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BOX 1 DF | Music, 2020-2022 | ||||||||||||
Arrangement is alphabetical by creator or project name. | |||||||||||||
ARCO Collaborative | |||||||||||||
DF | Alone Together, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_038 | |||||||||||||
Violinist Jennifer Koh launched Alone Together , an online commissioning project, to support freelance composers during the financial hardship of the coronavirus pandemic. Twenty composers, most of whom had salaried positions or other forms of institutional support, agreed to donate a new, 30-second micro-work for solo violin, while also recommending a fellow freelance composer to write their own 30-second solo violin work on paid commission from the artist-driven nonprofit ARCO Collaborative. Koh premiered these donated and commissioned works from April 4 through June 13, 2020 on YouTube. Each recommending composer is listed below, followed by the commissioned composer. | |||||||||||||
Scores for solo violin; headshots; bios | |||||||||||||
Agócs, Kati and Vincent Calianno | |||||||||||||
Agócs, Kati. Thirst and Quenching | |||||||||||||
Calianno, Vincent. Ashlinner | |||||||||||||
Bhatia, Rafiq and Hanna Benn | |||||||||||||
Benn, Hanna. Exhalation | |||||||||||||
Bhatia, Rafiq. Descent | |||||||||||||
Castillo, Patrick and Sugar Vendil | |||||||||||||
Castillo, Patrick. Mina Cecilia's Constitutional | |||||||||||||
Vendil, Sugar. Simple Tasks II (Six-Day Deadline) | |||||||||||||
Chang, Ian with Darian Donovan Thomas. Art | Nat | |||||||||||||
Chueng, Anthony and Tomás Gueglio Saccone | |||||||||||||
Chueng, Anthony. Springs Eternal | |||||||||||||
Gueglio Saccone, Tomás. Nocturno Lamarque | |||||||||||||
Du Yun and Shayna Dunkelman | |||||||||||||
Dunkelman, Shayna. Afterglow | |||||||||||||
Du Yun. Windowsills | |||||||||||||
Gibson, Sarah, Thomas Kotcheff (piano duo Hocket ) and Tonia Ko | |||||||||||||
Gibson, Sarah. You are Still Here | |||||||||||||
Ko, Tonia. The Fragile Season | |||||||||||||
Kotcheff, Thomas. vacuum packed | |||||||||||||
Hearne, Ted and Nina Shekhar | |||||||||||||
Hearne, Ted. Distance Canon | |||||||||||||
Shekhar, Nina. Warm in My Veins | |||||||||||||
Iyer, Vijay and Morgan Guerin | |||||||||||||
Guerin, Morgan. Together, but Alone (In Quarantine) | |||||||||||||
Iyer, Vijay. For Violin Alone | |||||||||||||
León, Tania and Angelica Négron | |||||||||||||
León, Tania. Anima | |||||||||||||
Négron, Angelica. Cooper and Emma | |||||||||||||
Lewis, George and Lester St. Louis | |||||||||||||
Lewis, George. Un petit brouillard cérébral | |||||||||||||
St. Louis, Lester. Ultraviolet, efflorescent | |||||||||||||
Lu, Wan and Joungbum Lee | |||||||||||||
Lee, Joungbum. Hovering Green | |||||||||||||
Lu, Wan. Hover and Recede | |||||||||||||
Ludwig, David and Elizabeth Younan | |||||||||||||
Ludwig, David. All the Rage | |||||||||||||
Younan, Elizabeth. ...your heart dreams of spring | |||||||||||||
Mazzoli, Missy and Cassie Wieland | |||||||||||||
Mazzoli, Missy. Hail, Horrors, Hail | |||||||||||||
Wieland, Cassie. Shiner | |||||||||||||
Naqvi, Qasim and Caroline Davis | |||||||||||||
Davis, Caroline. heart rituals | |||||||||||||
Naqvi, Qasim. HAL | |||||||||||||
Norman, Andrew and Katherine Balch | |||||||||||||
Balch, Katherine. Cleaning | |||||||||||||
Norman, Andrew. Turns of Phrase | |||||||||||||
Reid, Ellen and Rajna Swaminathan | |||||||||||||
Reid, Ellen. Mood Brick Red | |||||||||||||
Swaminathan, Rajna. Kindling | |||||||||||||
Shyu, Jen and inti figgis-vizueta | |||||||||||||
figgis-vizueta, inti. Quiet City | |||||||||||||
Shyu, Jen. The River in My Mind | |||||||||||||
Swaminathan, Anjna and Layale Chaker | |||||||||||||
Chaker, Layale. Bond of the Beloved | |||||||||||||
Swaminathan, Anjna. A Beloved Within | |||||||||||||
Young, Nina C. and Adeliia Faizullina | |||||||||||||
Faizullina, Adeliia. Urman | |||||||||||||
Young, Nina C. There had been signs, surely | |||||||||||||
Balch, Katherine | |||||||||||||
DF | waste knot, 2022 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_057 | |||||||||||||
Text by Alexandra Kleeman. Written for Nina Guo and Ensemble Modern as part of the 10th International Composition Seminar, and premiered February 18, 2022 at Cresc... Festival in Frankfurt, Germany. Balch described the work as "a serenade to the lost or wasted time of this pandemic spell." | |||||||||||||
Score for percussion, piano, soprano, and four amplified dictaphones; sketches | |||||||||||||
Bernstein, Peter | |||||||||||||
DF | What Comes Next, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_129 | |||||||||||||
Peter Bernstein recorded the album What Comes Next at the height of the lockdown in June 2020. Two tracks from the album, "What Comes Next" and "Empty Streets," were composed in direct response to the quarantine. | |||||||||||||
