Container | Contents | ||||||||||||
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Arts Administration, 1935-1998 (continued) | |||||||||||||
Subject Files, 1950-1997 (continued) | |||||||||||||
BOX-FOLDER 51/1 | Stevens Center for the Performing Arts, dedication scrapbook, 1978 | ||||||||||||
BOX-FOLDER 51/2-4, 397/13 | Stevens Center for the Performing Arts, 1978-1993 and undated | ||||||||||||
Includes: Correspondence from Hernando Courtright and Herman Wouk in Box 51, Folder 2 | |||||||||||||
Includes: Correspondence from Barry Bingham, Richard Coe, Hume Cronyn, Gordon Davidson, Arthur Schlesinger Jr., Alan K. Simpson, Jean Kennedy Smith, and Tom Stoppard in Box 51, Folder 3 | |||||||||||||
Includes: Photographs in Box 51, Folder 3 | |||||||||||||
MAPCASE FOLDER 7 | Stevens Center for the Performing Arts, gala opening poster and poster, 1978 and undated | ||||||||||||
BOX-FOLDER 51/5 | O'Neill Theater Center, 1976-1988 | ||||||||||||
BOX-FOLDER 51/6 | Opera Review, 1978 | ||||||||||||
BOX-FOLDER 51/7 | Performance Laboratory, Inc., 1964-1965 | ||||||||||||
BOX-FOLDER 51/8 | The Phillips Collection, 1979-1989 | ||||||||||||
BOX-FOLDER 51/9 | Poets and Writers, 1978-1984 | ||||||||||||
BOX-FOLDER 51/10 | Princeton University - McCarter Theatre, 1959-1960 | ||||||||||||
BOX-FOLDER 51/11 | Pyramid Publications Inc., 1965 | ||||||||||||
BOX-FOLDER 51/12 | The Rockefeller Foundation, 1955, 1974 | ||||||||||||
Includes: Herman E. Krawitz, "American Music Recording Project in Commemoration of the Bicentennial" | |||||||||||||
BOX-FOLDER 52/1 | Royal Shakespeare Theatre, 1963, 1980, 1991 | ||||||||||||
BOX-FOLDER 52/2 | The Royal Society of Arts, 1968-1975, 1989-1991 | ||||||||||||
BOX-FOLDER 52/3, 411/5 | Saturday Review, 1963-1970 | ||||||||||||
BOX-FOLDER 52/4 | Seattle Opera, undated | ||||||||||||
BOX-FOLDER 52/5 | Seattle World's Fair, 1961-1962 | ||||||||||||
BOX-FOLDER 52/6 | The Shakespeare Institute, 1970-1971 | ||||||||||||
BOX-FOLDER 52/7 | Study of the New York Theater, 1971 | ||||||||||||
BOX-FOLDER 52/8 | Sydney Opera House Trust, 1973-1976 | ||||||||||||
BOX-FOLDER 52/9 | Tennessee Performing Arts Foundation, 1974 | ||||||||||||
BOX-FOLDER 52/10 | Theatre Communications Group - Advisory Board, 1961-1963, 1974, 1983 | ||||||||||||
BOX-FOLDER 52/11 | Theatre Development fund, 1976-1981, 1991 | ||||||||||||
BOX-FOLDER 52/12 | Theatre for a New Audience, 1988-1994 | ||||||||||||
BOX-FOLDER 52/13 | Theatre Guild Inc. - American Theatre Society, 1951-1977, 1993 | ||||||||||||
BOX-FOLDER 52/14 | Theater meeting in Cleveland, 1958 | ||||||||||||
BOX-FOLDER 52/15 | Theatre of Latin America, Inc., 1977-1978 | ||||||||||||
BOX-FOLDER 52/16 | Treaty of Paris Bicentennial Committee, 1982-1985 | ||||||||||||
BOX-FOLDER 53/1 | Trinity Square Repertory Company, 1990-1994 | ||||||||||||
BOX-FOLDER 53/2 | The Twentieth Century fund, 1969-1970 | ||||||||||||
BOX-FOLDER 53/3-4 | UNESCO Advisory Committee for Venice, 1969-1973 | ||||||||||||
BOX-FOLDER 53/5 | University of California, 1969-1971, 1978, 1986-1991 | ||||||||||||
BOX-FOLDER 53/6 | University of Michigan, 1957-1964, 1970-1991 | ||||||||||||
