Container | Contents | ||||||||||||
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Charles Louis Seeger, 1900-1983 (bulk 1925-1979) (continued) | |||||||||||||
Writings, 1913-1983 (continued) | |||||||||||||
BOX-FOLDER 63/14 |
"Continuity, variations, and
selection in traditional music," undated
see also "Primitivism in musical composition in the new world" |
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Drafts | |||||||||||||
BOX-FOLDER 63/15 | "Contrapuntal style in the three-voice shape-note hymn," American Choral Review, vol. 18, #4, 1976 October | ||||||||||||
BOX-FOLDER 250/5 | "Critical method" - Schema of illustration, 1953 | ||||||||||||
Black and white glass negative | |||||||||||||
BOX-FOLDER 63/16 | "Cultivation of various European traditions in the Americas," I. M. S. Congress Report, vol. 1, 1961 | ||||||||||||
BOX-FOLDER 250/7 | "Descriptive Sound-writing in Ethnomusicology," delivered at the Fifth International Congress of Anthropological and Ethnological Sciences, 1956 | ||||||||||||
Black and white glass slides | |||||||||||||
BOX-FOLDER 63/17 | "Dissonance and the devil: an interesting passage in a Bach cantata," The Baton, undated | ||||||||||||
BOX-FOLDER 63/18 | "Ethnomusicological materials in American schools," Music Education Journal, 1972 October | ||||||||||||
Black and white glass slides | |||||||||||||
BOX-FOLDER 63/19 | "Factorial analysis of the song as an approach to the formulation of a unitary field theory," Journal of the International Folk Music Council, vol. 20, 1968 | ||||||||||||
BOX-FOLDER 63/20 | "Federal arts projects: the lesson of June 1939," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 63/21 | "Folk music," [1968] | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 63/22 | "Folk music as a form of social history," 1939 | ||||||||||||
Typescript | |||||||||||||
Note: Published in Ware, Carolyn. The Cultural Approach to History | |||||||||||||
BOX-FOLDER 63/23 | "Folk music in the schools of highly industrialized society," Journal of the International Folk Music Council, vol. 5, 1953 | ||||||||||||
BOX-FOLDER 63/24 | "The folkness of the non-folk vs. the non-folkness of the folk," undated | ||||||||||||
BOX-FOLDER 63/25 | "Grass roots for American composers," Modern Music, vol. 16, no. 3, undated | ||||||||||||
BOX-FOLDER 64/1 | Harmonic Sstructure and Elementary Composition, 1916 | ||||||||||||
Note: Written with Edward Griffith Stricklen | |||||||||||||
BOX-FOLDER 64/2 | "Henry Cowell," Magazine of Art, 1940 May | ||||||||||||
BOX-FOLDER 64/3 | "Idiom and repertoire," 1940 | ||||||||||||
Manuscript | |||||||||||||
BOX-FOLDER 64/4 | "The importance of cultural understanding of folk and popular music," American Anthropologist, vol. 38, no. 1, 1936 January-March | ||||||||||||
BOX-FOLDER 64/5 | "In memoriam: Carl Ruggles," Perspectives of New Music, vol. 10, no. 2, 1972 | ||||||||||||
BOX-FOLDER 64/6 | "An instantaneous music notator," Journal of the International Folk Council, vol. 3, 1951 | ||||||||||||
BOX-FOLDER 64/7 | "Inter-American relations in the field of music," Proceedings of the Music Teachers National Association, 1941 | ||||||||||||
Note: Also includes reprint of the article as published in Music Educators Journal | |||||||||||||
BOX-FOLDER 64/8 | "Lines on the grace note," The Baton, undated | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 64/9 | Mid-century White House conference on children and youth, 1950 | ||||||||||||
BOX-FOLDER 64/10 |
"Motifs as moods of a
music-logic," Journal of the American
Musicological Society, vol. 13, nos. 1-3, 1960
see also "On the moods of a music-logic" |
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BOX-FOLDER 19/5 | "Music," section in Handbook of Latin American Studies, 1943 | ||||||||||||
Page proof | |||||||||||||