Oral history; incomplete early video of "Empty Streets" | |||||||||||||
Bielawa, Lisa | |||||||||||||
BOX 1 | Broadcast from Home, 2020 | ||||||||||||
Composer Lisa Bielawa opened the Broadcast from Home project to people from around the world to share personal testimonies about their lives during the pandemic. Using parts of these testimonies as text, she composed instrumental tracks and created fifteen unique musical chapters about the global experience during the early days of COVID-19. The chapters were released on Bielawa's website along with word animation videos of the text. | |||||||||||||
Printed score draft with annotations; sketches; notes | |||||||||||||
DF | Broadcast from Home, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_073 | |||||||||||||
Anonymized testimonies; raw audio; text animations; mix and master files; video | |||||||||||||
DF | Broadcast from Home, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_094 | |||||||||||||
ProTools session data files and screenshots; newsletters | |||||||||||||
DF | Broadcast from Home, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_112 | |||||||||||||
Interviews; vocal phrase recordings; livestreams; project logos; word animations | |||||||||||||
DF | Broadcast from Home, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_028 | |||||||||||||
Oral history | |||||||||||||
Boyer, Peter see also Cincinnati Symphony Orchestra: The Fanfare Project |
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DF | Fanfare for Tomorrow, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_093 | |||||||||||||
Originally written for the Cincinnati Symphony Orchestra Fanfare Project, Boyer expanded his work for the United States Marine Band to perform at the 2021 inauguration of President Joseph Biden and Vice President Kamala Harris. An orchestral version was premiered in summer of 2021. | |||||||||||||
Scores for band and orchestra | |||||||||||||
DF | Fanfare for Tomorrow, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_078 | |||||||||||||
Oral history; score for horn solo | |||||||||||||
Buehler, Markus J. | |||||||||||||
DF | Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV), 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_032 | |||||||||||||
Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV) is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB) realized by Markus J. Buehler, an engineer and scientist at the Massachussets Institute of Technology. The work was first shared online in April 2020. | |||||||||||||
Scores; audio | |||||||||||||
DF | Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV), 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_010 | |||||||||||||
Oral history | |||||||||||||
Cerrone, Christopher | |||||||||||||
DF | A Body, Moving, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_087 | |||||||||||||
Cerrone wrote the concerto A Body, Moving to be a celebration of the movement of air throughout the room in contrast with a time when COVID-19 has made people acutely aware of air's flow and ability to spread illness. This work was commissioned by the Cincinnati Symphony Orchestra and premiered April 2021. | |||||||||||||
Score for orchestra; audio | |||||||||||||
DF | Don't Look Down, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_087 | |||||||||||||
Cerrone described Don't Look Down as an accidental musical diary of living through the pandemic. The first movement recalls the relentless energy prior to the pandemic; the second movement stops the energy and provides an uncertain and static soundscape; the third movement chronicles a construction project and a nostalgia for what would normally drive a person crazy. This piece was commissioned by Elizabeth and Justus Schlichting for Conor Hanick and Sandbox Percussion. | |||||||||||||
Score for prepared piano and percussion quartet; audio | |||||||||||||
Cincinnati Symphony Orchestra: The Fanfare Project, 2020-2021 | |||||||||||||
During an earlier era of global disruption, the Cincinnati Symphony Orchestra launched its first Fanfare Project, commissioning and premiering 18 fanfares in support of the Allied troops in World War II. Building on that legacy, the CSO commissioned new music from a diverse range of composers to inspire and uplift in the face of the challenges of the pandemic and an uncertain future. | |||||||||||||
Abels, Michael | |||||||||||||
DF | Salute in Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_051 | |||||||||||||
Score for solo viola; sketches | |||||||||||||
DF | Salute in Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
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