Includes: Roger L. Stevens 1963 speech on production and financing of plays | |||||||||||||
BOX-FOLDER 53/7 | University of Washington, 1958-1964, 1970 | ||||||||||||
BOX-FOLDER 53/8 | University Resident Theatre Association, 1972-1974 | ||||||||||||
BOX-FOLDER 53/9 | Vineyard Theatre and Workshop Center, Inc., 1989-1990 | ||||||||||||
BOX-FOLDER 53/10 | Williamstown Theatre Festival, 1976, 1985, 1992-1993 | ||||||||||||
Writings and speeches by others | |||||||||||||
BOX-FOLDER 53/11 | Bakel, Richard. "Ticket Exchange Offered as a Solution for Abuses," 1964 January 26 | ||||||||||||
BOX-FOLDER 53/12 | Bloom, Kathryn. "Arts Organizations and Their Services to Schools: Patrons or Partners," 1974 January | ||||||||||||
BOX-FOLDER 54/1 | Blount, Winston M. Nancy Hanks lecture, 1995 March 13 | ||||||||||||
BOX-FOLDER 54/2 | Cole, Edward C. "Valedictory Remarks," 1965 | ||||||||||||
BOX-FOLDER 54/3 | Garrett, Ethel. [The arts in Washington], 1969 | ||||||||||||
BOX-FOLDER 54/4 | Hartford, Huntington. "The Public Be Damned?," undated | ||||||||||||
BOX-FOLDER 54/5 | Johnson, Lyndon B. "National Council on the Arts," 1966-1968 | ||||||||||||
BOX-FOLDER 54/6 | Kook, Edward F. The present State of the Broadway theatre ..., 1963 | ||||||||||||
BOX-FOLDER 54/7 | London, George. The Concept of a National Center ... - excerpt, 1969 May | ||||||||||||
BOX-FOLDER 54/8 | Mander, Reginald. "The Old Vic Story," 1977 | ||||||||||||
BOX-FOLDER 54/9 | Mayer, Martin. "Brick and Mortar and the Arts," undated | ||||||||||||
BOX-FOLDER 54/10 | Meacham, Roy. "The Brussels November of Simone," undated | ||||||||||||
BOX-FOLDER 54/11 | Meacham, Roy. "While Lee Slept Quietly," undated | ||||||||||||
BOX-FOLDER 54/12 | Plant, Ed. "A Prospectus to Structure the Future Success of Liberal Political Activities," undated | ||||||||||||
BOX-FOLDER 54/13 | Ross, Nancy Wilson. "How Books Happen to Authors: A Personal Story" The Clark Lecture, Scripps College, 1973 April 10 | ||||||||||||
BOX-FOLDER 54/14 | Sarnoff, David. address "At the Presentation of Yeshiva University's Distinguished Science Award," 1964 May 24 | ||||||||||||
BOX-FOLDER 54/15 | Sloane, J. C. "Notes for a New Humanism," undated | ||||||||||||
BOX-FOLDER 54/16 | Statements by members of the House of Representatives in Support of the National Endowment for the Arts, 1966 | ||||||||||||
BOX-FOLDER 54/17 | Symington, James W. "Echoes of Rodo," Americans, 1968 March | ||||||||||||
BOX-FOLDER 54/18 | Udall, Stewart L. "America and the Search for a Quality Society," 1964 April 18 | ||||||||||||
BOX-FOLDER 54/19 | Udall, Stewart L. "The Arts as a National Resource," 1964 March 28 | ||||||||||||
BOX-FOLDER 54/20 | Wadsworth. "Birthday Present," undated | ||||||||||||
BOX-FOLDER 54/21 | Welch, G. Harold "It's a Rewarding Experience to Travel Behind the Iron Curtain," 1963 | ||||||||||||
BOX-FOLDER 54/22 | Welch, G. Harold "Reflections on a Dream," 1957 April 15 | ||||||||||||
BOX-FOLDER 54/23 | Wharton, John F. "Some Forgotten Facets of Theatrical Financing," Report to the Legitimate Theatre Industry Exploratory Committee, undated | ||||||||||||
