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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Writings, 1930s-1999 (continued) | |||||||||||||
| Writings by Dlugoszewski, 1940-1999 (continued) | |||||||||||||
| Writings by Dlugoszewski, 1940-1999 (continued) | |||||||||||||
| Identified writings are arranged alphabetically by title; unidentified writings are arranged chronologically, where there is evidence of a date. | |||||||||||||
| BOX-FOLDER 20/12, 324/7 | Abyss and Caress, 1975? and undated | ||||||||||||
| BOX-FOLDER 20/13 | Amor Elusive Empty August, 1979 and undated | ||||||||||||
| BOX-FOLDER 20/14, 324/9 | Amor Now Tilting Night, 1978 and undated | ||||||||||||
| BOX-FOLDER 20/15 | Are You Tired of Being Avant-garde?, undated | ||||||||||||
| BOX-FOLDER 21/5 | The Aristocracy of Play, undated | ||||||||||||
| BOX-FOLDER 20/16 | The Art of Listening, 1958 | ||||||||||||
| BOX-FOLDER 324/10 | Asia tour, undated | ||||||||||||
| BOX-FOLDER 20/17 | Can Art Be Necessary?, undated | ||||||||||||
| BOX-FOLDER 324/12 | A Composer - Choreographer Considers, undated | ||||||||||||
| BOX-FOLDER 324/13 | Deep statement, undated | ||||||||||||
| BOX-FOLDER 20/18 | Double and Single Labyrinths, undated | ||||||||||||
| BOX-FOLDER 21/1 | Duende, undated | ||||||||||||
| BOX-FOLDER 21/2, 324/14 | Duende Newfallen, undated | ||||||||||||
| BOX-FOLDER 324/15 | Duende Quidditas, undated | ||||||||||||
| BOX-FOLDER 324/16 | Each Time You Carry Me This Way, 1998 | ||||||||||||
| BOX-FOLDER 324/17 | Elytres lecture, 1965 | ||||||||||||
| BOX-FOLDER 328/18 | Erick Hawkins and Lucia Dlugoszewski: Heirs to a New Tradition, undated | ||||||||||||
| BOX-FOLDER 21/3 | Erick Hawkins drafts, undated | ||||||||||||
| BOX-FOLDER 324/19 | Erick Hawkins' Genius: Concrete Passionate Natural, undated | ||||||||||||
| BOX-FOLDER 21/4 | Erick Hawkins: Heir to a New Tradition, 1969-1972 | ||||||||||||
| BOX-FOLDER 21/6 324/20 | Erick Hawkins memorial remarks, 1994 | ||||||||||||
| BOX-FOLDER 21/7-8, 324/21 | Fire Fragile Flight, 1973 and undated | ||||||||||||
| BOX-FOLDER 325/1 | For Cornelia Foss, undated | ||||||||||||
| BOX-FOLDER 325/2 | Four Chapters on Music and Dance, 1964 | ||||||||||||
| BOX-FOLDER 24/20 | Haiku Possibilities, 1959 | ||||||||||||
| BOX-FOLDER 21/9 | For Herman Cherry, 1961 | ||||||||||||
| BOX-FOLDER 21/10, 325/3 | Here and Now, with Watchers, 1957 and undated | ||||||||||||
| BOX-FOLDER 325/4 | Intensive Aesthetic Seminar in Music and Dance, 1982 | ||||||||||||
| BOX-FOLDER 21/11 | Interview with Lucia Dlugoszewski, undated | ||||||||||||
| BOX-FOLDER 326/24 | Interview with Willard Maas, 1960 | ||||||||||||
| BOX-FOLDER 325/5 | An Introduction to Erick Hawkins, undated | ||||||||||||
| BOX-FOLDER 21/12-13, 325/6 | Is Music Sound?, 1958, 1962, and undated | ||||||||||||
| BOX-FOLDER 21/14 |
Journey of a Poet,
undated
see also Writings by Hawkins |
||||||||||||
| BOX-FOLDER 325/7 | A Journey to John Phillips, undated | ||||||||||||
| BOX-FOLDER 325/8 | Key Words and Contributions: Erick Hawkins and Lucia Dlugoszewski, undated | ||||||||||||
| BOX-FOLDER 24/21, 325/9 | Lords of Persia (Balance Naked Flung), undated | ||||||||||||
| BOX-FOLDER 21/15 | Magnetic Tape, Mathematics, and Music for the Dance, 1960 | ||||||||||||
| BOX-FOLDER 21/16 | Manifestos on the Music and Dance of 8 Clear Places, 1961 | ||||||||||||
