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BOX 1-39, 67-70, 75-76 |
Music
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The Music is divided into two subseries. The Orchestra Library consists of arrangements made for Raitt’s concerts and recorded albums. The extent for these full scores and parts vary for each title, and many are annotated with performance markings. The arranger’s name is included whenever known. Sheet Music that has been annotated by Raitt has been retained and comprises the second subseries. Annotations may include performance markings, key changes, or manuscript inserts for alternate music.
Music can also be found in the Scripts series, as vocal books were sometimes published as part of the script. Raitt also kept many of his scripts accompanied by piano-vocal scores and these were kept together to respect his original order. |
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Orchestra Library
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Arranged alphabetically by song title, and alphabetically by arranger therein. |
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BOX-FOLDER 1/1 |
An affair to remember (from An affair to remember) |
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By Harry Warren, Harold Adamson, and Leo McCarey |
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Arranger: Joe Parnello |
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Parts |
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BOX-FOLDER 1/2-4 |
Almost like being in love (from Brigadoon) |
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By Alan Jay Lerner and Frederick Loewe |
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Parts |
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BOX-FOLDER 75/1 |
And this is my beloved (from Kismet) |
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By Robert Wright and George Forrest |
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Arranger: Harry Zimmerman |
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Full score |
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BOX-FOLDER 1/5 |
And this is my beloved (from Kismet) |
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By Robert Wright and George Forrest |
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Arranger: Harry Zimmerman |
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Parts |
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BOX-FOLDER 75/2 |
El bandido |
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By Walter G. Samuels |
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Arranger: Pete King |
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Full score |
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BOX-FOLDER 2/1 |
Because you're mine (from Because you're mine) |
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By Nicholas Brodszky and Sammy Cahn |
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Parts |
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BOX-FOLDER 2/2 |
Bess, you is my woman now (from Porgy and Bess) |
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By George Gershwin, Dubose Heyward, and Ira Gershwin |
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Arranger: Harry Zimmerman |
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Parts |
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BOX-FOLDER 2/3 |
The best things in life are free (from Good news) |
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By Ray Henderson, B.G. DeSylva, and Lew Brown |
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Parts |
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BOX-FOLDER 2/4 |
Boll weevil |
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Parts |
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BOX-FOLDER 2/5 |
Bouboulina (from Zorba) |
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By John Kander and Fred Ebb |
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Parts |
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BOX-FOLDER 75/3 |
Carousel medley (from Carousel) |
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By Richard Rodgers and Oscar Hammerstein II |
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Arranger: Buddy Bregman |
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Full score |
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BOX-FOLDER 3/1 |
Carousel medley (from Carousel) |
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By Richard Rodgers and Oscar Hammerstein II |
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Arranger: Buddy Bregman |
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Parts |
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BOX-FOLDER 3/2 |
Carousel transcriptions (from Carousel) |
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By Richard Rodgers and Oscar Hammerstein II |
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Miscellaneous manuscript parts |
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BOX-FOLDER 67/1 |
Climb ev'ry mountain (from The sound of music) |
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By Richard Rodgers and Oscar Hammerstein II |
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Arranger: Ruby Raksin |
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Full score |
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BOX-FOLDER 3/3 |
Climb ev'ry mountain (from The sound of music) |
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By Richard Rodgers and Oscar Hammerstein II |
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Arranger: Ruby Raksin |
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Parts |
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BOX-FOLDER 75/4 |
Come back to me (from On a clear day you can see forever) |
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By Burton Lane and Alan Jay Lerner |
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Arranger: Ted Simons |
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Full score |
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BOX-FOLDER 3/4 |
Come back to me (from On a clear day you can see forever) |
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By Burton Lane and Alan Jay Lerner |
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Arranger: Ted Simons |
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Parts |
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BOX-FOLDER 3/5 |
Come back to me ; with Reprise (from On a clear day you can see forever) |
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By Burton Lane and Alan Jay Lerner |
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Parts |
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BOX-FOLDER 75/5 |
Day in, day out |
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By Rube Bloom and Johnny Mercer |
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Arranger: Jack Elliott |
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Full score |
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BOX-FOLDER 3/6 |
Day in, day out |
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By Rube Bloom and Johnny Mercer |
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Arranger: Jack Elliott |
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Parts |
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BOX-FOLDER 75/6 |
Don't fence me in (from Adios, Argentina) |
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By Cole Porter and Robert Fletcher |
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Full score |
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BOX-FOLDER 3/7 |
Don't fence me in (from Adios, Argentina) |
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By Cole Porter and Robert Fletcher |
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Parts |
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BOX-FOLDER 4/1 |
(You'd be so) Easy to love (from Anything goes) |
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By Cole Porter |
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Parts |
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BOX-FOLDER 67/2 |
The gal that got away (from A star is born) |
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By Harold Arlen and Ira Gershwin |
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Arranger: Bill Reddie |
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Full score |
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BOX-FOLDER 4/2 |
The gal that got away (from A star is born) |
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By Harold Arlen and Ira Gershwin |
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Arranger: Bill Reddie |
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Parts |
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BOX-FOLDER 4/3 |
Getting to know you (from The king and I) |
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By Richard Rodgers and Oscar Hammerstein II |
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Parts |
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BOX-FOLDER 67/3 |
The giant |
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By John Lehman and Paul Mauriat |
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Arranger: Bill Reddie |
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Full score |
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BOX-FOLDER 4/4 |
The giant |
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By John Lehman and Paul Mauriat |
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Arranger: Bill Reddie |
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Parts |
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BOX-FOLDER 75/7 |
The girl that I marry (from Annie get your gun) |
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By Irving Berlin |
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Arranger: Buddy Bregman |
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Full score |
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BOX-FOLDER 4/5 |
The girl that I marry (from Annie get your gun) |
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By Irving Berlin |
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Arranger: Buddy Bregman |
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Parts |
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BOX-FOLDER 4/6 |
Great day |
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By Vincent Youmans, Billy Rose, and Edward Eliscu |
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Arranger: Phil Lang |
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Parts |
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BOX-FOLDER 4/7 |
Green-eyed dragon |
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By Charles Wolseley and Greatrex Newman |
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Parts |
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BOX-FOLDER 67/4 |
Hello young lovers (from The king and I) ; So in love (from Kiss me, Kate) |
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By Richard Rodgers and Oscar Hammerstein II; Cole Porter |
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Full score |
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BOX-FOLDER 5/1 |
Hello young lovers (from The king and I) ; So in love (from Kiss me, Kate) |
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By Richard Rodgers and Oscar Hammerstein II; Cole Porter |
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Parts |
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