Container | Contents | ||||||||||||
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Music, 1905-1957 (continued) | |||||||||||||
Manuscripts, 1905-1957 (continued) | |||||||||||||
La Belle Hélène, circa 1944 (continued) | |||||||||||||
Note: Two holograph piano scores are interleaved | |||||||||||||
BOX-FOLDER 3/5 | La Belle Hélène, undated | ||||||||||||
Holograph and copyist piano-vocal scores with annotations | |||||||||||||
Laid in: Typescript lyric sheet | |||||||||||||
BOX-FOLDER 3/6 | La Belle Hélène, undated | ||||||||||||
Typescript lyric sheets | |||||||||||||
BOX-FOLDER 42/2 | Between Two Worlds , 1944 | ||||||||||||
Blue-line score | |||||||||||||
Note: Includes trailer music | |||||||||||||
BOX-FOLDER 3/8 | Between Two Worlds , circa 1944 | ||||||||||||
Blue-line copyist short score | |||||||||||||
Note: Inscribed from Korngold to Arthur ("Duane") Pritt, 1944 | |||||||||||||
BOX-FOLDER 42/3 | Between Two Worlds . Reels 1B to 8D, 1944 | ||||||||||||
Blue-line score | |||||||||||||
BOX-FOLDER 3/7 | Between Two Worlds , 1944 | ||||||||||||
Holograph sketches with annotations | |||||||||||||
BOX-FOLDER 3/9 | The Bluebird, 1938 | ||||||||||||
Holograph sketch for "Prayer" | |||||||||||||
Note: Holograph sketch for "Queen Elizabeth's Theme" from The Sea Hawk on verso | |||||||||||||
BOX-FOLDER 27/1 | Captain Blood , 1935 | ||||||||||||
Holograph short score and sketches with leather portfolio | |||||||||||||
Choral Psalm see Passover Psalm, op. 30 and Psalm, op. 30 |
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BOX-FOLDER 4/1 | Concerto, undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
Concerto for Cello, op. 37 see also Deception |
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BOX-FOLDER 28/1 | Concerto for Cello, op. 37, 1946 | ||||||||||||
Holograph full score (bound) | |||||||||||||
BOX-FOLDER 72/4 | Concerto for Cello, op. 37, 1946 | ||||||||||||
Photocopied holograph full score | |||||||||||||
BOX-FOLDER 72/5 | Concerto for Cello, op. 37, 1946 | ||||||||||||
Photocopied holograph full score | |||||||||||||
Note: Same as Box 72, Folder 4 | |||||||||||||
BOX-FOLDER 77/3 | Concerto for Cello, op. 37, 1946 | ||||||||||||
Caption title: Deception Cello Concerto | |||||||||||||
Orchestrated by Simon Bucharoff | |||||||||||||
Photocopied holograph full score with conducting markings | |||||||||||||
BOX-FOLDER 4/2 | Concerto for Cello, op. 37, undated | ||||||||||||
Photocopied copyist piano score reduction and short score | |||||||||||||
Note: Holograph piano score reduction with annotations is interleaved | |||||||||||||
BOX-FOLDER 4/3 | Concerto for Cello, op. 37, undated | ||||||||||||
Manuscript title: Deception | |||||||||||||
Photocopied copyist short score | |||||||||||||
BOX-FOLDER 42/4 | Concerto for Cello, op. 37, 1946 | ||||||||||||
Copyist transparency masters of score for cello and piano | |||||||||||||
BOX-FOLDER 28/2 | Concerto for Cello, op. 37, undated | ||||||||||||
Early holograph full score sketches | |||||||||||||
BOX-FOLDER 77/4 | Concerto for Cello, op. 37, 1946 | ||||||||||||
Photocopied holograph full score, page 1 | |||||||||||||
Note: Gifted to Charles Gerhardt, 1966 January 2 | |||||||||||||
BOX-FOLDER 82/1 | Concerto for Piano op. 17, 1926 | ||||||||||||
Printed full score | |||||||||||||
Schott's Sӧhne, Mainz | |||||||||||||
BOX-FOLDER 28/3 | Concerto for Piano, op. 17, 1923 | ||||||||||||
Holograph full score (bound) | |||||||||||||
BOX-FOLDER 28/4 | Concerto for Violin, op. 35, 1945 | ||||||||||||
Holograph full score with annotations (bound) | |||||||||||||
BOX-FOLDER 28/5 | Concerto for Violin, op. 35, 1945 | ||||||||||||
Photocopied holograph full scores (2) (bound) | |||||||||||||
BOX-FOLDER 43/1 | Concerto for Violin, op. 35, undated | ||||||||||||
Photocopied holograph full score (bound) | |||||||||||||
BOX-FOLDER 4/4 | Concerto for Violin, op. 35, 1945 | ||||||||||||
Holograph short score with annotations (bound) | |||||||||||||
BOX-FOLDER 43/2 | Concerto for Violin, op. 35, undated | ||||||||||||
Copyist short score with holograph coda and annotations | |||||||||||||
BOX-FOLDER 43/3 | Concerto for Violin, op. 35, undated | ||||||||||||
