| | | | | | | | | | | | | |
|
Music, undated
(continued) |
|
Orchestra Library
(continued) |
BOX-FOLDER 23/5 |
Traubel Medley |
|
Parts |
BOX-FOLDER 32/7 |
Trees |
|
By Oscar Rasbach and Joyce Kilmer; arranged by
Milton Rogers |
|
Score |
BOX-FOLDER 23/6 |
Trees |
|
By Oscar Rasbach and Joyce Kilmer; arranged by
Milton Rogers |
|
Parts |
BOX-FOLDER 23/7 |
Die Trommel Gerühret (from Egmont) |
|
By Ludwig van Beethoven |
|
Score; parts |
BOX-FOLDER 33/10 |
Vienna Medley |
|
Score |
BOX-FOLDER 24/1-2 |
Vienna Medley |
|
Parts |
BOX-FOLDER 24/3 |
The Walrus and the Carpenter |
|
By Sammy Fain and Lewis Carroll |
|
Parts |
BOX-FOLDER 25/1 |
When Children Pray |
|
Parts |
BOX-FOLDER 32/8 |
When Day Is Done |
|
By B. G. DeSylva and Robert Katscher; arranged
by Milton Rogers |
|
Score |
BOX-FOLDER 25/2 |
When Day Is Done |
|
By B. G. DeSylva and Robert Katscher; arranged
by Milton Rogers |
|
Parts |
BOX-FOLDER 32/9 |
When I Grow Too Old to Dream (from Deep in My Heart) |
|
By Sigmund Romberg and Oscar Hammerstein II;
arranged by Milton Rogers |
|
Score |
BOX-FOLDER 32/10 |
Who Cares? (from Of Thee I Sing) |
|
By George and Ira Gershwin |
|
Score (intro only) |
BOX-FOLDER 25/3 |
Who Cares? (from Of Thee I Sing) |
|
By George and Ira Gershwin |
|
Parts |
BOX-FOLDER 32/11 |
You Came a Long Way from St. Louis -
Bows |
|
By John Benson Brooks and Bob Russell; arranged
by Harry Zimmerman |
|
Score |
BOX-FOLDER 25/4 |
You Came a Long Way from St. Louis -
Bows |
|
By John Benson Brooks and Bob Russell; arranged
by Harry Zimmerman |
|
Parts |
BOX-FOLDER 25/5 |
Yours is My Heart Alone (from The Land of Smiles) |
|
By Franz Lehár, Ludwig Herzer, and Fritz
Löhner-Beda |
|
Parts |
BOX-FOLDER 25/6 |
Yourself |
|
Short score |
BOX-FOLDER 25/7 |
Zueignung |
|
By Richard Strauss |
|
Score; parts |
BOX-FOLDER 25/8 |
Unidentified |
|
Fragments |
|
Annotated Scores
|
|
Miscellaneous scores with performance markings, key transpositions, or
manuscript inserts for alternate music. |
|
Arranged by format; chiefly alphabetically by composer last name and title
therein. |
|
Sheet music |
BOX 26 |
A-P |
BOX 27 |
R-V |
|
Note: Includes an entire set of sheet music
from Pipe Dream with correspondence from
John Steinbeck and Albert Sirmay as well as a few script pages |
BOX-FOLDER 28/1-3 |
W |
BOX-FOLDER 28/4 |
Folk song arrangements |
BOX-FOLDER 28/5 |
Spirituals |
BOX-FOLDER 28/6 |
Unidentified |
BOX 8 |
Songbooks |
|
Contents:
- Gilbert, W. S. and Arthur Sullivan: The Mikado
- Mascagni, Pietro: Cavalleria rusticana
- Mozart, Amadeus: Don Giovanni
- Neitzel, Otto, editor: Gems of Antiquity
- Wagner, Richard: Dusk of the Gods
- Wagner, Richard: Siegfried
|
BOX 1-2, 20 |
Scripts, 1950-1968
|
|
Traubel's annotated scripts for film, television, and stage productions. Scripts
for the 4-Star Revue (title changed to All Star Revue in season two) includes piano-vocal scores. |
|
Alphabetical by title and chronological therein. |
BOX-FOLDER 1/1 |
4-Star Revue, 1950 November
29
|
BOX-FOLDER 1/2 |
4-Star Revue, 1951 January
