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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1940s-1990s (continued) | |||||||||||||
| Orchestra Library, 1960s-1990s (continued) | |||||||||||||
| You Are Love (from Show Boat) (continued) | |||||||||||||
| By Jerome Kern and Oscar Hammerstein II | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 70/12 | You Are Too Beautiful (from Hallelujah, I'm a Bum) | ||||||||||||
| By Richard Rodgers and Lorenz Hart | |||||||||||||
| Arranger: Colin Romoff | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 26/7 | You are Too Beautiful (from Hallelujah, I'm a Bum) | ||||||||||||
| By Richard Rodgers and Lorenz Hart | |||||||||||||
| Arranger: Colin Romoff | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 26/8 | You Go to My Head | ||||||||||||
| By J. Fred Coots and Haven Gillespie | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 27/1-2 | You Medley | ||||||||||||
| Arranger: Rob Webb | |||||||||||||
| Parts | |||||||||||||
| Includes: It Had to Be You; You're Driving Me Crazy; You Stepped Out of a Dream; If There is Someone Lovelier than You; (You'd Be So) Easy to Love; You; You Are So Beautiful; You and the Night and the Music | |||||||||||||
| BOX-FOLDER 70/13 | You'll Never Walk Alone (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 27/3 | You'll Never Walk Alone (from Carousel) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Arranger: Harry Zimmerman | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 70/14 | You're Just in Love (from Call Me Madam) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Full score | |||||||||||||
| BOX-FOLDER 27/4 to 28/1 | You're Just in Love (from Call Me Madam) | ||||||||||||
| By Irving Berlin | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 28/2 | Younger than Springtime (from South Pacific) | ||||||||||||
| By Richard Rodgers and Oscar Hammerstein II | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 28/3 | Yours Is My Heart Alone (from The Land of Smiles) | ||||||||||||
| By Franz Lehar | |||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 28/4 | Unidentified and miscellaneous fragments | ||||||||||||
| Sheet Music, 1940s-1970s | |||||||||||||
| Arranged by format and alphabetically by title therein. | |||||||||||||
| Unpublished sheet music | |||||||||||||
| BOX 29 | A-J | ||||||||||||
| BOX 30 | L-S | ||||||||||||
| BOX 31 | P-Y | ||||||||||||
| BOX-FOLDER 70/15 | Three Wishes for Jamie | ||||||||||||
| BOX 32 | Zorba, unidentified | ||||||||||||
| Published sheet music, 1940s-1970s | |||||||||||||
| BOX 32 | A-D | ||||||||||||
| BOX 33 | E-L | ||||||||||||
| BOX 34 | M-S | ||||||||||||
| BOX 35 | T-Z | ||||||||||||
| BOX 35 | Miscellaneous sheet music with John Raitt's image | ||||||||||||
| Note: Unannotated | |||||||||||||
| Songbooks | |||||||||||||
| BOX 36 | 1776, A-E | ||||||||||||
| BOX 37 | F | ||||||||||||
| BOX 38 | G-S | ||||||||||||
| BOX 39 | S-T, unidentified | ||||||||||||
| BOX 42-46 | Scripts, 1948-1999 | ||||||||||||
| Raitt’s scripts for stage productions and concert appearances comprise the Scripts series. A majority are annotated, some with sections of the script written out by hand. When a script was accompanied by a piano-vocal score or some other form of music, the materials were kept together and are indicated as such. | |||||||||||||
| Arranged alphabetically by project title. | |||||||||||||
| BOX-FOLDER 42/1 | 1776 | ||||||||||||
| Libretto and principle-chorus book | |||||||||||||
| BOX-FOLDER 42/2 | America's Her Name | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 42/3 | Annie Get Your Gun | ||||||||||||
| Director's script | |||||||||||||
| BOX-FOLDER 42/4 | Camelot, 1962 | ||||||||||||
| Script | |||||||||||||
| Concert appearances | |||||||||||||
| BOX-FOLDER 66/1 | Blane and Martin tribute concert, 1991 March 4 | ||||||||||||
| Music with set lists | |||||||||||||
| BOX-FOLDER 39/5 | Broadway concert with Ann Blyth, Bill Hayes, and Constance Towers, 1996 April 13-14 | ||||||||||||
| Music with dialogue | |||||||||||||
| BOX-FOLDER 46/8 | A Christmas Evening with Anna Maria Alberghetti | ||||||||||||
| Three scripts | |||||||||||||
| BOX-FOLDER 66/2 | Concert with Patrice Munsel? | ||||||||||||
| Music with cues | |||||||||||||
| BOX-FOLDER 46/9 | Oklahoma! and Of Thee I Sing | ||||||||||||
| Two scripts with music | |||||||||||||
| BOX-FOLDER 66/3 | Something Wonderful, 1999 | ||||||||||||
| Music with dialogue | |||||||||||||
| BOX-FOLDER 39/6 | Tribute to Richard Rodgers with Constance Towers, 1994 December 3 | ||||||||||||
| Scripts with music | |||||||||||||
| BOX-FOLDER 66/4 | South Pacific; Annie Get Your Gun; Battle Hymn of the Republic, 1994 December 3 | ||||||||||||
| Dialogue with music | |||||||||||||
| BOX-FOLDER 66/5 | Yes, They Were Giants | ||||||||||||
| Script with music | |||||||||||||
| BOX-FOLDER 42/5-6 | Fanny | ||||||||||||
| Script and prompt book | |||||||||||||
| BOX-FOLDER 42/7 | The Fantasticks | ||||||||||||
| Libretto/vocal book | |||||||||||||
| BOX-FOLDER 42/8 to 43/1 | Fiddler on the Roof | ||||||||||||
| Libretto/vocal book, piano-vocal score, and holograph script | |||||||||||||
| BOX-FOLDER 43/2-3 | Guys and Dolls | ||||||||||||
| Script and piano-vocal score | |||||||||||||
| BOX-FOLDER 43/4 | The High Road, 1975 | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 43/5-6 | I Do! I Do! | ||||||||||||
| Script and piano-vocal score | |||||||||||||
| BOX-FOLDER 43/7 | The Inn of the Eighth Happiness: A Musical | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 43/8 | A Joyful Noise, 1966 | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 43/9-10 | Judge Roy, 1982 | ||||||||||||
| Script, correspondence, and rehearsal score | |||||||||||||
| BOX-FOLDER 44/1 | Kismet | ||||||||||||
| Libretto and piano-vocal score | |||||||||||||
| BOX-FOLDER 44/2 | Kiss Me, Kate | ||||||||||||
| Holograph script | |||||||||||||
| BOX-FOLDER 44/3-5 | Man of La Mancha | ||||||||||||
| Scripts with itinerary, one holograph | |||||||||||||
| BOX-FOLDER 44/6 | Miscellaneous holograph script pages | ||||||||||||
| Includes: 1776; Kiss Me, Kate; Seesaw; I Do! I Do! | |||||||||||||
| BOX-FOLDER 44/7 | The Mistress Maggie | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 44/8-9 | The Most Happy Fella | ||||||||||||
| Vocal score with libretto and holograph script | |||||||||||||
| BOX-FOLDER 44/10 to 45/1 | The Music Man | ||||||||||||
| Script and piano-vocal score | |||||||||||||
| BOX-FOLDER 45/2-3 | Oklahoma! | ||||||||||||
| Libretto and piano-vocal score | |||||||||||||
| BOX-FOLDER 45/4 | On a Clear Day You Can See Forever | ||||||||||||
| Script | |||||||||||||
| BOX-FOLDER 45/5 | Seesaw | ||||||||||||
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