BOX-FOLDER 54/24 | Wolf, Alfred L. "Total Distribution: The Dream and the Reality," 1974 May 15 | ||||||||||||
BOX-FOLDER 54/25 | Wolff, Ruth. "Writing the Biographical Play," 1996 | ||||||||||||
BOX-FOLDER 54/26 | Young Presidents Organization, Inc., 1975-1976 | ||||||||||||
BOX-FOLDER 54/27 | Young Women of the Arts, 1977 | ||||||||||||
BOX-FOLDER 54/28 | Zev Bufman Theatre Partnership, circa 1995 | ||||||||||||
BOX 55-109, 397, 401, 404, 411, 426, 432-433 | Theatrical Production Files, 1908-1997 (bulk 1949-1990) | ||||||||||||
Stevens produced a considerable number of shows, both on- and off-Broadway. He also financially backed productions, often without attribution in the program. He was actively involved in his productions at all levels, from selecting scripts to obtaining backers to hosting opening night parties and sending gifts to his casts. This series documents Stevens's myriad productions, as well as the many works submitted to his office for consideration. Materials related to specific production companies are located under Arts Administration in the Producing Organizations subseries and within the Kennedy Center Productions, Inc. folder in the National Cultural Center - Kennedy Center for the Performing Arts sub-subseries. | |||||||||||||
Organized alphabetically as three subseries. |
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BOX 55-102, 397, 401, 404, 411, 426, 432-433 | Production Files, 1908-1997 (bulk 1949-1990) | ||||||||||||
This subseries documents more than 400 plays and other staged events produced,
backed, or supported by Roger L. Stevens as an individual or through the
various entities with which he was connected, including: American National
Theatre and Academy (ANTA), the Kennedy Center for the Performing Arts,
Playwrights' Theatre, Producers' Theatre, Stevens Productions, and
Whitehead-Stevens. Also included here are plays produced in England and France. Materials consist of actor and crew contracts, audition and casting materials, budgets, box office reports, clippings, correspondence, financial reports, invoices and check stubs, play company contracts, posters, programs, production stills, rehearsal schedules, reviews, scrapbooks, and scripts. Most productions lack extensive documentation; some are only represented through a program or single production still. Well-documented productions include 1600 Pennsylvania Avenue, Candide, The Cocktail Hour, Conduct Unbecoming, Double Cross, Jockey Club Stakes, Jumpers, Mary, Mary, A Piece of My Heart, The Pleasure of His Company, She Loves Me, and Sheep on the Runway. Programs and photographs are typically located in the front of a folder or the first folder where there are multiple files for a production. Programs for British and French productions of plays are included regardless of whether Stevens was involved in the production, as he often attended these performances prior to mounting his own. |
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Arranged alphabetically by production title. |
