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| BOX 414-415 | Programs, 1924-1930 | ||||||||||||
| This series consists of programs and playbills, primarily for musical theater productions and variety shows, from performances on Broadway and in Brooklyn, Baltimore, Boston, Chicago, Detroit, Philadelphia, Washington, D.C., Connecticut, New Jersey, London, and Australia. Many of the playbills contain annotations, and several have corresponding music located in the Show Music series. | |||||||||||||
| Arranged alphabetically by show title. | |||||||||||||
| BOX-FOLDER 414/1 | A la Carte, 1927 | ||||||||||||
| BOX-FOLDER 414/2 | Allez-Oop, 1927 | ||||||||||||
| BOX-FOLDER 414/3 | Americana, 1928 | ||||||||||||
| BOX-FOLDER 414/4 | Annie, 1924 | ||||||||||||
| BOX-FOLDER 414/5 | Performances at B. F. Keith's Palace Theatre, 1927 | ||||||||||||
| Note: Variety show featuring Five de Cardos, Four Chocolate Dandies, Trixi Friganza, Three Giersdorf Sisters, Reck and Rector, and Elsie Janis | |||||||||||||
| BOX-FOLDER 414/6 | Balieft's Chauve-Souris, 1927 | ||||||||||||
| Alternate title: The Bat Theatre of Moscow | |||||||||||||
| BOX-FOLDER 414/7 | Big Boy, circa 1924 | ||||||||||||
| BOX-FOLDER 414/8 | Bitter Sweet, 1929 | ||||||||||||
| BOX-FOLDER 414/9 | Bubbling Over, 1926 | ||||||||||||
| BOX-FOLDER 414/10 | Bunk of 1926 | ||||||||||||
| BOX-FOLDER 414/11 | By Request, undated | ||||||||||||
| BOX-FOLDER 414/12 | Bye Bye Bonnie, 1927 | ||||||||||||
| BOX-FOLDER 414/13 | Cape Cod Follies, 1929 | ||||||||||||
| BOX-FOLDER 414/14 | Criss Cross, undated | ||||||||||||
| BOX-FOLDER 414/15 | Cross My Heart, undated | ||||||||||||
| BOX-FOLDER 414/16 | Dear Enemy, 1925 | ||||||||||||
| BOX-FOLDER 414/17 | Dearest Enemy, 1925 | ||||||||||||
| BOX-FOLDER 414/18 | The Desert Song, 1928 | ||||||||||||
| BOX-FOLDER 414/19 | Earl Carroll Vanities, 1924 | ||||||||||||
| BOX-FOLDER 414/20 | Gay Paree, 1927 | ||||||||||||
| BOX-FOLDER 414/21 | George White's Scandals, undated | ||||||||||||
| BOX-FOLDER 414/22 | Ginger Snaps, 1929 | ||||||||||||
| BOX-FOLDER 414/23 | The Grab Bag, 1924 | ||||||||||||
| BOX-FOLDER 414/24 | The Grand Street Follies of 1928 | ||||||||||||
| BOX-FOLDER 414/25 | Greenwich Village Follies, 1928 | ||||||||||||
| BOX-FOLDER 414/26 | Harry Carroll's Review, 1929 | ||||||||||||
| BOX-FOLDER 414/27 | Hello Lola, 1925 | ||||||||||||
| BOX-FOLDER 414/28 | Hit the Deck, 1927 | ||||||||||||
| BOX-FOLDER 414/29 | Innocent Eyes, 1924 | ||||||||||||
| BOX-FOLDER 414/30 | Judy, 1927 | ||||||||||||
| BOX-FOLDER 414/31 | June Days, 1925 | ||||||||||||
| New York | |||||||||||||
| BOX-FOLDER 414/32 | June Days, 1925 | ||||||||||||
| Chicago | |||||||||||||
| BOX-FOLDER 414/33 | Katja, the Dancer, 1926 | ||||||||||||
| BOX-FOLDER 414/34 | Keep Shufflin', 1928 | ||||||||||||
