Container | Contents | ||||||||||||
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Charles Louis Seeger, 1900-1983 (bulk 1925-1979) (continued) | |||||||||||||
BOX 4, 19, 22, 61-77, 250 | Writings, 1913-1983 | ||||||||||||
Reprints, drafts (typescript and holograph), and working files | |||||||||||||
Arranged into three sub-subseries: Writings by Charles L. Seeger, Writings about Charles L. Seeger, and Writings by Others | |||||||||||||
BOX 4, 19, 22, 61-70, 250 | Writings by Charles L. Seeger, 1913, 1923-1925, 1930-1983 | ||||||||||||
Reprints, drafts (typescript and holograph), and working files. | |||||||||||||
Arranged into two file units: Works (arranged alphabetically by title) and Working Papers and Notes (arranged alphabetically by folder title). Seeger's reviews penned under his pseudonym, Carl Sands, are located here. | |||||||||||||
Works | |||||||||||||
BOX-FOLDER 61/1 | "14 Traditional Spanish songs from Texas," 1942 | ||||||||||||
Note: Introduction by Seeger, transcribed by Gustavo Duran | |||||||||||||
BOX-FOLDER 61/2 | "American music for American children," Music Education Journal, 1942 November-December | ||||||||||||
BOX-FOLDER 61/3 | "American songs for American children," MENC program, 1942 | ||||||||||||
BOX-FOLDER 61/4 | "Annex to proposal for the utilization during a national emergency of materials relating to nationality groups in the United States," undated | ||||||||||||
Note: Written with Benjamin A. Botkin | |||||||||||||
BOX-FOLDER 61/5 | "The Appalachian dulcimer," Journal of American Folklore, undated | ||||||||||||
BOX-FOLDER 250/4 | Appalachian dulcimer study binder - Reading for dulcimer paper, 1953 | ||||||||||||
BOX-FOLDER 266/1 | Appalachian dulcimer study binder - Hartwell dulcimer frets, undated | ||||||||||||
Note: To promote preservation of the fragile newsprint original researchers are required to consult the preservation photocopy | |||||||||||||
BOX-FOLDER 250/5 | Appalachian dulcimer study images - undated | ||||||||||||
Black and white negatives and glass lantern slides | |||||||||||||
BOX-FOLDER 61/6 | Art legislation in a democracy, 1938 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 61/7 | "Arts in international relations," Journal of the American Musicological Society, 1949 | ||||||||||||
BOX-FOLDER 61/8 | Barbara Allen: "Versions and variants of 'Barbara Allen'," Archive of Folk Song AAFS L54, undated | ||||||||||||
BOX-FOLDER 61/9 | Barbara Allen: Preface draft, 1962 | ||||||||||||
"Barbara Allen" working papers | |||||||||||||
BOX-FOLDER 61/10 | Accruing notes, 1964 September | ||||||||||||
BOX-FOLDER 22/1 | Bibliography/Commercial recordings, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 61/11 | Correspondence with Ed Cray and Wayland Hand, 1957-1964 | ||||||||||||
BOX-FOLDER 61/12 | Correspondence with the Library of Congress, 1949-1966 and undated | ||||||||||||
BOX-FOLDER 61/13 | Illustrations, undated | ||||||||||||
Includes: slides | |||||||||||||
BOX-FOLDER 61/14-15, 4/6 | Leftovers from Barbara Allen study, 1944-1962 and undated | ||||||||||||
Note: Box 4 folder 6: Peggy Seeger holograph notes and music comparing Chambers and Johnson versions | |||||||||||||
BOX-FOLDER 61/16-17 | Melographs, 1961-1963 and undated | ||||||||||||
BOX-FOLDER 61/18 | Permission to reprint, 1961 | ||||||||||||
BOX-FOLDER 62/1 | Transcription cards, undated | ||||||||||||
BOX-FOLDER 63/1 | Transcription notebooks, 1-6, undated | ||||||||||||
BOX-FOLDER 63/2 | Transcriptions, undated | ||||||||||||
BOX-FOLDER 63/3 | Transcriptions - 16 inch discs, undated | ||||||||||||
BOX-FOLDER 63/4 | Transcriptions of words, undated | ||||||||||||
BOX-FOLDER 63/5 | Words on record strips, undated | ||||||||||||
BOX-FOLDER 63/6 | Bibliography of works, 1913-1960, undated | ||||||||||||
