Container | Contents | ||||||||||||
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Music, 2020-2022 (continued) | |||||||||||||
Salute in Solo (continued) | |||||||||||||
Score for solo viola | |||||||||||||
Adams, Samuel | |||||||||||||
DF | No Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_044 | |||||||||||||
Scores for solo bass; audio; video; correspondence | |||||||||||||
DF | No Solo | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo bass | |||||||||||||
Bjarnason, Daníel | |||||||||||||
DF | Same Yet Different | ||||||||||||
DIGITAL ID: PACR_MUS_2023_101 | |||||||||||||
Program note | |||||||||||||
Boyer, Peter see also Boyer, Peter |
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DF | Fanfare for Tomorrow | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo horn | |||||||||||||
DF | Fanfare for Tomorrow | ||||||||||||
DIGITAL ID: PACR_MUS_2021_078 | |||||||||||||
Oral history | |||||||||||||
Dessner, Bryce | |||||||||||||
DF | Pour les soignants | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
DIGITAL ID: PACR_MUS_2021_075 | |||||||||||||
Score for solo cello | |||||||||||||
Mumford, Jeffrey | |||||||||||||
DF | Let Us Breathe | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo cello | |||||||||||||
Rivera, Carlos Rafael | |||||||||||||
DF | A Fanfare for Stories Lost | ||||||||||||
DIGITAL ID: PACR_MUS_2023_102 | |||||||||||||
Score for flugelhorn | |||||||||||||
Shaw, Caroline | |||||||||||||
DF | One Day at a Time | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for violin and voice | |||||||||||||
Sorey, Tyshawn | |||||||||||||
DF | For Peter Evans (Apologies for the Brevity) | ||||||||||||
DIGITAL ID: PACR_MUS_2021_059 | |||||||||||||
Score for solo trumpet | |||||||||||||
Coleman, Valerie | |||||||||||||
BOX 1 | Fanfare for Uncommon Times, 2021 | ||||||||||||
Commissioned by the Orchestra of St. Luke's and premiered at the Caramoor Center for Music and the Arts on June 27, 2021. | |||||||||||||
Score for brass and percussion ensemble | |||||||||||||
DF | Fanfare for Uncommon Times, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_054 | |||||||||||||
Contract; correspondence | |||||||||||||
BOX 1 | Seven O'Clock Shout, 2020 | ||||||||||||
Commissioned by the Philadelphia Orchestra and premiered virtually July 6, 2020. Seven O'Clock Shout was inspired by frontline workers and the nightly salute to offer them thanks in New York City. | |||||||||||||
Score for orchestra | |||||||||||||
DF | Seven O'Clock Shout, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_054 | |||||||||||||
Contract | |||||||||||||
DF | Seven O'Clock Shout, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_026 | |||||||||||||
Video of premiere | |||||||||||||
Domínguez, José Luis | |||||||||||||
BOX 1 | Gratias Tibi, 2020 | ||||||||||||
The New Jersey Symphony Orchestra commissioned composer-conductor José Luis Domínguez to write Gratias Tibi for physically distanced orchestra and choir. This composition was intended to express gratitude to frontline workers who responded to the COVID-19 pandemic. It was premiered by the NJSO and Montclair State University Singers on YouTube in June 2020. | |||||||||||||
Scores for orchestra and choir | |||||||||||||
DF | Gratias Tibi, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_138 | |||||||||||||
Oral history | |||||||||||||
DF | Gratias Tibi, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_025 | |||||||||||||
Video of performance | |||||||||||||
Douglas, Dave | |||||||||||||
DF | When We are Together Again, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_019 | |||||||||||||
"When We Are Together Again" is a jazz work composed by American trumpeter and composer Dave Douglas with lyrics by Fay Victor and Camila Meza on the 2020 album Overcome from the Greenleaf Music label. The song was composed and recorded remotely during coronavirus quarantine by vocalist Fay Victor, vocalist and guitarist Camila Meza, bassist Jorge Roeder, and drummer Rudy Royston. | |||||||||||||
Lead sheet; sketches; audio | |||||||||||||
Dusman, Linda | |||||||||||||
BOX 2 | Corona Bagatelles, 2021 | ||||||||||||
Premiered by the Duo des Alpes as part of the Cello Autumn Festival in Unna, Germany on August 13, 2021. The five-movement composition is a musical cryptogram of the amino acids that comprise the SARS-coV-2 spike protein. | |||||||||||||
Score for cello and piano; sketches; notes | |||||||||||||
DF | Corona Bagatelles, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_030 | |||||||||||||
Score; parts; audio; correspondence; research; programs; clipping | |||||||||||||
DF | Corona Bagatelles, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_100 | |||||||||||||
Written history | |||||||||||||
Esmail, Reena and Amy Fogerson | |||||||||||||
