Container | Contents | ||||||||||||
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Charles Louis Seeger, 1900-1983 (bulk 1925-1979) (continued) | |||||||||||||
Writings, 1913-1983 (continued) | |||||||||||||
BOX-FOLDER 64/27 | "Musicology and the music industry," National Music Council Bulletin, 1945 May | ||||||||||||
“Musicos y educadores” see Santa Cruz, Domingo. "Musicos de America, Charles Seeger y su obra Americanista," Revista musical chilena |
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BOX-FOLDER 64/28 | "New works at the Coolidge Festival," Modern Music, 17, 4, 1940 May-June | ||||||||||||
BOX-FOLDER 64/29 | "Notes on music in the Americas," 1944 | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/30 | "Notes on music in the Americas," Bulletin of the Pan American Union, 1945 May-June | ||||||||||||
BOX-FOLDER 64/31 | "On dissonant counterpoint," Modern Music, 1930 June | ||||||||||||
BOX-FOLDER 64/32 | "On the formation apparatus of the musical composition process," Ethnomusicology, vol. 13, no. 2, 1969 May | ||||||||||||
BOX-FOLDER 64/33 |
"On the moods of a
music-logic," Journal of the American
Musicological Society, vol. 13, nos. 1-3, 1960
see also "Motifs as moods of a music-logic" |
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BOX-FOLDER 64/34 | "On the principle of musicology," Musical Quarterly, 1954 April | ||||||||||||
BOX-FOLDER 64/35 | "On style and manner in modern composition," Musical Quarterly, 1925 October | ||||||||||||
BOX-FOLDER 64/36 | "Opportunities in the field of music," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/37 | "The oral tradition as the basis of group-work in music in rural America," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 64/38 | "Oral tradition in music," Standard Dictionary of Mythology, Folklore, and Legend, 1950 | ||||||||||||
Note: Includes typescript | |||||||||||||
BOX-FOLDER 64/39 | "Otto Kinkeldey," Acta Musicologica, undated | ||||||||||||
BOX-FOLDER 65/1 | Outline of a Course in Harmonic Structure and Simple Music Invention, 1913 | ||||||||||||
Note: Written with Edward Griffith Stricklen | |||||||||||||
BOX-FOLDER 65/2 | "Popular music," undated | ||||||||||||
Typescript | |||||||||||||
Note: Written for Colliers Encyclopedia | |||||||||||||
BOX-FOLDER 65/3 | "Preface to all linguistic treatment of music," Music Vanguard, vol. 1, no. 1, 1935 March-April | ||||||||||||
BOX-FOLDER 65/4 | "Preface to a critique of music," Inter-American Music Bulletin, no. 49, 1965 September | ||||||||||||
Note: Includes mimeograph copy and proof copy with edits and paste-overs | |||||||||||||
BOX-FOLDER 65/5 | "Preface to the description of a music," report of the Fifth International Society for Musical Research, 1952 | ||||||||||||
2 copies; one with Seeger holograph correction sheet | |||||||||||||
BOX-FOLDER 65/6 | "Prescriptive and descriptive music writing," Musical Quarterly, vol. 45, no. 2, 1958 April | ||||||||||||
BOX-FOLDER 65/7 |
"Primitivism in musical
composition in the new world, 1965
see also "Continuity, variations, and selection in traditional music," drafts |
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Typescript | |||||||||||||
BOX-FOLDER 65/8-15 | "Principia," undated | ||||||||||||
Edited typescripts and photocopies | |||||||||||||
Note: Incomplete manuscript; lacks chapters 3, 5, and 7 | |||||||||||||
Note: Published posthumously as Studies in musicology II | |||||||||||||
BOX-FOLDER 22/3 | "Principia," bibliography, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 65/16 | "Principles of group guidance of music activities," undated | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 65/17 | "Professionalism and amateurism in the study of folk music," Journal of American Folklore, 1949 April-June | ||||||||||||
BOX-FOLDER 65/18 | "Prolegomena to musicology," 1925 | ||||||||||||
BOX-FOLDER 65/19 | "A proposal to found an international society for music education," UNESCO, 1953 June 26 | ||||||||||||
BOX-FOLDER 65/20 | "La realidad sobre la educacion musical y el professorado de la musica culta,” undated | ||||||||||||
BOX-FOLDER 65/21 | "Reflections upon a given topic: music in a universal perspective," Ethnomusicology, vol. 15, no. 3, 1971 September | ||||||||||||
BOX-FOLDER 65/22 | "Review of inter-American relations in the field of music, 1940-1943," undated | ||||||||||||
BOX-FOLDER 65/23 | "Review of a review," in "The revolt of the angels," Eolian Review, undated | ||||||||||||
Note: Seeger's response to Dane Rudhyar's "Carl Ruggles and the future of dissonant counterpoint" in the same issue (included) | |||||||||||||
BOX-FOLDER 248/3 | Review of Nettl, Bruno. Music in Primitive Culture, Journal of American Folklore, vol. 71, no. 279, 1958 January-March | ||||||||||||
BOX-FOLDER 65/24 | "Semantic, logical, and political considerations bearing upon research in ethnomusicology," Ethnomusicology, vol. 5, no. 2, 1961 May | ||||||||||||
BOX-FOLDER 65/25 | "Seminar for a movie," undated | ||||||||||||
Manuscript and typescript | |||||||||||||
BOX-FOLDER 65/26 | "Singing style," Western Folklore, vol. 17, no. 1, 1958 January | ||||||||||||
