Access restrictions apply.
Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Music, 1878-2000 (continued) | |||||||||||||
Music by Others, 1928-1991 (continued) | |||||||||||||
John Brown, undated (Not Available) (continued) | |||||||||||||
Manuscript score | |||||||||||||
Note: This material is very fragile and cannot be served without prior approval from the Head of Acquisitions and Processing | |||||||||||||
BOX-FOLDER 168/2, 404/8 | John Brown; With Zeal as a Cloak, 1947 and undated | ||||||||||||
Two manuscript scores with pasteovers and choreographic notes | |||||||||||||
BOX-FOLDER 168/3-5 | John Brown, 1945 and undated | ||||||||||||
Four photostats of scores with annotations or choreographic notes | |||||||||||||
The Joshua Tree | |||||||||||||
Composed by Ross Lee Finney | |||||||||||||
For flute, clarinet, trumpet, trombone, violin, bass, and percussion | |||||||||||||
BOX-FOLDER 169/1-2 | The Joshua Tree, undated | ||||||||||||
Two Ozalid full scores | |||||||||||||
Note: Box 169, Folder 1 is Hawkins's copy; includes choreographic notes | |||||||||||||
BOX-FOLDER 169/3-5 | The Joshua Tree, undated | ||||||||||||
Three photocopies of full scores, one with pasteovers, one with choreographic notes | |||||||||||||
BOX-FOLDER 169/6 to 170/2 | The Joshua Tree, undated | ||||||||||||
Two sets of Ozalid parts | |||||||||||||
Killer-of-Enemies | |||||||||||||
Composed by Alan Hovhaness | |||||||||||||
For flute, clarinet, trumpet, trombone, violin, bass, and percussion | |||||||||||||
BOX-FOLDER 214/6-9, 454/3-4 | Killer-of-Enemies, 1983 | ||||||||||||
Six Ozalid full scores with choreographic notes or annotations | |||||||||||||
BOX-FOLDER 215/1-2, 170/3 | Killer-of-Enemies, 1983 | ||||||||||||
Three photocopies of full scores, one with cues | |||||||||||||
BOX-FOLDER 170/4-6 | Killer-of-Enemies, undated | ||||||||||||
Arranged by Ralph Gilbert | |||||||||||||
Three Ozalid scores for piano, one with pasteovers and choreographic notes | |||||||||||||
BOX-FOLDER 171/1 to 172/3 | Killer-of-Enemies, undated | ||||||||||||
Parts | |||||||||||||
Liberty Tree | |||||||||||||
Composed by Ralph Gilbert | |||||||||||||
For piano | |||||||||||||
BOX-FOLDER 172/4 | Liberty Tree, 1940 | ||||||||||||
Manuscript score with pasteovers | |||||||||||||
BOX-FOLDER 172/5 | Trailbreaker-Kentucky, 1940? | ||||||||||||
Manuscript score for piano; photostat score for piano with choreographic notes | |||||||||||||
Includes: Photostat score for El Penitente pasted in | |||||||||||||
BOX-FOLDER 172/6-7 | Lives of Five or Six Swords, 1943, 1951, 1990 | ||||||||||||
Composed by Lou Harrison as Six Sonatas for Cembalo or Pianoforte | |||||||||||||
Two printed scores and photocopy with choreographic notes | |||||||||||||
Meditation on Orpheus | |||||||||||||
Composed by Alan Hovhaness | |||||||||||||
For orchestra | |||||||||||||
BOX-FOLDER 215/3-4, 173/1 | Meditation on Orpheus, 1958 | ||||||||||||
Two Ozalid full scores and one photocopy with annotations or choreographic notes | |||||||||||||
BOX-FOLDER 215/5 to 216/4 | Meditation on Orpheus, 1958 | ||||||||||||
Parts with annotations | |||||||||||||
The Minotaur | |||||||||||||
Composed by Charles Naginski | |||||||||||||
For piano | |||||||||||||
BOX-FOLDER 173/2 | The Minotaur, undated | ||||||||||||
Manuscript score | |||||||||||||
BOX-FOLDER 173/3 | The Minotaur, undated | ||||||||||||
Ozalid score with choreographic notes | |||||||||||||
BOX-FOLDER 173/4 | Mozartiana, undated | ||||||||||||
Composed by Wolfgang Amadeus Mozart as Sämmtlichen Variationen; choreographed by George Balanchine | |||||||||||||
Printed score for piano | |||||||||||||
BOX-FOLDER 173/5-6 | Mozart's Gigue, for piano, 1937, 1941 | ||||||||||||
Composed by Wolfgang Amadeus Mozart as Kleine Gigue, K. 574 | |||||||||||||
Two printed scores with choreographic notes | |||||||||||||
Includes: Printed scores for Aaron Copland's Sunday Afternoon Music and The Young Pioneers pasted in | |||||||||||||
BOX-FOLDER 173/7 | Naked Leopard, 1952 | ||||||||||||
