Container | Contents | ||||||||||||
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Music, 1905-1957 (continued) | |||||||||||||
Manuscripts, 1905-1957 (continued) | |||||||||||||
BOX-FOLDER 66/5 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Copyist harp with holograph corrections and performer's annotations | |||||||||||||
BOX-FOLDER 66/6 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Copyist piano/celesta part with holograph annotations and pasteovers | |||||||||||||
BOX-FOLDER 67/1 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Ozalid copyist violin 1 parts (3) | |||||||||||||
BOX-FOLDER 67/2 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Ozalid copyist violin 2 parts (3) | |||||||||||||
BOX-FOLDER 67/3 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Ozalid copyist viola parts (3) | |||||||||||||
BOX-FOLDER 67/4 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Ozalid copyist cello parts (3) | |||||||||||||
BOX-FOLDER 67/5 | Symphony in F-sharp major, op. 40, undated | ||||||||||||
Ozalid copyist double bass parts (3) | |||||||||||||
BOX-FOLDER 10/7 | Symphony no. 2. Urlicht, circa 1943-1944 | ||||||||||||
By Gustav Mahler | |||||||||||||
Holograph vocal part with annotations | |||||||||||||
BOX-FOLDER 23/1 | Tänzchen im alten Stil, 1917 | ||||||||||||
Holograph full score and sketch | |||||||||||||
BOX-FOLDER 68/1 | Tänzchen im alten Stil, 1917 | ||||||||||||
Holograph orchestral parts with holograph annotations | |||||||||||||
BOX-FOLDER 23/2 | Thema mit 3 Variationen, undated | ||||||||||||
Holograph piano score | |||||||||||||
BOX-FOLDER 31/6 | Theme and Variations, op. 42, undated | ||||||||||||
Holograph full score | |||||||||||||
BOX-FOLDER 31/6 | Theme and Variations, op. 42, undated | ||||||||||||
Photocopied holograph full score | |||||||||||||
BOX-FOLDER 23/3 | Theme and Variations, op. 42, 1953 | ||||||||||||
Holograph piano score | |||||||||||||
BOX-FOLDER 68/2 | Theme and Variations, op. 42, 1954 | ||||||||||||
Printed full score; string parts with holograph annotations | |||||||||||||
BOX-FOLDER 68/3 | Theme and Variations, op. 42, 1954 | ||||||||||||
Ozalid copyist full score | |||||||||||||
BOX-FOLDER 68/4 | Theme and Variations, op. 42, 1954 | ||||||||||||
Photocopies of copyist woodwind, brass, percussion, and harp parts | |||||||||||||
Note: From Belwin Mill's rental library, numbered 2 | |||||||||||||
BOX-FOLDER 68/5 | Theme and Variations, op. 42, 1954 | ||||||||||||
Ozalid printed string parts | |||||||||||||
Note: From Belwin Mill's rental library, numbered 2 | |||||||||||||
BOX-FOLDER 68/6 | Theme and Variations, op. 42, 1954 | ||||||||||||
Photocopies of copyist woodwind, brass, percussion, and harp parts | |||||||||||||
Note: From Belwin Mill's rental library, numbered 4 | |||||||||||||
BOX-FOLDER 69/1 | Theme and Variations, op. 42, 1954 | ||||||||||||
Ozalid printed string parts | |||||||||||||
Note: From Belwin Mill's rental library, numbered 4 | |||||||||||||
BOX-FOLDER 69/2 | Theme and Variations, op. 42, 1953 | ||||||||||||
Printed string parts, including optional violin 3 part | |||||||||||||
BOX-FOLDER 69/3 | Theme and Variations, op. 42, 1954 | ||||||||||||
Printed string parts, including optional violin 3 part | |||||||||||||
BOX-FOLDER 69/4 | Theme and Variations, op. 42, undated | ||||||||||||
Ozalid percussion parts with holograph and performers' annotations | |||||||||||||
BOX-FOLDER 23/4 | Theme and Variations, op. 42, 1953 | ||||||||||||
Publisher proofs of string parts with holograph corrections | |||||||||||||
BOX-FOLDER 23/5 | Der Tod, 1908 | ||||||||||||
Holograph piano-vocal score | |||||||||||||
BOX-FOLDER 34/1 | Die tote Stadt, 1920 | ||||||||||||
Printed full score with holograph annotations and notes (bound) | |||||||||||||
Note: Contains pasteovers on title page from 1981 | |||||||||||||
BOX-FOLDER 35/1-3 | Die tote Stadt, circa 1919-1920 | ||||||||||||