| BOX-FOLDER 21/17 | Miscellaneous course descriptions, undated | ||||||||||||
| BOX-FOLDER 325/10 | Miscellaneous program notes, undated | ||||||||||||
| BOX-FOLDER 325/11 | Miscellaneous program note drafts, undated | ||||||||||||
| BOX-FOLDER 21/18-19 | Miscellaneous short writings by Dlugoszewski and others, undated | ||||||||||||
| BOX-FOLDER 325/12 | Motherwell Amor, undated | ||||||||||||
| BOX-FOLDER 21/20-21 | Music, 1959-1960? | ||||||||||||
| BOX-FOLDER 21/22 | Music for Small Centers and Here and Now, with Watchers, 1958 | ||||||||||||
| BOX-FOLDER 325/13 | Naked Point Abyss, 1972-1973 | ||||||||||||
| BOX-FOLDER 325/14 | Nature, undated | ||||||||||||
| BOX-FOLDER 21/23 | New Dance, New Collaboration, undated | ||||||||||||
| BOX-FOLDER 325/15 | A New Kind of Collaborative Factor of Lucia Dlugoszewski's Music: Composer Statement, undated | ||||||||||||
| BOX-FOLDER 325/16 | New Moon, undated | ||||||||||||
| BOX-FOLDER 325/17 | A New Virtuosity, undated | ||||||||||||
| BOX-FOLDER 325/18 | Nine Concerts, undated | ||||||||||||
| BOX-FOLDER 21/24 | Notes on Menken's Film on Noguchi, 1953-1954 | ||||||||||||
| BOX-FOLDER 21/25, 24/22 | Notes on Modern Music, 1957 and undated | ||||||||||||
| BOX-FOLDER 325/20 | Notes on Modern Music, undated | ||||||||||||
| BOX-FOLDER 21/26 | Notes on New Music, 1957? | ||||||||||||
| BOX-FOLDER 21/27 | Notes on New Music for the Dance, 1957 | ||||||||||||
| BOX-FOLDER 325/19 | Notes on the Timbre Piano, undated | ||||||||||||
| BOX-FOLDER 21/28 | On the Dance of Erick Hawkins, undated | ||||||||||||
| Note: Written with Woodworth, Tyler, Brown, and Sabin | |||||||||||||
| BOX-FOLDER 325/21 | On "New", undated | ||||||||||||
| BOX-FOLDER 325/22 | On Virgil Thompson, undated | ||||||||||||
| BOX-FOLDER 25/23 | One Poem in Three Plays, 1948 | ||||||||||||
| BOX-FOLDER 325/24 | Otherness Narrow Concert; Suchness Concert; Radical Otherness Concert, undated | ||||||||||||
| BOX-FOLDER 21/29, 325/25 | Pierce Sever, 1979? and undated | ||||||||||||
| BOX-FOLDER 24/23 | Poem: The Waltz, undated | ||||||||||||
| BOX-FOLDER 325/26 | Prose Gift to Robert Motherwell, 1984 | ||||||||||||
| BOX-FOLDER 21/30-31 | Questions Answered, undated | ||||||||||||
| BOX-FOLDER 325/27 | Radical Ardent, undated | ||||||||||||
| BOX-FOLDER 325/28 | Skylark Cicada, 1964 | ||||||||||||
| BOX-FOLDER 21/32 | The Song Since Elusive Throat, 1979? | ||||||||||||
| BOX-FOLDER 325/29 | Space Is a Diamond, undated | ||||||||||||
| BOX-FOLDER 21/33, 325/30 | Strange Tenderness of Naked Leaping, undated | ||||||||||||
| BOX-FOLDER 325/31 | Symphonic Choreography, undated | ||||||||||||
| BOX-FOLDER 325/32 | Taking Time to Be Vulnerable, circa 1998 | ||||||||||||
| BOX-FOLDER 21/34, 325/33 | Tender Theatre Flight Nageire, undated | ||||||||||||
| BOX-FOLDER 21/35 | Theatre, Timbre, Time, and Transparency, 1954-1955 | ||||||||||||
| BOX-FOLDER 325/34 | Two New York Composers, Ben Weber and Lucia Dlugoszewski, undated | ||||||||||||
| BOX-FOLDER 326/1 | The Uncarved Block, undated | ||||||||||||
| BOX-FOLDER 326/2 | Unique Collaborators: Hawkins and Dlugoszeski's Together Again, undated | ||||||||||||
| BOX-FOLDER 21/36 | Virtuosity of Beauty; Slogans, undated | ||||||||||||
| BOX-FOLDER 326/3 | What Exactly are the Hawkins Revolutions, undated | ||||||||||||
| BOX-FOLDER 21/37-38, 326/4 | What Is Sound to Music?, 1973 and undated | ||||||||||||