| BOX-FOLDER 414/35 | Kiss Me, 1927 | ||||||||||||
| BOX-FOLDER 414/36 | Kosher Kitty Kelly, 1925 | ||||||||||||
| BOX-FOLDER 414/37 | The Lace Petticoat, 1926 | ||||||||||||
| BOX-FOLDER 414/38 | Listen Dearie, 1927 | ||||||||||||
| BOX-FOLDER 414/39 | The Love Song, 1924 | ||||||||||||
| BOX-FOLDER 414/40 | The Love Song, 1925 | ||||||||||||
| BOX-FOLDER 414/41 | Lovely Lady, 1927 | ||||||||||||
| BOX-FOLDER 414/42 | The Maid of the Mountains, 1925 | ||||||||||||
| BOX-FOLDER 414/43 | Me for You, 1929 | ||||||||||||
| BOX-FOLDER 414/44 | Music in May, 1928 | ||||||||||||
| BOX-FOLDER 414/45 | A Night in Paris, 1925 | ||||||||||||
| BOX-FOLDER 414/46 | A Night in Paris, 1926 | ||||||||||||
| BOX-FOLDER 414/47 | The Nightingale, undated | ||||||||||||
| BOX-FOLDER 414/48 | Nine Fifteen Revue 1930 | ||||||||||||
| BOX-FOLDER 414/49 | Oh, Ernest!, 1927 | ||||||||||||
| BOX-FOLDER 414/50 | The Passing Show, 1924 | ||||||||||||
| BOX-FOLDER 414/51 | Puppets, 1925 | ||||||||||||
| BOX-FOLDER 414/52 | Queen High, 1926 | ||||||||||||
| London | |||||||||||||
| Includes: Clippings | |||||||||||||
| BOX-FOLDER 414/53 | Queen High, undated | ||||||||||||
| New York | |||||||||||||
| BOX-FOLDER 414/54 | Rain or Shine, 1928 | ||||||||||||
| BOX-FOLDER 414/55 | Rainbow Rose, 1925 | ||||||||||||
| BOX-FOLDER 414/56 | Red Kisses, undated | ||||||||||||
| BOX-FOLDER 415/1 | The Red Robe, 1928 | ||||||||||||
| Hartford, Connecticut | |||||||||||||
| BOX-FOLDER 415/2 | The Red Robe, 1928 | ||||||||||||
| Broadway | |||||||||||||
| BOX-FOLDER 415/3 | Rose-Marie, 1924 | ||||||||||||
| BOX-FOLDER 414/4 | Rose Marie, 1926 | ||||||||||||
| BOX-FOLDER 414/5 | School Belles, 1924 | ||||||||||||
| BOX-FOLDER 414/19 | The School Maid, 1925 | ||||||||||||
| BOX-FOLDER 414/6 | She's My Baby, 1928 | ||||||||||||
| BOX-FOLDER 414/7 | Show Boat, 1927 | ||||||||||||
| BOX-FOLDER 414/8 | Simple Simon, 1930 | ||||||||||||
| BOX-FOLDER 414/9 | Sky High, 1925 | ||||||||||||
| BOX-FOLDER 414/10 | The Street Singer, 1929 | ||||||||||||
| BOX-FOLDER 414/11 | The Street Singer, undated | ||||||||||||
| BOX-FOLDER 414/12 | Strike Up the Band, 1930 | ||||||||||||
| BOX-FOLDER 414/13 | Sweet Daddy, 1928 | ||||||||||||
| BOX-FOLDER 414/14 | Tales of Rigo, 1927 | ||||||||||||
| BOX-FOLDER 414/15 | Talk About Girls, 1927 | ||||||||||||
| BOX-FOLDER 414/16 | Yes, Yes, Yvette, 1927 | ||||||||||||
| BOX-FOLDER 414/17 | Ziegfeld Follies, 1925 | ||||||||||||
| BOX-FOLDER 414/18 | Ziegfeld Follies, 1927 | ||||||||||||
| BOX 384-391 | Business Papers, 1920-1975 | ||||||||||||
| This series consists of papers and cancelled checks that somewhat illuminate the
daily operations of a music publishing business. The papers include rights and
royalties agreements, lists of works, correspondence, contracts, and licenses.
