cradle song: for four-part men's chorus (1991) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 172/10 | A cycle of songs: for voice and piano (1959-1960) | ||||||||||||
| Score | |||||||||||||
| Text: E. E. Cummings | |||||||||||||
| BOX-FOLDER 172/11 | Dance for bassoon and piano (undated) | ||||||||||||
| Sketch | |||||||||||||
| BOX-FOLDER 172/12-13 | Dance of liberation: stage music (1936) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 172/14 | David: an opera (1935) | ||||||||||||
| Score | |||||||||||||
| Text: D. H. Lawrence | |||||||||||||
| BOX-FOLDER 172/15-16 | David weeps for Absalom: for voice and piano (1946) | ||||||||||||
| Scores | |||||||||||||
| Text: Samuel 19:1 | |||||||||||||
| BOX-FOLDER 172/17 | David's syninx: for single treble instrument (1991) | ||||||||||||
| Draft | |||||||||||||
| Dedication: Jody | |||||||||||||
| Dawn the Perspective: for voice and piano
(undated)
see Be music, night |
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| BOX-FOLDER 172/18 | Death: for voice and chamber orchestra, op. 42 (1933) | ||||||||||||
| Score | |||||||||||||
| Text: Maxwell Bodenheim | |||||||||||||
| Dedication: Lazare Saminsky | |||||||||||||
| BOX-FOLDER 173/1-4, 230/4-5 | The death of Peter Whiffle: for baritone and small orchestra (1993) | ||||||||||||
| Sketches and scores | |||||||||||||
| Commission: Irene Diamond Foundation for Gerard Schwarz and the New York Chamber Symphony | |||||||||||||
| Text: Carl Van Vechten | |||||||||||||
| Dedication: Martin Bruns | |||||||||||||
| BOX-FOLDER 173/5-175/4, 231/1 | Diaphony: in two parts for two pianos, organ, timpani, and brass (1954-1955) | ||||||||||||
| Sketches, scores, and parts | |||||||||||||
| Dedication: Juilliard Foundation | |||||||||||||
| BOX-FOLDER 175/5-6 | Dirge: a choreographic poem for large orchestra (1935) | ||||||||||||
| Sketch and score | |||||||||||||
| Dedication: David Hochstein | |||||||||||||
| BOX-FOLDER 175/7-176/3, 231/2-3 | Divertimento for a precocious child pianist: for piano and small orchestra (1935) | ||||||||||||
| Score and parts | |||||||||||||
| Dedication: Henry Schubert and Winifred Lansing | |||||||||||||
| BOX-FOLDER 176/4-5 | Do I love you?: theme and variations for voice and piano (1968) | ||||||||||||
| Scores | |||||||||||||
| Text: Jack Larson | |||||||||||||
| Dedication: Ned Rorem | |||||||||||||
| BOX-FOLDER 176/6 | A domestic cat: for voice and piano (1987) | ||||||||||||
| Sketch | |||||||||||||
| Text: Edwin Denby | |||||||||||||
| BOX-FOLDER 176/7-8 | Don't cry: for voice and piano (1981) | ||||||||||||
| Scores | |||||||||||||
| Text: Marilyn Monroe | |||||||||||||
| Dedication: Elisabeth Braden | |||||||||||||
| BOX-FOLDER 176/9-13, 231/4-232/3 | The dream of Audubon: ballet in three parts (1941) | ||||||||||||
| Sketch, draft, and scores | |||||||||||||
| Scenario: Glenway Wescott | |||||||||||||
| BOX-FOLDER 176/14 | Duet for two oboes (1986) | ||||||||||||
| Score | |||||||||||||
| Dedication: Jane | |||||||||||||
| BOX-FOLDER 176/15 | Duo for flute and viola (1996) | ||||||||||||
| Score | |||||||||||||
| Dedication: Jody Schwarz and Susan Gulkis | |||||||||||||
| BOX-FOLDER 176/16 | Duo for flute and violin (1959) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 177/1 | Duo for two violins (undated) | ||||||||||||
| Sketch | |||||||||||||
