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Subject Files, 1915-2003 (continued) | |||||||||||||
BOX-FOLDER 137/37 | Woodwind quintet, 1958-1974 | ||||||||||||
BOX-FOLDER 137/38 | Woodyard, Douglas, 1965 | ||||||||||||
BOX-FOLDER 137/39 | The world of Paul Klee, 1958-1984 , undated | ||||||||||||
BOX-FOLDER 137/40 | WPA Music Project Prize--This is the garden, 1938-1941 | ||||||||||||
BOX-FOLDER 137/41 | WQXR: the radio station of The New York Times, 1975 | ||||||||||||
BOX-FOLDER 138/1 | Wray, Billy, 1976 | ||||||||||||
BOX-FOLDER 138/2 | WSAY, 1975 | ||||||||||||
BOX-FOLDER 138/3 | Yaddo, 1994-2000 | ||||||||||||
BOX-FOLDER 138/4 | The Ying Quartet, 1998-1999 | ||||||||||||
BOX-FOLDER 138/5 | Young, Alison, 1999-2000 | ||||||||||||
BOX-FOLDER 138/6 | Young, Edward, 1988 | ||||||||||||
BOX-FOLDER 138/8 | Zamir Choral Foundation, Inc., 1991 | ||||||||||||
BOX-FOLDER 138/9 | Zarb, Nikos and Louise, 1999-2000 | ||||||||||||
BOX-FOLDER 138/10 | Zeller, Robert, 1963 | ||||||||||||
BOX 129-130 | Writings, 1930-1991 | ||||||||||||
Mostly pedagogical materials that Diamond prepared while serving as a professor at institutions such as the University of Rome and the State University of New York in Buffalo. Also includes interview transcripts, eulogies for notable musical figures, poetry, and a small amount of writings by others. | |||||||||||||
Arranged alphabetically by folder title. | |||||||||||||
BOX-FOLDER 139/1 | "Aaron Copland: A summation of his works" and miscellaneous, 1935, 1965 , undated | ||||||||||||
BOX-FOLDER 139/2 | The Alice and Frederick Slee Lectures, 1961 | ||||||||||||
BOX-FOLDER 139/3 | "American Music in the United States" (Lessons I-VII), 1952 | ||||||||||||
BOX-FOLDER 139/4 | "Anniversary in a country cemetery" by Katherine Anne Porter, undated | ||||||||||||
BOX-FOLDER 139/5 | "The authoritative musical critic," undated | ||||||||||||
BOX-FOLDER 139/6 | Babel lecture transcript (English), 1961 | ||||||||||||
BOX-FOLDER 139/7 | Babel lecture transcript (Italian), undated | ||||||||||||
BOX-FOLDER 139/8 | Beethoven lecture for the British Institute, 1962 | ||||||||||||
BOX-FOLDER 139/9 | Bernard Rogers, 1947 , undated | ||||||||||||
BOX-FOLDER 139/10 | "Commemorative tribute to Bernard Rogers (1893-1968)," 1968 | ||||||||||||
BOX-FOLDER 139/11 | "The composer and film music," 1941 | ||||||||||||
BOX-FOLDER 139/12 | "The critic: the evaluative," 1962-1963 | ||||||||||||
BOX-FOLDER 139/13 | Dance Reviews for Modern Music, 1940 | ||||||||||||
BOX-FOLDER 139/14 | Darius Milhaud: Sonata for clavecin (or piano) and violin, undated | ||||||||||||
BOX-FOLDER 139/15 | David Diamond lectures: 1951-1952: American Music, 1951-1952 | ||||||||||||
BOX-FOLDER 139/16 | "David Diamond on Dimitri Mitropoulos: conversation with Olive Daniel," 1983-1984 | ||||||||||||
BOX-FOLDER 139/17 | "Emotion, poetry and the art song," 1966-1975 , undated | ||||||||||||
BOX-FOLDER 139/18 | Eulogy for Harry Weiss, undated | ||||||||||||
BOX-FOLDER 139/19 | "Feruccio Busoni: in memoriam," undated | ||||||||||||
BOX-FOLDER 139/20 | "Frederick Jacobi--a critical survey" for Modern Music March/April issue), 1937 | ||||||||||||
BOX-FOLDER 139/21 | "Fugue," undated | ||||||||||||
BOX-FOLDER 139/22 | "God's autographs," undated | ||||||||||||
BOX-FOLDER 139/23 | Hebrew handwriting practice notebook, undated | ||||||||||||
BOX-FOLDER 139/24 | "Hokkus," undated | ||||||||||||