24
|
BOX-FOLDER 1/3 |
All Star Revue, 1951 October 6
|
BOX-FOLDER 1/4 |
All Star Revue, 1951 December
29
|
BOX-FOLDER 20/7 |
All Star Revue, 1950-1951
|
|
Manuscript and ozalid scores |
|
Includes: What They Need in the Opera Is Rhythm;
Our Voices Were Meant for Each Other; You're the Only One Who Understands
Me |
BOX-FOLDER 1/5 |
Bell Telephone Hour, "The Mikado," 1960
April 29
|
BOX-FOLDER 1/6 |
The Chevy Show, "Dude Ranch, U.S.A.," 1961 May 7
|
|
Includes: Rehearsal schedule |
BOX-FOLDER 1/7-8 |
Deep in My Heart, 1953-1954
|
|
Two drafts |
BOX-FOLDER 1/9 |
The Girl from U.N.C.L.E., "The High and the Deadly Affair," 1966 November 22
|
BOX-FOLDER 1/10 to 2/1 |
Gunn, 1966
|
|
Two drafts |
|
Includes: Production call sheets |
BOX-FOLDER 2/2 |
Helen Traubel R.S.V.P. Hollywood,
undated
|
|
Note: Proposal only |
BOX-FOLDER 2/3 |
The Jimmy Dean Show, 1963 October 3
|
BOX-FOLDER 2/4-6 |
The Ladies Man, 1960-1961
|
|
Three drafts |
|
Includes: Production call sheets |
BOX-FOLDER 2/7 |
The Mothers-in-Law, "The Not-so-Grand Opera," 1968 December 18
|
|
Includes: Correspondence from Thomas P.
Sheils |
BOX-FOLDER 2/8-9 |
Pipe Dream, undated
|
|
Two drafts |
BOX-FOLDER 2/10 |
Run for Your Life, "The Voice of Gina Milan," 1965 September 20
|
BOX 3-4, 29, 34 |
Photographs, 1930-1960
|
|
This series documents Traubel's professional career as a performer. Publicity
photographs include Traubel's Wagnerian roles at the Metropolitan Opera, various
television and film appearances, as well as nightclub engagements and tours. |
|
Arranged alphabetically by subject, followed by cartoons. |
BOX-FOLDER 3/9 |
Barnum and Bailey, 1945
|
BOX-FOLDER 3/10 |
Bass, William, 1940s-1950s
|
BOX-FOLDER 3/11 |
Bell Telephone Hour, 1960 April 29
|
BOX-FOLDER 3/12 |
Conductors and composers, 1940-1952 and undated
|
BOX-FOLDER 3/13 |
Deep in My Heart, 1954
|
BOX-FOLDER 3/14 |
Durante, Jimmy, 1950s
|
BOX-FOLDER 3/15 |
Helen Traubel Rose, 1951
|
BOX-FOLDER 3/16 |
Japan trip, 1952
|
BOX-FOLDER 3/17 |
Korea trip, 1952
|
BOX-FOLDER 3/18 |
Melchior, Lauritz, 1940s-1950s
|
BOX-FOLDER 3/19 |
Nightclub engagements, 1953-1954
|
BOX-FOLDER 4/1 |
Pipe Dream, 1955
|
BOX-FOLDER 4/2 |
St. Louis trip (Missouri University honorary
doctorate), 1948
|
BOX-FOLDER 4/3 |
Television production and publicity photographs,
1947-1954, undated
|
BOX-FOLDER 3/1 |
Traubel, portraits, 1930s-1950s
|
|
Traubel, opera portraits, 1940-1953
|
BOX-FOLDER 3/2 |
Die Götterdämmerung (Brünnhilde) |
BOX-FOLDER 3/3 |
Lohengrin (Elsa) |
BOX-FOLDER 3/4 |
Parsifal (Kundry) |
BOX-FOLDER 3/5 |
Tannhäuser (Elsa) |
BOX-FOLDER 3/6 |
Tristan und Isolde (Isolde) |
BOX-FOLDER 3/7 |
Die Walküre (Brünnhilde) |
BOX-FOLDER 3/8 |
Traubel, alone, 1940s-1950s
|
BOX-FOLDER 4/6, 29/1, 34/1 |
Traubel with others, 1944-1945 and undated
|
BOX-FOLDER 29/2 |
Truman, Harry, 1946
|
BOX-FOLDER 4/4 |
Truman, Margaret and others, 1950 and undated
|
BOX-FOLDER 4/5 |
University of Southern California, 1947
|
BOX-FOLDER 4/7, 34/2 |
Editorial cartoons, 1951-1953
|
Next Page » |