Container | Contents | ||||||||||||
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Music, 1897-1983 (continued) | |||||||||||||
Music by Luiz Heitor Corrêa de Azevedo, 1922-1937 (continued) | |||||||||||||
Elegia (2ª passional), 1929
see also Passionaes and Passional (continued) |
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Holograph score for piano; fragment | |||||||||||||
BOX-FOLDER 69/18 | Epigramm, undated | ||||||||||||
Holograph sketches for voice and piano | |||||||||||||
BOX-FOLDER 69/19 | Evangelica, 1922 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 69/20 | Exercicios de extensão; Exercicios de teclas presas, undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
Note: Technical exercises with explanatory text | |||||||||||||
BOX-FOLDER 69/21 | Fuga a 4 vozes (Têma de Dubois), 1934 | ||||||||||||
Holograph score for piano four hands | |||||||||||||
Note: Dedicated "Para a minha Violainha" | |||||||||||||
BOX-FOLDER 69/22 | Humoristica sentimental, 1924 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 69/23 | Hymno da coroação de Nossa Senhora, 1927 | ||||||||||||
Holograph score for solo voice, chorus, and harmonium; typescript lyric sheets; list of names | |||||||||||||
BOX-FOLDER 70/1 | Illusões da vida, circa 1926 | ||||||||||||
Text by Francisco Octaviano de Almeida Rosa | |||||||||||||
Holograph sketches for voice and piano | |||||||||||||
Note: B-flat minor and A minor versions | |||||||||||||
BOX-FOLDER 70/2 | Illusões da vida, 1926 | ||||||||||||
Text by Francisco Octaviano de Almeida Rosa | |||||||||||||
Holograph score for voice and piano | |||||||||||||
Note: A minor version | |||||||||||||
BOX-FOLDER 70/3 | Illusões da vida, 1926 | ||||||||||||
Text by Francisco Octaviano de Almeida Rosa | |||||||||||||
Holograph score for voice and piano | |||||||||||||
Note: G minor version | |||||||||||||
BOX-FOLDER 70/4 | Illusões da vida, 1926 | ||||||||||||
Text by Francisco Octaviano de Almeida Rosa | |||||||||||||
Holograph score for voice, cello, and piano; parts | |||||||||||||
Note: B minor version | |||||||||||||
BOX-FOLDER 70/5 | A luz de nos olhos, undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 70/6 | Madrigal XLVI, 1926 | ||||||||||||
Text by Manuel Ignácio da Silva Alvarenga | |||||||||||||
Holograph score for voice and piano | |||||||||||||
BOX-FOLDER 70/7 | Madrigal XLVI, 1926 | ||||||||||||
Text by Manuel Ignácio da Silva Alvarenga | |||||||||||||
Holograph score for voice, cello, and piano, or, violin, cello, and piano; parts | |||||||||||||
BOX-FOLDER 70/8 | Marcha religiosa, 1934 | ||||||||||||
Holograph score for strings and harmonium; parts | |||||||||||||
BOX-FOLDER 70/9 | Meditação, 1924 | ||||||||||||
Alternate title: Impressão l | |||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 70/10 | Meditação, 1924 | ||||||||||||
Holograph score for harmonium | |||||||||||||
BOX-FOLDER 70/11 | Melodia, 1926-1934 | ||||||||||||
Holograph score for strings and harmonium; parts | |||||||||||||
BOX-FOLDER 70/12 | Melodia, 1926-1929 and undated | ||||||||||||
Holograph parts for flute, clarinet, violin, cello, double bass, and harmonium | |||||||||||||
BOX-FOLDER 71/16 | Miscellaneous works, 1930-1932 | ||||||||||||
Holograph scores and sketches of arrangements and transcriptions of music by José Maurício Nunes Garcia | |||||||||||||
BOX-FOLDER 71/17 | Miscellaneous works, 1929, undated | ||||||||||||
Holograph sketches and fragments | |||||||||||||
BOX-FOLDER 70/13 | Modinha, 1937 | ||||||||||||
Text by José Maurício Nunes Garcia | |||||||||||||
Holograph score for voice and piano | |||||||||||||
BOX-FOLDER 70/14 | Momento suave, 1926-1929 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 70/15 | Musica brasileira (Momento brasileira), undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 70/16 | Nocturno; Momento suave; Allegro á brasileira; Final de Laetitiae, undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 70/17 | O salutaris, 1924 | ||||||||||||
Holograph score for voice and harmonium | |||||||||||||
BOX-FOLDER 70/18 | O salutaris, 1924 | ||||||||||||
Holograph score for voice, strings, and harmonium; parts | |||||||||||||
BOX-FOLDER 70/19 | O soldadinho que bassou, undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
Note: Verso contains voice leading exercises | |||||||||||||
BOX-FOLDER 70/20 | Panis angelicus, 1926 | ||||||||||||
Holograph score for voices and harmonium; sketches; vocal part | |||||||||||||
BOX-FOLDER 70/21 | Panis angelicus, 1926 | ||||||||||||
Holograph score for voice, strings, and harmonium; parts | |||||||||||||
BOX-FOLDER 70/22 |
Passionaes, 1929
see also Elegia and Passional |
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Holograph score for piano | |||||||||||||
BOX-FOLDER 70/23 |
Passional, 1929-1930
see also Elegia and Passionaes |
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Holograph score for piano | |||||||||||||
