Container | Contents | ||||||||||||
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Music, 2020-2022 (continued) | |||||||||||||
Boyer, Peter see also Cincinnati Symphony Orchestra: The Fanfare Project |
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DF | Fanfare for Tomorrow, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_093 | |||||||||||||
Originally written for the Cincinnati Symphony Orchestra Fanfare Project, Boyer expanded his work for the United States Marine Band to perform at the 2021 inauguration of President Joseph Biden and Vice President Kamala Harris. An orchestral version was premiered in summer of 2021. | |||||||||||||
Scores for band and orchestra | |||||||||||||
DF | Fanfare for Tomorrow, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_078 | |||||||||||||
Oral history; score for horn solo | |||||||||||||
Buehler, Markus J. | |||||||||||||
DF | Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV), 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_032 | |||||||||||||
Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV) is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB) realized by Markus J. Buehler, an engineer and scientist at the Massachussets Institute of Technology. The work was first shared online in April 2020. | |||||||||||||
Scores; audio | |||||||||||||
DF | Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV), 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_010 | |||||||||||||
Oral history | |||||||||||||
Cerrone, Christopher | |||||||||||||
DF | A Body, Moving, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_087 | |||||||||||||
Cerrone wrote the concerto A Body, Moving to be a celebration of the movement of air throughout the room in contrast with a time when COVID-19 has made people acutely aware of air's flow and ability to spread illness. This work was commissioned by the Cincinnati Symphony Orchestra and premiered April 2021. | |||||||||||||
Score for orchestra; audio | |||||||||||||
DF | Don't Look Down, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_087 | |||||||||||||
Cerrone described Don't Look Down as an accidental musical diary of living through the pandemic. The first movement recalls the relentless energy prior to the pandemic; the second movement stops the energy and provides an uncertain and static soundscape; the third movement chronicles a construction project and a nostalgia for what would normally drive a person crazy. This piece was commissioned by Elizabeth and Justus Schlichting for Conor Hanick and Sandbox Percussion. | |||||||||||||
Score for prepared piano and percussion quartet; audio | |||||||||||||
Cincinnati Symphony Orchestra: The Fanfare Project, 2020-2021 | |||||||||||||
During an earlier era of global disruption, the Cincinnati Symphony Orchestra launched its first Fanfare Project, commissioning and premiering 18 fanfares in support of the Allied troops in World War II. Building on that legacy, the CSO commissioned new music from a diverse range of composers to inspire and uplift in the face of the challenges of the pandemic and an uncertain future. | |||||||||||||
Abels, Michael | |||||||||||||
DF | Salute in Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_051 | |||||||||||||
Score for solo viola; sketches | |||||||||||||
DF | Salute in Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo viola | |||||||||||||
Adams, Samuel | |||||||||||||
DF | No Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_044 | |||||||||||||
Scores for solo bass; audio; video; correspondence | |||||||||||||
DF | No Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo bass | |||||||||||||
Bjarnason, Daníel | |||||||||||||
DF | Same Yet Different | ||||||||||||
DIGITAL ID: PACR_MUS_2023_101 | |||||||||||||
Program note | |||||||||||||
Boyer, Peter see also Boyer, Peter |
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DF | Fanfare for Tomorrow | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo horn | |||||||||||||
DF | Fanfare for Tomorrow | ||||||||||||
DIGITAL ID: PACR_MUS_2021_078 | |||||||||||||
Oral history | |||||||||||||
Dessner, Bryce | |||||||||||||
DF | Pour les soignants | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
DIGITAL ID: PACR_MUS_2021_075 | |||||||||||||
Score for solo cello | |||||||||||||
Mumford, Jeffrey | |||||||||||||
DF | Let Us Breathe | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo cello | |||||||||||||
Rivera, Carlos Rafael | |||||||||||||