DF | Quarantine Madrigals, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_139 | |||||||||||||
Written by composer Reena Esmail and lyricist Amy Fogerson, Quarantine Madrigals is a set of short, two-minute madrigals inspired by isolation of choral singers during the pandemic. The work is designed to be sung by a single vocalist of any voice type recording the parts over themselves. It was commissioned by the choral ensemble Conspirare and exists in two versions: one vocalist or choir. One-hundred percent of the revenue from score purchases through May 2021 were donated to the CDC's Crush Covid Campaign. | |||||||||||||
Audio and video demos | |||||||||||||
DF | Quarantine Madrigals, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_017 | |||||||||||||
Scores for choir; sketches; notes; donation receipt; file directory | |||||||||||||
Folds, Ben | |||||||||||||
DF | Madscrollers Theme, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_086 | |||||||||||||
Ben Folds traveled to Sydney, Australia, at the beginning of March 2020 to play a series of shows with orchestras across the country. Due to the pandemic and restricted travel, he made the decision to stay in Australia for the foreseeable future. Folds procured an apartment, sourced equipment throughout the city, and started broadcasting a series of livestream performances under the title Apartment Requests . Folds wrote a theme song to formalize the livestreams; the files included are the various iterations of the "Madscrollers Theme." | |||||||||||||
Audio; oral history | |||||||||||||
Gibbard, Ben | |||||||||||||
BOX 1 | Life in Quarantine, 2020 | ||||||||||||
Gibbard, also known as the frontman for Death Cab for Cutie, first premiered the song online through Seattle newspaper The Stranger before releasing the official version, which he recorded at home. Proceeds from the song benefitted relief organizations in the Seattle area. | |||||||||||||
Holograph lyric sheet | |||||||||||||
DF | Life in Quarantine, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_105 | |||||||||||||
Oral history | |||||||||||||
Giroux, Julie see also Frank Ticheli |
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DF | Miscellaneous works, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_055 | |||||||||||||
As a member of the Creative Repertoire Initative (CRI) founded by Frank Ticheli, Giroux wrote seven adaptable works for concert band. | |||||||||||||
Scores for adaptable band | |||||||||||||
Contents:
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London, Frank, Hajnal Pivnick, and Dorian Wallace | |||||||||||||
DF | For Our Courageous Workers, 2020 | ||||||||||||
This city-wide symphonic fanfare premiered April 29, 2020 in New York City was conceived by London, Havnick, and Wallace to honor front-line workers. Musicians of every level and all people of New York City were invited to take part in the performance. | |||||||||||||
Score; flyer; text file with video link; press | |||||||||||||
Potter, Chris | |||||||||||||
BOX 1 | There Is a Tide, 2020 | ||||||||||||
There Is a Tide is an instrumental response to the societal challenges and emotional upheaval brought about by the pandemic. It is a commentary on the importance of community, leadership, and support for the vulnerable in troubled times, as well as a strong statement about our conflicted relationship with our environment and the difficulty of coping with fear and uncertainty. Chris Potter composed and recorded the album in six weeks from the confines of his home studio and peformed all the instrumental parts himself (piano, keyboards, electric and acoustic guitars, bass guitar, drums, clarinet, bass clarinet, flute, alto flute, percussion, samples and saxophones). | |||||||||||||
Holograph bass lines | |||||||||||||
DF | There Is a Tide, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2022_071 | |||||||||||||
Sibelius and Pro Tools files for all tracks; photographs from recording sessions; drawings of waves | |||||||||||||
Shaw, Jaleel | |||||||||||||
DF | Echoes, 2021 | ||||||||||||
DIGITAL ID: PACR_MUS_2023_017 | |||||||||||||
Jazz saxophonist and bandleader Jaleel Shaw released his album Echoes in August 2021. The tracks on Echoes represent his reflections on world events, especially the pandemic and violence against Black Americans, as well as historic events, such as the 100th anniversary of the Tulsa Massacre. In the oral history, Shaw speaks about the creation of the album and in depth about the pandemic tracks “Silence” and “Isolation.” | |||||||||||||
Oral history; auto text transcription | |||||||||||||
DF | Silkroad Artist Response, 2020 | ||||||||||||
DIGITAL ID: PACR_MUS_2021_113 | |||||||||||||
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