BOX-FOLDER 64/11 | "Music and class structure in the United States,"American Quarterly, vol. 9, no. 3, 1957 | ||||||||||||
Note: Includes typescript and Ewan MacColl's copy | |||||||||||||
BOX-FOLDER 64/12 | "Music and culture," Proceedings of the Music Teachers National Association, 1940 | ||||||||||||
BOX-FOLDER 64/13 | "Music and feeling," undated | ||||||||||||
Manuscript and note cards | |||||||||||||
BOX-FOLDER 64/14 | "Music and government-field for an applied musicology," International Congress on Musicology, 1939 | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 64/15 | "Music and musicology in the new world," Proceedings of the Music Teachers National Association, 1946 | ||||||||||||
BOX-FOLDER 64/16 | "Music and society: some new world evidence of their relationship," 1952 | ||||||||||||
Lecture | |||||||||||||
BOX-FOLDER 64/17 | "Music as a tradition of communication discipline and play," Ethnomusicology, vol. 6, no. 3, 1962 September | ||||||||||||
BOX-FOLDER 64/18 | "Music education and musicology," Music Educators Journal, vol. 31, no. 6, 1945 | ||||||||||||
Note: Includes typescript and photocopy | |||||||||||||
BOX-FOLDER 19/5 | "Music education in war and peace," 1942 | ||||||||||||
Page proof | |||||||||||||
Note: Paper read at Sixth general session of the National Institute on Music Education in Wartime | |||||||||||||
BOX-FOLDER 64/19 | "Music education in the Americas," Music Educators Journal, vol. 31, 1945 | ||||||||||||
BOX-FOLDER 64/20 | "Music in America," Magazine of Art, 1938 July | ||||||||||||
BOX-FOLDER 64/21 | "Music in inter-American relations," Music Publishers Journal, 1943 January | ||||||||||||
BOX-FOLDER 64/22 | "Music in the American university," Educational Review, vol. 66, no. 2, 1923 September | ||||||||||||
BOX-FOLDER 64/23 | "Music in Mexico," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/24 | "The music process as a function in a context of functions," undated | ||||||||||||
BOX-FOLDER 64/25 | "The musician: man serves art, the educator: art serves man," UNESCO Courier, 1953 February | ||||||||||||
BOX-FOLDER 64/26 | "Musicology," The World of the Mind, 1958 | ||||||||||||
BOX-FOLDER 64/27 | "Musicology and the music industry," National Music Council Bulletin, 1945 May | ||||||||||||
“Musicos y educadores” see Santa Cruz, Domingo. "Musicos de America, Charles Seeger y su obra Americanista," Revista musical chilena |
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BOX-FOLDER 64/28 | "New works at the Coolidge Festival," Modern Music, 17, 4, 1940 May-June | ||||||||||||
BOX-FOLDER 64/29 | "Notes on music in the Americas," 1944 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/30 | "Notes on music in the Americas," Bulletin of the Pan American Union, 1945 May-June | ||||||||||||
BOX-FOLDER 64/31 | "On dissonant counterpoint," Modern Music, 1930 June | ||||||||||||
BOX-FOLDER 64/32 | "On the formation apparatus of the musical composition process," Ethnomusicology, vol. 13, no. 2, 1969 May | ||||||||||||
BOX-FOLDER 64/33 |
"On the moods of a
music-logic," Journal of the American
Musicological Society, vol. 13, nos. 1-3, 1960
see also "Motifs as moods of a music-logic" |
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BOX-FOLDER 64/34 | "On the principle of musicology," Musical Quarterly, 1954 April | ||||||||||||
BOX-FOLDER 64/35 | "On style and manner in modern composition," Musical Quarterly, 1925 October | ||||||||||||
BOX-FOLDER 64/36 | "Opportunities in the field of music," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/37 | "The oral tradition as the basis of group-work in music in rural America," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/38 | "Oral tradition in music," Standard Dictionary of Mythology, Folklore, and Legend, 1950 | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 64/39 | "Otto Kinkeldey," Acta Musicologica, undated | ||||||||||||
