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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1878-2000 (continued) | |||||||||||||
| Music by Dlugoszewski, 1930s-2000 (continued) | |||||||||||||
| BOX-FOLDER 453/4 | Separated Music. for Delicate Accidents, 1958 | ||||||||||||
| Two holograph scores | |||||||||||||
| BOX-FOLDER 453/5 | Separated Music. for Rates of Speed, 1958 | ||||||||||||
| Two holograph scores | |||||||||||||
| Skylark Cicada (Hanging Bridges) | |||||||||||||
| BOX-FOLDER 418/7 | Skylark Cicada (Hanging Bridges), undated | ||||||||||||
| Holograph full score (incomplete) | |||||||||||||
| BOX-FOLDER 418/8-9 | Skylark Cicada (Hanging Bridges), 1964 | ||||||||||||
| Notes; maps; sketches | |||||||||||||
| Sonata in Two Movements | |||||||||||||
| BOX-FOLDER 418/10 | Sonata in Two Movements, undated (Not Available) | ||||||||||||
| Holograph manuscript score with pasteovers | |||||||||||||
| Note: This material is very fragile and cannot be served without prior approval from the Head of Acquisitions and Processing | |||||||||||||
| BOX-FOLDER 418/11 | Sonata in Two Movements, undated | ||||||||||||
| Holograph score fragments; sketches | |||||||||||||
| BOX-FOLDER 455/3 | Song for the Poetry of Everyday Sounds to the poem of e. e. cummings, undated | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 153/8, 316/10-17, 418/12-17 | Song poems, 1961-1994 and undated | ||||||||||||
| Thirty-six holograph manuscripts | |||||||||||||
| BOX-FOLDER 316/18 to 317/7 | Song Sparrow Lifted Snow, 1984-1989 and undated | ||||||||||||
| Notes; maps | |||||||||||||
| Note: Box 316, Folder 20 includes Quidditas Sorrow Terrible Freedom and Wilderness Elegant Tilt materials | |||||||||||||
| Space Is a Diamond | |||||||||||||
| BOX-FOLDER 419/1-2 | Space Is a Diamond, 1970 | ||||||||||||
| Two holograph scores | |||||||||||||
| BOX-FOLDER 419/3 | Space Is a Diamond, 1977 | ||||||||||||
| Printed score | |||||||||||||
| BOX-FOLDER 453/6 | Space Is a Diamond, 1977 | ||||||||||||
| Two photostat scores | |||||||||||||
| BOX-FOLDER 419/4 | Space Is a Diamond, undated | ||||||||||||
| Map | |||||||||||||
| BOX-FOLDER 419/5 | Space of March and April and May, undated | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 317/8 | Spring Azure, undated | ||||||||||||
| Notes; maps | |||||||||||||
| BOX-FOLDER 317/9-15, 453/7 | Startle Transparent Terrible Freedom, 1980-1982 | ||||||||||||
| Notes; maps | |||||||||||||
| BOX-FOLDER 318/1-6 | Strange Tenderness of Naked Leaping, undated | ||||||||||||
| Notes; maps | |||||||||||||
| BOX-FOLDER 453/8-9 | Structure for the Poetry of Everyday Sounds, undated | ||||||||||||
| Holograph score; notes | |||||||||||||
| Note: Written for Living Theatre's production of Ubu Roi | |||||||||||||
| BOX-FOLDER 419/6 | Suchness with Radiant Ground, undated | ||||||||||||
| Holograph parts | |||||||||||||
| Sudden Snake-Bird | |||||||||||||
| Original title: The Black House | |||||||||||||
| BOX-FOLDER 419/7-10 | The Black House and the Living Water, circa 1953 | ||||||||||||
| Ozalid full score and incomplete photostats; holograph sketches | |||||||||||||
| BOX-FOLDER 318/7 | Sudden Snake-Bird, undated | ||||||||||||
| Notes | |||||||||||||
| Swift and Naked | |||||||||||||
| BOX-FOLDER 419/11 to 420/3 | Swift and Naked, 1980 | ||||||||||||
| Holograph onionskin full score and photocopy | |||||||||||||
| BOX-FOLDER 318/8-10, 420/4-7 | Swift and Naked, 1980-1981 and undated | ||||||||||||
| Notes; maps | |||||||||||||
| BOX-FOLDER 421/1-2 | Swift Music, 1965 and undated | ||||||||||||
| Holograph score for timbre piano; fragment | |||||||||||||
| BOX-FOLDER 421/3-4 | Swift Music Beauty Music, 1967 | ||||||||||||
| Sketches; notes | |||||||||||||
| BOX-FOLDER 318/11-12 | Taking Time to be Vulnerable?, for timbre piano and invented percussion, 1992, 1999, and undated | ||||||||||||
| Notes; maps | |||||||||||||
| Note: Box 318, Folder 12 also includes Each Time You Carry Me This Way materials | |||||||||||||
| BOX-FOLDER 318/13 | Theatre Flight Nageire, for timbre piano, clarinet, and invented percussion, undated | ||||||||||||
| Notes | |||||||||||||
| Tightrope | |||||||||||||
| For clarinet, violin, and percussion | |||||||||||||
