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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1940s-1990s (continued) | |||||||||||||
| Orchestra Library, 1960s-1990s (continued) | |||||||||||||
| They Say it's Wonderful (from Annie Get Your Gun) (continued) | |||||||||||||
| By Irving Berlin | |||||||||||||
| Arranger: John Lesko | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 25/4 | They Say it's Wonderful (from Annie Get Your Gun) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Arranger: Jeremy Lubbock | |||||||||||||
| Piano-vocal scores | |||||||||||||
| BOX-FOLDER 70/9 | This is All I Ask | ||||||||||||
| By Gordon Jenkins | |||||||||||||
| Arranger: Fred Mergy | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 25/5 | This is All I Ask | ||||||||||||
| By Gordon Jenkins | |||||||||||||
| Arranger: Fred Mergy | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 25/6 | Wagon Wheels (from Ziegfeld Follies of 1936) | ||||||||||||
| By Billy Hill and Peter De Rose | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 25/7 | Wanting You (from The New Moon) | ||||||||||||
| By Sigmund Romberg and Oscar Hammerstein II | |||||||||||||
| Arranger: William Teague | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 70/10 | The Way You Look Tonight (from Swing Time) | ||||||||||||
| By Jerome Kern and Dorothy Fields | |||||||||||||
| Arranger: Bill Levine | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 25/8 | The Way You Look Tonight (from Swing Time) | ||||||||||||
| By Jerome Kern and Dorothy Fields | |||||||||||||
| Arranger: Bill Levine | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 70/11 | What Kind of Fool Am I? (from Stop the World I Want to Get Off) | ||||||||||||
| By Leslie Bricusse and Anthony Newley | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 25/9 | What Kind of Fool am I? (from Stop the World I Want to Get Off) | ||||||||||||
| By Leslie Bricusse and Anthony Newley | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/1 | When the Children are Asleep (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/2 | Where Is the Life That Late I Led? (from Kiss Me, Kate) | ||||||||||||
| By Cole Porter | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/3 | Winchester Cathedral | ||||||||||||
| By Geoff Stephens | |||||||||||||
| Arranger: Ted Simons | |||||||||||||
| Full score and parts | |||||||||||||
| BOX-FOLDER 26/4 | With a Song in My Heart (from Spring Is Here) | ||||||||||||
| By Richard Rodgers and Lorenz Hart | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/5 | Without a Song (from Great Day) | ||||||||||||
| By Vincent Youmans, Billy Rose, and Edward Eliscu | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/6 | You Are Love (from Show Boat) | ||||||||||||
| By Jerome Kern and Oscar Hammerstein II | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 70/12 | You Are Too Beautiful (from Hallelujah, I'm a Bum) | ||||||||||||
| By Richard Rodgers and Lorenz Hart | |||||||||||||
| Arranger: Colin Romoff | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 26/7 | You are Too Beautiful (from Hallelujah, I'm a Bum) | ||||||||||||
| By Richard Rodgers and Lorenz Hart | |||||||||||||
| Arranger: Colin Romoff | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/8 | You Go to My Head | ||||||||||||
| By J. Fred Coots and Haven Gillespie | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 27/1-2 | You Medley | ||||||||||||
| Arranger: Rob Webb | |||||||||||||
| Parts | |||||||||||||
| Includes: It Had to Be You; You're Driving Me Crazy; You Stepped Out of a Dream; If There is Someone Lovelier than You; (You'd Be So) Easy to Love; You; You Are So Beautiful; You and the Night and the Music | |||||||||||||
| BOX-FOLDER 70/13 | You'll Never Walk Alone (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 27/3 | You'll Never Walk Alone (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 70/14 | You're Just in Love (from Call Me Madam) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 27/4 to 28/1 | You're Just in Love (from Call Me Madam) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 28/2 | Younger than Springtime (from South Pacific) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 28/3 | Yours Is My Heart Alone (from The Land of Smiles) | ||||||||||||
| By Franz Lehar | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 28/4 | Unidentified and miscellaneous fragments | ||||||||||||
| Sheet Music, 1940s-1970s | |||||||||||||
| Arranged by format and alphabetically by title therein. | |||||||||||||
| Unpublished sheet music | |||||||||||||
| BOX 29 | A-J | ||||||||||||
| BOX 30 | L-S | ||||||||||||
| BOX 31 | P-Y | ||||||||||||
| BOX-FOLDER 70/15 | Three Wishes for Jamie | ||||||||||||
| BOX 32 | Zorba, unidentified | ||||||||||||
| Published sheet music, 1940s-1970s | |||||||||||||
| BOX 32 | A-D | ||||||||||||
| BOX 33 | E-L | ||||||||||||
| BOX 34 | M-S | ||||||||||||
| BOX 35 | T-Z | ||||||||||||
| BOX 35 | Miscellaneous sheet music with John Raitt's image | ||||||||||||
| Note: Unannotated | |||||||||||||
| Songbooks | |||||||||||||
| BOX 36 | 1776, A-E | ||||||||||||
| BOX 37 | F | ||||||||||||
| BOX 38 | G-S | ||||||||||||
| BOX 39 | S-T, unidentified | ||||||||||||
| BOX 42-46 | Scripts, 1948-1999 | ||||||||||||
| Raitt’s scripts for stage productions and concert appearances comprise the Scripts series. A majority are annotated, some with sections of the script written out by hand. When a script was accompanied by a piano-vocal score or some other form of music, the materials were kept together and are indicated as such. | |||||||||||||
| Arranged alphabetically by project title. | |||||||||||||
| BOX-FOLDER 42/1 | 1776 | ||||||||||||
| Libretto and principle-chorus book | |||||||||||||
| BOX-FOLDER 42/2 | America's Her Name | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 42/3 | Annie Get Your Gun | ||||||||||||
| Director's script | |||||||||||||
| BOX-FOLDER 42/4 | Camelot, 1962 | ||||||||||||
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