Container | Contents | ||||||||||||
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Charles Louis Seeger, 1900-1983 (bulk 1925-1979) (continued) | |||||||||||||
Correspondence, 1922-1979 (continued) | |||||||||||||
Seeger, Elizabeth, 1974-1978, 1984, and undated (continued) | |||||||||||||
Note: Includes Seeger's "An open letter to Anne Morrow Lindburgh" | |||||||||||||
BOX-FOLDER 56/2 | Selective Service Administration, 1951-1953 | ||||||||||||
Note: Re: Mike Seeger's conscientious objector status | |||||||||||||
BOX-FOLDER 56/3 | Sibley, Elizabeth, 1961-1978 | ||||||||||||
BOX-FOLDER 56/4 | Siegmeister, Elie, 1935, 1977-1978, and undated | ||||||||||||
BOX-FOLDER 56/5 | Smithsonian Institution Popular Culture Seminar, 1969-1970 | ||||||||||||
Includes:
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BOX-FOLDER 56/6 | Societé internationale d'ethnologe et de folklore, 1970-1971 | ||||||||||||
Society for Ethnomusicology | |||||||||||||
BOX-FOLDER 56/7 | 1973-1977 | ||||||||||||
BOX-FOLDER 56/8 | New directions fracas, 1970-1971 | ||||||||||||
BOX-FOLDER 56/9 | New England Chapter, 1972, 1975, and undated | ||||||||||||
BOX-FOLDER 56/10 | Philadelphia Conference, 1976 | ||||||||||||
BOX-FOLDER 56/11 | Sonneck Society, 1975-1976 | ||||||||||||
Note: Includes several Sonneck Society Newsletters | |||||||||||||
BOX-FOLDER 56/12 | Sonneck, Oscar, 1922-1923 | ||||||||||||
Note: Includes proof of Seeger's "The principles of musicology" | |||||||||||||
BOX-FOLDER 56/13 | Sound equipment, 1968-1971 and undated | ||||||||||||
BOX-FOLDER 56/14 | Stalder, Sara, 1964-1975 and undated | ||||||||||||
BOX-FOLDER 56/15 | Stevenson, Robert, 1953-1979 | ||||||||||||
BOX-FOLDER 56/16 | Stout, Alan, 1970-1974 | ||||||||||||
Note: Includes Seeger's discussion of Ruth Crawford Seeger's compositions and his own 1919 music for masques | |||||||||||||
BOX-FOLDER 56/17 | "T" miscellaneous, 1939-1972 and undated | ||||||||||||
BOX-FOLDER 56/18 | Talma, Louise, 1978 | ||||||||||||
BOX-FOLDER 56/19 | Thomson, Virgil, 1944 | ||||||||||||
BOX-FOLDER 56/20 | "U" miscellaneous, 1954, 1966, 1968 | ||||||||||||
BOX-FOLDER 56/21 | UNESCO, 1975-1976 | ||||||||||||
BOX-FOLDER 57/1 | University of California Los Angeles, 1971-1975 and undated | ||||||||||||
Note: Includes Moore, Mike. "[Melograph model C]" draft | |||||||||||||
BOX-FOLDER 57/2 | University of California Los Angeles - Proposal to start a department of ethnomusicology, 1970 | ||||||||||||
BOX-FOLDER 57/3 | University of California Press, 1966-1978 | ||||||||||||
BOX-FOLDER 57/4 | University of Hawaii at Manoa, 1968-1977 | ||||||||||||
BOX-FOLDER 57/5 | "V" miscellaneous, 1948-1976 | ||||||||||||
BOX-FOLDER 57/6 | Valiant, Margaret, 1973-1977 | ||||||||||||
BOX-FOLDER 57/7 | "W" miscellaneous, 1954-1977 and undated | ||||||||||||
BOX-FOLDER 57/8-9 | Wachsmann, Klaus and Eve, 1968-1979 and undated | ||||||||||||
BOX-FOLDER 57/10 to 58/3 | Wade, Bonnie and Ann Pescatello, 1969-1979 | ||||||||||||
BOX-FOLDER 58/4 | Wenner-Gren Conference, 1965 | ||||||||||||
BOX-FOLDER 58/5 | Werner, Eric, 1951-1978 | ||||||||||||
BOX-FOLDER 58/6 | Wesleyan University, 1972-1978 | ||||||||||||
BOX-FOLDER 58/7 | Whittier, Marks, 1935 November 18 | ||||||||||||
Note: Written to Carl Sands | |||||||||||||
BOX-FOLDER 58/8 | Wheelock, John Hall, 1953-1970 | ||||||||||||
BOX-FOLDER 58/9 | Wolcott, Ronald, 1971-1972 | ||||||||||||
