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Container | Contents | ||||||||||||
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Music, 1940s-1990s (continued) | |||||||||||||
Orchestra Library, 1960s-1990s (continued) | |||||||||||||
On a Clear Day (You Can See Forever) (from On a Clear Day You Can See Forever) (continued) | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 16/3 | On a Clear Day (You Can See Forever) (from On a Clear Day You Can See Forever) | ||||||||||||
By Burton Lane and Alan Jay Lerner | |||||||||||||
Arranger: Fred Mergy | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 16/4 | On a Clear Day (You Can See Forever) (from On a Clear Day You Can See Forever) | ||||||||||||
By Burton Lane and Alan Jay Lerner | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 69/1 | On a Clear Day You Can See Forever | ||||||||||||
By Burton Lane and Alan Jay Lerner | |||||||||||||
Conductor's score | |||||||||||||
BOX-FOLDER 16/5 | Open Road Open Sky (from The Gypsy Baron) | ||||||||||||
By Johann Strauss II and Ignaz Schnitzer | |||||||||||||
Arranger: Bill Reddie | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 69/2 | Opening | ||||||||||||
Arranger: Bill Reddie | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 17/1 | Opening | ||||||||||||
Arranger: Bill Reddie | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 17/2 | Papa's Gonna Make It Alright (from Shenandoah) | ||||||||||||
By Gary Geld and Peter Udell | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 17/3 | People Will Say We're in Love (from Oklahoma!) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Parts | |||||||||||||
Note: Arranged for The Dinah Shore Chevy Show | |||||||||||||
BOX-FOLDER 17/4 | The Sadder but Wiser Girl (from The Music Man) | ||||||||||||
By Meredith Willson | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 69/3 | Shadrack | ||||||||||||
By Robert MacGimsey | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 17/5 | Shadrack | ||||||||||||
By Robert MacGimsey | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 69/4 | Shenandoah | ||||||||||||
By Gary Geld and Peter Udell | |||||||||||||
Conductor's score | |||||||||||||
BOX-FOLDER 18/1 | Shenandoah (traditional) | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 69/5 | So in Love (from Kiss Me, Kate) | ||||||||||||
By Cole Porter | |||||||||||||
Arranger: William David Brohn | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 18/2 | So in Love (from Kiss Me, Kate) | ||||||||||||
By Cole Porter | |||||||||||||
Arranger: William David Brohn | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 69/6 | So in Love (from Kiss Me, Kate) | ||||||||||||
By Cole Porter | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 18/3-4 | So in Love (from Kiss Me, Kate) | ||||||||||||
By Cole Porter | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 19/1-2 | Soliloquy: short version (from Carousel) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 70/1 | Soliloquy: long version (from Carousel) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 19/3 to 21/3 | Soliloquy: long version (from Carousel) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 21/3 | Soliloquy (from Carousel) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: Jimmy Blade? | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 70/2 | Some Enchanted Evening (from South Pacific) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: William David Brohn | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 21/4 | Some Enchanted Evening (from South Pacific) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: William David Brohn | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 70/3 | Some Enchanted Evening (from South Pacific) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: Robert O. Ragland | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 22/1 | Some Enchanted Evening (from South Pacific) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: Robert O. Ragland | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 70/4 | Some Enchanted Evening (from South Pacific) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: Joe Rizzo | |||||||||||||
Short score | |||||||||||||
BOX-FOLDER 22/2 | The Song Is You (from Music in the Air) | ||||||||||||
By Jerome Kern and Oscar Hammerstein II | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 70/5 | Song of the Open Road | ||||||||||||
By Albert Hay Malotte | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 22/3 | Song of the Open Road | ||||||||||||
By Albert Hay Malotte | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 22/4 | Sound of Tears | ||||||||||||
By Alert and Carr | |||||||||||||
Arranger: Bill Reddie | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 76/1 | Sourwood Mountain | ||||||||||||
Arranger: Pete King | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 22/5 | Sourwood Mountain | ||||||||||||
Arranger: Pete King | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 76/2 | Strange Music (from Song of Norway) | ||||||||||||
By Robert Wright and Chet Forrest | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 23/1 | Strange Music (from Song of Norway) | ||||||||||||
By Robert Wright and Chet Forrest | |||||||||||||
Full score | |||||||||||||
BOX-FOLDER 23/2 | Stranger in Paradise (from Kismet) | ||||||||||||
By Robert Wright and Chet Forrest | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 23/3 | Surrey with the Fringe on Top (from Oklahoma!) | ||||||||||||
By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
Arranger: Harry Zimmerman | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 23/4 | Temptation (from Going Hollywood) | ||||||||||||
By Nacio Herb Brown and Arthur Freed | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 70/6 | Thank Heaven for Little Girls (from Gigi) ; My Little Girl (from Carousel) | ||||||||||||
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