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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1931-2000 (continued) | |||||||||||||
| Original Compositions, 1931-2000 (continued) | |||||||||||||
| Eight original Jewish melodies (1932, 1934) (continued) | |||||||||||||
| Scores | |||||||||||||
| Dedication: Mother | |||||||||||||
| Note: Original piano version op. 56a; orchestral version op. 56b | |||||||||||||
| BOX-FOLDER 177/8 | Eight piano pieces for children (1935) | ||||||||||||
| Score | |||||||||||||
| Dedication: Noal | |||||||||||||
| Contents: Pease-pooridge hot; Jumping Jacks; The old Mr. Turtle; Handy-Spandy, Jack-a-Dandy; Jack and Jill; Rock-a-bye; Little jumping Joan; Lullaby | |||||||||||||
| BOX-FOLDER 177/9-10 | Eight short pieces for piano (1935) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 232/4-5 | Elegies for flute, English horn, and string orchestra (1962-1963) | ||||||||||||
| Sketch and scores | |||||||||||||
| Dedication: William Faulkner and E. E. Cummings | |||||||||||||
| BOX-FOLDER 177/11-12 | Elegy in memory of Maurice Ravel: for brass, harps, and percussion (1938) | ||||||||||||
| Sketch and score | |||||||||||||
| BOX-FOLDER 177/13, 232/6-7 | The enormous room: for orchestra (1948) | ||||||||||||
| Scores | |||||||||||||
| Dedication: Goddard Lieberson | |||||||||||||
| BOX-FOLDER 177/14-16 | The epitaph: for voice and piano (1945) | ||||||||||||
| Scores | |||||||||||||
| Text: Logan Pearsall Smith | |||||||||||||
| Note: "Somewhere" on verso | |||||||||||||
| BOX-FOLDER 177/17-18 | Epitaph on the death of a young cavalry officer killed in the valley of Virginia: for voice and piano (1946) | ||||||||||||
| Scores | |||||||||||||
| Text: Herman Melville | |||||||||||||
| Even though the world keeps changing: for
voice and piano (1946)
see Sonnets to Orpheus |
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| BOX-FOLDER 177/19-22, 232/8 | The fall: a cycle of nine songs for voice and piano (1970) | ||||||||||||
| Sketches and scores | |||||||||||||
| Text: James Agee | |||||||||||||
| Contents: So it begins; Our doom is our being; I have been fashioned; What curious this is love; Wring me no more; Why am I here; Now stands our love; I nothing saw in you; This little time | |||||||||||||
| BOX-FOLDER 177/23 | The falling star: for high soprano and flute (undated) | ||||||||||||
| Sketch | |||||||||||||
| Text: Eugene Walter | |||||||||||||
| BOX-FOLDER 177/24 | Fanfare for Aaron Copland's 100th anniversary: for two trumpets, two horns, one trombone (2000) | ||||||||||||
| Score | |||||||||||||
| Commission: Library of Congress | |||||||||||||
| BOX-FOLDER 177/25 | Fantasy for piano four-hands (undated) | ||||||||||||
| Sketch | |||||||||||||
| BOX-FOLDER 177/26, 262/2 | Fantasy on old hundredth psalm tune: for brass quintet and organ (1995) | ||||||||||||
| Sketches and score | |||||||||||||
| BOX-FOLDER 178/1, 191/4 | Fifty-two preludes and fugues for piano (1939) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 207/9, 233/1-4, 256/5 | First orchestral suite from the ballet Tom (1936) | ||||||||||||
| Score | |||||||||||||
| Text: E. E. Cummings | |||||||||||||
| Dedication: Marion and E. E. Cummings | |||||||||||||
| BOX-FOLDER 178/2-5 | Five Japanese songs: for soprano and piano (1985) | ||||||||||||
| Sketches and scores | |||||||||||||
| Text: Lady Murasaki Shikibu | |||||||||||||
| Dedication: Nigi Sato | |||||||||||||
| BOX-FOLDER 205/12-15 | Five songs from Shakespeare's The tempest: for voice and piano (1944) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 178/6 | A flower given to my daughter: for voice and piano (1940) | ||||||||||||
| Score | |||||||||||||
| Text: James Joyce | |||||||||||||
| Dedication: Katharine Ann Porter | |||||||||||||
| BOX-FOLDER 178/7 | For Aaron's birthday: for piano four-hands (1988) | ||||||||||||
| Score | |||||||||||||