BOX-FOLDER 58/10 | Works Progress Administration - Joint Committee on Folk Arts, 1938-1939 | ||||||||||||
BOX-FOLDER 58/11-12 | Works Progress Administration - Southern recording expedition, 1939 | ||||||||||||
BOX-FOLDER 58/13 | "Y-Z" miscellaneous, 1967-1975 | ||||||||||||
Note: Correspondents include Izaly Zemtsovsky | |||||||||||||
BOX-FOLDER 58/14 | Yale University, 1973-1977 | ||||||||||||
BOX-FOLDER 58/15 | Yates, Peter, 1967 | ||||||||||||
BOX-FOLDER 58/16 | Yung, Bell, 1972-1979 | ||||||||||||
BOX-FOLDER 58/17 | Ziffrin, Marilyn, 1974-1975 | ||||||||||||
Includes: Ruggles, Carl. "Exaltation/Hymn for Charlotte/March 1958" manuscript copied by Marilyn Ziffrin | |||||||||||||
BOX 59-60 | Teaching, 1916-1971 | ||||||||||||
Class assignments, notes, and syllabi. | |||||||||||||
Arranged alphabetically by course title. | |||||||||||||
BOX-FOLDER 59/1 | Engineering 96A #6, undated | ||||||||||||
BOX-FOLDER 59/2 | English 528 - The ballad, undated | ||||||||||||
BOX-FOLDER 59/3-4 | General musicianship, 1923-1930 and undated | ||||||||||||
BOX-FOLDER 59/5 | History of music, 53A University of California, syllabus, undated | ||||||||||||
BOX-FOLDER 59/6-7 | Mythology, epic, and Romantic poetry, Institute of Musical Arts, 1920s | ||||||||||||
BOX-FOLDER 59/8 | The organization of musical knowledge, Harvard, 1916 | ||||||||||||
BOX-FOLDER 59/9-12 to 60/1-3 | Seminar in Ethnomusicology, UCLA, 280 B, 1963-1971 and undated | ||||||||||||
BOX-FOLDER 60/4 | Seminar outline, undated | ||||||||||||
BOX 4, 19, 22, 61-77, 250 | Writings, 1913-1983 | ||||||||||||
Reprints, drafts (typescript and holograph), and working files | |||||||||||||
Arranged into three sub-subseries: Writings by Charles L. Seeger, Writings about Charles L. Seeger, and Writings by Others | |||||||||||||
BOX 4, 19, 22, 61-70, 250 | Writings by Charles L. Seeger, 1913, 1923-1925, 1930-1983 | ||||||||||||
Reprints, drafts (typescript and holograph), and working files. | |||||||||||||
Arranged into two file units: Works (arranged alphabetically by title) and Working Papers and Notes (arranged alphabetically by folder title). Seeger's reviews penned under his pseudonym, Carl Sands, are located here. | |||||||||||||
Works | |||||||||||||
BOX-FOLDER 61/1 | "14 Traditional Spanish songs from Texas," 1942 | ||||||||||||
Note: Introduction by Seeger, transcribed by Gustavo Duran | |||||||||||||
BOX-FOLDER 61/2 | "American music for American children," Music Education Journal, 1942 November-December | ||||||||||||
BOX-FOLDER 61/3 | "American songs for American children," MENC program, 1942 | ||||||||||||
BOX-FOLDER 61/4 | "Annex to proposal for the utilization during a national emergency of materials relating to nationality groups in the United States," undated | ||||||||||||
Note: Written with Benjamin A. Botkin | |||||||||||||
BOX-FOLDER 61/5 | "The Appalachian dulcimer," Journal of American Folklore, undated | ||||||||||||
BOX-FOLDER 250/4 | Appalachian dulcimer study binder - Reading for dulcimer paper, 1953 | ||||||||||||
BOX-FOLDER 266/1 | Appalachian dulcimer study binder - Hartwell dulcimer frets, undated | ||||||||||||
Note: To promote preservation of the fragile newsprint original researchers are required to consult the preservation photocopy | |||||||||||||
BOX-FOLDER 250/5 | Appalachian dulcimer study images - undated | ||||||||||||
Black and white negatives and glass lantern slides | |||||||||||||