| Dedication: Margie and Ilkha? | |||||||||||||
| BOX-FOLDER 177/2-3 | Duo for violin and clarinet (1999) | ||||||||||||
| Sketch and score | |||||||||||||
| Dedication: Elsa Ludewig-Verdehr and Walter Verdehr | |||||||||||||
| BOX-FOLDER 177/4-5 | Duos for violin and viola (1970) | ||||||||||||
| Sketch and score | |||||||||||||
| Dedication: Wendy and Bill | |||||||||||||
| BOX-FOLDER 177/6-7 | Eight original Jewish melodies (1932, 1934) | ||||||||||||
| Scores | |||||||||||||
| Dedication: Mother | |||||||||||||
| Note: Original piano version op. 56a; orchestral version op. 56b | |||||||||||||
| BOX-FOLDER 177/8 | Eight piano pieces for children (1935) | ||||||||||||
| Score | |||||||||||||
| Dedication: Noal | |||||||||||||
| Contents: Pease-pooridge hot; Jumping Jacks; The old Mr. Turtle; Handy-Spandy, Jack-a-Dandy; Jack and Jill; Rock-a-bye; Little jumping Joan; Lullaby | |||||||||||||
| BOX-FOLDER 177/9-10 | Eight short pieces for piano (1935) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 232/4-5 | Elegies for flute, English horn, and string orchestra (1962-1963) | ||||||||||||
| Sketch and scores | |||||||||||||
| Dedication: William Faulkner and E. E. Cummings | |||||||||||||
| BOX-FOLDER 177/11-12 | Elegy in memory of Maurice Ravel: for brass, harps, and percussion (1938) | ||||||||||||
| Sketch and score | |||||||||||||
| BOX-FOLDER 177/13, 232/6-7 | The enormous room: for orchestra (1948) | ||||||||||||
| Scores | |||||||||||||
| Dedication: Goddard Lieberson | |||||||||||||
| BOX-FOLDER 177/14-16 | The epitaph: for voice and piano (1945) | ||||||||||||
| Scores | |||||||||||||
| Text: Logan Pearsall Smith | |||||||||||||
| Note: "Somewhere" on verso | |||||||||||||
| BOX-FOLDER 177/17-18 | Epitaph on the death of a young cavalry officer killed in the valley of Virginia: for voice and piano (1946) | ||||||||||||
| Scores | |||||||||||||
| Text: Herman Melville | |||||||||||||
| Even though the world keeps changing: for
voice and piano (1946)
see Sonnets to Orpheus |
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| BOX-FOLDER 177/19-22, 232/8 | The fall: a cycle of nine songs for voice and piano (1970) | ||||||||||||
| Sketches and scores | |||||||||||||
| Text: James Agee | |||||||||||||
| Contents: So it begins; Our doom is our being; I have been fashioned; What curious this is love; Wring me no more; Why am I here; Now stands our love; I nothing saw in you; This little time | |||||||||||||
| BOX-FOLDER 177/23 | The falling star: for high soprano and flute (undated) | ||||||||||||
| Sketch | |||||||||||||
| Text: Eugene Walter | |||||||||||||
| BOX-FOLDER 177/24 | Fanfare for Aaron Copland's 100th anniversary: for two trumpets, two horns, one trombone (2000) | ||||||||||||
| Score | |||||||||||||
| Commission: Library of Congress | |||||||||||||
| BOX-FOLDER 177/25 | Fantasy for piano four-hands (undated) | ||||||||||||
| Sketch | |||||||||||||
| BOX-FOLDER 177/26, 262/2 | Fantasy on old hundredth psalm tune: for brass quintet and organ (1995) | ||||||||||||
| Sketches and score | |||||||||||||
| BOX-FOLDER 178/1, 191/4 | Fifty-two preludes and fugues for piano (1939) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 207/9, 233/1-4, 256/5 | First orchestral suite from the ballet Tom (1936) | ||||||||||||
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