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BOX 1 |
Music, 1865-1931
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This series consists chiefly of manuscript and printed scores, the majority
of which are songs from Broadway musicals and other American popular music.
Freedley composed four of these works and autographed the piano-vocal score
for "If You But Smile." The manuscripts for George and Ira Gershwin’s works
are notable for their annotations, and the lyrics for the song "I Love a
Simple Way," from the musical A Dangerous Maid (1921), are written in Ira Gershwin’s hand. Also present are Ray
Henderson’s piano and piano-vocal scores for three songs from the musical
comedy Hold Everything! (1928), which ran for 409 performances. Several additional items
are inscribed to Freedley, including the piano-vocal scores for John H.
Densmore’s "Love Lightly" (1916) and Herbert Johnson’s "Mr. Jacqemont"
(1916), as well as an unidentified vocal score titled "Finale." This series
also contains compositions by Joseph Alger, Jas A. Brennan, Hoagy
Carmichael, Vernon Duke, Virginia Gabriel, Ray Henderson, Burton Lane, Jimmy
McHugh, and Lee S. Roberts, along with unidentified holograph scores and
sketches. |
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Arranged alphabetically by composer and title therein |
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Alger, Joseph |
BOX-FOLDER 1/3 |
The Man I Married Is a Bathroom,
undated
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Piano-vocal score |
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Brennan, Jas A. (?) |
BOX-FOLDER 1/22 |
The Rose of the Mountain Trail, circa
1914
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Parts (strings, clarinet, cornet,
trombone, and drums) |
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Carmichael, Hoagy |
BOX-FOLDER 1/5 |
In My Wildest Dreams,
undated
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Piano-vocal score |
BOX-FOLDER 1/6 |
Moonburn,
undated
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Piano-vocal score |
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Densmore, John H. |
BOX-FOLDER 1/7 |
Love Lightly, 1916
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Piano-vocal score, possibly in the hand
of Densmore |
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Note:
Inscribed to Freedley |
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Duke, Vernon |
BOX-FOLDER 1/8 |
Come What May,
undated
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Piano-vocal score |
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Freedley, Vinton |
BOX-FOLDER 1/2 |
Dance,
undated
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Trombone part with
annotations |
BOX-FOLDER 1/1 |
If You But Smile,
undated
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Piano-vocal score |
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Note:
Autographed by Freedley and inscribed "Mary M.
Mitchell" |
BOX-FOLDER 1/2 |
There Was a Little Girl,
undated
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Vocal lead sheet |
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Freedley, Vinton and J. K.
Hodges |
BOX-FOLDER 1/2 |
Opening Chorus Act 2,
undated
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Mimeograph of vocal score |
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Gabriel, Virginia |
BOX-FOLDER 1/19 |
The Garden of Roses, circa
1865
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Piano-vocal score |
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Note:
Inscribed "E. S." |
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Gershwin, George |
BOX-FOLDER 1/9 |
Anything for You (from A Dangerous Maid), circa
1921
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Copyist piano-vocal score in the hand
of William Daly |
BOX-FOLDER 1/10 |
I Love the Simple Way (from A Dangerous Maid), circa
1921
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Text in the hand of Ira
Gershwin |
BOX-FOLDER 1/11 |
Just to Know You Are Mine (from A Dangerous Maid), circa
1921
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Copyist piano-vocal score (no lyric)
with annotations |
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Gershwin, George (?) |
BOX-FOLDER 1/12 |
When You Get Home Again (from Dere Mabel),
undated
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Copyist piano-vocal score in the hand
of William Daly, with annotations most likely by George Gershwin
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Henderson, Ray |
BOX-FOLDER 1/13 |
Let Everything Go (from Hold Everything!), circa
1928
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Piano-vocal score |
BOX-FOLDER 1/14 |
To Know You Is to Love You (from Hold Everything!), circa
1928
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Piano-vocal score (no lyric) |
BOX-FOLDER 1/15 |
You're the Cream in My Coffee (from
Hold Everything!), circa
1928
