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| BOX 1-3, 9 | Music, 1943-1975 | ||||||||||||
| Full scores, parts, and sketches of compositions by Evett. The majority of the materials are ozalid reproductions of holographs, but a few are drafts in pencil or printed music. Compositions include pieces created for chorus, piano, small ensembles, and orchestra. Several works in the collection were written for specific religious services held leading up to Easter. Only one piece is this series is not by Evett: "My papa's waltz" by Steven Gerber is dedicated to Evett's memory after his death. | |||||||||||||
| Music is organized alphabetically by composition title. | |||||||||||||
| BOX-FOLDER 1/1 | Adagio, 1972 | ||||||||||||
| Scores for harpsichord (2) | |||||||||||||
| Note: Originally for orchestra; transcribed for harpsichord | |||||||||||||
| BOX-FOLDER 1/2 | Alma redemptoris mater; Regina caeli; Salve regina; Ave regina caelorum, undated | ||||||||||||
| Score for SATB chorus | |||||||||||||
| BOX-FOLDER 1/3 | Anniversary concerto 75. Prelude, 1963 | ||||||||||||
| Cello part (incomplete) | |||||||||||||
| BOX-FOLDER 1/4 | Asperges me, 1950-1951 | ||||||||||||
| Score for piano | |||||||||||||
| Note: Transparency in reverse | |||||||||||||
| BOX-FOLDER 1/5 | Chaconne, 1950 | ||||||||||||
| Score for piano | |||||||||||||
| BOX-FOLDER 1/6 | Chapter and hymn, undated | ||||||||||||
| Score for tenor and bass voices/SATB chorus and organ | |||||||||||||
| Texts: Proverbs 31: 10-11; Fortem virili pectore | |||||||||||||
| BOX-FOLDER 9/1 | Concertino, 1952 | ||||||||||||
| Full scores (2) | |||||||||||||
| BOX-FOLDER 1/7 | Credo; Sanctus; Benedictus, undated | ||||||||||||
| Score for SATB chorus and organ | |||||||||||||
| BOX-FOLDER 9/2 | The exile, 1973 | ||||||||||||
| Scores for tenor solo, TB chorus, and guitar (2) | |||||||||||||
| Note: Dedicated to Paul Hume and the Georgetown Glee Club | |||||||||||||
| BOX-FOLDER 1/8 | Easter Sunday: Gradual, Alleluia, and Sequence, undated | ||||||||||||
| Score for unison chorus and organ | |||||||||||||
| BOX-FOLDER 9/3 | The five boons of life, 1960 | ||||||||||||
| Text adapted from Mark Twain | |||||||||||||
| Score for soprano, baritone, bass (narrator), and keyboard instrument | |||||||||||||
| BOX-FOLDER 1/9 | Hymn: Fortem virili pectore, undated | ||||||||||||
| Score for SATB chorus, trumpet, tubular bells, and strings | |||||||||||||
| BOX-FOLDER 1/10 | Hymn: Jesu redemptor omnium, undated | ||||||||||||
| Scores for tenor, bass chorus, and rehearsal accompaniment (3) | |||||||||||||
| BOX-FOLDER 1/11 | Hymn: Lucis creator optime, 1971 | ||||||||||||
| Score for TTBB chorus; sketch | |||||||||||||
| BOX-FOLDER 1/12 | If music be the food of love, 1948 | ||||||||||||
| By Henry Purcell; figured bass realized by Evett | |||||||||||||
| Score for voice and keyboard instrument | |||||||||||||
| BOX-FOLDER 1/13 | Mary Dyer, 1968 | ||||||||||||
| Score for violin, cello, and piano; parts | |||||||||||||
| BOX-FOLDER 1/14 | The mask of Cain, 1953 | ||||||||||||
| Printed score for SATB chorus | |||||||||||||
| BOX-FOLDER 9/4 | Mass, 1950 | ||||||||||||
| Score for unison chorus, descant, and organ | |||||||||||||
| BOX-FOLDER 1/15 | Minuet for Mary, 1957 | ||||||||||||
| Scores for piano (3) | |||||||||||||
| BOX-FOLDER 9/5 | Miscellaneous cello parts, undated | ||||||||||||
| BOX-FOLDER 1/16 | Miscellaneous songs, undated | ||||||||||||
| Sketches | |||||||||||||
| BOX-FOLDER 1/17 | My papa's waltz and other songs, 1974-1975 | ||||||||||||
| By Steven Gerber | |||||||||||||
| Piano-vocal score | |||||||||||||
| Note: Dedicated to Evett | |||||||||||||
| BOX-FOLDER 1/18 | Nunc dimmittis, 1966 | ||||||||||||
| Score for SATB chorus | |||||||||||||