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BOX-FOLDER 55/1 | Stevens Production Lists, undated | ||||||||||||
BOX-FOLDER 55/2-3 | 2, 1989, 1991-1993 | ||||||||||||
BOX-FOLDER 55/4-8 | 1600 Pennsylvania Avenue, 1975-1976, 1992 | ||||||||||||
BOX-FOLDER 55/9 to 56/4 | 1776, 1969-1977 | ||||||||||||
BOX-FOLDER 56/5 | The 1940s Radio Hour, 1979-1989 | ||||||||||||
BOX-FOLDER 56/6 | A la Creole, 1960 | ||||||||||||
BOX-FOLDER 57/1 | The Abdication, 1969-1971 | ||||||||||||
BOX-FOLDER 57/2 | Absurd Person Singular, 1973-1974 | ||||||||||||
BOX-FOLDER 57/3 | The Admirable Crichton, 1957 and undated | ||||||||||||
BOX-FOLDER 57/4 | The Affair Blum, 1962-1965 | ||||||||||||
BOX-FOLDER 57/5 | Alfie, 1964-1965 | ||||||||||||
BOX-FOLDER 57/6 | All Over Town, 1974 | ||||||||||||
BOX-FOLDER 57/7 | Amphigorey, 1992-1994 | ||||||||||||
BOX-FOLDER 57/8 | Andorra, 1962-1966 | ||||||||||||
Includes: Correspondence from Hugh Beaumont, Cheryl Crawford, Max Frisch, and Peter Hall | |||||||||||||
BOX-FOLDER 57/9 | Angelic Avengers, 1957-1958 | ||||||||||||
BOX-FOLDER 57/10-11, 426/5 | Annie, 1977-1982 | ||||||||||||
Includes: Framed photograph of Sandy with paw print in Box 57, Folder 11 | |||||||||||||
Includes: Slides of production poster in Box 57, Folder 10 and production poster in Box 426, Folder 5 | |||||||||||||
BOX-FOLDER 57/12 | Annie II, 1989-1992 | ||||||||||||
BOX-FOLDER 57/13 | Anthony and Cleopatra, 1990-1991 | ||||||||||||
BOX-FOLDER 57/14 | The Apollo of Bellac, 1957 | ||||||||||||
BOX-FOLDER 57/15 | Arcadia, 1993 | ||||||||||||
BOX-FOLDER 57/16 | Arsenic and Old Lace, 1986-1988 | ||||||||||||
BOX-FOLDER 57/17 | The Art of Dining, 1980 | ||||||||||||
BOX-FOLDER 58/1 | Artist Descending a Staircase, 1989-1992 | ||||||||||||
BOX-FOLDER 58/2 | Assassination, 1865, 1972 | ||||||||||||
BOX-FOLDER 58/3 | Asylum, 1963 | ||||||||||||
BOX-FOLDER 58/4 | At the Grand, 1958-1959 | ||||||||||||
BOX-FOLDER 58/5 | Auntie Mame, 1957-1958 | ||||||||||||
BOX-FOLDER 58/6 | Back to Methuselah, 1958 | ||||||||||||
BOX-FOLDER 58/7 | The Bad Seed, 1954-1960 | ||||||||||||
BOX 433 | The Bad Seed - medallion, 1956 June 30 | ||||||||||||
Engraved on verso: R.S. from N.K. "Bad Seed" | |||||||||||||
BOX-FOLDER 58/8 | The Ballad of Baby Doe, 1957-1958 | ||||||||||||
BOX-FOLDER 58/9 | Ballet Ballads, 1960-1961 | ||||||||||||
BOX-FOLDER 58/10 | Banderol, undated | ||||||||||||
BOX-FOLDER 58/11 | Bedroom Farce, 1976 | ||||||||||||
BOX-FOLDER 58/12 | Beekman Place, 1964-1965 | ||||||||||||
Includes: Correspondence from Constance Cummings and Samuel Taylor | |||||||||||||
BOX-FOLDER 58/13 | Bells are Ringing, 1956-1961 | ||||||||||||
BOX-FOLDER 58/14-15 | The Best Man, 1960-1961 | ||||||||||||
Includes: Correspondence from Hume Cronyn; Melvyn Douglas; Randolph Hale; Mike Moroney; Adlai E. Stevenson; Franchot Tone; Lee Tracy; and Gore Vidal | |||||||||||||
BOX-FOLDER 59/1 | The Best of Friends, 1988 | ||||||||||||
Includes: Photograph of Blythe Danner, Raul Julia, and Roy Scheider | |||||||||||||
BOX-FOLDER 59/2 | Betrayal, 1978-1980 | ||||||||||||
Includes: Slides of production poster | |||||||||||||
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