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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Journals and Notebooks, 1922-2000 (continued) | |||||||||||||
| Dlugoszewski, 1941-2000 (continued) | |||||||||||||
| Compositional Notebooks, 1952-2000 (continued) | |||||||||||||
| BOX 291 | 1995-1996 | ||||||||||||
| Contents: Depth Duende Scarecrow Other; Frank Lloyd Waterfall Haus | |||||||||||||
| BOX 292 | 1996 | ||||||||||||
| Contents: Cloud; Depth Duende Scarecrow Other; Radical Otherness | |||||||||||||
| BOX 293 | 1996 | ||||||||||||
| Contents: Depth Duende; Frank Lloyd Waterfall Haus; Radical Other; Radical Otherness | |||||||||||||
| BOX 294 | 1996-1997 | ||||||||||||
| Contents: Cloud; Depth Duende Scarecrow Other; Posthumous Duet; Why Does a Man Dance? | |||||||||||||
| BOX 295 | 1997-1998 | ||||||||||||
| Contents: Choreography notebook; Exacerbated Subtlety Concert (orchestra); Pascal's Book; Posthumous Duet; Taking Time to be Vulnerable; Why Does a Woman Love a Man? | |||||||||||||
| BOX 296 | 1998 | ||||||||||||
| Contents: Aesthetic diary; Exacerbated Subtlety (orchestrality); Taking Time to be Vulnerable | |||||||||||||
| BOX 297 | 1998 | ||||||||||||
| Contents: Exacerbated Subtlety; Taking Time to be Vulnerable | |||||||||||||
| BOX 298 | 1998 | ||||||||||||
| Contents: Address book; diaries; Suchness; Symphony for Seven Instruments; Taking Time to be Vulnerable | |||||||||||||
| BOX 299 | 1998-1999 | ||||||||||||
| Contents: Diary; Radical Ardent; Taking Time to be Vulnerable | |||||||||||||
| BOX 300 | 1999-2000 | ||||||||||||
| Contents: Diaries; Motherwell Amor; Radical Ardent; Why Does a Woman Love a Man? | |||||||||||||
| BOX 301 | 2000 | ||||||||||||
| Contents: Diary; Motherwell Amor; Taking Time to be Vulnerable | |||||||||||||
| BOX 302 | 2000, undated | ||||||||||||
| Contents: Cantilever; diary; Each Time You Carry Me This Way; Flower; John Brown; Motherwell Amor; Naked Wabin / Left Ear; Abyss and Caress (?) | |||||||||||||
| BOX 303 | undated | ||||||||||||
| Contents: Abyss and Caress; Amor Now Tilting Night; Black Light; Fire Fragile Flight | |||||||||||||
| BOX 304 | undated | ||||||||||||
| Contents: Radical Narrowness; Symphony for Seven Instruments; unidentified | |||||||||||||
| BOX 305/15 | Choreographic notes, undated | ||||||||||||
| Note: Unidentified works by Dlugoszewski and Hawkins | |||||||||||||
| BOX 143-189, 203-220, 306-323, 368-426, 435-457 | Music, 1878-2000 | ||||||||||||
| Manuscript scores, printed music, and reproductions of music by Dlugoszewski and other composers. There are also choreographic notes and sketches included within the Music series. Some scores include markings: choreographic notes refer specifically to accompanying choreography, annotations refer to musical performance instructions or alterations, and cues refer to lighting, timings, and other aspects of dance performance. | |||||||||||||
| Arranged in four subseries by composer and function. | |||||||||||||
| BOX 143-156, 203-211, 306-323, 368-381, 387-425, 435-454, 456 | Music by Dlugoszewski, 1930s-2000 | ||||||||||||
| Holograph manuscript scores, annotated scores, sketches, and maps of music by Dlugoszewski and notes pertaining to her compositional process. "Map" is a term Dlugoszewski used to refer to her unique style of sketching compositions using organizational and musical symbols. | |||||||||||||
| Arranged alphabetically by title. | |||||||||||||
| BOX-FOLDER 368/1 | 7 Meanings to the Clue of Space, undated | ||||||||||||
| Holograph full score | |||||||||||||
| 8 Clear Places | |||||||||||||
| Alternate title: Suchness Concert | |||||||||||||
| For invented percussion | |||||||||||||
| BOX-FOLDER 435/1 | 8 Clear Places. Pine Tree, undated | ||||||||||||
| Holograph score with choreographic notes | |||||||||||||
| BOX-FOLDER 372/1 | 8 Clear Places, 1973 | ||||||||||||
| Holograph player 2 part | |||||||||||||
| BOX-FOLDER 143/1, 306/1 to 307/27, 368/2 to 372/2-8, 435/2 | 8 Clear Places, 1956-1996, and undated | ||||||||||||
| Scores; sketches; notes; maps; choreographic notes | |||||||||||||
| Note: Box 307, Folder 25 may also be Song Sparrow Lifted Snow. Box 372, Folder 2 also includes Sudden Snake-Bird materials. | |||||||||||||
| Abyss and Caress | |||||||||||||
| For solo trumpet and orchestra | |||||||||||||
| BOX-FOLDER 373/1-5, 435/3 to 436/2 | Abyss and Caress, 1975 | ||||||||||||
| Five Ozalid full scores with annotations | |||||||||||||
| BOX-FOLDER 373/6 | Abyss and Caress, undated | ||||||||||||
| Holograph full score fragment | |||||||||||||