BOX-FOLDER 65/1 | Outline of a Course in Harmonic Structure and Simple Music Invention, 1913 | ||||||||||||
Note: Written with Edward Griffith Stricklen | |||||||||||||
BOX-FOLDER 65/2 | "Popular music," undated | ||||||||||||
Typescript | |||||||||||||
Note: Written for Colliers Encyclopedia | |||||||||||||
BOX-FOLDER 65/3 | "Preface to all linguistic treatment of music," Music Vanguard, vol. 1, no. 1, 1935 March-April | ||||||||||||
BOX-FOLDER 65/4 | "Preface to a critique of music," Inter-American Music Bulletin, no. 49, 1965 September | ||||||||||||
Note: Includes mimeograph copy and proof copy with edits and paste-overs | |||||||||||||
BOX-FOLDER 65/5 | "Preface to the description of a music," report of the Fifth International Society for Musical Research, 1952 | ||||||||||||
2 copies; one with Seeger holograph correction sheet | |||||||||||||
BOX-FOLDER 65/6 | "Prescriptive and descriptive music writing," Musical Quarterly, vol. 45, no. 2, 1958 April | ||||||||||||
BOX-FOLDER 65/7 |
"Primitivism in musical
composition in the new world, 1965
see also "Continuity, variations, and selection in traditional music," drafts |
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Typescript | |||||||||||||
BOX-FOLDER 65/8-15 | "Principia," undated | ||||||||||||
Edited typescripts and photocopies | |||||||||||||
Note: Incomplete manuscript; lacks chapters 3, 5, and 7 | |||||||||||||
Note: Published posthumously as Studies in musicology II | |||||||||||||
BOX-FOLDER 22/3 | "Principia," bibliography, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 65/16 | "Principles of group guidance of music activities," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 65/17 | "Professionalism and amateurism in the study of folk music," Journal of American Folklore, 1949 April-June | ||||||||||||
BOX-FOLDER 65/18 | "Prolegomena to musicology," 1925 | ||||||||||||
BOX-FOLDER 65/19 | "A proposal to found an international society for music education," UNESCO, 1953 June 26 | ||||||||||||
BOX-FOLDER 65/20 | "La realidad sobre la educacion musical y el professorado de la musica culta,” undated | ||||||||||||
BOX-FOLDER 65/21 | "Reflections upon a given topic: music in a universal perspective," Ethnomusicology, vol. 15, no. 3, 1971 September | ||||||||||||
BOX-FOLDER 65/22 | "Review of inter-American relations in the field of music, 1940-1943," undated | ||||||||||||
BOX-FOLDER 65/23 | "Review of a review," in "The revolt of the angels," Eolian Review, undated | ||||||||||||
Note: Seeger's response to Dane Rudhyar's "Carl Ruggles and the future of dissonant counterpoint" in the same issue (included) | |||||||||||||
BOX-FOLDER 248/3 | Review of Nettl, Bruno. Music in Primitive Culture, Journal of American Folklore, vol. 71, no. 279, 1958 January-March | ||||||||||||
BOX-FOLDER 65/24 | "Semantic, logical, and political considerations bearing upon research in ethnomusicology," Ethnomusicology, vol. 5, no. 2, 1961 May | ||||||||||||
BOX-FOLDER 65/25 | "Seminar for a movie," undated | ||||||||||||
Manuscript and typescript | |||||||||||||
BOX-FOLDER 65/26 | "Singing style," Western Folklore, vol. 17, no. 1, 1958 January | ||||||||||||
BOX-FOLDER 65/27 | "Smithsonian paper, January 1979," undated | ||||||||||||
Edited typescript and holograph notes | |||||||||||||
BOX-FOLDER 4/5 | "Song as a compositional process of auditory communications," 1979 January | ||||||||||||
Manuscript music | |||||||||||||
BOX-FOLDER 65/28 | "Song and the compositional process, 1977-1983," 1983 | ||||||||||||
Holograph and typescript drafts | |||||||||||||
Studies in Musicology, 1935-1975 | |||||||||||||
BOX-FOLDER 66/1 | Proof, undated | ||||||||||||
Photocopy | |||||||||||||
Note: Annotated | |||||||||||||
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