These materials primarily concern composers Cole Porter and Kurt Weill. The cancelled checks are from firms including T. B. Harms; Francis, Day, and Hunter; Jerome H. Remick and Co.; George and Arthur Piantadosi, Inc.; Schubert Music Publishing Corp.; Chappell-Harms; Music Sales Corporation; De Sylva, Brown, and Henderson, Inc.; Famous Music Corporation; Atlas Music Corp; and New World Music Corporation. There are also checks drawn on banks, including several in Canada. Checks are made out to and signed by composers, lyricists, arrangers, and copyists such as Harry Akst, Harold Arlen, Robert Russell Bennett, Gene Buck, Max and Louis Dreyfus, Rudolf Friml, George Gershwin, Ira Gershwin, Edwin Franko Goldman, Ferde Grofe, Arthur Hammerstein, Oscar Hammerstein, Otto Harbach, E. Y. Harburg, Lorenz Hart, Victor Herbert, Herman Hupfeld, Jerome Kern, Ted Koehler, Cole Porter, Ernö Rapée, Richard Rodgers, Sigmund Romberg, Frank Saddler, Albert Sirmay, John Philip Sousa, Dana Suesse, Paul Van Loan, and Vincent Youmans. Other checks are made out to businesses and people involved in daily operations, including music publishers, utility companies, the United States Internal Revenue Service, the post office, shippers, printers, engravers, advertisers, equipment suppliers, studios, paper companies, photographers, and so forth. There are no cancelled checks for 1927. |
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| Arranged alpabetically by subject. | |||||||||||||
| BOX-FOLDER 384/1 | Ahlert and Turk, 1929 December 20 | ||||||||||||
| Rights and royalties agreement | |||||||||||||
| Includes: Agreement between Metro-Goldwyn-Mayer and DeSylva, Brown, and Henderson | |||||||||||||
| Cancelled checks | |||||||||||||
| BOX 385 | 1920-1923 | ||||||||||||
| BOX 386 | 1924-1926 | ||||||||||||
| BOX 387 | 1926, 1928-1929 | ||||||||||||
| BOX 388 | 1929-1930 | ||||||||||||
| BOX 389 | 1930 | ||||||||||||
| BOX 390 | 1930-1931 | ||||||||||||
| BOX 391 | 1931-1932 | ||||||||||||
| BOX-FOLDER 384/4 | Notes on proofreading, 1948 June 28 | ||||||||||||
| Memorandum | |||||||||||||
| BOX-FOLDER 384/2 | Porter, Cole, 1966 and undated | ||||||||||||
| Lists of unpublished and unregistered works | |||||||||||||
| BOX-FOLDER 384/3 | Porter, Cole, 1966-1967 | ||||||||||||
| Correspondence and lists of works | |||||||||||||
| Weill, Kurt | |||||||||||||
| BOX-FOLDER 384/5-7 | Lost in the Stars, 1950-1974 | ||||||||||||
| Correspondence, memoranda, notes, articles, contracts, licenses, and certificates of merger | |||||||||||||
| BOX-FOLDER 384/8-9 | Lost in the Stars, Knickerbocker Holiday, and Street Scene, 1945-1975 | ||||||||||||
| Correspondence, contracts, lists, notes, articles, copyright renewal notices, royalty statements, licenses, and a motion picture rights agreement | |||||||||||||
| BOX-FOLDER 384/10 | Street Scene, 1959-1975 | ||||||||||||
| Correspondence, licenses, contracts, and notes | |||||||||||||