BOX-FOLDER 139/25 | Igor Stravinsky articles, 1971 , undated | ||||||||||||
BOX-FOLDER 139/26 | Igor Stravinsky: Danses concertantes, 1943 | ||||||||||||
BOX-FOLDER 139/27 | "Integration and integrity in contemporary American music," 1960 | ||||||||||||
BOX-FOLDER 139/28 | "Interview de David Diamond per André Brincourt," 1949 | ||||||||||||
BOX-FOLDER 139/29 | Interview of Darius Milhaud by David Diamond for "Le Figaro," 1972 , undated | ||||||||||||
BOX-FOLDER 139/30 | "Interview question outline with Mr. David Diamond," 1949 | ||||||||||||
BOX-FOLDER 140/1 | Interview with Ev Grimes for Oral History American Music Series at Yale University, 1988-1989 | ||||||||||||
BOX-FOLDER 140/2 | Interview with Francis Crociata for The New York Times, 1975 | ||||||||||||
BOX-FOLDER 140/3 | Interviews: "Things I've said or wanted to say," undated | ||||||||||||
BOX-FOLDER 140/4 | Jazz (Parts I, II, and III), 1952 | ||||||||||||
BOX-FOLDER 140/5 | "Il jazz," 1952 | ||||||||||||
BOX-FOLDER 140/6 | "Il jazz negli state uniti" (Lessons I, II, and III), 1952 | ||||||||||||
BOX-FOLDER 140/7 | "Justice for composers," 1945 | ||||||||||||
BOX-FOLDER 140/8 | Lecture I: The composer, undated | ||||||||||||
BOX-FOLDER 140/9 | Lecture I: The composer-creative and interpretive aspects, undated | ||||||||||||
BOX-FOLDER 140/10 | Lecture I: The creative-the composer, 1963 | ||||||||||||
BOX-FOLDER 140/11 | Lecture I: The creative-the composer (second draft), 1963 | ||||||||||||
BOX-FOLDER 140/12 | Lecture II: The interpretive-the performer (final), 1963 | ||||||||||||
BOX-FOLDER 140/13 | Lecture II: Performer (draft I), 1963 | ||||||||||||
BOX-FOLDER 140/14 | Lecture II: The performer-the interpretive (draft I), 1963 | ||||||||||||
BOX-FOLDER 140/15 | Lecture III: The evaluative-the critic (1st draft), undated | ||||||||||||
BOX-FOLDER 140/16 | Lecture III: The evaluative-the critic (final draft), 1963 | ||||||||||||
BOX-FOLDER 140/17 | Lecture III-Slee, 1961 | ||||||||||||
BOX-FOLDER 140/18 | Lecture IV: The public (1st draft), undated | ||||||||||||
BOX-FOLDER 140/19 | Lecture IV: The public (the receptive), undated | ||||||||||||
BOX-FOLDER 140/20 | Lecture IV: The public (the receptive) (final version), 1963 | ||||||||||||
BOX-FOLDER 140/21 | Leon Kirchner: Duo for violin and piano, 1950 | ||||||||||||
BOX-FOLDER 140/22 | "Metamorphosen," 1941 | ||||||||||||
BOX-FOLDER 140/23 | "Michelangelo in music" (from La Nazione Sera), undated | ||||||||||||
BOX-FOLDER 140/24 | Miscellaneous: writings by David Diamond, 1947-1980 , undated | ||||||||||||
BOX-FOLDER 140/25 | Miscellaneous: writings by others, 1972-1993 , undated | ||||||||||||
Includes: Carol Adler; Milton Babbitt; Anita Bunis; Alan Gilbert; Sharmi Harper; Margaret Widdemer; unidentified | |||||||||||||
BOX-FOLDER 140/26 | "Music chronicle," 1941 | ||||||||||||
BOX-FOLDER 140/27 | Music lecture notes, 1947-1948 , undated | ||||||||||||
BOX-FOLDER 141/1 | "The music of David Diamond," 1978 | ||||||||||||
BOX-FOLDER 141/2 | My poems, 1930-1933 | ||||||||||||
BOX-FOLDER 141/3 | The New York Times: letter to the editor, 1941 | ||||||||||||
BOX-FOLDER 141/4 | "Notes for David Diamond's String quartet no. 4," 1951 | ||||||||||||
BOX-FOLDER 141/5 | Outline of "The varieties of musical experience": A series of four lectures, 1941 | ||||||||||||
BOX-FOLDER 141/6 | Paul Hindemith, undated | ||||||||||||
BOX-FOLDER 141/7 | Peter Mennin commemorative tribute, undated | ||||||||||||
