Container | Contents | ||||||||||||
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Correspondence, 1909-1991 (bulk 1938-1985) (continued) | |||||||||||||
BOX-FOLDER 4/28 | Soares, Hostèlio, 1938 | ||||||||||||
BOX-FOLDER 4/29 | Sociedade de Cultura Artística Brasílio Itiberê, 1948 | ||||||||||||
BOX-FOLDER 4/30 |
Sodré, Joanídia Núñez, 1942 and undated
see also Research and Subject Files: Aposentadoria |
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BOX-FOLDER 4/31 |
Stevenson, Robert (UCLA), 1966
see also Research and Subject Files: Amat, José |
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BOX-FOLDER 4/32 | Srutt, Arthur E., 1937 and undated | ||||||||||||
BOX-FOLDER 4/33 | Subirá, José, 1958 | ||||||||||||
BOX-FOLDER 5/1 | Tacuchian, Ricardo, 1977-1987 | ||||||||||||
BOX-FOLDER 5/2 | Tagliaferro, Magdalena, 1974-1975 and undated | ||||||||||||
BOX-FOLDER 5/3 | Tavares, Roberto, 1966 | ||||||||||||
BOX-FOLDER 5/4 | Tosar Errecart, Héctor Alberto, 1978 | ||||||||||||
BOX-FOLDER 5/5 | Trinetti, Gilberto, 1960-1976 and undated | ||||||||||||
BOX-FOLDER 5/6 | United States Group for Latin American Music, 1947 | ||||||||||||
BOX-FOLDER 5/7 |
Valle, Raul do, 1946-1947 and undated
see also Research and Subject Files: Valle, Raul do |
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BOX-FOLDER 5/8 | Vasconcelos, Ary, 1980 | ||||||||||||
BOX-FOLDER 5/9 |
Vianna, Helio, 1937, 1950
see also Research and Subject Files: Aposentadoria |
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BOX-FOLDER 5/10 | Villa-Lobos, Arminda A. (Museu Villa-Lobos), 1959-1983 and undated | ||||||||||||
BOX-FOLDER 5/11 | Villa-Lobos, Heitor, 1930s | ||||||||||||
BOX-FOLDER 5/12 | Villa-Lobos, Jayme, 1980 | ||||||||||||
BOX-FOLDER 5/13 | Villa-Lobos, Lucilla Guimarães, undated | ||||||||||||
BOX-FOLDER 5/14 | Villas-Boas, Ana, 1987 | ||||||||||||
BOX-FOLDER 5/15 | Weber, Edith (Université de Paris-Sorbonne), 1980 | ||||||||||||
BOX-FOLDER 5/16 | Weiszflog, Walter, 1976 | ||||||||||||
BOX-FOLDER 5/17 | Wolff, Klaus Dieter, circa 1972-1973 | ||||||||||||
BOX-FOLDER 5/18 | Yutang, Lin, 1948 and undated | ||||||||||||
BOX 10-34 MAPCASE 6 | Writings, Scholarly Presentations, and Teaching Material, 1924-1988 | ||||||||||||
This series contains Azevedo’s drafts and final versions of writings, speeches, lectures, conference presentations, teaching materials, and radio program scripts. Related correspondence with publication editors, colleagues, and collaborators is present throughout. Materials related to Azevedo’s teaching at the Institute des Hautes Études de l’Amérique latine de l’Université de Paris (IHEAL) are present in both the Writings and Teaching Materials subseries as originally filed. | |||||||||||||
Organized as three subseries. | |||||||||||||
Writings, 1930-1988 | |||||||||||||
Luiz Heitor Corrêa de Azevedo originally described these materials in
Portuguese as "Escritos." This subseries contains annotated drafts, notes,
final typescripts, and published versions of Azevedo’s articles, concert and
music recording reviews, conference lectures, program notes, dictionary and
encyclopedia entries, lesson transcripts, radio program scripts, and posters.