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Score for piano |
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Johnson, Herbert |
BOX-FOLDER 1/16 |
Mr. Jacquemont, 1916 April
6
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Printed piano-vocal score |
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Note:
Inscribed to Freedley |
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Lane, Burton |
BOX-FOLDER 1/4 |
Singin' the Blues, 1931
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Piano-vocal score |
BOX-FOLDER 1/4 |
Singin' the Blues, 1931
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Score for piano |
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McHugh, Jimmy |
BOX-FOLDER 1/17 |
It's the Darndest Thing, 1931
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Printed piano-vocal score |
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Roberts, Lee S. |
BOX-FOLDER 1/18 |
Little Songs of Optimism, 1921 June
21
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Piano-vocal score |
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Note:
Inscribed to Mrs. Henry Phipps |
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Unidentified |
BOX-FOLDER 1/20 |
Family,
undated
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Lead sheet |
BOX-FOLDER 1/20 |
Finale,
undated
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Lead sheet |
BOX-FOLDER 1/23 |
The Girl I'd Choose for Kissing,
undated
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Score for piano; sketch; lyric
sheet |
BOX-FOLDER 1/20 |
Glad I Met You,
undated
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Sketch |
BOX-FOLDER 1/21 |
Grey Day,
undated
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Sketch |
BOX-FOLDER 1/21 |
Here's One Who Wouldn't,
undated
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Piano-vocal score (no lyric) |
BOX-FOLDER 1/21 |
I Couldn't Find Another,
undated
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Piano-vocal score |
BOX-FOLDER 1/21 |
Lady Flicotine (?),
undated
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Sketch |
BOX-FOLDER 1/21 |
March Song Act 2,
undated
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Score for piano |
BOX-FOLDER 1/20 |
Same Old Tale,
undated
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Sketch |
BOX-FOLDER 1/23 |
Selection "Loravia",
undated
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Conductor score |
BOX-FOLDER 1/21 |
Usher Girls,
undated
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Lead sheet |
BOX-FOLDER 1/21 |
Unidentified,
undated
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Piano-vocal score |
BOX 2-3 |
Scripts, 1928-1960
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This series contains scripts for plays and musical theater productions produced by Vinton Freedley. The scripts are typed and many contain annotations. |
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Arranged alphabetically by title. |
BOX-FOLDER 2/1 |
Anything Goes,
1934
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By Guy Bolton and P. G. Wodehouse; revised by Howard Lindsay; music and lyrics by Cole Porter |
BOX-FOLDER 2/2 |
Anything Goes,
undated
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By Guy Bolton and P. G. Wodehouse; treatment by Howard Lindsay and Russel Crouse; music and lyrics by Cole Porter |
BOX-FOLDER 2/3 |
Blind Date,
undated
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By Guy Bolton, Sidney Sheldon, and Ben Roberts; lyrics by Howard Dietz; music by Vernon Duke |
BOX-FOLDER 2/4 |
Call Me Lucky,
undated
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By Walter O'Keefe; music by Irv Orton |
BOX-FOLDER 2/5 |
Family Honeymoon,
undated
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By Owen Davis |
BOX-FOLDER 2/6 |
The French They Are,
undated
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By Robert Wallsten |
BOX-FOLDER 2/7 |
Funny Face,
1928
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By Fred Thompson and Paul Gerard Smith |
BOX-FOLDER 2/8 |
Garrick Gaities,
undated
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Music by Richard Rodgers; lyrics by Lorenz Hart |
BOX-FOLDER 2/9 |
Girl Crazy,
undated
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By Guy Bolton and Jack McGowan; music by George Gershwin; lyrics by Ira Gershwin |
BOX-FOLDER 2/10 |
Girl Crazy,
1960
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By Guy Bolton and Jack McGowan; music by George Gershwin; lyrics by Ira Gershwin |
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Laid in: Correspondence |
BOX-FOLDER 2/11 |
Great To Be Alive,
1949
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By Walter Bullock and Sylvia Regan; music by Abraham Ellstein |
BOX-FOLDER 2/12 |
Here's Howe,
undated
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By Fred Thompson and Paul Gerard Smith |
BOX-FOLDER 3/1-2 |
Jackpot,
undated
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