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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1931-2000 (continued) | |||||||||||||
| Original Compositions, 1931-2000 (continued) | |||||||||||||
| BOX-FOLDER 207/6 | To my son, Ted (1945) | ||||||||||||
| Sketch | |||||||||||||
| Text: Natalie Zimmerman | |||||||||||||
| BOX-FOLDER 207/7 | Toccata-fugata (1967) | ||||||||||||
| Draft | |||||||||||||
| BOX-FOLDER 207/8 | Together at the piano (undated) | ||||||||||||
| Sketch | |||||||||||||
| BOX-FOLDER 207/10 | The tomb of Melville: for voice and piano (1944-1949) | ||||||||||||
| Sketch | |||||||||||||
| Text: Hart Crane | |||||||||||||
| BOX-FOLDER 207/11-12, 257/1 | Trio for violin, cello, and piano (1951) | ||||||||||||
| Scores and parts | |||||||||||||
| BOX-FOLDER 207/13-208/2 | Trio for violin, clarinet, and piano (1993-1994) | ||||||||||||
| Draft, scores, and parts | |||||||||||||
| Commission: Library of Congress for the Verdehr Trio | |||||||||||||
| BOX-FOLDER 208/3-7 | Trio in G major for violin, viola, and cello (1937, revised 1968) | ||||||||||||
| Scores | |||||||||||||
| Dedication: M. Berezowsky, Moldavan, and Gottlieb of the Coolidge String Quartet | |||||||||||||
| BOX-FOLDER 208/8 | Triple concerto (1998) | ||||||||||||
| Sketch | |||||||||||||
| Dedication: Vedehr Trio | |||||||||||||
| BOX-FOLDER 208/9 | Twenty-four preludes and fugues for piano (1939) | ||||||||||||
| Draft | |||||||||||||
| BOX-FOLDER 208/10-12 | The twisted trinity: for voice and piano (1943) | ||||||||||||
| Scores | |||||||||||||
| Text: Carson McCullers | |||||||||||||
| Dedication: Aaron Sapiro | |||||||||||||
| BOX-FOLDER 208/13 | The twisting of the rope: opera-ballet in one act (1939) | ||||||||||||
| Score | |||||||||||||
| Text: W. B. Yeats | |||||||||||||
| BOX-FOLDER 208/14 | Two anthems for chorus (1955) | ||||||||||||
| Score | |||||||||||||
| Text: David Diamond | |||||||||||||
| Contents: To thee, O Lord; Why the fuss | |||||||||||||
| BOX-FOLDER 163/21-164/6, 209/1 | Two barcarolles for piano (1993) | ||||||||||||
| Score | |||||||||||||
| Contents: No. 1 For Carole Rosenberger; No. 2 For Amelia Haygood | |||||||||||||
| BOX-FOLDER 209/2 | Two choruses for male a capella voices (1950) | ||||||||||||
| Draft | |||||||||||||
| Text: Herman Melville | |||||||||||||
| BOX-FOLDER 209/3-4 | Two elegies for voice and string quartet (1935) | ||||||||||||
| Scores | |||||||||||||
| Text: Christina Rossetti | |||||||||||||
| Dedication: Minna Hager | |||||||||||||
| Contents: Remember; When I am dead | |||||||||||||
| BOX-FOLDER 209/5 | Two Hebrew preludes: op. 68, for piano (1934) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 209/6 | Two pieces for violin and piano (1946) | ||||||||||||
| Score | |||||||||||||
| Dedication: Tossy Spivakovsky | |||||||||||||
| Contents: Canticle; Perpetual motion | |||||||||||||
| BOX-FOLDER 209/7 | Two songs for voice and piano (1969) | ||||||||||||
| Draft | |||||||||||||
| Text: Malcolm Cowley | |||||||||||||
| Contents: The Mother; The first born | |||||||||||||
| BOX-FOLDER 209/8-14 | Two songs for voice and piano (1964) | ||||||||||||
| Scores | |||||||||||||
| Text: Theodore Roethke | |||||||||||||
| Dedication: Dr. Harry Segal and Dr. Max Wiener | |||||||||||||
| Contents: Prayer; My Papa's waltz | |||||||||||||
| BOX-FOLDER 209/15, 257/2-3 | Variations for small orchestra (1937) | ||||||||||||
| Draft and scores | |||||||||||||
| Dedication: Igor Stravinsky | |||||||||||||
| BOX-FOLDER 209/16, 257/4 | Variations on a theme by Erik Satie: for orchestra (1935-1936) | ||||||||||||
