Access restrictions apply.
| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Writings, 1930s-1999 (continued) | |||||||||||||
| Writings by Hawkins, 1947-1994 (continued) | |||||||||||||
| BOX-FOLDER 18/13 | Gawain Yes, undated | ||||||||||||
| BOX-FOLDER 18/14 | Harvard lecture, 1986 | ||||||||||||
| BOX-FOLDER 19/1 | Inmost Heaven, or the Normative Ideal, 1980 | ||||||||||||
| BOX-FOLDER 19/2 | Interview transcriptions, 1959 and undated | ||||||||||||
| BOX-FOLDER 19/3 | Is There a Revolution in Dance?, undated | ||||||||||||
| BOX-FOLDER 19/4 |
Journey of a Poet, 1994
see also Writings by Dlugoszewski |
||||||||||||
| BOX-FOLDER 19/5 | A Little House to Understand and Protect It, 1960 | ||||||||||||
| BOX-FOLDER 19/6-7 | Machine Versus Tool, 1993 and undated | ||||||||||||
| BOX-FOLDER 19/8-10 | Modern Dance, Voyage of Discovery, 1958-1959, 1968 | ||||||||||||
| BOX-FOLDER 19/11 | My Love Affair with Music, undated | ||||||||||||
| BOX-FOLDER 324/4 | New York Public Library oral history, undated | ||||||||||||
| BOX-FOLDER 19/12 | On the Hawkins Technique, 1978 | ||||||||||||
| BOX-FOLDER 19/13 | Pure Fact in Movement, Technique, and Choreography, 1958 | ||||||||||||
| BOX-FOLDER 19/14 | Pure Poetry, 1964 | ||||||||||||
| BOX-FOLDER 20/1 | Questions and Answers, 1962 | ||||||||||||
| BOX-FOLDER 20/2 | Report of Erick Hawkins for Harvard, 1979-1980 | ||||||||||||
| BOX-FOLDER 20/3 | The Rite in Theatre, 1947 | ||||||||||||
| BOX-FOLDER 20/4-6 | Statement of Erick Hawkins, 1959 and undated | ||||||||||||
| BOX-FOLDER 20/7 | Theatre Structure for a New Dance Poetry, 1961 | ||||||||||||
| BOX-FOLDER 324/6 | Toward a New American Dance, undated | ||||||||||||
| BOX-FOLDER 20/8 | Troilus, undated | ||||||||||||
| BOX-FOLDER 20/10 | Western Michigan University commencement address, 1983 | ||||||||||||
| BOX-FOLDER 20/9 | Why Does Modern Dance Exist?, 1959 | ||||||||||||
| BOX-FOLDER 20/11 | Unidentified fragment, undated | ||||||||||||
| BOX 20-21, 24, 324-326, 328-342, 427 | Writings by Dlugoszewski, 1940-1999 | ||||||||||||
| Program notes, interviews, articles, compositional notes, poetry, and other writings by Lucia Dlugoszewski. Many of the unidentified writings were organized together in envelopes or paperclips by Dlugoszewski; these groupings were placed in bond folders to preserve the original order. Loose pages are all placed together and labeled as such on their respective folders. | |||||||||||||
| Identified writings are arranged alphabetically by title; unidentified writings are arranged chronologically, where there is evidence of a date. | |||||||||||||
| BOX-FOLDER 20/12, 324/7 | Abyss and Caress, 1975? and undated | ||||||||||||
| BOX-FOLDER 20/13 | Amor Elusive Empty August, 1979 and undated | ||||||||||||
| BOX-FOLDER 20/14, 324/9 | Amor Now Tilting Night, 1978 and undated | ||||||||||||
| BOX-FOLDER 20/15 | Are You Tired of Being Avant-garde?, undated | ||||||||||||
| BOX-FOLDER 21/5 | The Aristocracy of Play, undated | ||||||||||||
| BOX-FOLDER 20/16 | The Art of Listening, 1958 | ||||||||||||
| BOX-FOLDER 324/10 | Asia tour, undated | ||||||||||||
| BOX-FOLDER 20/17 | Can Art Be Necessary?, undated | ||||||||||||
| BOX-FOLDER 324/12 | A Composer - Choreographer Considers, undated | ||||||||||||
| BOX-FOLDER 324/13 | Deep statement, undated | ||||||||||||