| Dedication: Aaron Copland | |||||||||||||
| BOX-FOLDER 178/8 | For Bill (undated) | ||||||||||||
| Sketch | |||||||||||||
| BOX-FOLDER 178/9-11 | For Bobby's 80th Birthday: for cello solo (1989) | ||||||||||||
| Sketch and score | |||||||||||||
| Dedication: Robert Lewis | |||||||||||||
| BOX-FOLDER 178/12 | For Jane: for oboe solo and duet (1986) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 178/13 | For Rudy's Birthday: for solo piano (1992) | ||||||||||||
| Sketch and score | |||||||||||||
| BOX-FOLDER 178/14 | Four gymnopédies (1937) | ||||||||||||
| Score | |||||||||||||
| In memory: Erik Satie | |||||||||||||
| Dedication: Darius Milhaud | |||||||||||||
| BOX-FOLDER 178/15-18 | Four ladies: a cycle of four songs for voice and piano (1935, revised 1962) | ||||||||||||
| Scores | |||||||||||||
| Text: Ezra Pound | |||||||||||||
| BOX-FOLDER 178/19-21 | Four uncles: for voice and piano (1940) | ||||||||||||
| Scores | |||||||||||||
| Text: E. E. Cummings | |||||||||||||
| Dedication: Marion Morehouse | |||||||||||||
| BOX-FOLDER 178/22 | Funeral music for the duckies: for two oboes, two English horns, and two cellos (1980) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 178/23, 234/1-2 | A gala celebration: to commemorate the opening of Benaroya Hall (1996-1997) | ||||||||||||
| Sketches and scores | |||||||||||||
| BOX-FOLDER 178/24-26 | The gambit: for piano (1967) | ||||||||||||
| Draft and scores | |||||||||||||
| BOX-FOLDER 262/3 | The games of Gargantua: Rabelaisian variations on an original theme for large orchestra (undated) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 178/27 | The gift: a cycle of four songs for voice and piano (1982) | ||||||||||||
| Score | |||||||||||||
| Text: AE (G. W. Russell) | |||||||||||||
| Dedication: Rhoda Bodzin Gross | |||||||||||||
| BOX-FOLDER 178/28, 234/3 | The golden slippers: musical folk play in two acts (1965) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 178/29-30 | Gone: for voice and piano (1996) | ||||||||||||
| Scores | |||||||||||||
| Text: Mary Elizabeth Coleridge | |||||||||||||
| Dedication: Dr. Robert Heinle | |||||||||||||
| BOX-FOLDER 179/5 | A happy birthday to Paul Cadmus: for voice and piano (1979) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 179/6 | The heart asks pleasure first: for voice and piano (undated) | ||||||||||||
| Score | |||||||||||||
| Text: Emily Dickinson | |||||||||||||
| BOX-FOLDER 262/4 | Heart's music: for symphonic band (1989) | ||||||||||||
| Sketches, draft, and score | |||||||||||||
| Dedication: Eugene Corporon | |||||||||||||
| BOX-FOLDER 179/9-11 | Hebrew melodies: a cycle of four songs for voice and piano (1967-1968) | ||||||||||||
| Sketches and scores | |||||||||||||
| Text: George Gordon and Lord Byron | |||||||||||||
| Dedication: Leonard Bernstein | |||||||||||||
| BOX-FOLDER 179/12 | Her hands: for voice and piano (1935) | ||||||||||||
| Score | |||||||||||||
| Text: Alfred Kreymborg | |||||||||||||
| BOX-FOLDER 179/13 | Here is my livelihood: for voice and piano (undated) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 179/1-4, 179/14-15 | Heroic piece: for chamber orchestra (1938) | ||||||||||||
| Sketch, scores, and parts | |||||||||||||
| Dedication: Helen Stewart and Dorothy Case | |||||||||||||
| BOX-FOLDER 179/16-17 | Hippos: for oboe and clarinet (1995) | ||||||||||||
| Scores | |||||||||||||
| Dedication: Lori Rowe and Cathy Webb | |||||||||||||
| BOX-FOLDER 179/18, 234/4, 262/5 | Hommage à Albert Roussel: for symphonic band (1993) | ||||||||||||
| Draft and scores | |||||||||||||
| BOX-FOLDER 180/1-3 | Hommage à Satie: for chamber orchestra (1934) | ||||||||||||
| Sketch, scores, and parts | |||||||||||||
| BOX-FOLDER 180/4-7 | Hommage to Paul Klee: for voice and piano (1970) | ||||||||||||
| Scores | |||||||||||||
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