| BOX-FOLDER 156/4, 421/5 | Tightrope, undated | ||||||||||||
| Two holograph full scores | |||||||||||||
| BOX-FOLDER 156/5, 211/2, 421/6 | Tightrope, 1978 and undated | ||||||||||||
| Three Ozalid full scores with annotations | |||||||||||||
| Note: Box 211, Folder 2 is Hawkins's copy | |||||||||||||
| BOX-FOLDER 211/3 | Tightrope, undated | ||||||||||||
| Ozalid parts with annotations | |||||||||||||
| BOX-FOLDER 318/14 | Tightrope, undated | ||||||||||||
| Notes | |||||||||||||
| BOX-FOLDER 421/7-9 | Timbre Events in Dynamic Durations, undated | ||||||||||||
| Holograph scores; parts; sketches; notes; printed texts | |||||||||||||
| To Everybody Out There | |||||||||||||
| For flute, oboe, clarinet, bassoon, trumpet, horn, trombone, and percussion | |||||||||||||
| BOX-FOLDER 421/10 | To Everybody Out There, undated | ||||||||||||
| Holograph onionskin full score | |||||||||||||
| BOX-FOLDER 211/4, 454/1 | To Everybody Out There, undated | ||||||||||||
| Two Ozalid full scores with annotations and pasteovers | |||||||||||||
| BOX-FOLDER 211/5-7 | To Everybody Out There, undated | ||||||||||||
| Ozalid parts with pasteovers | |||||||||||||
| BOX-FOLDER 421/11 | Transparency for Partially Prepared Piano, undated | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 421/12 | Transparency for Piano and Three India Camels and One Indian Wedding Bell, undated | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 421/13 | Transparency for Violin and Piano, 1951 | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 421/14 | Two-part Song: House of Jane Addams, undated | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 421/15 | Violin and Piano Piece, undated | ||||||||||||
| Holograph score | |||||||||||||
| BOX-FOLDER 421/16 | Violin Music for Left Ear in a Small Room, 1965 | ||||||||||||
| Holograph score | |||||||||||||
| Wilderness Elegant Tilt | |||||||||||||
| For chamber orchestra | |||||||||||||
| BOX-FOLDER 422/1 | Wilderness Elegant Tilt, undated | ||||||||||||
| Holograph full score (incomplete) | |||||||||||||
| BOX-FOLDER 422/2 | Wilderness Elegant Tilt, undated | ||||||||||||
| Two Ozalid full scores (incomplete) | |||||||||||||
| BOX-FOLDER 318/15 to 319/17, 422/3-8 | Wilderness Elegant Tilt, 1981-1986 and undated | ||||||||||||
| Notes; maps; sketches | |||||||||||||
| Note: Box 422, Folder 6 also includes Motherwell Amor materials | |||||||||||||
| BOX-FOLDER 422/9 | Wilderness Elegant Tilt, undated | ||||||||||||
| Holograph onionskin parts (incomplete) | |||||||||||||
| BOX-FOLDER 320/1 | Zen in Ryoko-in, for everyday sounds,undated | ||||||||||||
| Holograph score and notes | |||||||||||||
| Note: Written for Maryette Charlton's Zen in Ryoko-in | |||||||||||||
| BOX-FOLDER 320/6-27 | Unidentified, 1980-1993 and undated | ||||||||||||
| Notes; maps; choreographic notes | |||||||||||||
| Possible titles include: 8 Clear Places; Abyss and Caress; Cantilever; Cicada Terrible Freedom; Clear Leap; Each Time You Carry Me This Way | |||||||||||||
| BOX 321 | Unidentified, 1981-1997 and undated | ||||||||||||
| Scores; notes; maps; choreographic notes | |||||||||||||
| Possible titles include: Black Lake; Each Time You Carry Me This Way; Early Floating; Fire Fragile Flight; Journey of a Poet; Many Thanks; Radical, Strange, Quidditas, Dew Tear, Duende; Radical Suchness Concert; Song Sparrow Lifted Snow; Strange Tenderness of Naked Leaping | |||||||||||||
| BOX 322 | Unidentified, 1981-1988 and undated | ||||||||||||
| Notes; maps | |||||||||||||
| Possible titles include: Song Sparrow Lifted Snow; Wilderness Elegant Tilt | |||||||||||||
| BOX-FOLDER 323/1-15 | Unidentified, 1966-1998 and undated | ||||||||||||
| Notes; maps; choreographic notes | |||||||||||||
| BOX-FOLDER 424/7 to 425/9, 454/2 | Unidentified, 1974-1996 and undated | ||||||||||||
| Notes; maps; sketches | |||||||||||||
| Possible titles include: Abyss and Caress; Cantilever; Depth Duende Scarecrow Other (Symphony for Seven Instruments); Each Time You Carry Me This Way; Flower Music for Left Ear in a Small Room; Geography of Noon; Radical Narrowness Concert; Swift Music; Wilderness Elegant Tilt | |||||||||||||
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