BOX-FOLDER 61/6 | Art legislation in a democracy, 1938 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 61/7 | "Arts in international relations," Journal of the American Musicological Society, 1949 | ||||||||||||
BOX-FOLDER 61/8 | Barbara Allen: "Versions and variants of 'Barbara Allen'," Archive of Folk Song AAFS L54, undated | ||||||||||||
BOX-FOLDER 61/9 | Barbara Allen: Preface draft, 1962 | ||||||||||||
"Barbara Allen" working papers | |||||||||||||
BOX-FOLDER 61/10 | Accruing notes, 1964 September | ||||||||||||
BOX-FOLDER 22/1 | Bibliography/Commercial recordings, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 61/11 | Correspondence with Ed Cray and Wayland Hand, 1957-1964 | ||||||||||||
BOX-FOLDER 61/12 | Correspondence with the Library of Congress, 1949-1966 and undated | ||||||||||||
BOX-FOLDER 61/13 | Illustrations, undated | ||||||||||||
Includes: slides | |||||||||||||
BOX-FOLDER 61/14-15, 4/6 | Leftovers from Barbara Allen study, 1944-1962 and undated | ||||||||||||
Note: Box 4 folder 6: Peggy Seeger holograph notes and music comparing Chambers and Johnson versions | |||||||||||||
BOX-FOLDER 61/16-17 | Melographs, 1961-1963 and undated | ||||||||||||
BOX-FOLDER 61/18 | Permission to reprint, 1961 | ||||||||||||
BOX-FOLDER 62/1 | Transcription cards, undated | ||||||||||||
BOX-FOLDER 63/1 | Transcription notebooks, 1-6, undated | ||||||||||||
BOX-FOLDER 63/2 | Transcriptions, undated | ||||||||||||
BOX-FOLDER 63/3 | Transcriptions - 16 inch discs, undated | ||||||||||||
BOX-FOLDER 63/4 | Transcriptions of words, undated | ||||||||||||
BOX-FOLDER 63/5 | Words on record strips, undated | ||||||||||||
BOX-FOLDER 63/6 | Bibliography of works, 1913-1960, undated | ||||||||||||
BOX-FOLDER 63/7-8 | Book reviews A-S, 1941-1960 | ||||||||||||
BOX-FOLDER 63/9 | Brief statement on music education in the United States, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 63/10 | The bullfrog song, undated | ||||||||||||
Manuscript and typescript | |||||||||||||
BOX-FOLDER 63/11 | "Carl Ruggles," Musical Quarterly, 1952 | ||||||||||||
BOX-FOLDER 63/12 | "Charles Ives and Carl Ruggles," Magazine of Art, 1939 July | ||||||||||||
BOX-FOLDER 63/13 | "Confidential report on folk music festivals," 1936 August 1 | ||||||||||||
BOX-FOLDER 63/14 |
"Continuity, variations, and
selection in traditional music," undated
see also "Primitivism in musical composition in the new world" |
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Drafts | |||||||||||||
BOX-FOLDER 63/15 | "Contrapuntal style in the three-voice shape-note hymn," American Choral Review, vol. 18, #4, 1976 October | ||||||||||||
BOX-FOLDER 250/5 | "Critical method" - Schema of illustration, 1953 | ||||||||||||
Black and white glass negative | |||||||||||||
BOX-FOLDER 63/16 | "Cultivation of various European traditions in the Americas," I. M. S. Congress Report, vol. 1, 1961 | ||||||||||||
BOX-FOLDER 250/7 | "Descriptive Sound-writing in Ethnomusicology," delivered at the Fifth International Congress of Anthropological and Ethnological Sciences, 1956 | ||||||||||||
Black and white glass slides | |||||||||||||
BOX-FOLDER 63/17 | "Dissonance and the devil: an interesting passage in a Bach cantata," The Baton, undated | ||||||||||||
BOX-FOLDER 63/18 | "Ethnomusicological materials in American schools," Music Education Journal, 1972 October | ||||||||||||
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