Holograph full score (bound) | |||||||||||||
BOX-FOLDER 23/6 | Die tote Stadt, 1920 | ||||||||||||
Manuscript title: Das tote Brügge | |||||||||||||
Holograph piano-vocal score (bound) | |||||||||||||
BOX-FOLDER 76/2 | Die tote Stadt, op. 12, 1920 | ||||||||||||
Printed piano-vocal score with manuscript annotations [by Imre Aldori?] (bound) | |||||||||||||
BOX-FOLDER 69/5 | Die tote Stadt, op. 12, 1920 | ||||||||||||
Printed piano-vocal score with text in Italian | |||||||||||||
Note: Reduction by Ferdinand Rebay | |||||||||||||
BOX-FOLDER 23/7 | Die tote Stadt, 1915 | ||||||||||||
Holograph piano-vocal score | |||||||||||||
Note: "Marschtempo" on recto | |||||||||||||
BOX-FOLDER 69/6 | Die tote Stadt, op. 12. Marietta's Lied, 1920 | ||||||||||||
Printed piano-vocal score for high voice with German and English libretto | |||||||||||||
Note: Inscribed from Luzi Korngold to Rosemarie [?] | |||||||||||||
BOX-FOLDER 69/7 | Die tote Stadt, op. 12. Marietta's Lied, 1920 | ||||||||||||
Printed piano-vocal score for medium voice with German and English libretto | |||||||||||||
BOX-FOLDER 23/8 | Die tote Stadt. Marietta's Lied, 1920 | ||||||||||||
Holograph harp 2 part | |||||||||||||
BOX-FOLDER 84/1 | Die tote Stadt, op. 12, 1948 | ||||||||||||
Translation by Ruth and Thomas Martin | |||||||||||||
Printed libretto in English | |||||||||||||
BOX-FOLDER 69/8 | Die tote Stadt/Violanta arrangement, undated | ||||||||||||
Arranger unknown | |||||||||||||
Manuscript piano-vocal score in an unidentified hand | |||||||||||||
BOX-FOLDER 23/9 | Trauer Marsch, 1908 | ||||||||||||
Holograph piano score | |||||||||||||
BOX-FOLDER 70/1 | Trio for Piano, Violin, and Cello, op. 1, 1910 | ||||||||||||
Printed score; parts with performers' annotations | |||||||||||||
Universal Edition | |||||||||||||
BOX-FOLDER 69/9 | Trio for Piano, Violin, and Cello, op. 1, undated | ||||||||||||
Copyist score; part proofs with holograph corrections | |||||||||||||
BOX-FOLDER 23/11 | Trio for Piano, Violin, and Cello, op. 1, 1911 | ||||||||||||
Manuscript title: Trio, op. 4 | |||||||||||||
Holograph score | |||||||||||||
Note: Bound with Sonata for Violin, op. 6 and Sextet for Strings, op. 10 | |||||||||||||
BOX-FOLDER 23/12 | Trio for Piano, Violin, and Cello, op. 1, 1910 | ||||||||||||
Photocopies of printed score and parts | |||||||||||||
BOX-FOLDER 23/10 | Trio for Piano, Violin, and Cello, op. 1 | ||||||||||||
Holograph full score fragment | |||||||||||||
BOX-FOLDER 60/3 | Trio sketch, undated | ||||||||||||
Holograph | |||||||||||||
Note: Possible early idea for Sonata for Piano no. 2 , later discarded | |||||||||||||
BOX-FOLDER 24/8 | Valse Charmante, no. 6, 1907 | ||||||||||||
Holograph score and fragment for piano | |||||||||||||
BOX-FOLDER 24/9 | Valse Lente, 1909 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 24/10 | Valse Pensive, 1908 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 24/11 | Valse Tardatine, 1909 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 24/12 | Der Vampir, 1916 | ||||||||||||
Holograph full score with annotations | |||||||||||||
BOX-FOLDER 70/3 | Variationen, 1909? | ||||||||||||
Holograph score for piano in C minor | |||||||||||||
Note: Published as Sonata for Piano no. 1 , final movement | |||||||||||||
BOX-FOLDER 70/4 | Variationen, 1909 April 30 | ||||||||||||
Holograph score for piano | |||||||||||||
Note: Published as Sonata for Piano no. 1 , final movement | |||||||||||||
BOX-FOLDER 24/13 | Variationen, undated | ||||||||||||
Holograph sketches for piano with pasteovers | |||||||||||||
BOX-FOLDER 24/14 | Variationen über [illegible], 1909 | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 24/15 | Vesper, 1915 | ||||||||||||
Holograph piano-vocal score | |||||||||||||
Viel Lärmen um Nichts , op. 11 see also Much Ado About Nothing |
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