BOX-FOLDER 63/7-8 | Book reviews A-S, 1941-1960 | ||||||||||||
BOX-FOLDER 63/9 | Brief statement on music education in the United States, undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 63/10 | The bullfrog song, undated | ||||||||||||
Manuscript and typescript | |||||||||||||
BOX-FOLDER 63/11 | "Carl Ruggles," Musical Quarterly, 1952 | ||||||||||||
BOX-FOLDER 63/12 | "Charles Ives and Carl Ruggles," Magazine of Art, 1939 July | ||||||||||||
BOX-FOLDER 63/13 | "Confidential report on folk music festivals," 1936 August 1 | ||||||||||||
BOX-FOLDER 63/14 |
"Continuity, variations, and
selection in traditional music," undated
see also "Primitivism in musical composition in the new world" |
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Drafts | |||||||||||||
BOX-FOLDER 63/15 | "Contrapuntal style in the three-voice shape-note hymn," American Choral Review, vol. 18, #4, 1976 October | ||||||||||||
BOX-FOLDER 250/5 | "Critical method" - Schema of illustration, 1953 | ||||||||||||
Black and white glass negative | |||||||||||||
BOX-FOLDER 63/16 | "Cultivation of various European traditions in the Americas," I. M. S. Congress Report, vol. 1, 1961 | ||||||||||||
BOX-FOLDER 250/7 | "Descriptive Sound-writing in Ethnomusicology," delivered at the Fifth International Congress of Anthropological and Ethnological Sciences, 1956 | ||||||||||||
Black and white glass slides | |||||||||||||
BOX-FOLDER 63/17 | "Dissonance and the devil: an interesting passage in a Bach cantata," The Baton, undated | ||||||||||||
BOX-FOLDER 63/18 | "Ethnomusicological materials in American schools," Music Education Journal, 1972 October | ||||||||||||
Black and white glass slides | |||||||||||||
BOX-FOLDER 63/19 | "Factorial analysis of the song as an approach to the formulation of a unitary field theory," Journal of the International Folk Music Council, vol. 20, 1968 | ||||||||||||
BOX-FOLDER 63/20 | "Federal arts projects: the lesson of June 1939," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 63/21 | "Folk music," [1968] | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 63/22 | "Folk music as a form of social history," 1939 | ||||||||||||
Typescript | |||||||||||||
Note: Published in Ware, Carolyn. The Cultural Approach to History | |||||||||||||
BOX-FOLDER 63/23 | "Folk music in the schools of highly industrialized society," Journal of the International Folk Music Council, vol. 5, 1953 | ||||||||||||
BOX-FOLDER 63/24 | "The folkness of the non-folk vs. the non-folkness of the folk," undated | ||||||||||||
BOX-FOLDER 63/25 | "Grass roots for American composers," Modern Music, vol. 16, no. 3, undated | ||||||||||||
BOX-FOLDER 64/1 | Harmonic Sstructure and Elementary Composition, 1916 | ||||||||||||
Note: Written with Edward Griffith Stricklen | |||||||||||||
BOX-FOLDER 64/2 | "Henry Cowell," Magazine of Art, 1940 May | ||||||||||||
BOX-FOLDER 64/3 | "Idiom and repertoire," 1940 | ||||||||||||
Manuscript | |||||||||||||
BOX-FOLDER 64/4 | "The importance of cultural understanding of folk and popular music," American Anthropologist, vol. 38, no. 1, 1936 January-March | ||||||||||||
BOX-FOLDER 64/5 | "In memoriam: Carl Ruggles," Perspectives of New Music, vol. 10, no. 2, 1972 | ||||||||||||
BOX-FOLDER 64/6 | "An instantaneous music notator," Journal of the International Folk Council, vol. 3, 1951 | ||||||||||||
BOX-FOLDER 64/7 | "Inter-American relations in the field of music," Proceedings of the Music Teachers National Association, 1941 | ||||||||||||
Note: Also includes reprint of the article as published in Music Educators Journal | |||||||||||||
BOX-FOLDER 64/8 | "Lines on the grace note," The Baton, undated | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 64/9 | Mid-century White House conference on children and youth, 1950 | ||||||||||||
BOX-FOLDER 64/10 |