Composed by Zoltán Kodály as Sonata for Solo Cello, op. 8 | |||||||||||||
Printed score | |||||||||||||
New Moon | |||||||||||||
Composed by Lou Harrison | |||||||||||||
For flute, clarinet, trumpet, trombone, violin, bass, and percussion | |||||||||||||
BOX-FOLDER 217/1-4 | New Moon, 1986 | ||||||||||||
Four Ozalid full scores, one with pasteovers | |||||||||||||
Note: Box 217, Folder 1 is Hawkins's copy; includes choreographic notes | |||||||||||||
BOX-FOLDER 173/8-9, 217/5-6 | New Moon, 1986 | ||||||||||||
Four photocopies of full scores with cues or pasteovers, one incomplete | |||||||||||||
BOX-FOLDER 173/10 to 174/5 | New Moon, undated | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 217/7 | Night Voices no. 8, 1986 | ||||||||||||
Composed by Max Lifchitz; choreographed and danced by Randy Howard in 1987 | |||||||||||||
Photocopy of full score for flute, clarinet, trumpet, trombone, cello, bass, and percussion | |||||||||||||
BOX-FOLDER 174/6 | Oedipus Tyrannos, undated | ||||||||||||
Alternate title: Oedipus Tyrannus | |||||||||||||
Composed by Virgil Thomson | |||||||||||||
Ozalid score for voices with choreographic notes | |||||||||||||
Note: Choreography for a play performed at Fordham University | |||||||||||||
Parson Weems and the Cherry Tree | |||||||||||||
Composed by Virgil Thomson | |||||||||||||
For flute, clarinet, trumpet/flugelhorn, trombone, violin, bass, and percussion | |||||||||||||
BOX-FOLDER 217/8 to 218/1 | Parson Weems and the Cherry Tree, undated | ||||||||||||
Three Ozalid full scores with annotations | |||||||||||||
BOX-FOLDER 218/2-3 | Parson Weems and the Cherry Tree, 1975 and undated | ||||||||||||
Two photocopies of scores for piano | |||||||||||||
BOX-FOLDER 175/1-6 | Parson Weems and the Cherry Tree, undated | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 176/1 | El Penitente, 1960 | ||||||||||||
Composed by Louis Horst; choreographed by Martha Graham | |||||||||||||
Printed score for piano | |||||||||||||
BOX-FOLDER 176/2 | The Pilgrim's Progress, 1941 | ||||||||||||
Composed by Wallingford Riegger | |||||||||||||
Photocopy of score for piano with choreographic notes | |||||||||||||
Plains Daybreak | |||||||||||||
Composed by Alan Hovhaness | |||||||||||||
For flute, clarinet, trumpet, trombone, violin, bass, and percussion | |||||||||||||
BOX-FOLDER 176/3-4 | Plains Daybreak, 1976 and undated | ||||||||||||
Two holograph full scores | |||||||||||||
Note: Box 176, Folder 4 Hovhaness labeled as "Deletion score" | |||||||||||||
BOX-FOLDER 176/5-8, 218/4-5 | Plains Daybreak, 1976-1977 and undated | ||||||||||||
Three Ozalid and three photocopied full scores with cues, annotatons, or choreographic notes | |||||||||||||
Note: Box 176, Folder 5 and Box 218, Folder 4 are Hawkins's copies; include choreographic notes | |||||||||||||
BOX-FOLDER 176/9 to 177/4 | Plains Daybreak, undated | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 178/1 | Rondo, 1928 | ||||||||||||
Composed by Carl Maria von Weber as Sonata for Piano no. 1, op. 24 | |||||||||||||
Printed score with choreographic notes | |||||||||||||
Note: Untitled but most likely Rondo, an unperformed Ballet Caravan work | |||||||||||||
Saturday Night (or, Party Going) | |||||||||||||
Composed by Gregory Tucker as His Best Girl | |||||||||||||
For piano | |||||||||||||
BOX-FOLDER 218/6 | His Best Girl, 1942 | ||||||||||||
Manuscript score with choreographic notes | |||||||||||||
BOX-FOLDER 218/7 | His Best Girl, 1942 | ||||||||||||
Ozalid score | |||||||||||||
BOX-FOLDER 178/2 | Serenade, 1937 | ||||||||||||
Composed by Piotr Ilyich Tchaikovsky as Serenade for Piano, op. 48; choreographed by George Balanchine | |||||||||||||
Printed score with choreographic notes | |||||||||||||
BOX-FOLDER 178/3-4 | Show Piece, for piano, 1937 | ||||||||||||
Composed by Robert McBride | |||||||||||||
Two manuscript scores with choreographic notes or pasteovers | |||||||||||||
Includes: Box 178, Folder 3 program pasted in | |||||||||||||
Next Page » |