| BOX-FOLDER 20/18 | Double and Single Labyrinths, undated | ||||||||||||
| BOX-FOLDER 21/1 | Duende, undated | ||||||||||||
| BOX-FOLDER 21/2, 324/14 | Duende Newfallen, undated | ||||||||||||
| BOX-FOLDER 324/15 | Duende Quidditas, undated | ||||||||||||
| BOX-FOLDER 324/16 | Each Time You Carry Me This Way, 1998 | ||||||||||||
| BOX-FOLDER 324/17 | Elytres lecture, 1965 | ||||||||||||
| BOX-FOLDER 328/18 | Erick Hawkins and Lucia Dlugoszewski: Heirs to a New Tradition, undated | ||||||||||||
| BOX-FOLDER 21/3 | Erick Hawkins drafts, undated | ||||||||||||
| BOX-FOLDER 324/19 | Erick Hawkins' Genius: Concrete Passionate Natural, undated | ||||||||||||
| BOX-FOLDER 21/4 | Erick Hawkins: Heir to a New Tradition, 1969-1972 | ||||||||||||
| BOX-FOLDER 21/6 324/20 | Erick Hawkins memorial remarks, 1994 | ||||||||||||
| BOX-FOLDER 21/7-8, 324/21 | Fire Fragile Flight, 1973 and undated | ||||||||||||
| BOX-FOLDER 325/1 | For Cornelia Foss, undated | ||||||||||||
| BOX-FOLDER 325/2 | Four Chapters on Music and Dance, 1964 | ||||||||||||
| BOX-FOLDER 24/20 | Haiku Possibilities, 1959 | ||||||||||||
| BOX-FOLDER 21/9 | For Herman Cherry, 1961 | ||||||||||||
| BOX-FOLDER 21/10, 325/3 | Here and Now, with Watchers, 1957 and undated | ||||||||||||
| BOX-FOLDER 325/4 | Intensive Aesthetic Seminar in Music and Dance, 1982 | ||||||||||||
| BOX-FOLDER 21/11 | Interview with Lucia Dlugoszewski, undated | ||||||||||||
| BOX-FOLDER 326/24 | Interview with Willard Maas, 1960 | ||||||||||||
| BOX-FOLDER 325/5 | An Introduction to Erick Hawkins, undated | ||||||||||||
| BOX-FOLDER 21/12-13, 325/6 | Is Music Sound?, 1958, 1962, and undated | ||||||||||||
| BOX-FOLDER 21/14 |
Journey of a Poet,
undated
see also Writings by Hawkins |
||||||||||||
| BOX-FOLDER 325/7 | A Journey to John Phillips, undated | ||||||||||||
| BOX-FOLDER 325/8 | Key Words and Contributions: Erick Hawkins and Lucia Dlugoszewski, undated | ||||||||||||
| BOX-FOLDER 24/21, 325/9 | Lords of Persia (Balance Naked Flung), undated | ||||||||||||
| BOX-FOLDER 21/15 | Magnetic Tape, Mathematics, and Music for the Dance, 1960 | ||||||||||||
| BOX-FOLDER 21/16 | Manifestos on the Music and Dance of 8 Clear Places, 1961 | ||||||||||||
| BOX-FOLDER 21/17 | Miscellaneous course descriptions, undated | ||||||||||||
| BOX-FOLDER 325/10 | Miscellaneous program notes, undated | ||||||||||||
| BOX-FOLDER 325/11 | Miscellaneous program note drafts, undated | ||||||||||||
| BOX-FOLDER 21/18-19 | Miscellaneous short writings by Dlugoszewski and others, undated | ||||||||||||
| BOX-FOLDER 325/12 | Motherwell Amor, undated | ||||||||||||
| BOX-FOLDER 21/20-21 | Music, 1959-1960? | ||||||||||||
| BOX-FOLDER 21/22 | Music for Small Centers and Here and Now, with Watchers, 1958 | ||||||||||||
| BOX-FOLDER 325/13 | Naked Point Abyss, 1972-1973 | ||||||||||||
| BOX-FOLDER 325/14 | Nature, undated | ||||||||||||
| BOX-FOLDER 21/23 | New Dance, New Collaboration, undated | ||||||||||||
| BOX-FOLDER 325/15 | A New Kind of Collaborative Factor of Lucia Dlugoszewski's Music: Composer Statement, undated | ||||||||||||
| BOX-FOLDER 325/16 | New Moon, undated | ||||||||||||
| BOX-FOLDER 325/17 | A New Virtuosity, undated | ||||||||||||
| BOX-FOLDER 325/18 | Nine Concerts, undated | ||||||||||||
| BOX-FOLDER 21/24 | Notes on Menken's Film on Noguchi, 1953-1954 | ||||||||||||