BOX-FOLDER 71/1 | Preludio, 1923 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 71/2 | Preludio, 1928 | ||||||||||||
Holograph score for harmonium | |||||||||||||
BOX-FOLDER 71/3 | Preludio, 1928-1934 | ||||||||||||
Holograph score for strings and harmonium; parts | |||||||||||||
BOX-FOLDER 71/4 | Preludios: Ha festa no coração, undated | ||||||||||||
Holograph sketch for piano | |||||||||||||
BOX-FOLDER 71/5 | Sarabanda e gavota, 1923 | ||||||||||||
Holograph parts for flute, clarinet, violins, double bass, and keyboard | |||||||||||||
BOX-FOLDER 71/6 | Sarabanda e gavota, 1924 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 71/7 | Sarabanda e gavota, 1924-1928 | ||||||||||||
Holograph score for string orchestra; parts | |||||||||||||
BOX-FOLDER 71/8 | Sarabanda e scherzetto em estylo antigo, 1923-1928 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 71/9 | Sonata breve, 1932 | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 71/10 | Sonatina, 1924 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 71/11 | Um sorriso de Bocê ..., 1933 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 71/12 | Variações sobre um thema de José Maurício, 1929 | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 71/13 | Uma velha fazenda: I. Historia de Mãe Preta, 1933-1934 | ||||||||||||
Holograph score for piano | |||||||||||||
BOX-FOLDER 71/14 | Você ..., undated | ||||||||||||
Holograph sketches for piano | |||||||||||||
BOX-FOLDER 71/15 | A voluvel, 1931 | ||||||||||||
Text by Adelmar Tavares | |||||||||||||
Holograph score for voice and piano | |||||||||||||
Music by Others, 1897-1983 | |||||||||||||
This subseries contains compositions, arrangements, and published scores by
composers in holograph, facsimile, copyist manuscript, and printed formats.
Most scores are inscribed to Luiz Heitor, jointly to Luiz Heitor and his wife
Violeta, or to Violeta. Most composers are Brazilian with additional works by
composers from Mexico, Argentina, and Cuba. Composers of note who inscribed
scores include Francis Poulenc, Luciano Gallet, M. Camargo Guarnieri, Gilberto
Mendes, Andrzej Panufnik, Jose Geraldo de Souza, and Josip Slavenski. Also of
note are multiple holograph scores and sketches of Francisco Mignone, some with
personal inscriptions. Additional holograph scores of note were composed for
UNESCO’s centenary celebration of Chopin’s death in 1949 by Lennox Berkeley,
Oscar Esplá, Jacques Ibert, Andrzej Panufnik, and Alexandre Tansman, as well as
a signed facsimile by Gian Francesco Malipiero. Additional holograph and
facsimile scores are harmonizations of Brazilian folk songs, including
arrangements for Luiz Heitor by Edith Barroso, Guiomar Beltrão Frederico, and
Leticia Figueiredo. Printed scores include Brazilian popular music and chôros; nationalistic songs of Brazil and Portugal; classical works for piano, chamber ensembles, and large ensembles; and songs for voice and piano. Most undated printed compositions are late nineteenth- or early twentieth-century first editions by composers such as Léo Kessler and Augusto Stresser and Brazilian publishers including Arthur Napoleão, Vieira Machado, Lino José Barbosa, Edição E.A.M (Radio Continental Ltd.), and Edição Bevilacqua. A late-nineteenth or early twentieth-century Mexican edition of a piano work by Mexican composer Melesio Morales is also of note. Many published piano editions without inscriptions contain performance markings, including those of Violeta prior to her marriage to Luiz Heitor. Some scores in this subseries have stamps in Portuguese indicating folder ("Pasta") and item or work ("Obra") numbers, a possible indication that Luiz Heitor cataloged, specially filed, or acquired his personal library. Select published music without marginalia or inscriptions have been incorporated into the general collections of the Music Division with the exception of rare titles or imprints, such as the official hymn of UNESCO and nineteenth- to early twentieth- century sheet music from select Brazilian publishers. Lists of those titles transferred or surplused can be found here. |
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Arranged alphabetically by composer and title therein. | |||||||||||||
Amat, D. Jozé | |||||||||||||
BOX-FOLDER 72/1 | Miscellaneous works, before 1900 | ||||||||||||
Scores for voice and piano | |||||||||||||
Note: Published in Revista Popular | |||||||||||||
Anna Villareal, Frédéric | |||||||||||||
BOX-FOLDER 72/2 | Guitares d'aujourd'hui, volume A, 1986 | ||||||||||||
Score for guitar | |||||||||||||
Note: Inscribed from the composer to Azevedo | |||||||||||||
Antunes, Jorge | |||||||||||||
BOX-FOLDER 72/3 | Congadasein, 1976 | ||||||||||||
Score for string orchestra | |||||||||||||
Note: Inscribed from the composer to Azevedo | |||||||||||||
Appleby, David and Martha (editors) | |||||||||||||
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