| BOX-FOLDER 326/5 | Wilderness Elegant Tilt, undated | ||||||||||||
| BOX-FOLDER 326/6 | WNYC: Interview with Andre Bernard, undated | ||||||||||||
| BOX 328 | Unidentified writings, 1940-1981 | ||||||||||||
| BOX-FOLDER 21/39-41 | Unidentified writings, 1963 and undated | ||||||||||||
| BOX-FOLDER 342/1-5 | Unidentified writings, 1967-1980 | ||||||||||||
| BOX-FOLDER 427/1-8 | Unidentified writings, 1977-1990 and undated | ||||||||||||
| BOX 329 | Unidentified writings, 1981-1984 | ||||||||||||
| BOX 330 | Unidentified writings, 1984 | ||||||||||||
| BOX 331 | Unidentified writings, 1984-1986 | ||||||||||||
| BOX 332 | Unidentified writings, 1986-1987 | ||||||||||||
| BOX 333 | Unidentified writings, 1988-1995 | ||||||||||||
| BOX-FOLDER 334/1-5 | Unidentified writings, 1996-1999 | ||||||||||||
| BOX-FOLDER 334/6 to 340/9, 342/6-12 | Unidentified writings, undated | ||||||||||||
| BOX 341 | Unidentified writings and poetry, undated | ||||||||||||
| Note: Most of these materials were removed from Dlugoszewski's apartment walls | |||||||||||||
| BOX 22-24, 326-327, 427 | Writings by Others, 1930s-1995 | ||||||||||||
| Interviews, journal articles, reviews and other writings about Hawkins, Dlugoszewski, and/or the Hawkins Dance Company. | |||||||||||||
| Arranged alphabetically by author and by title therein. | |||||||||||||
| BOX-FOLDER 326/7 | Andrews, Donald Hatch. "Consonant Form in Nature and in Art," circa 1960 | ||||||||||||
| BOX-FOLDER 22/1 | Ashberg, John. "Erick Hawkins," undated | ||||||||||||
| BOX-FOLDER 22/2 | Benjamin, Jerry. "Everything, part 3," 1979 | ||||||||||||
| BOX-FOLDER 326/8 | Bottero, Maria. "Frederick Kiesler," circa 1995 | ||||||||||||
| BOX-FOLDER 22/3 | Boynton Grawsam, Anne. "Erick Hawkins, Choreographer as Sculptor," 1974 | ||||||||||||
| BOX-FOLDER 22/4 | Brown, Beverly. "Training to Dance with Erick Hawkins," 1971 | ||||||||||||
| BOX-FOLDER 326/9 | Cage, John. Untitled, undated | ||||||||||||
| BOX-FOLDER 22/5 | Canadian Dance World, 1961-1962 | ||||||||||||
| BOX-FOLDER 22/6 | Celichowska, Renata?. Untitled, undated | ||||||||||||
| BOX-FOLDER 22/7 | Clinton, Bill. Remarks by the President at the Humanities Awards Ceremony, 1994 | ||||||||||||
| BOX-FOLDER 326/10 | Copeland, Roger. "Postmodern Dance and the Repudiation of Primitivism," 1983 | ||||||||||||
| BOX-FOLDER 326/11 | Copley, Alfred L. "Art and Biorheology" and convocation address, 1978 | ||||||||||||
| BOX-FOLDER 326/12 | Cultural Affairs, 1968-1969 | ||||||||||||
| Includes: Robert Armstrong; Richard Kostelanetz; Alan Kriegsman; Sali Ann Kriegsman; Herbert R. Lottman; Alwin Nikolais; Joel Oppenheimer; J. Richard Taft | |||||||||||||
| BOX-FOLDER 326/13 | Dalva, Nancy. "The Way of Merce," 1992 | ||||||||||||
| BOX-FOLDER 22/8 | Daniel, Oliver. "A Counterpoint of View," 1971 | ||||||||||||
| BOX-FOLDER 22/9 | De Mille, Agnes. "The Dancer from the Dance," 1991 | ||||||||||||
| BOX-FOLDER 326/14 | Dempster, Elizabeth. "Situated Knowledge: An Interview with Dana Rietz," 1991 | ||||||||||||
| BOX-FOLDER 326/15 | Diether, Jack. Untitled, undated | ||||||||||||
| Dorazio, Mary Norton | |||||||||||||
| BOX-FOLDER 326/16 | A Descriptive Approach to a Philosophy of Art (draft), 1962 | ||||||||||||
| BOX-FOLDER 326/17 | Erick Hawkins: Affirming the Aesthetic Dimension, undated | ||||||||||||
| BOX-FOLDER 326/18 | Poetry, undated | ||||||||||||
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