| BOX-FOLDER 373/8 to 374/3, 436/3 | Abyss and Caress, undated | ||||||||||||
| Ozalid parts with annotations | |||||||||||||
| BOX-FOLDER 307/28-32, 373/7, 374/4 to 308/1 | Abyss and Caress, 1973 and undated | ||||||||||||
| Notes; maps | |||||||||||||
| Note: Box 307, Folder 28 also includes Fire Fragile Flight | |||||||||||||
| BOX-FOLDER 368/1 | Aladdin Suite, 1936-1938 | ||||||||||||
| Holograph score for piano | |||||||||||||
| Amor Elusive Empty August | |||||||||||||
| For flute, oboe, bass clarinet, bassoon, and horn | |||||||||||||
| BOX-FOLDER 436/4 | Amor Elusive Empty August, 1974 | ||||||||||||
| Holograph full score | |||||||||||||
| BOX-FOLDER 375/2-3 | Amor Elusive Empty August, 1979 | ||||||||||||
| Two Ozalid full scores, one with holograph additions | |||||||||||||
| BOX-FOLDER 437/1-3 | Amor Elusive Empty August, 1974 | ||||||||||||
| Two Ozalid and one ozalid/photocopied full scores | |||||||||||||
| BOX-FOLDER 143/2 | Amor Elusive Empty August, 1979 | ||||||||||||
| Manuscript full score and photocopy | |||||||||||||
| BOX-FOLDER 143/3, 308/2-16, 375/4 to 376/3 | Amor Elusive Empty August, 1979-1982 and undated | ||||||||||||
| Notes; maps; sketches | |||||||||||||
| BOX-FOLDER 308/17-18, 376/4-6 | Amor Now Tilting Night, undated | ||||||||||||
| Notes; maps; sketches; choreographic notes | |||||||||||||
| Angels of the Inmost Heaven | |||||||||||||
| Alternate title: Densities | |||||||||||||
| For trumpets, horn, tenor trombone, and bass trombone | |||||||||||||
| BOX-FOLDER 376/7 | Angels of the Inmost Heaven, undated | ||||||||||||
| Holograph full score | |||||||||||||
| BOX-FOLDER 203/1, 143/4-5, 437/4-5 | Angels of the Inmost Heaven, 1971 | ||||||||||||
| Six Ozalid full scores | |||||||||||||
| Note: Box 203, Folder 1 is Hawkins's copy; includes choreographic notes | |||||||||||||
| BOX-FOLDER 143/6-9, 376/10 to 377/4 | Angels of the Inmost Heaven, 1971 and undated | ||||||||||||
| Parts | |||||||||||||
| BOX-FOLDER 376/8-9 | Angels of the Inmost Heaven, 1971 | ||||||||||||
| Notes; maps; sketches | |||||||||||||
| BOX-FOLDER 377/5 | Archaic Aggregates, undated | ||||||||||||
| Notes; sketches | |||||||||||||
| Avanti | |||||||||||||
| Alternate title: Skylark Iris Terrible Freedom | |||||||||||||
| For flute, clarinet, trumpet, trombone, violin, bass, and percussion | |||||||||||||
| BOX-FOLDER 378/1-2 | Avanti, 1980 | ||||||||||||
| Two holograph full scores (incomplete) | |||||||||||||
| BOX-FOLDER 143/10, 377/3-4 | Avanti, 1980 | ||||||||||||
| Three photocopies of full scores with annotations (incomplete) | |||||||||||||
| BOX-FOLDER 144/1 | Avanti, undated | ||||||||||||
| Photocopies of parts with annotations | |||||||||||||
| BOX-FOLDER 308/19-26, 377/4 to 379/7 | Avanti, 1981-1984 and undated | ||||||||||||
| Notes; maps; sketches | |||||||||||||
| BOX-FOLDER 379/12 | Beauty music, 1965 | ||||||||||||
| Part; sketches | |||||||||||||
| Black Lake | |||||||||||||
| Alternate title: The Suchness of Nine Concerts | |||||||||||||
| For clarinet, violin, percussion, and timbre piano | |||||||||||||
| BOX-FOLDER 438/1 | IX Concerts, 1970 | ||||||||||||
| Holograph full score | |||||||||||||
| BOX-FOLDER 380/1 | Black Lake, undated | ||||||||||||
| Holograph full score with annotations; maps | |||||||||||||
| BOX-FOLDER 203/2-3, 438/2-4 | Black Lake, 1969-1970 and undated | ||||||||||||
| Five Ozalid full scores with annotations | |||||||||||||
| Note: Box 203, Folder 2 is Hawkins's copy; includes choreographic notes | |||||||||||||
| BOX-FOLDER 144/2-3, 203/4, 204/1-2, 381/1-3 | Black Lake, undated | ||||||||||||
| Seven photocopies of full scores with annotations and choreographic notes | |||||||||||||
| Note: Box 203, Folder 4 is Dlugoszewski's copy; includes cues | |||||||||||||
| BOX-FOLDER 381/4-5, 387/7, 440/13 | Black Lake, 1969 and undated | ||||||||||||
| Holograph, Ozalid, and photocopy fragments | |||||||||||||
| BOX-FOLDER 382/1-4 | Black Lake. Sun Setting, undated | ||||||||||||
| Three holograph full scores and one photocopy ; parts (incomplete) | |||||||||||||
| BOX-FOLDER 382/5, 439/1-5 | The Suchness of IX Concerts. Pure P'o, 1969-1970 and undated | ||||||||||||
| Six Ozalid full scores with annotations | |||||||||||||
| Note: Box 439, Folder 1 is Hawkins's copy. Box 439, Folder 3 is a conductor's copy | |||||||||||||
| BOX-FOLDER 382/6 | Black Lake. Sun Setting, undated | ||||||||||||
| Photocopy of full score with choreographic notes (incomplete) | |||||||||||||
| BOX-FOLDER 382/7 | Black Lake. Sun Setting, undated | ||||||||||||
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