| BOX-FOLDER 21/25, 24/22 | Notes on Modern Music, 1957 and undated | ||||||||||||
| BOX-FOLDER 325/20 | Notes on Modern Music, undated | ||||||||||||
| BOX-FOLDER 21/26 | Notes on New Music, 1957? | ||||||||||||
| BOX-FOLDER 21/27 | Notes on New Music for the Dance, 1957 | ||||||||||||
| BOX-FOLDER 325/19 | Notes on the Timbre Piano, undated | ||||||||||||
| BOX-FOLDER 21/28 | On the Dance of Erick Hawkins, undated | ||||||||||||
| Note: Written with Woodworth, Tyler, Brown, and Sabin | |||||||||||||
| BOX-FOLDER 325/21 | On "New", undated | ||||||||||||
| BOX-FOLDER 325/22 | On Virgil Thompson, undated | ||||||||||||
| BOX-FOLDER 25/23 | One Poem in Three Plays, 1948 | ||||||||||||
| BOX-FOLDER 325/24 | Otherness Narrow Concert; Suchness Concert; Radical Otherness Concert, undated | ||||||||||||
| BOX-FOLDER 21/29, 325/25 | Pierce Sever, 1979? and undated | ||||||||||||
| BOX-FOLDER 24/23 | Poem: The Waltz, undated | ||||||||||||
| BOX-FOLDER 325/26 | Prose Gift to Robert Motherwell, 1984 | ||||||||||||
| BOX-FOLDER 21/30-31 | Questions Answered, undated | ||||||||||||
| BOX-FOLDER 325/27 | Radical Ardent, undated | ||||||||||||
| BOX-FOLDER 325/28 | Skylark Cicada, 1964 | ||||||||||||
| BOX-FOLDER 21/32 | The Song Since Elusive Throat, 1979? | ||||||||||||
| BOX-FOLDER 325/29 | Space Is a Diamond, undated | ||||||||||||
| BOX-FOLDER 21/33, 325/30 | Strange Tenderness of Naked Leaping, undated | ||||||||||||
| BOX-FOLDER 325/31 | Symphonic Choreography, undated | ||||||||||||
| BOX-FOLDER 325/32 | Taking Time to Be Vulnerable, circa 1998 | ||||||||||||
| BOX-FOLDER 21/34, 325/33 | Tender Theatre Flight Nageire, undated | ||||||||||||
| BOX-FOLDER 21/35 | Theatre, Timbre, Time, and Transparency, 1954-1955 | ||||||||||||
| BOX-FOLDER 325/34 | Two New York Composers, Ben Weber and Lucia Dlugoszewski, undated | ||||||||||||
| BOX-FOLDER 326/1 | The Uncarved Block, undated | ||||||||||||
| BOX-FOLDER 326/2 | Unique Collaborators: Hawkins and Dlugoszeski's Together Again, undated | ||||||||||||
| BOX-FOLDER 21/36 | Virtuosity of Beauty; Slogans, undated | ||||||||||||
| BOX-FOLDER 326/3 | What Exactly are the Hawkins Revolutions, undated | ||||||||||||
| BOX-FOLDER 21/37-38, 326/4 | What Is Sound to Music?, 1973 and undated | ||||||||||||
| BOX-FOLDER 326/5 | Wilderness Elegant Tilt, undated | ||||||||||||
| BOX-FOLDER 326/6 | WNYC: Interview with Andre Bernard, undated | ||||||||||||
| BOX 328 | Unidentified writings, 1940-1981 | ||||||||||||
| BOX-FOLDER 21/39-41 | Unidentified writings, 1963 and undated | ||||||||||||
| BOX-FOLDER 342/1-5 | Unidentified writings, 1967-1980 | ||||||||||||
| BOX-FOLDER 427/1-8 | Unidentified writings, 1977-1990 and undated | ||||||||||||
| BOX 329 | Unidentified writings, 1981-1984 | ||||||||||||
| BOX 330 | Unidentified writings, 1984 | ||||||||||||
| BOX 331 | Unidentified writings, 1984-1986 | ||||||||||||
| BOX 332 | Unidentified writings, 1986-1987 | ||||||||||||
| BOX 333 | Unidentified writings, 1988-1995 | ||||||||||||
| BOX-FOLDER 334/1-5 | Unidentified writings, 1996-1999 | ||||||||||||
| BOX-FOLDER 334/6 to 340/9, 342/6-12 | Unidentified writings, undated | ||||||||||||
| BOX 341 | Unidentified writings and poetry, undated | ||||||||||||
| Note: Most of these materials were removed from Dlugoszewski's apartment walls | |||||||||||||
| Next Page » | |||||||||||||