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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1940s-1990s (continued) | |||||||||||||
| Orchestra Library, 1960s-1990s | |||||||||||||
| Arranged alphabetically by song title, and alphabetically by arranger therein. | |||||||||||||
| BOX-FOLDER 1/1 | An Affair to Remember (from An Affair to Remember) | ||||||||||||
| By Harry Warren, Harold Adamson, and Leo McCarey | |||||||||||||
| Arranger: Joe Parnello | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 1/2-4 | Almost Like Being in Love (from Brigadoon) | ||||||||||||
| By Alan Jay Lerner and Frederick Loewe | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/1 | And This Is My Beloved (from Kismet) | ||||||||||||
| By Robert Wright and George Forrest | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 1/5 | And This Is My Beloved (from Kismet) | ||||||||||||
| By Robert Wright and George Forrest | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/2 | El Bandido | ||||||||||||
| By Walter G. Samuels | |||||||||||||
| Arranger: Pete King | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 2/1 | Because You're Mine (from Because You're Mine) | ||||||||||||
| By Nicholas Brodszky and Sammy Cahn | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 2/2 | Bess, You Is My Woman Now (from Porgy and Bess) | ||||||||||||
| By George Gershwin, Dubose Heyward, and Ira Gershwin | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 2/3 | The Best Things in Life Are Free (from Good News) | ||||||||||||
| By Ray Henderson, B.G. DeSylva, and Lew Brown | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 2/4 | Boll Weevil | ||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 2/5 | Bouboulina (from Zorba) | ||||||||||||
| By John Kander and Fred Ebb | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/3 | Carousel Medley (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Buddy Bregman | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 3/1 | Carousel Medley (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Buddy Bregman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 3/2 | Carousel transcriptions (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Miscellaneous manuscript parts | |||||||||||||
| BOX-FOLDER 67/1 | Climb Ev'ry Mountain (from The Sound of Music) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Ruby Raksin | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 3/3 | Climb Ev'ry Mountain (from The Sound of Music) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Ruby Raksin | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/4 | Come Back to Me (from On a Clear Day You Can See Forever) | ||||||||||||
| By Burton Lane and Alan Jay Lerner | |||||||||||||
| Arranger: Ted Simons | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 3/4 | Come Back to Me (from On a Clear Day You Can See Forever) | ||||||||||||
| By Burton Lane and Alan Jay Lerner | |||||||||||||
| Arranger: Ted Simons | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 3/5 | Come Back to Me ; with Reprise (from On a Clear Day You Can See Forever) | ||||||||||||
| By Burton Lane and Alan Jay Lerner | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/5 | Day In, Day Out | ||||||||||||
| By Rube Bloom and Johnny Mercer | |||||||||||||
| Arranger: Jack Elliott | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 3/6 | Day In, Day Out | ||||||||||||
| By Rube Bloom and Johnny Mercer | |||||||||||||
| Arranger: Jack Elliott | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/6 | Don't Fence Me In (from Adios, Argentina) | ||||||||||||
| By Cole Porter and Robert Fletcher | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 3/7 | Don't Fence Me In (from Adios, Argentina) | ||||||||||||
| By Cole Porter and Robert Fletcher | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 4/1 | (You'd Be So) Easy to Love (from Anything Goes) | ||||||||||||
| By Cole Porter | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 67/2 | The Gal That Got Away (from A Star Is Born) | ||||||||||||
| By Harold Arlen and Ira Gershwin | |||||||||||||
| Arranger: Bill Reddie | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 4/2 | The Gal That Got Away (from A Star Is Born) | ||||||||||||
| By Harold Arlen and Ira Gershwin | |||||||||||||
| Arranger: Bill Reddie | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 4/3 | Getting to Know You (from The King and I) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 67/3 | The Giant | ||||||||||||
| By John Lehman and Paul Mauriat | |||||||||||||
| Arranger: Bill Reddie | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 4/4 | The Giant | ||||||||||||
| By John Lehman and Paul Mauriat | |||||||||||||
| Arranger: Bill Reddie | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 75/7 | The Girl That I Marry (from Annie Get Your Gun) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Arranger: Buddy Bregman | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 4/5 | The Girl That I Marry (from Annie Get Your Gun) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Arranger: Buddy Bregman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 4/6 | Great Day | ||||||||||||
| By Vincent Youmans, Billy Rose, and Edward Eliscu | |||||||||||||
| Arranger: Phil Lang | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 4/7 | Green-Eyed Dragon | ||||||||||||
| By Charles Wolseley and Greatrex Newman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 67/4 | Hello Young Lovers (from The King and I) ; So in Love (from Kiss Me, Kate) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II; Cole Porter | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 5/1 | Hello Young Lovers (from The King and I) ; So in Love (from Kiss Me, Kate) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II; Cole Porter | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 67/5 | Here's That Rainy Day (from Carnival in Flanders) | ||||||||||||
| By Jimmy van Heusen and Johnny Burke | |||||||||||||
| Next Page » | |||||||||||||