DF | A Fanfare for Stories Lost | ||||||||||||
DIGITAL ID: PACR_MUS_2023_102 | |||||||||||||
Score for flugelhorn | |||||||||||||
Shaw, Caroline | |||||||||||||
DF | One Day at a Time | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for violin and voice | |||||||||||||
Sorey, Tyshawn | |||||||||||||
DF | For Peter Evans (Apologies for the Brevity) | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo trumpet | |||||||||||||
Coleman, Valerie | |||||||||||||
BOX 1 | Fanfare for Uncommon Times, 2021 | ||||||||||||
Commissioned by the Orchestra of St. Luke's and premiered at the Caramoor Center for Music and the Arts on June 27, 2021. | |||||||||||||
Score for brass and percussion ensemble | |||||||||||||
DF | Fanfare for Uncommon Times, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_054 | |||||||||||||
Contract; correspondence | |||||||||||||
BOX 1 | Seven O'Clock Shout, 2020 | ||||||||||||
Commissioned by the Philadelphia Orchestra and premiered virtually July 6, 2020. Seven O'Clock Shout was inspired by frontline workers and the nightly salute to offer them thanks in New York City. | |||||||||||||
Score for orchestra | |||||||||||||
DF | Seven O'Clock Shout, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_054 | |||||||||||||
Contract | |||||||||||||
DF | Seven O'Clock Shout, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_026 | |||||||||||||
Video of premiere | |||||||||||||
Domínguez, José Luis | |||||||||||||
BOX 1 | Gratias Tibi, 2020 | ||||||||||||
The New Jersey Symphony Orchestra commissioned composer-conductor José Luis Domínguez to write Gratias Tibi for physically distanced orchestra and choir. This composition was intended to express gratitude to frontline workers who responded to the COVID-19 pandemic. It was premiered by the NJSO and Montclair State University Singers on YouTube in June 2020. | |||||||||||||
Scores for orchestra and choir | |||||||||||||
DF | Gratias Tibi, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_138 | |||||||||||||
Oral history | |||||||||||||
DF | Gratias Tibi, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_025 | |||||||||||||
Video of performance | |||||||||||||
Douglas, Dave | |||||||||||||
DF | When We are Together Again, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_019 | |||||||||||||
"When We Are Together Again" is a jazz work composed by American trumpeter and composer Dave Douglas with lyrics by Fay Victor and Camila Meza on the 2020 album Overcome from the Greenleaf Music label. The song was composed and recorded remotely during coronavirus quarantine by vocalist Fay Victor, vocalist and guitarist Camila Meza, bassist Jorge Roeder, and drummer Rudy Royston. | |||||||||||||
Lead sheet; sketches; audio | |||||||||||||
Dusman, Linda | |||||||||||||
BOX 2 | Corona Bagatelles, 2021 | ||||||||||||
Premiered by the Duo des Alpes as part of the Cello Autumn Festival in Unna, Germany on August 13, 2021. The five-movement composition is a musical cryptogram of the amino acids that comprise the SARS-coV-2 spike protein. | |||||||||||||
Score for cello and piano; sketches; notes | |||||||||||||
DF | Corona Bagatelles, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_030 | |||||||||||||
Score; parts; audio; correspondence; research; programs; clipping | |||||||||||||
DF | Corona Bagatelles, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_100 | |||||||||||||
Written history | |||||||||||||
Esmail, Reena and Amy Fogerson | |||||||||||||
DF | Quarantine Madrigals, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_139 | |||||||||||||
Written by composer Reena Esmail and lyricist Amy Fogerson, Quarantine Madrigals is a set of short, two-minute madrigals inspired by isolation of choral singers during the pandemic. The work is designed to be sung by a single vocalist of any voice type recording the parts over themselves. It was commissioned by the choral ensemble Conspirare and exists in two versions: one vocalist or choir. One-hundred percent of the revenue from score purchases through May 2021 were donated to the CDC's Crush Covid Campaign. | |||||||||||||
Audio and video demos | |||||||||||||
DF | Quarantine Madrigals, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_017 | |||||||||||||
Scores for choir; sketches; notes; donation receipt; file directory | |||||||||||||
Folds, Ben | |||||||||||||
DF | Madscrollers Theme, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_086 | |||||||||||||
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