| BOX-FOLDER 1/19 | Prelude and fugue, 1943 | ||||||||||||
| Violin parts | |||||||||||||
| BOX-FOLDER 1/20 | Prelude, interlude, and fugue, 1947 | ||||||||||||
| Violin, viola, and cello parts | |||||||||||||
| BOX-FOLDER 9/6 | Psalm 133, undated | ||||||||||||
| Scores for SATB chorus and continuo (2) | |||||||||||||
| BOX-FOLDER 9/7 | Psalm 150; Chapter and hymn, undated | ||||||||||||
| Scores for TTBB chorus and keyboard instrument (3) | |||||||||||||
| BOX-FOLDER 1/21 | The return, 1950 | ||||||||||||
| Text by Pauline Hansen | |||||||||||||
| Piano-vocal scores | |||||||||||||
| Note: Two versions | |||||||||||||
| BOX-FOLDER 1/22 | Rondo, 1951 | ||||||||||||
| Score for recorder/treble instrument and keyboard instrument | |||||||||||||
| Note: For Russell Woolen | |||||||||||||
| BOX-FOLDER 9/8 | Rondo, undated | ||||||||||||
| Scores for violin, viola, and cello (2) | |||||||||||||
| BOX-FOLDER 1/23 | Second piano sonata, 1957 | ||||||||||||
| Printed score | |||||||||||||
| BOX-FOLDER 2/1 | Second Sunday in Lent: Gradual and tract, undated | ||||||||||||
| Text: Psalm 24:17-18 | |||||||||||||
| Score for unison tenor/bass voices and organ | |||||||||||||
| Note: Tract not present | |||||||||||||
| BOX-FOLDER 2/2 | Second Sunday in Lent: Gradual and tract, undated | ||||||||||||
| Texts: Psalm 24:17-18; Psalm 105:1-4 | |||||||||||||
| Score for unison tenor/bass voices and organ | |||||||||||||
| BOX-FOLDER 2/3 | Seeker, undated | ||||||||||||
| Text by Marcella Miller Du Pont | |||||||||||||
| Scores for SATB chorus (2) | |||||||||||||
| BOX-FOLDER 9/9 | Sonata for piano, 1945 | ||||||||||||
| Scores (3) | |||||||||||||
| BOX-FOLDER 2/4 | Sonata no. 3 for piano, 1954 | ||||||||||||
| Scores (2) | |||||||||||||
| BOX-FOLDER 2/5 | Sonata no. 4 for piano, 1955 | ||||||||||||
| Scores (2) | |||||||||||||
| BOX-FOLDER 2/6 | Sonata no. 5 for piano, 1967 | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 9/10 | Sonata no. 6 for piano, 1970 | ||||||||||||
| Scores (2) | |||||||||||||
| Note: In memory of Harry McClure | |||||||||||||
| BOX-FOLDER 9/11 | Sonata for cello and cembalo, 1955 | ||||||||||||
| Scores (2); cello part | |||||||||||||
| BOX-FOLDER 2/7 | Surely it is not I, Lord, 1971 | ||||||||||||
| Text: Matthew 26:22 | |||||||||||||
| Score for unspecified voice(s) | |||||||||||||
| BOX-FOLDER 2/8 | Terce: for the third Sunday after Pentecost, 1972 | ||||||||||||
| Scores for cantor and SATB chorus (2) | |||||||||||||
| Note: In honor of Miss Elmira Bier | |||||||||||||
| BOX-FOLDER 2/9 | Time being, undated | ||||||||||||
| Text by W. H. Auden | |||||||||||||
| Scores for SATB chorus (2) | |||||||||||||
| BOX-FOLDER 2/10 | Toccata and 2 fugues for 2 pianos, 1951 | ||||||||||||
| Score | |||||||||||||
| BOX-FOLDER 2/11 | Trio, circa 1946 | ||||||||||||
| Score for unspecified instruments | |||||||||||||
| BOX-FOLDER 2/12 | Trio, 1949 | ||||||||||||
| Scores for violin, viola, and cello (2) | |||||||||||||
| BOX-FOLDER 2/13 | Two cadenzas for Mozart's piano concerto in E-flat, K482, 1971 | ||||||||||||
| Score | |||||||||||||
| Note: For Evelyn Swarthout Hayes | |||||||||||||
| BOX-FOLDER 9/12 | Variations for clarinet and orchestra, 1954 | ||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 3/1 | Variations for clarinet and orchestra, 1954 | ||||||||||||
| Violin parts | |||||||||||||
| BOX-FOLDER 3/2 | Variations for clarinet and orchestra, 1954 | ||||||||||||
| Viola, cello, and double bass parts | |||||||||||||
| BOX-FOLDER 3/3 | What an attractive thing is judgment, 1971 | ||||||||||||
| Text: Ecclesiastes 25:4-6 | |||||||||||||
| Scores for chorus (2) (one is incomplete) | |||||||||||||
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