"Motifs as moods of a
music-logic," Journal of the American
Musicological Society, vol. 13, nos. 1-3, 1960
see also "On the moods of a music-logic" |
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BOX-FOLDER 19/5 | "Music," section in Handbook of Latin American Studies, 1943 | ||||||||||||
Page proof | |||||||||||||
BOX-FOLDER 64/11 | "Music and class structure in the United States,"American Quarterly, vol. 9, no. 3, 1957 | ||||||||||||
Note: Includes typescript and Ewan MacColl's copy | |||||||||||||
BOX-FOLDER 64/12 | "Music and culture," Proceedings of the Music Teachers National Association, 1940 | ||||||||||||
BOX-FOLDER 64/13 | "Music and feeling," undated | ||||||||||||
Manuscript and note cards | |||||||||||||
BOX-FOLDER 64/14 | "Music and government-field for an applied musicology," International Congress on Musicology, 1939 | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 64/15 | "Music and musicology in the new world," Proceedings of the Music Teachers National Association, 1946 | ||||||||||||
BOX-FOLDER 64/16 | "Music and society: some new world evidence of their relationship," 1952 | ||||||||||||
Lecture | |||||||||||||
BOX-FOLDER 64/17 | "Music as a tradition of communication discipline and play," Ethnomusicology, vol. 6, no. 3, 1962 September | ||||||||||||
BOX-FOLDER 64/18 | "Music education and musicology," Music Educators Journal, vol. 31, no. 6, 1945 | ||||||||||||
Note: Includes typescript and photocopy | |||||||||||||
BOX-FOLDER 19/5 | "Music education in war and peace," 1942 | ||||||||||||
Page proof | |||||||||||||
Note: Paper read at Sixth general session of the National Institute on Music Education in Wartime | |||||||||||||
BOX-FOLDER 64/19 | "Music education in the Americas," Music Educators Journal, vol. 31, 1945 | ||||||||||||
BOX-FOLDER 64/20 | "Music in America," Magazine of Art, 1938 July | ||||||||||||
BOX-FOLDER 64/21 | "Music in inter-American relations," Music Publishers Journal, 1943 January | ||||||||||||
BOX-FOLDER 64/22 | "Music in the American university," Educational Review, vol. 66, no. 2, 1923 September | ||||||||||||
BOX-FOLDER 64/23 | "Music in Mexico," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/24 | "The music process as a function in a context of functions," undated | ||||||||||||
BOX-FOLDER 64/25 | "The musician: man serves art, the educator: art serves man," UNESCO Courier, 1953 February | ||||||||||||
BOX-FOLDER 64/26 | "Musicology," The World of the Mind, 1958 | ||||||||||||
BOX-FOLDER 64/27 | "Musicology and the music industry," National Music Council Bulletin, 1945 May | ||||||||||||
“Musicos y educadores” see Santa Cruz, Domingo. "Musicos de America, Charles Seeger y su obra Americanista," Revista musical chilena |
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BOX-FOLDER 64/28 | "New works at the Coolidge Festival," Modern Music, 17, 4, 1940 May-June | ||||||||||||
BOX-FOLDER 64/29 | "Notes on music in the Americas," 1944 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/30 | "Notes on music in the Americas," Bulletin of the Pan American Union, 1945 May-June | ||||||||||||
BOX-FOLDER 64/31 | "On dissonant counterpoint," Modern Music, 1930 June | ||||||||||||
BOX-FOLDER 64/32 | "On the formation apparatus of the musical composition process," Ethnomusicology, vol. 13, no. 2, 1969 May | ||||||||||||
BOX-FOLDER 64/33 |
"On the moods of a
music-logic," Journal of the American
Musicological Society, vol. 13, nos. 1-3, 1960
see also "Motifs as moods of a music-logic" |
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BOX-FOLDER 64/34 | "On the principle of musicology," Musical Quarterly, 1954 April | ||||||||||||
BOX-FOLDER 64/35 | "On style and manner in modern composition," Musical Quarterly, 1925 October | ||||||||||||
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