There are two file groups: the majority of Azevedo’s files are a chronological
set of materials followed by a small alphabetical set of French, Brazilian, and
Austrian newspaper and magazine clippings; proofs; and off-prints of journal
articles, encyclopedia entries, and dictionary entries. The chronological files contain topics and titles assigned by Luiz Heitor or Violeta. Files from the 1950s through the 1980s contain writings and Azevedo’s correspondence with editors related to works such as Grove’s Dictionary of Music and Musicians, Die Musik in Geschichte und Gegenwart, and Perspectives in Musicology. The chronological files also contain documents related to embassies and consulates in Milan and Cuba, Radiodiffusion-Télévision Française, Sociedade Brasileira de Musicologia, and Société française de musicologie. Research and review topics include composers Sigismund Neukomm, Heitor Villa-Lobos, Renato Almeida, Carlos Gomes, Francisco Mignone, and Luciano Gallet. Writings related to conference papers and presentations, originally described by Azevedo in Portuguese as "Conferências," appear throughout the chronological files. Documents of note in the chronological files include both clean and annotated typescript bibliographies of Luiz Heitor’s complete writings, including juvenilia and musical compositions, in a 1986 file; radio program scripts, drafts, and musical examples for Azevedo’s 1944 broadcast series Ondas Musicais in Rio de Janeiro; and an annotated typescript of Azevedo’s 1956 UNESCO Radio interview with Heitor Villa-Lobos which corresponds with photographs of the event in the Photographs, Negatives, and Iconography Series. |
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Arranged chronologically or alphabetically. | |||||||||||||
Chronological Files | |||||||||||||
BOX-FOLDER 10/1-3 | 1930-1942, Chronicas musicais diversas | ||||||||||||
BOX-FOLDER 10/4 | 1934-1935 | ||||||||||||
Includes: Correspondence | |||||||||||||
BOX-FOLDER 11/1 | 1944 | ||||||||||||
BOX-FOLDER 11/2 | 1944 | ||||||||||||
Includes: Radio program scripts for Ondas Musicais with musical examples transcribed by Azevedo | |||||||||||||
BOX-FOLDER 11/3 | 1945 | ||||||||||||
BOX-FOLDER 11/4 | 1945 | ||||||||||||
Includes: Handbook of Brazilian Studies | |||||||||||||
BOX-FOLDER 11/5 | 1945 | ||||||||||||
BOX-FOLDER 12/1 | 1946 | ||||||||||||
Includes: O Livro das Grandes Sinfonias | |||||||||||||
BOX-FOLDER 12/2 | 1947 | ||||||||||||
Includes: A Ópera no Brasil | |||||||||||||
BOX-FOLDER 12/3 | 1947 | ||||||||||||
Includes: Dicionário do Folclore Brasileiro, edited by Luís Câmara Cascudo, and related correspondence | |||||||||||||
BOX-FOLDER 12/4 | 1948 | ||||||||||||
BOX-FOLDER 12/5 | 1949 | ||||||||||||
Includes: "Fudação de C. I. M." (Conseil international de musique) | |||||||||||||
BOX-FOLDER 12/6 | 1950 | ||||||||||||
Includes: Grove's Dictionary of Music and Musicians and related correspondence with Eric Blom; Casa do Estudante do Brasil | |||||||||||||
BOX-FOLDER 12/7 | circa 1950 | ||||||||||||
Includes: 150 Anos de Musique au Brésil | |||||||||||||
BOX-FOLDER 12/8 | 1951 | ||||||||||||
Note: UNESCO file contains annotated typscript announcing death of Serge Koussevitzky | |||||||||||||
BOX-FOLDER 12/9 | 1952 | ||||||||||||
BOX-FOLDER 13/1 | 1953 | ||||||||||||
MAPCASE-DRAWER 6/15 | 1953-1966, Institut des hautes études de l’Amérique latine de l'Université de Paris | ||||||||||||
13 course posters | |||||||||||||
BOX-FOLDER 13/2 | 1954 | ||||||||||||
Includes: Typescript letter from Azevedo to Heitor Villa-Lobos | |||||||||||||
BOX-FOLDER 13/3 | 1955 | ||||||||||||
Includes: Die Musik in Geschichte und Gegenwart | |||||||||||||
BOX-FOLDER 13/4 | 1955 | ||||||||||||
BOX-FOLDER 13/5 | 1956 | ||||||||||||
BOX-FOLDER 13/6 | 1957 | ||||||||||||
Contents: Disco Villa-Lobos (conferências, discurso universitário, etc.); IHEAL (Institut des hautes études de l'Amérique Latine); Apresentação de discos notas em programas UNESCO e CIM; 3° Congresso Nacional de Folclore Bahia; Colóquio Luso-Brasileiro Lisboa | |||||||||||||
BOX-FOLDER 13/7 | 1958 | ||||||||||||
BOX-FOLDER 14/1 | 1959 | ||||||||||||
BOX-FOLDER 14/2 | 1959 | ||||||||||||