Transparency masters of score for violin and piano with cut-outs | |||||||||||||
BOX-FOLDER 72/6 | Concerto for Violin, op. 35, 1945? | ||||||||||||
Photocopied holograph condensed score (incomplete; pages 58-59 wanting) | |||||||||||||
Note: Pages 1 to 3 and 64 are negative photostats | |||||||||||||
BOX-FOLDER 43/3 | Concerto for Violin, op. 35, circa 1945-1947 | ||||||||||||
Copyist transparency masters of score for violin and piano | |||||||||||||
Note: Sent by Angelyn Wright, Jascha Heifetz's secretary | |||||||||||||
BOX-FOLDER 43/4 | Concerto for Violin, op. 35, undated | ||||||||||||
Holograph sketches with references to the score | |||||||||||||
BOX-FOLDER 4/5 | Concerto for Violin, op. 35, 1945 | ||||||||||||
Holograph sketches of score for violin and piano; first two movements | |||||||||||||
BOX-FOLDER 43/5 | Concerto for Violin, op. 35, undated | ||||||||||||
Ozalid violin part with annotations | |||||||||||||
Laid in: Correspondence from Angelyn Wright; duplicate pages 2 and 15 | |||||||||||||
Note: "Old version" written on front | |||||||||||||
BOX-FOLDER 43/6 | Concerto for Violin, op. 35, circa 1945-1947 | ||||||||||||
Ozalid violin part | |||||||||||||
Note: Sent by Angelyn Wright | |||||||||||||
BOX-FOLDER 43/6 | Concerto for Violin, op. 35. Moderato Nobile, circa 1945-1946 | ||||||||||||
Ozalid violin part labeled "true copy" | |||||||||||||
Note: Sent by Angelyn Wright | |||||||||||||
BOX-FOLDER 43/6 | Concerto for Violin, op. 35, circa 1945-1947 | ||||||||||||
Transparency masters of violin part with pasteovers | |||||||||||||
Note: Sent by Angelyn Wright | |||||||||||||
BOX-FOLDER 43/7 | Concerto for Violin, op. 35, circa 1945-1947 | ||||||||||||
Copyist piano part with holograph annotations and additions | |||||||||||||
Note: Sent by Angelyn Wright | |||||||||||||
BOX-FOLDER 37/1 | Concerto for Violin, op. 35. Romance, 1945 | ||||||||||||
Holograph full score | |||||||||||||
BOX-FOLDER 73/1 | The Constant Nymph , op. 33, circa 1941 | ||||||||||||
Copyist conductor score with holograph annotations and corrections (bound) | |||||||||||||
Laid in: Photocopied pages of Reel 3, Part E | |||||||||||||
BOX-FOLDER 4/6 | The Constant Nymph , op. 33, 1943 | ||||||||||||
Holograph short score with annotations | |||||||||||||
Laid in: Holograph short scores of overture and early version of "When Thou Art Dead" | |||||||||||||
BOX-FOLDER 4/7 | The Constant Nymph , op. 33, 1942 | ||||||||||||
Holograph fragments and sketches | |||||||||||||
BOX-FOLDER 43/8 | The Constant Nymph . Chopin Waltz, circa 1941 | ||||||||||||
Blue-line score | |||||||||||||
BOX-FOLDER 4/10 | The Constant Nymph , op. 33. Farewell Scene, circa 1944-1945 | ||||||||||||
Holograph piano score/sketches | |||||||||||||
Note: Includes sketches for final movement of Quartet for Strings, no. 3 | |||||||||||||
BOX-FOLDER 43/9 | The Constant Nymph . Overture, circa 1941 | ||||||||||||
Blue-line scores (3) | |||||||||||||
Note: One score annotated and inscribed by Korngold to ? [illegible] | |||||||||||||
BOX-FOLDER 73/2 | The Constant Nymph . Tomorrow, op. 33, Reel 11, Part A, circa 1941 | ||||||||||||
Copyist conductor score with numerous holograph annotations and corrections. | |||||||||||||
BOX-FOLDER 4/8 | The Constant Nymph . Tomorrow, op. 33, undated | ||||||||||||
Copyist short score with holograph annotations | |||||||||||||
BOX-FOLDER 4/9 | The Constant Nymph . Tomorrow, op. 33, undated | ||||||||||||
Copyist short score with holograph annotations | |||||||||||||
Note: Inscribed to [Arthur] Duane Pritt, 1952? [date illegible] | |||||||||||||
BOX-FOLDER 73/3 | The Constant Nymph . Tomorrow, op. 33, circa 1941 | ||||||||||||
Blue-line and ozalid piano score; instrumental and vocal parts (incomplete set) | |||||||||||||
BOX-FOLDER 43/10 | The Constant Nymph . Tomorrow, op. 33, circa 1941 | ||||||||||||
Holograph sketches for piano and brass parts with orchestration notes | |||||||||||||
BOX-FOLDER 43/11 | The Constant Nymph . When Thou Art Dead, circa 1941 | ||||||||||||
Blue-line photocopied scores (12) | |||||||||||||
BOX-FOLDER 43/12 | The Constant Nymph . When Thou Art Dead, circa 1941 | ||||||||||||
Blue-line score | |||||||||||||
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