BOX-FOLDER 65/27 | "Smithsonian paper, January 1979," undated | ||||||||||||
Edited typescript and holograph notes | |||||||||||||
BOX-FOLDER 4/5 | "Song as a compositional process of auditory communications," 1979 January | ||||||||||||
Manuscript music | |||||||||||||
BOX-FOLDER 65/28 | "Song and the compositional process, 1977-1983," 1983 | ||||||||||||
Holograph and typescript drafts | |||||||||||||
Studies in Musicology, 1935-1975 | |||||||||||||
BOX-FOLDER 66/1 | Proof, undated | ||||||||||||
Photocopy | |||||||||||||
Note: Annotated | |||||||||||||
BOX-FOLDER 22/2 | Bibliographies, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 66/2-11 to 67/1-11 | Front matter, chapters, and bibliography, undated | ||||||||||||
Typescript | |||||||||||||
Note: Annotated | |||||||||||||
BOX-FOLDER 67/12-16 to 68/1-3 | Manuscript, undated | ||||||||||||
Typescript | |||||||||||||
Note: Annotated | |||||||||||||
BOX-FOLDER 68/4 | "Symposium on transcription and analysis: a Hukwe song with musical bow - Report of the chairman-moderator," Ethnomusicology, vol. 8, no. 3, 1964 September | ||||||||||||
BOX-FOLDER 68/5 | "Systematic and historical orientations in musicology," Acta Musicologica, 11, 1939 | ||||||||||||
Note: Also includes article as printed in Bulletin of American Musicological Society in 1936 | |||||||||||||
BOX-FOLDER 68/6 | "Systematic musicology: viewpoints, orientation, and methods," Journal of the American Musicological Society, vol. 4, no. 3, 1951 Fall | ||||||||||||
BOX-FOLDER 68/7 | "Toward a unified operations theory for musicology" - old version, 1973-1976 | ||||||||||||
Holograph and typescript | |||||||||||||
BOX-FOLDER 68/8 | "Toward a unitary field theory for musicology," Selected reports, Institute of Ethnomusicology, vol. 1, no. 3, 1970 | ||||||||||||
Note: Includes 1972 abstract for paper of same title | |||||||||||||
BOX-FOLDER 19/5 | "Toward a unitary field theory" - "Conspectus" undated | ||||||||||||
Note: Multiple versions | |||||||||||||
BOX-FOLDER 68/9 | "Toward a universal music lexicon," Kolinski festschrift, 1977 | ||||||||||||
Typescript and holograph manuscript | |||||||||||||
Note: Annotated | |||||||||||||
BOX-FOLDER 68/10 | "Toward a universal music sound-writing for musicology," Journal of the International Folk Music Council, 1977 | ||||||||||||
BOX-FOLDER 68/11 | "Toward the establishment in America of an institute for musicology," undated | ||||||||||||
Typescript | |||||||||||||
Note: Annotated | |||||||||||||
BOX-FOLDER 68/12-13 | "Tractatus esthetico-semioticus: model of the systems of human communication," undated | ||||||||||||
Note: Includes working papers | |||||||||||||
BOX-FOLDER 69/1 | "Tradition and experiment in the new music," version A, undated | ||||||||||||
Typescript and manuscript | |||||||||||||
BOX-FOLDER 69/2-3 | "Tradition and experiment in the new music," version B, undated | ||||||||||||
Annotated typescript | |||||||||||||
BOX-FOLDER 69/4 | "Tradition and the (North) American composer," Music in the Americas, 1967 | ||||||||||||
BOX-FOLDER 69/5 | "Tribute to Vanett Lawler," Music Educators Journal, 1968 March | ||||||||||||
BOX-FOLDER 69/6 | "UNESCO," Quarterly Journal of the Music Library Association, 1948 March | ||||||||||||
BOX-FOLDER 69/7 | "Wartime and peace programs in music education," Music Educators Journal, 1943 January | ||||||||||||
BOX-FOLDER 69/8 | "Who owns folklore?" California Folklore Society, 1962 | ||||||||||||
Note: Reprinted from Western Folklore, vol. 21, no. 2, 1962 April | |||||||||||||
BOX-FOLDER 69/9 | "Why political organization for international peace must concern itself with cultural affairs," 1951 August | ||||||||||||
Typescript | |||||||||||||
BOX-FOLDER 69/10 | "World musics in American schools: a challenge to be met," Music Educators Journal, 1972 October | ||||||||||||
Original and photocopy | |||||||||||||
Working Papers and Notes | |||||||||||||
BOX-FOLDER 22/4 | Bibliography of Charles Seeger works, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 22/7 | Communication notes, undated | ||||||||||||
Note cards | |||||||||||||
BOX-FOLDER 70/1-2 | From top of CLS desk, 1979 May | ||||||||||||
BOX-FOLDER 70/3 | Material formerly in black loose-leaf notebook, 1933 and undated | ||||||||||||
BOX-FOLDER 70/4-5 | Miscellaneous, undated | ||||||||||||
BOX-FOLDER 22/6 | Miscellaneous cards from Sharon Corrigan, 1971 June 20 | ||||||||||||
Note cards | |||||||||||||
Melographs | |||||||||||||
BOX-FOLDER 268/6 | Bartok-Lord, undated | ||||||||||||
Photocopy | |||||||||||||
BOX-FOLDER 268/4 | Peggy Seeger singing "Maiden of the Shore" and Lammikin, undated | ||||||||||||
Photocopy | |||||||||||||
BOX-FOLDER 268/2 | Tests by ?? and CS of stylus chag, 1962 | ||||||||||||
Original melograph | |||||||||||||
Note: Recording was a spliced tape of oscillating ptches | |||||||||||||
BOX-FOLDER 268/1 | Uppsala graphs, undated | ||||||||||||
Four original graphs | |||||||||||||
Note: Includes "La Marsellaise" - female voice, "La Marsellaise" - flute, Mona's graph of "Kulning," and Song - female voice | |||||||||||||
BOX-FOLDER 268/5 | Unidentifed, undated | ||||||||||||
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