Includes: Colóquio Luso-Brasileiro Bahia; "José Amat: artigo a refazer e documentação," with correspondence and materials from 1967 and 1983 | |||||||||||||
BOX-FOLDER 14/3 | 1960 | ||||||||||||
Includes: Radiodiffusion-Télévision Française (RTF) and related correspondence;"Jeunesses musicales" correspondence to Magdalena Tagliaferro; Heitor Villa-Lobos with related correspondence of Ministério da Educação e Cultura | |||||||||||||
BOX-FOLDER 14/4 | 1960 | ||||||||||||
BOX-FOLDER 14/5 | 1961, Grolier Society, Inc. Publishers and Radiodiffusion-Télévison Française (RTF) | ||||||||||||
Includes: Correspondence | |||||||||||||
BOX-FOLDER 14/6 | 1962 | ||||||||||||
Includes: Revista Musicale de Silena | |||||||||||||
BOX-FOLDER 14/7 | 1963 | ||||||||||||
Includes: "15 anos de música na UNESCO" | |||||||||||||
BOX-FOLDER 15/1-2 | 1964 | ||||||||||||
BOX-FOLDER 15/3 | 1965 | ||||||||||||
Includes: Materials related to visiting professor position at Indiana University, Bloomington | |||||||||||||
BOX-FOLDER 15/4 | 1965 | ||||||||||||
BOX-FOLDER 15/5 | 1966 | ||||||||||||
BOX-FOLDER 15/6 | 1966 | ||||||||||||
Includes: Vladimir Fédorov Festschrift and related correspondence; correspondence with Maud Karpeles and Vasco Mariz | |||||||||||||
BOX-FOLDER 15/7 | 1967 | ||||||||||||
Includes: "La musique et les musiciens a l'UNESO" for Fontes Artis Musicae and related correspondence of Vladimir Fédorov | |||||||||||||
BOX-FOLDER 15/8 | 1967 | ||||||||||||
Includes: Materials related to Tulane University, New Orleans | |||||||||||||
BOX-FOLDER 16/1 | 1968 | ||||||||||||
BOX-FOLDER 16/2 | 1969 | ||||||||||||
BOX-FOLDER 18/6 | 1970s | ||||||||||||
BOX-FOLDER 16/3 | 1970 | ||||||||||||
Includes: Correspondence with Marc Honegger regarding Dictionaire de la musique; Barry S. Brook regarding Répertoire international de littérature musicale (RILM); Nadia Boulanger | |||||||||||||
BOX-FOLDER 16/4 | 1971 | ||||||||||||
BOX-FOLDER 16/5 | 1972 | ||||||||||||
BOX-FOLDER 16/6 | 1972 | ||||||||||||
Includes: Correspondence to Violeta Corrêa
de Azevedo from Condessa Maurina Dunshee de Abranches Pereira Carneiro
(president, |
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BOX-FOLDER 17/1 | 1973 | ||||||||||||
Includes: Correspondence to Stanley Sadie and Arminda Villa-Lobos regarding Grove's Dictionary of Music and Musicians and John Evarts regarding the International Folk Music Council | |||||||||||||
BOX-FOLDER 17/2 | 1974 | ||||||||||||
Includes: Correspondence to Stanley Sadie regarding Grove's Dictionary of Music and Musicians; pianist Cristina Ortiz | |||||||||||||
BOX-FOLDER 17/3 | 1974 | ||||||||||||
Includes: Correspondence with Marc Honegger regarding Dictionaire de la musique | |||||||||||||
BOX-FOLDER 17/4 | 1975 | ||||||||||||
Includes: Correspondence with Barry S. Brook regarding Perspectives in Musicology and James R. Bjorge of Lincoln Center International Choral Festival regarding Marshal Bartholomew | |||||||||||||
BOX-FOLDER 17/5 | 1975 | ||||||||||||
BOX-FOLDER 17/6 | 1976 | ||||||||||||
Includes: Correspondence of Revista Musical Chilena; Guy Hout (Canadian Music Council); Jack Bornoff (Conseil international de la musique); Pierre Vidal | |||||||||||||
BOX-FOLDER 17/7 | 1976 | ||||||||||||
Includes: Correspondence to the Cuban Embassy in Paris; Ruth Blume of Die Musik in Geschichte und Gegenwart; Eduardo Plaza of Escuela Superior de Música "José Angel Lamas;" Luis Felipe Ramón y Rivera of Instituto Nacional de Folklore, Caracas, Venezuela; Stephanie Krappe of Répertoire international de littérature musicale (RILM) | |||||||||||||
BOX-FOLDER 18/1 | 1977 | ||||||||||||
Includes: Correspondence to Centro Culturale Italo-Brasiliano and Consulado Geral do Brasil, Milan | |||||||||||||
BOX-FOLDER 18/2 | 1977 | ||||||||||||
BOX-FOLDER 18/3 | 1978 | ||||||||||||
BOX-FOLDER 18/4 | 1978 | ||||||||||||
Includes: Correspondence to Ruth Blume of Die Musik in Geschichte und Gegenwart; Casa de las Américas, Havana, Cuba; Instituto de Artes do Planalto, São Paulo | |||||||||||||
BOX-FOLDER 18/5 | 1979 | ||||||||||||
BOX-FOLDER 18/7 | 1980 | ||||||||||||
BOX-FOLDER 19/1 | 1981 | ||||||||||||
Includes: Sociedade Brasileira de Musicologia | |||||||||||||
BOX-FOLDER 19/2 | 1981 | ||||||||||||
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