| Sketch and score | |||||||||||||
| Dedication: Roger Sessions/Virgil Thomson | |||||||||||||
| BOX-FOLDER 209/17-19 | Violin and piano chamber music for young people to play (1935) | ||||||||||||
| Sketch, draft, and score | |||||||||||||
| Dedication: Zunie | |||||||||||||
| BOX-FOLDER 209/20-210/4, 229/4-230/1 | Violin concerto no. 1 (1936) | ||||||||||||
| Sketches, scores, and parts | |||||||||||||
| Dedication: Nicolai Berezowsky | |||||||||||||
| BOX-FOLDER 210/5-7, 230/2 | Violin concerto no. 2 (1947) | ||||||||||||
| Scores | |||||||||||||
| Dedication: Dorotha Powers | |||||||||||||
| BOX-FOLDER 211/1-2, 261/2-262/1 | Violin concerto no. 3 (1967-1969) | ||||||||||||
| Scores | |||||||||||||
| BOX-FOLDER 211/3 | Violin concerto no. 4 (1997) | ||||||||||||
| Sketch | |||||||||||||
| Dedication: Tricia Park | |||||||||||||
| BOX-FOLDER 211/4 | Vista: for a capella chorus (1935) | ||||||||||||
| Score | |||||||||||||
| Text: Alfred Kreymborg | |||||||||||||
| BOX-FOLDER 211/5-8 | Vocalises for soprano and viola (1935, 1956) | ||||||||||||
| Draft and scores | |||||||||||||
| Dedication: Virgil Thomson | |||||||||||||
| BOX-FOLDER 211/9 | Warning: for SATB chorus and tubular chimes (1970) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 211/10-11 | We two: a song cycle for voice and piano (1964) | ||||||||||||
| Scores | |||||||||||||
| Text: William Shakespeare | |||||||||||||
| Dedication: Carolyn Reyer | |||||||||||||
| BOX-FOLDER 211/12-13 | Weeping women: a lake song for four-part women's a capella voices (1935) | ||||||||||||
| Sketch and score | |||||||||||||
| Text: Jean Starr Untermeyer | |||||||||||||
| BOX-FOLDER 211/14 | When we were lost: for voice and piano (1953) | ||||||||||||
| Score | |||||||||||||
| Text: Carson McCullers | |||||||||||||
| BOX-FOLDER 211/15 | While Adam slept: for voice and piano (1945) | ||||||||||||
| Score | |||||||||||||
| Dedication: Hildegarde Watson | |||||||||||||
| BOX-FOLDER 258/6 | White nocturne: for harp and string quartet (1933) | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 211/16-212/5, 257/5 | Why?: a cantata for men's chorus, string orchestra, piano, and percussion (1991-1992) | ||||||||||||
| Draft and scores | |||||||||||||
| Text: William Blake | |||||||||||||
| Dedication: Dennis Coleman | |||||||||||||
| BOX-FOLDER 212/6-7 | The wings of the dove: music drama in four acts (1953) | ||||||||||||
| Sketch and score | |||||||||||||
| Note: Based on a novel by Henry James | |||||||||||||
| BOX-FOLDER 257/7-8 | The world of Paul Klee: for orchestra (1956-1959) | ||||||||||||
| Scores | |||||||||||||
| Commission: The Rockefeller Foundation | |||||||||||||
| BOX-FOLDER 212/8-10 | Young Joseph: for women's chorus, piano, organ, or string orchestra (1944) | ||||||||||||
| Sketch and scores | |||||||||||||
| Text: Thomas Mann | |||||||||||||
| Dedication: Sabina | |||||||||||||
| BOX-FOLDER 213/1 | Unidentified work for harpsichord and orchestra (undated) | ||||||||||||
| Short score | |||||||||||||
| BOX-FOLDER 213/2-3 | Unidentified fragments and sketches | ||||||||||||
| Arrangements, 1934-1993 | |||||||||||||
| This subseries contains scores for Diamond's arrangements of works by Eric Satie, Maurice Ravel, and other composers. | |||||||||||||
| Arranged alphabetically by title or last name of composer. | |||||||||||||
| BOX-FOLDER 216/9 | Beethoven, Ludwig van. Cavatina from String quartet, op. 130 (1955) | ||||||||||||
| Score | |||||||||||||
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