BOX-FOLDER 141/8 | "Poetics of music," undated | ||||||||||||
BOX-FOLDER 141/9 | Roger Sessions memoir, 1985 | ||||||||||||
BOX-FOLDER 141/10 | Roger Sessions: Symphony no. 2, 1950 | ||||||||||||
BOX-FOLDER 141/11 | Salzburg seminar, 1949 | ||||||||||||
BOX-FOLDER 141/12 | Samuel Adler, undated | ||||||||||||
BOX-FOLDER 141/13 | "Samuel Barber," 1950 | ||||||||||||
BOX-FOLDER 141/14 | "Shefi and the Ma-Ayan," undated | ||||||||||||
BOX-FOLDER 141/15 | The Slee lectures I: Integrity and integration in contemporary American music, 1961 | ||||||||||||
BOX-FOLDER 141/16 | The Slee lectures III: Beethoven and the twentieth century, 1961 | ||||||||||||
BOX-FOLDER 141/17 | "Sorgere d'un Arte Americana Musicale," 1952 | ||||||||||||
BOX-FOLDER 141/18 | "Sour grapes or How vengeful students vent their bile," 1987 | ||||||||||||
Laid in: New York Times article "The Jailyard School" | |||||||||||||
BOX-FOLDER 141/19 | "The spiritual force of the American art song," 1952 | ||||||||||||
BOX-FOLDER 141/20 | "Statue of Apollo," undated | ||||||||||||
BOX-FOLDER 141/21 | Tribute to "Little Henry" and Etta Mae at the American Academy of Arts and Letters "Crucial encounters" dinner, 1972 | ||||||||||||
BOX-FOLDER 141/22 | "Two Parisian events" (for Modern Music November issue), 1936 | ||||||||||||
BOX-FOLDER 141/23 | "The unaccompanied sonatas and partitas of Bach," undated | ||||||||||||
BOX-FOLDER 141/24 | "The varieties of musical experience" (outline), 1941 | ||||||||||||
BOX-FOLDER 141/25 | "The visual fear," 1970 | ||||||||||||
BOX-FOLDER 141/26 | Walter Piston: String quartet no. 2, undated | ||||||||||||
BOX-FOLDER 141/27 | "What they saw," 1991 | ||||||||||||
BOX 142-143 | Libretti/Lyrics, 1940-1987 | ||||||||||||
Chiefly texts, synopses of novels, and ballets that Diamond either scored or endeavored to do so. A large portion of these materials relate to the novels Billy Budd by Herman Melville and Wings of the dove by Henry James. Also included are texts for Diamond's opera, The noblest game, which was abandoned by the New York City Opera and has never been performed. | |||||||||||||
Arranged alphabetically by title. | |||||||||||||
BOX-FOLDER 142/1 | "All for love," text by John Dryden, undated | ||||||||||||
BOX-FOLDER 143/10 | "Althea,"--Grace Zaring Stone, 1961-1963 , undated | ||||||||||||
Synopsis and correspondence | |||||||||||||
BOX-FOLDER 142/2 | "Billy Budd," text by Herman Melville, undated | ||||||||||||
Manuscript notes | |||||||||||||
BOX-FOLDER 142/3 | "Billy Budd," text by Herman Melville, undated | ||||||||||||
Typescript synopsis | |||||||||||||
BOX-FOLDER 142/4 | "The changeling," by Thomas Middleton and William Rowley, undated | ||||||||||||
BOX-FOLDER 142/5 | "The changeling," by Lyn Hoffman, undated | ||||||||||||
Typescript synopsis | |||||||||||||
BOX-FOLDER 142/8 | "The dream of Audubon," text by Glenway Wescott, undated | ||||||||||||
Typescript scenario, two copies | |||||||||||||
BOX-FOLDER 142/11 | "The dream of Audubon," undated | ||||||||||||
Typescript cast, plan of dances, and synopsis | |||||||||||||
BOX-FOLDER 142/9 | "Faust: a masque"--Elder Olson, 1967 | ||||||||||||
Print libretto | |||||||||||||
BOX-FOLDER 143/7 | "Frontispiece,"--Ben Shahn, undated | ||||||||||||
BOX-FOLDER 142/10 | "Linda," text by Alex Gaby, 1967 | ||||||||||||
Typescript synopsis | |||||||||||||
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